Thanks for the great color grading tips you continually bring. I have Cinema Grade and the Color Grading Academy membership. Also your testimony of how you got started has definitely given me encouragement during this season in life 🙂. Keep up the great work!
Hi Denver, a few years ago I bought color finale, it was great, the problem was when FCPX updated color finale was no longer supported, I have recently bought davinci resolve so have both, are there any guarantees that if I buy cinema grade the same thing wont happen the next time Davinci or FCPX has an update? is there not a standalone version of cinema grade?
That's absolutely fantastic! I started to practice this process, and it hit me that I should practice on images WITH white, so I could "check myself" after doing your trick. Practicing that way, I was able to get the feel for where my skin tones should be on the skin-tone line when I have to white balance with NO WHITE. It's making my white balancing chops better with your trick!!!! You're amazing!
Tommy that's a good idea to cross examine the two different methods and after all the skin tones are the most important subject so I'm glad that armed with these two methods you're going to optimal results 🙌🏽
Imagine you have a person with color vision deficiency and you have to teach him in a way that yields good results. This video works in that way as it uses technical means where you don’t have to rely on your perfect vision. I wish there where more of that kind as I’m deficient , too. Not color blind but Protanopia, red green problems.
This is absolutely brilliant tutorial on colour grading. Greatly appreciated your efforts and I learnt more especially on what to do if there is no white in a scene for color correction. New information to me and thanks for sharing.
That is the beauty of audiovisual production, I have always wanted to be a film producer, what a great way to play with the tones, everything was perfect
You never know how precious this trick for me as a newbie on video editing. God bless you, bro......pls keep good video.....you are the man (from Indonesia)
This is some of the best color grading tutorials on the internet (even though i cringe a bit every time you say something like, huorhuorhuoorrr) Keep it up!:)
Thank you so much for making time to make and post this video ,from this tutorial I learnt what to do when there is no white in a scene for color correction.
the color models are the best I have seen and even more with that design is perfect that's what I call good pictures and good design technology at an advanced level. good video
I wouldn't say that's necessarily the case. He showed three different techniques in three different NLEs, but you should be able to use the technique shown in Premiere in both Resolve and FCP.
I've wondered for quite some time now. Since balancing skintone to the orange skin line is so powerful. Why have I yet to see a "skin balance-eye-drop" tool like the white balance that is in all color correction suites?
This information will be very useful to me, I did not know about this, I was actually oblivious to this topic, but this will advance my photography career very well, each video you upload is very useful, thanks brother
Please, make a video explaining how to color grade for 4k videos for youtube. Chrome and firefox changes the colors of 4k videos so it's very difficult to color grade. Thanks !
Excellent tutorial with tremendous informative content and real effective and efficient. Thank you for sharing this. I loved all the presentation of this content from beginning to end.
No, not the skintones again.... what if we don't have skintones? My empirical trick is move the temperature back and forth and find the sweetspot where most of colours appear saturated and concurrently (warm+cool). Then do the same with tint. You can be a tad more precise when consulting vectorscopes (if you can read them) with the same in mind: Highest saturation (and separation) in both warm and cool colours, at the same time.
I wish I saw this few months earlier. very nice tip which I learned about a month ago. Here is a question? what if we don't have neither a white plane nor skin tone in the footage?
For darker skin tones, the trace in the vectorscope will sit on and a little to the right of the I bar, as opposed to being directly on it with caucasian skin tones
Really very good and very helpful video. Excellent tutorial with tremendous informative content and real effective and efficient. Thank you for sharing this. Thank you.
This video has been awesome! I have had this question forever and now it is answered, thank you! Do you have any tips for white balancing when there are no skin tones in the image as well as no whites?
Hello sir thanx for color grading plugin I install it but it's not working In adobe premiere pro I am done grading in your plugin but when I apply it in the timeline the clip become black
That third shot with the hands was lit by indirect sunlight. How much blue should be reintroduced in the highlights to account for naturally blue light coming from the diffused sky light in regards to what it would look like on the vectorscope?
great tutorial but just thinking on the other hand what if its a blackman video isnt there any difference on skin tones settings ?If so then what should the black person line in in a vectorscope.thanks
Your tutorials are always great and I learn so much from you. I just wish you would build a Windows version of your software. Any chance this will happen?
Quick update! Cinema Grade will be releasing this month on Windows! Here is where you can get early access and a discount: coming.cinemagrade.com/opt-in-for-cinema-grade-win/
@2.04 how could you do this with an adjustment layer, its a little hard to see it in the scopes as you see the clip below the adjustment layers skin tone as well in the graph? Could you maybe white balance first on the clip itself and then throw an adjustment layer and apply lumetri color grading on that ?
@@colorgradingcentral thank you. How would you expose for those dark skin tones using Zebras? For Caucasian I set it to 70% Zebra. Would I need to go higher than 70% or lower for really dark skin tones?
Another absolutely professional advice! Bravo! I have one question popping up right now. In your colorgrading seminar, your workflow is color correcting first and then do shotmatching. I'm wondering whether we should do shotmatching first for the entire scene because it is easier to match shots without further complicatedcolor correction nodes added on. Thanks
Thanks! But you have to apply a base correction to start to fix for exposure and white balance. Otherwise you'll be shot matching to an uncorrected image and it will cause further problems down the line.
@@colorgradingcentral Yeah, they are the bad match, but they are consistent, and then we start fixing exposure and balance by selecting the hero shot and copy to the rest in the scene. So what problem will be caused down the pipeline in this workflow? Cheers
I know I'm one year late but to the future readers: Import the image in DaVinci Resolve and put it in the timeline, it will be treated as a still video and you can color correct it in DaVinci. DaVinci doesn't support raw images (as per my experience with Resolve 17). I use lightroom to correct exposure, tint and temp in raw images then I export it as jpeg/png then color correct it in DaVinci.
I have a problem and I don't know what I'm doing wrong. I use Davinci resolve and after changing the color wheels it only works on the selected area, not the whole shot
It's going to be the same, but darker skinned people's skin tones tend to sit a little further to the right of the fleshline/I-Bar than caucasian skin tones.
Ugh! The puzzling problem of trying to fix a shot without white is SOLVED finally!!!
Thanks for the great color grading tips you continually bring. I have Cinema Grade and the Color Grading Academy membership. Also your testimony of how you got started has definitely given me encouragement during this season in life 🙂. Keep up the great work!
@@GlenReed thanks a lot Glen, that truly means a lot and if there is anything that I have been able to do to help you I consider myself honored!
Hi Denver, a few years ago I bought color finale, it was great, the problem was when FCPX updated color finale was no longer supported, I have recently bought davinci resolve so have both, are there any guarantees that if I buy cinema grade the same thing wont happen the next time Davinci or FCPX has an update? is there not a standalone version of cinema grade?
I love when they provide very accurate information without going around and around when it relates to the digital age, photography, design.
That's absolutely fantastic! I started to practice this process, and it hit me that I should practice on images WITH white, so I could "check myself" after doing your trick. Practicing that way, I was able to get the feel for where my skin tones should be on the skin-tone line when I have to white balance with NO WHITE. It's making my white balancing chops better with your trick!!!! You're amazing!
Tommy that's a good idea to cross examine the two different methods and after all the skin tones are the most important subject so I'm glad that armed with these two methods you're going to optimal results 🙌🏽
Great tip. Awesome for those tricky situations. Beautiful work as always dude!
Thanks Casey and congrats to passing 100K, you'll have to send me a pic of you with your RUclips play button 🙌🏽
This is becoming my fav channel
this channel is the best color grading Online school
I never wasted my money to learn online on Color Grading Central
Imagine you have a person with color vision deficiency and you have to teach him in a way that yields good results.
This video works in that way as it uses technical means where you don’t have to rely on your perfect vision.
I wish there where more of that kind as I’m deficient , too. Not color blind but Protanopia, red green problems.
I'm reading this comment with my colour blindness glasses on, and my premiere window open on the other half of my monitor hahaha.
@@DeanLamb your secret is safe with me :-)
This is absolutely brilliant tutorial on colour grading. Greatly appreciated your efforts and I learnt more especially on what to do if there is no white in a scene for color correction. New information to me and thanks for sharing.
Thanks so much Meena!!
That is the beauty of audiovisual production, I have always wanted to be a film producer, what a great way to play with the tones, everything was perfect
You never know how precious this trick for me as a newbie on video editing. God bless you, bro......pls keep good video.....you are the man (from Indonesia)
Thanks so much!
The Best channel to learn color grading.
This is some of the best color grading tutorials on the internet (even though i cringe a bit every time you say something like, huorhuorhuoorrr) Keep it up!:)
LOL I'm glad the technical value is at least there if not for some entertainment 😜
I'm from China. I'm glad to see such a wonderful teaching video. Thank you.
Thank you! 😃
Thank you so much for making time to make and post this video ,from this tutorial I learnt what to do when there is no white in a scene for color correction.
Thank you for sharing about white balancing without white. Your ideas working well
This channel is LIFE for a cinematographer like me!
This is a game changer for me - thank you
You're welcome! Happy to help!
the color models are the best I have seen and even more with that
design is perfect that's what I call good pictures and good design
technology at an advanced level. good video
Great video. I discovered this myself a while back but you have confirmed that this correction is easiest to solve in Premiere Pro.
I wouldn't say that's necessarily the case. He showed three different techniques in three different NLEs, but you should be able to use the technique shown in Premiere in both Resolve and FCP.
Thanks for the video! I love the color in your video too. Looks great without looking preset
Shout out from Brazil. I've started editing recently using FCPX. Your videos are so good, practical, and straight to the point. Excellent job.
Thanks Diego!
Very good information about colour correction and this video is very helpful for me thanks for sharing this amazing video.
I've wondered for quite some time now. Since balancing skintone to the orange skin line is so powerful. Why have I yet to see a "skin balance-eye-drop" tool like the white balance that is in all color correction suites?
I've tried to look this up over the last year or so. Why isn't this a thing??
Amazing trick! I always have issues with color corrections. So thank you again for your secrets
You're welcome! Happy to help!
@Color Grading Central
Please please next one should be 'Book of Eli' look recreation.
来自中国的视频工作者在RUclips第一次留言，我觉的你分享的这些色彩管理的技巧实用性很高很棒
This information will be very useful to me, I did not know about this, I was actually oblivious to this topic, but this will advance my photography career very well, each video you upload is very useful, thanks brother
You're welcome! Happy to help!
The way u presented the video is really amazing, I had so much fun! Thanks for sharing
You're welcome Ramiz! Glad you got a lot out of it!
the best wb tutorial ever
Thanks so much!!
You arę the best color granding teacher which I ever had. Yours tips are so dope
You're very kind, thank you adusebejbe
Please, make a video explaining how to color grade for 4k videos for youtube. Chrome and firefox changes the colors of 4k videos so it's very difficult to color grade. Thanks !
It's indeed a perfect trick to white balancing without white which actually works. Thanks for the video
Excellent tutorial with tremendous informative content and real effective and efficient. Thank you for sharing this. I loved all the presentation of this content from beginning to end.
Awesome tutorial. I have definitely run into this problem on many occasion. Thank you Denver!
You're welcome, I figure it is only matter of time until you encounter those tight shots that don't offer any kind of clues of how to grade them.
Color Grading Central btw, I’m a huge fan of your work. Keep it up, you rock!
@@marcmartinezfilms thanks Marc, I shall sure try :)
Excellent. Another tool in my toolbox. Thanks!
Mind blown!! Awesome stuff dude
Thanks so much Eric!!
Wow. I wish Lightroom had a skin tone scope like that.
I think this is a Very interesting and smart Secret Trick to White Balancing WITHOUT White ... !really thank you for this useful vid.
Wow my big problems of trying to fix jast 1s so i love this video thanks
Wow great tutorial .. thank you for sharing this trick 😊😊
You're welcome! Happy to help!
No, not the skintones again.... what if we don't have skintones? My empirical trick is move the temperature back and forth and find the sweetspot where most of colours appear saturated and concurrently (warm+cool). Then do the same with tint. You can be a tad more precise when consulting vectorscopes (if you can read them) with the same in mind: Highest saturation (and separation) in both warm and cool colours, at the same time.
Damn dude. Great video, straight to the point and concise
Thanks so much!!
Damn, i'm fckn love your content bro! Keep it up!!!
Thanks so much!!
Great tips
I have no idea that it could be done, awesome video presentation, it is easy to learn and follow.
Thanks, glad you liked it!
Great video. I discovered this myself a while back but you have confirmed that this correction is easiest to solve in Premiere
Yeah it's pretty obvious and makes sense.
I wish I saw this few months earlier. very nice tip which I learned about a month ago. Here is a question? what if we don't have neither a white plane nor skin tone in the footage?
Wow! This technique is great! Thanks for sharing!
Very interesting to see how you used 3 different programs to achieve a good white balance! Subscribed!
Thanks for the sub and the kind words!!
Thank you for the brilliant video!
My pleasure!
Dumb question: does this also apply to non-caucasian skin tones? Or what adjustments would you need to make in those instances? Thanks!!!
For darker skin tones, the trace in the vectorscope will sit on and a little to the right of the I bar, as opposed to being directly on it with caucasian skin tones
@@colorgradingcentral Awesome, thank you Denver!
Thank you so much for sharing your knowledge. Ok. The principle is the same, but for us beginners, it would be great to show the same in Vegas.
Great suggestion!
@@colorgradingcentral Wooow! It would be wonderful. Thank you very much! :)
Nice Denver! Good little tutorial!
Thanks Cory for giving it a watch and leaving a comment!
Really very good and very helpful video. Excellent tutorial with tremendous informative content and real effective and efficient. Thank you for sharing this. Thank you.
You're welcome, thanks for the comment Romona!
This is a very valuable tip!!! Thanks so much. I needed it big time.
Thank you for this very useful tip 🙏🏼
Interesting!. I've got a question. Why did you not apply Temp and Tint in FCPX as you also used it in PP?. Thanks you and stay safe
You could do that as well, but you'll get more control with the curves
Awesome presentation like always.. can you make a tutorial on color grading an 8-bit, 4.2.0 with neutral profile. 😃
This video has been awesome! I have had this question forever and now it is answered, thank you! Do you have any tips for white balancing when there are no skin tones in the image as well as no whites?
Hello sir
thanx for color grading plugin I install it but it's not working In adobe premiere pro
I am done grading in your plugin but when I apply it in the timeline the clip become black
Excellent color correction video it was just fun to enjoy this six minute video thanks for sharing
You're welcome, thanks for the comment jean!
Very useful must needed tutorial...
Happy to help, Ravi!
Excellent information Thank you for sharing your experience
You're welcome Rofix!
That third shot with the hands was lit by indirect sunlight. How much blue should be reintroduced in the highlights to account for naturally blue light coming from the diffused sky light in regards to what it would look like on the vectorscope?
“Noice” Denver, thanks again for sharing your wizardry!
Luv your reference our (Aussie) Sharon Strezelecki, noice!
Haha you're welcome dm NOICE!
great tutorial but just thinking on the other hand what if its a blackman video isnt there any difference on skin tones settings ?If so then what should the black person line in in a vectorscope.thanks
Thank you! Yes darker skin tones tend to be on the I bar, but slightly further to the right than caucasian skin tones.
this just blew my mind. it answered my problem with getting the correct TINT from my bmpcc6k since it always looks a bit green
and i had already learned how to use the scopes too and i still felt unsure
Glad to know I've been using the secret trick without knowing it was a secret haha! Great job!
Thanks Erik!!
Your tutorials are always great and I learn so much from you. I just wish you would build a Windows version of your software. Any chance this will happen?
Cinema Grade is coming to Windows! Sign up for the Kickstarter and get 40% off at launch coming.colorgradingcentral.com/kickstarter
Get it on Kickstarter now and save up to 40% OFF retail with early bird pricing HERE: bit.ly/3nzqt7t
Quick update! Cinema Grade will be releasing this month on Windows! Here is where you can get early access and a discount: coming.cinemagrade.com/opt-in-for-cinema-grade-win/
LOVED YOUR TRICK BUNDLE OF THANKS . LOVE FROM PAKISTAN
This is a great tip! I’ll be sending this video out to some people.
Dude I would be indebted Dave, thanks for giving it a watch and more especially for sharing it 🙏🏼
What a awensome tutorial, thanks for that! Vetorscope it's a nightmare for me who never use it before
Oh that's awesome Antonio! Now you know it can be really helpful and you'll get a lot more out of it.
Very nice! Thanks!
Lovin' that hon hon hon at 2:19 😂
LOL that was a risk, but I went with it 😂
@@colorgradingcentral It was a nice silly/fun moment 🙏
WHAT A GREAT VIDEO AND A VERY GOOD EXPLANATION, REALLY WORKED FOR ME, KEEP ON AS FRIEND
Thanks Maiguel that means a lot. Thanks for the comment.
@2.04 how could you do this with an adjustment layer, its a little hard to see it in the scopes as you see the clip below the adjustment layers skin tone as well in the graph? Could you maybe white balance first on the clip itself and then throw an adjustment layer and apply lumetri color grading on that ?
This is genius. How would you line up the colors for really dark skin tones?
Same technique but darker skin tones tend to sit on and a little to the right of the I bar while caucasian skin tones are directly on the line.
@@colorgradingcentral thank you. How would you expose for those dark skin tones using Zebras? For Caucasian I set it to 70% Zebra. Would I need to go higher than 70% or lower for really dark skin tones?
Really great informative video. Learned something new today. Thank for your share .
You're welcome, glad I could add something to your arsenal.
Another absolutely professional advice! Bravo! I have one question popping up right now. In your colorgrading seminar, your workflow is color correcting first and then do shotmatching. I'm wondering whether we should do shotmatching first for the entire scene because it is easier to match shots without further complicatedcolor correction nodes added on. Thanks
Thanks! But you have to apply a base correction to start to fix for exposure and white balance. Otherwise you'll be shot matching to an uncorrected image and it will cause further problems down the line.
@@colorgradingcentral Yeah, they are the bad match, but they are consistent, and then we start fixing exposure and balance by selecting the hero shot and copy to the rest in the scene. So what problem will be caused down the pipeline in this workflow? Cheers
just awesome!!! congrats!!
Awesome !! please is there a diff btw skin tone and skin color?
Same
THxx how do u color the skin without affecting the overall background.?
Wow brother interesting video, I didn't know all that !! I will put into practice everything I learned, thank you very much for sharing
You're welcome!
Maybe a little off topic question: is there a simple way to do this trick on still images as well?
I know I'm one year late but to the future readers:
Import the image in DaVinci Resolve and put it in the timeline, it will be treated as a still video and you can color correct it in DaVinci.
DaVinci doesn't support raw images (as per my experience with Resolve 17).
I use lightroom to correct exposure, tint and temp in raw images then I export it as jpeg/png then color correct it in DaVinci.
@@angelosennido2903 Thanks!
Very good video
Thanks a lot brother.
You're welcome! Happy to help!
I found this really helpful
Thrilled to hear that Jaymes!
Dude....so good! 😁👍
Thanks so much!
tq for this tutorial bro....btw, day 4 night color grading tutorial plizzzz 😅🙏
Thanks for the suggestion!
Great video! Any tips on correcting white balance on 8 bit footage using DaVinci?
great! what if no skin tones in footage?
fantastic thank you
amazing trick! thanks for sharing bro
I have a problem and I don't know what I'm doing wrong. I use Davinci resolve and after changing the color wheels it only works on the selected area, not the whole shot
Absolutely great and useful tutorial, but... as always 🔥
Thanks so much!!
Is there a way to do this with brown skin? Is there a “fleshline” for black and brown people?
Tracy Collins It works with the same line for black and brown skin colors as well!
It's going to be the same, but darker skinned people's skin tones tend to sit a little further to the right of the fleshline/I-Bar than caucasian skin tones.
color correction esta muy genial, mil gracias por compartir este video, me encanto
Muchas gracias Isabel!
Thanks for this amazing tip!
You're very welcome, Kit!
Got that mask at 1:52, but rest of the screen is not black (outside mask) :/ How to do this?
Great 👍, what if there is no no skin on the scene 🤔