Unlock the full spectrum of teal & orange in your color grading 🎨. Our latest RUclips tutorial reveals game-changing techniques that'll revolutionize your footage! Plus an exclusive teal and orange LUT pack the recreates these 5 methods: www.cinemagrade.com/?el=tealorange
2:00 : NO you cannot reduce the opacity of these specific LUTs. They are hybrid LUTs, meaning they contain both a creative look and a technical transform (to Rec709 or DCI P3 depending on which you pick). Reducing the opacity of the LUT will result on incorrect behavior because, yes you're indeed reducing the strength of the creative look BUT ALSO the rec709 transform. They is currently no way to seperate these two components from the Film Look legacy LUTs from Resolve. Plus, this LUT is expecting Cineon Log as a tone curve so a workaround would be to place a CST before the LUT and set it to Rec709 (colorspace) and Cineon Film Log (gamma). Common misconception so I thought I would clarify that - I'd recommend Cullen Kelly's channel for more in depth explanations :) And if the look embedded in the LUT is still too strong, you can adjust contrast and color using a node prior to the LUT.
I've been playing around for years to get good cinematic T/O colours but it was driving me crazy, I paid for this and it was like magic, instant looks I wanted for years, with minimal clicks and adjustments! Thank you also for this video!
I just intuitively, knowing nothing about cinema color grading, made my latest video with saturated teal and orange colors and unbelievably the video took over in views in two days against my all others. I am bewildered. You can't just blindly stick with the same color scheme all the way.
@@colorgradingcentralI have cinema grade and it’s great. Would it be better to color correct in CG and then use Premiere to do these teal and orange adjustments? Or, would a lut do the trick in CG in the color grading section? Thanks!
@@colorgradingcentral Yes, however, I think my main question is how much of the look is done through grading, and is coloured lighting necessary on the shoot if grading can do most/all of it?
Most set design/art directors decide on a color palette consistent with color scheme and at most will have three colors. This should be taken into consideration during shoot prep and scouting. A colorist working with a cinematographer should then work to augment the art direction that is already there as opposed to going against it.
I own Cinemagrade. Do additional LUT packs like Teal and Orange download with updates or do I need to be checking back periodically to see what you have developed?
We going to be dropping a sell soon on the teal and orange plus others that we’ll be releasing (moody dark tones) etc. should be in the next week or two.
@@colorgradingcentraldoes that mean those that already purchased the plugin will have these Luts and future luts added? I didn't quite understand your response as to if previous users would get these Luts.
This is so interesting and I'm learning a lot. Thank you so much. I actually have cinema grade, but haven´t used it a lot. It seems I have misplaced (or deleted) the tutorials. Is there anyway I can find them on the net?
Hi Denver, wicked tutorial. Quick question…I’m using Final Cut Pro and am mixing video with photos and am wondering if cinema grade will work on both, or just footage?
![Orange and Teal Color Grading in Premiere Pro [No LUTs]](/img/1.gif)
Unlock the full spectrum of teal & orange in your color grading 🎨. Our latest RUclips tutorial reveals game-changing techniques that'll revolutionize your footage! Plus an exclusive teal and orange LUT pack the recreates these 5 methods: www.cinemagrade.com/?el=tealorange
2:00 : NO you cannot reduce the opacity of these specific LUTs. They are hybrid LUTs, meaning they contain both a creative look and a technical transform (to Rec709 or DCI P3 depending on which you pick). Reducing the opacity of the LUT will result on incorrect behavior because, yes you're indeed reducing the strength of the creative look BUT ALSO the rec709 transform. They is currently no way to seperate these two components from the Film Look legacy LUTs from Resolve. Plus, this LUT is expecting Cineon Log as a tone curve so a workaround would be to place a CST before the LUT and set it to Rec709 (colorspace) and Cineon Film Log (gamma). Common misconception so I thought I would clarify that - I'd recommend Cullen Kelly's channel for more in depth explanations :) And if the look embedded in the LUT is still too strong, you can adjust contrast and color using a node prior to the LUT.
I've been playing around for years to get good cinematic T/O colours but it was driving me crazy, I paid for this and it was like magic, instant looks I wanted for years, with minimal clicks and adjustments! Thank you also for this video!
You're welcome! Glad you're getting great results!
Brilliant, Denver! A lot of work went into this tutorial it seems and it shows. 🔥
I´m so happy with the results. Thanks a lot. You made my day
this is wow, thank you so much, for taking me to another level of grading
Amazing work sir.. learned a lot from your videos. Thank you so much
You’re very welcome. Thank you for being the first comment.
I just intuitively, knowing nothing about cinema color grading, made my latest video with saturated teal and orange colors and unbelievably the video took over in views in two days against my all others. I am bewildered. You can't just blindly stick with the same color scheme all the way.
Great techniques. What about when the DP has specifically lit with both warm and cool color temperatures? How does a colorist approach that footage?
Amazing tutorial! ~Tons Helpful! Thanks!
Hey Denver, Ever since my final cut pro upgraded, my cinema grade hasn't been working. Is there a way to resolve this?
Yes send email to support@cinemagrade.com and we'll help you troubleshoot.
@@colorgradingcentral Thanks!. I'll do that.
Thanks for explaining so much detailed worked so easily. You’re gem.🙌🏼
Oh well, thank you, glad that you appreciate it ☺️
Great video! So will the teal and orange lut pack be on your site or do i have to email for it?
Send us an email and you also need to have Cinema Grade
@@colorgradingcentralI have cinema grade and it’s great. Would it be better to color correct in CG and then use Premiere to do these teal and orange adjustments? Or, would a lut do the trick in CG in the color grading section? Thanks!
Very informative 🔥🔥
awesome video and tips. thanks for sharing:)
You're very welcome, thanks for the comment!
Why are you wearing a 90s shell suit petal?
Please make a premiere pro colour tutorial
So are there any tips for acquisition of the footage prior to DaVinci work? I.e., What does the cinematographer need to consider to get these looks?
Just like a mood board and then try to duplicate within reason set design/art direction and lighting.
@@colorgradingcentral Yes, however, I think my main question is how much of the look is done through grading, and is coloured lighting necessary on the shoot if grading can do most/all of it?
Most set design/art directors decide on a color palette consistent with color scheme and at most will have three colors. This should be taken into consideration during shoot prep and scouting. A colorist working with a cinematographer should then work to augment the art direction that is already there as opposed to going against it.
@@colorgradingcentral Great, thank you!
@@rayafilms you're welcome :)
Nice Video thank u for this tips
Excellent video, thank you :)
Nice tips
I own Cinemagrade. Do additional LUT packs like Teal and Orange download with updates or do I need to be checking back periodically to see what you have developed?
We going to be dropping a sell soon on the teal and orange plus others that we’ll be releasing (moody dark tones) etc. should be in the next week or two.
@@colorgradingcentraldoes that mean those that already purchased the plugin will have these Luts and future luts added? I didn't quite understand your response as to if previous users would get these Luts.
This is so interesting and I'm learning a lot. Thank you so much.
I actually have cinema grade, but haven´t used it a lot. It seems I have misplaced (or deleted) the tutorials. Is there anyway I can find them on the net?
Tutorial you can find here: colorgrading.podia.com/view/courses/color-grading-academy-for-cinema-grade
For some reason, I can't see my midtones in the latest Davinci! Any advice?
Please do a tutorial about dreamy glow effects
I have something epic coming for you
Thank you ❤❤
Hi Denver, wicked tutorial. Quick question…I’m using Final Cut Pro and am mixing video with photos and am wondering if cinema grade will work on both, or just footage?
We have separate product dedicated to stills called photo grade www.photograde.app
But to answer your question regarding stills in a timeline, yes Cinema Grade will work
@@colorgradingcentral that's excellent thank you. Do you have a link to a full tutorial on cinema grade? Thanks
Wonderfull 🎉
Thank you! Cheers!
Wow
МНОГО ВОДЫ
"Teal" and "Orange" count:
Teal - 43
Orange - 32
Muchas gracias....!!!!
De nada
Thank you so much
You’re welcome, thank you!
👏🏽👏🏽
Bhai 6 sal sei try kar raha tha 11 min mein sikha dia😢