THE CLEANEST WAY To Grade Teal & Orange | Ozark Look | DaVinci Resolve Tutorial
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- Опубликовано: 5 июл 2024
- Get the teal and orange look easily with this technique!
#ozarklook #jokerlook #tealandorange
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Timecode:
0:00 Intro
1:00 Color Management
1:27 Color Correction
2:30 Creating the Look
4:03 Finishing Touches
4:50 More Skintone
5:44 Outro
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For the algo:
teal and orange
cinematic look
ozark look
joker look
color grading 
Кино
Fun fact, you don’t have to use parallel nodes to achieve this.
You can also just adjust the teal in the Primaries - Color Wheels, then bump up the orange in the Curves - Hue vs Sat - all on the same node 😗
I like your technique better in the video, somehow feels like it blends better
I feel like I found a hidden gem
Excellent and simple grade! Thanks for sharing
Very straight to the point and clear. Thanks for sharing. Subscribed immediately!
Amazing technique, very smart way of using the parallel nodes. Thanks for sharing!
Watching a master explain his thoughts! Thanks for the content.
Great one Danny really loved the fact that it is not at all messy and precise to the point with nodes it was really helpful.
thanks for sharing, easy to understand and straight to the point
Work smarter, not harder. Fantastic Mr. Gan.
The footage looks amazing, I can't wait to try this. Thank you so much for a very good tutorial.
it s mind blowing how easy it was, thankyou man
Thanks for giving all your knowledge! I’m a camera operator who wants to grade his own shots sometimes to see what is possible and this is perfect!
THANK YOU FOR THIS!! I finally achieved the look I ve been trying for a lot of time
Concise, simple, and working solution. Thanks
Brother this is amazing, thank you for dropping this
gorgeous work man thanks for the vid
dude i love your content, thanks for sharing!!
Nice and simple. Love it!
This is what I have been searching for.. Thank you for sharing
Beautiful!
Great tip! Will definitely try it out
Awesome your color grading technic!
So simple and effective, nicely done!
i’m very proud theres someone like you in our locals sharing knowledge about color grading!! everytime i see your video i go straight to my laptop and start grade!! you inspire me to do more🥹
Appreciate it man! 🙌🏻
Fantastic explanation, subscribed !
I will try it next time I open Resolve. Thanks man 🙏
great little technique!
Really helpful Danny, Thanks!
Mr Gan with the magic touch
Loved it!! So well explained!
Glad it was helpful!
Great one Danny!
damm this looks good, Danny the beasttt
Great stuff. Tim Stipan colored Ozark, and he is a friend, really great dude.
That's great, thanks for sharing! I've never been a huge skin qualifier person myself as it gets way too complicated across an entire video, so I'm always looking for ways to avoid using it if possible
Great technique, basics are king.
I came here from TikTok I like your way or teaching ❤❤ just upload these type of videos so we can learn from you thanks❤❤❤
I asked how they do color grading. Now I'm impressed 🔥🐐
It was really cool! I will try that later. Thank you!:)
Amazing bro thank you so much!
nice one danny🙌🏻
Great explanation of parallel nodes.
Nice technique! thanks for the tip
thanks for the new knowledge!
Good one Danny - the only thing I would add is if you want to clean the blacks that when going into the LOG wheels that to make sure you only target the darkest shadows to negate the strength of the blue that you can use the range numbers that default at .333 to a lower which expands the Midtone but also decreases the range on the Shadow - so you can dial the point where your blue starts and stops. You can also do this to make whites whiter as well with the same principle of pushing up the range of the Midtone you can decide where the change happens in the Highlights.
Nice one, I'll look into that 🙌🏻
Is there a video on this?
@@clueless5456 ruclips.net/video/SOWML0CLATc/видео.htmlsi=o2dgKCu_SpDJAQ8d
thank you for sharing this 🥹
Your technics are simple and easy to follow.....❤
thank you a lot!!!! this is amazing!
very useful tip 🤩
Found you from IG really cons use tutorial, thanks Danny!
Hi Danny! Just wanted to say that your approach is great, and I really like you color grading channel 👍Good stuff.
Awesome! Thank you!
hey danny loved ittt
I love it!! Is there a video with all the steps explained?
Brilliant tut. Subbed!
Awesome, thank you!
Hi Danny
Ur my namesake 😊
Am so happy i found you 😊
My grading is improved 😊
Thank
wow..even i still don't get it but this is cool technique..i will learn it slowly later..thank you Danny
thanks for this danny
My pleasure!
Excellent 👌
wow! very simple! Especially the parallel node, never knew that's how it works! Thanks for sharing your knowledge! Compared to Waqas recent TUT, it's like he's gatekeeping. It's like, first do this basic, then don't do this basic. confused... But don't get me wrong, I still find some of his stuff very very useful that I still use to this day!
Tbh I'm a little confused with his recent tutorials too
Awesome 👍👍👍👍
hi! Very interesting, I will try this! To preserve blacks and whites I use the sat/lum curve, pulling down saturation to zero below 10 and over 90% luminance. What do you think about this method?
This is gold
bro wth. thank you. damn good info!!!
I'd love to see the full tutorial of colorgrading for this look with each node
Real good tip ;) Thank you !
Happy to help!
genious - I always hated qualify the skintines...never worked for me - great technique!
This is very usefull
It's perfect
I come from tiktok, great video man! you earned a sub.
Thanks brother luv from Burma
Dope asf 🔥
Thanks bro
beautiful video
thank you... you save my life....
great!
You got yourself a subscriber 💪 good stuff
Appreciate it!
Thank you 😉
power!
good man
Thx man👌
Great but its kinda hard to understand you, the explanation were not step by step. I couldn't even understand what was going on
Hey Danny,
thank you for providing us with the parallel's trick! Comes in very handy! However, got a question: your color management says you're working on a DWG timeline but it seems like you didn't transform the RED footage to DWG in the first place according to the CST on the clip level. Why is that?
From what I know, the timeline color space sits way before the clip level adjustments according to the Resolve manual. So by right, I'm already in DWG coming into the clip level. But I have yet to do some tests to see if it is accurate.
Very very very very good... Greetings from Brazil
Thank you very much!
@@DannyGan Friend, I downloaded the images from the link, could I kindly ask you for this file so I can train your technique?
Damn! That looks amazing !! Great work. Do you work on Music videos?
Got you email! Let's move the conversation there
Wow bro, thanks :)
Muchas gracias
subbed and liked ,great video
very good i will have to keep for reference, i see so many colorist bring in a dark skinned person and try to justify skin tones and i am like wth, how many skin tones can you get with black, anyway thanks for a great tut.
MAN!! Using that Hue Vs Sat curve to get the skin back is pure gold. Thanks a ton for sharing!!
Interesting technique. The end result looks good! One thing you might want to adjust is where your project settings say "DWG". It seems you are grading in RED, and if your timeline colorspace isn't set to that.Your color space aware tools aren't going to work properly
Hey Runhaar! Thanks for watching my tut, love your videos as well. I did a few tests on the CST IN/OUT method, and boy do I have to switch up my workflow again haha. I'm gonna have to explain myself in a future video, thanks for pointing that out!
@@DannyGan And please also give a detailed explainer an all that stuff, because that's still very confusing to me and probably many other people :D
Just realized I too have been working in RED colour space but DWG timeline colour space (exactly the same set up as yours actually!) Image and tools haven't behaved any differently to my knowledge. would be great to see a follow up on this @@DannyGan
Adding an IN/OUT (RED-DWG) CST to the beginning of the node tree just expands contrast on the image slightly @@DannyGan . Which makes sense as its pulling a smaller colour space and expanding it into a larger one. I think I prefer how the image looks and behaves without the CST to be honest (queue barrage of hate comments for improper workflow...)😶🌫
tnx alot
Why is your timeline out color space set to Rec. 709 A? Instead of Rec 709 gamma 2.4??? In project settings.
this is my first time color grading and your method was exactly what I needed as I didn't want to use the qualifier and track my hand for each clip, but i'm running into some trouble with the step of recovering the skin color, when I try to recover the skin color in the hue vs. sat curve, it is altering all the blue I added in the look node. upon reviewing your video, only the skin changes, but mine changes everything, what am I missing?!
Might be too much warm colors in the shot, try reducing the skin recovery and find a balance there
I like the brfore
We neeed more gem
Gosh!
I LOVED thed highlight preservation the way you did it!!!
maaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaan!
Thank you for sharing = )~
Thank you so much!!
great video! can you pls share the powergrade?
Powergrade video up on my channel now! ruclips.net/video/sNliaFMPTBI/видео.html
NICE LOOK 👍👈👏
Thanks 🤗
wow dude this is amazing ! Crazy looking grade without using hsl great job. Do you think it is possible to achieve the same thing on h.264 10 bit log footage ?
Yes, absolutely. You're mostly good for anything with 10bit
@@DannyGan alright thanks !!!
where i can find the plugin editable of the contrast that you used? on curves node?
Look for Cinematic Contrast tutorial on my channel
wow