It’s simple really - use the stereo versions on stereo tracks, and mono versions on mono tracks. If you aren’t sure what is what, a stereo track has 2 channels (left+right) while a mono track is just one channel. Hope this helps in the short term 🤙🏼
I haven’t really dabbled in Gulfoss a whole lot (I don’t own it personally) but I’ll see what I can do in the near future 🤙🏼 thanks for the suggestion.
Hey bro I’ve watched almost all of your videos and they’ve been a huge help. You’ve filled in a lot of blanks that I’ve had after learning things elsewhere. I still have a somewhat long question about signal flow and efficiency though. So say I record a single vocal take on Logic for a hook or verse, pull up one of my user channel strip patches that I use as a starting point, and mix till I like it. Now I’ll wanna use this exact chain for the rest of the vocals in this section of the song. What would be the most efficient way to do that? Rn I just make a Hook or Vocal FX Buss and drag the delay & reverb onto it. I was thinking do a vocal mix buss on the output of the tracks but the problem becomes compression. Should I just duplicate everything before the compressor, and then put everything after on the vocal mix buss? Should I just vocal rider first on each track and then send to a vocal mix buss that has everything on it? Idk…thought you might have a solid opinion what’s best. Any guidance would be appreciated.
If I follow correctly, most of the options you presented could work. I personally would duplicate the chain for each individual track, that way you have the most control. You obviously would make some adjustments to each based on the signal, so it’s not just a straight duplicate. The only catch is if your CPU gets overwhelmed with so many plugins, it may not be able to process everything. In that scenario, I’d consider still doing what I just proposed but then committing everything to audio so that CPU is no longer a factor. End of the day you want it to accurately process each individual track, without being limited by your CPU. Hope this helps
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criminally underrated youtuber
This is the best video I've seen on this topic. Great job!
right on time! thank you man
Anytime my friend ! 👊🏼
Nicely......thnx
You’re welcome ! 🙌🏼
YESSIR!!!!!!!!!! LETS GOOOO!!!!!!!
Salute!!! 👊🏼
@@5piece always my brother support makes a difference
Perfect ❤
🙏🏼🙏🏼
Thank you sir
Anytime!
Sm7 GANG!💪🏾💯😎
can you explain these stereo and mono plugin specially these wave shit and which one we should use while vocal processing ....
It’s simple really - use the stereo versions on stereo tracks, and mono versions on mono tracks.
If you aren’t sure what is what, a stereo track has 2 channels (left+right) while a mono track is just one channel. Hope this helps in the short term 🤙🏼
hey can you do Gullfoss in mix / explained video brother. ❤️☺️
I haven’t really dabbled in Gulfoss a whole lot (I don’t own it personally) but I’ll see what I can do in the near future 🤙🏼 thanks for the suggestion.
Don't you tried Soothe for this ?
Hey bro I’ve watched almost all of your videos and they’ve been a huge help. You’ve filled in a lot of blanks that I’ve had after learning things elsewhere. I still have a somewhat long question about signal flow and efficiency though.
So say I record a single vocal take on Logic for a hook or verse, pull up one of my user channel strip patches that I use as a starting point, and mix till I like it.
Now I’ll wanna use this exact chain for the rest of the vocals in this section of the song.
What would be the most efficient way to do that?
Rn I just make a Hook or Vocal FX Buss and drag the delay & reverb onto it.
I was thinking do a vocal mix buss on the output of the tracks but the problem becomes compression. Should I just duplicate everything before the compressor, and then put everything after on the vocal mix buss? Should I just vocal rider first on each track and then send to a vocal mix buss that has everything on it? Idk…thought you might have a solid opinion what’s best. Any guidance would be appreciated.
If I follow correctly, most of the options you presented could work.
I personally would duplicate the chain for each individual track, that way you have the most control. You obviously would make some adjustments to each based on the signal, so it’s not just a straight duplicate.
The only catch is if your CPU gets overwhelmed with so many plugins, it may not be able to process everything. In that scenario, I’d consider still doing what I just proposed but then committing everything to audio so that CPU is no longer a factor.
End of the day you want it to accurately process each individual track, without being limited by your CPU. Hope this helps
@@5piece very helpful. By committing it to audio do you mean recording it with everything on?
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