Mixing The Kick And Snare (Secret)
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- Опубликовано: 6 сен 2024
- A video on how to mix your kick and snare, in any DAW i.e Pro tools, Fl studio abelton etc.
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I feel like I've asked you this before but what brand of head phones do you use when you mix?
Been to an audio engineering school and I'm always here replaying these tutorials.
Good technique. When I reference, I throw an eq with a band soloing function on the reference track and find where the punch of the kick and snare is and match mine up with theirs.
Man I never would have thought of doin that. Thanks.
Bear in mind before you apply processing, most samples from packs or Splice already be processed with EQ, Compression etc...
Do what works best in your mix when selecting inserts to enhance your already placed samples, lastly if you do apply processing be sure to gain match so you can make sure the process is actually adding value as even 1 to 2db louder can trick the ears to believing it sounds better.
Underrated comment 🔥
Thanks bro, glad to see producers helping each other out
I keep stumbling on your tutorials they’re really helpful in theory all the techniques you’re using. The only secret you didn’t reveal in this video is that your snare is actually a clap 👏
You’ve got some quality material bro
Shit explained so well. And finally I understand parallel compression. So much love from Poland!
ciekawe ;-)))
Thanks Devon . You are a life saver ! South Africa we in this !
No snares were harmed or used in this video😂!
there was in blue tint lol
You are genius bro, you can't find what you're teaching anywhere else on youtube! Who's that one person that dislike this video?
bro this tutorial was perfect, thanks so much for the simple steps, I'm always blown away by how some simple but tasteful eq and compression can do massive things to your mix
bro you have one of the best channels for mixing. holy shit
that compressed bass drum thing was eye opening. thanks a lot bro.
Says snare, plays a clap
I was thinking that snare didn't sound that good
like it and SYFU ...
@@teamair1137 u stupid?
@@teamair1137 That ain't no fucking snare!
it kinda sounds like a clap and probably could be labeled as one but it can also certainly be classified as a snare even if it sounds like a clap lol
You said its fine if the signal is clipping in the plugin as long as it aint distorting in your ears, I don’t agree to that. There is a reason of those red clipping lights being there. No matter how it sounds to your ears, its still clipping and it matters. You don’t have to send the clipping signal to the next plugin you add to the chain cause then it would have the clipped signal being fed into it and you won’t have any room and it does affect the sound and overall track and how the plugins react to it, especially compressors. I got this from Warren Huart from Produce like a pro.
The rest of the video is super informative! Keep em coming bro! Cheers!
yea man, this is kinda true. You gotta gainstage a bit, some plugins work better if you feed them the right input level :)
I disagree, it's all about your ears and the aesthetic you are pursuing, you can hear 40 Shebib talking about this in his Pensado interview, also guitar distortion are a good example of fucking things up work for certain genres and aesthetics.
@@MarianoGabrielConti i completely agree, but that's a different case. i was talking about how a lot of analog emulation plugins work better in their purposed state (when fed a healthy level signal) because that's the main gig they're programmed for. For me it opened a few doors properly gainstaging my plugin chains and comparing them to chains which would clip after each plugin. Then again i still really agree with thrusting your ears.
That's true, but red is also just a color. Let's use less time looking at the screen when mixing, and more time listening to what's happening. If it sounds good, it is good (at least to you).
@@666Edu666 it could, Xxxtentation's Look at me it's a great example of that #gotcha
this helped my kick and snare sit right in the mix thanks man!
Smart movement bro. You are 100% accurate!!! CRazy accurate info. I hope they are listening.
Best. I'm just getting into all of this and you explained everything so perfectly. I appreciate this!
Im on a HelpMeDevvon run rn... watching all your videos - this is like one of the most helpful channels out there. Love you for that. You really help the community :)
with a snare put a 550b on it and try adding 2-4 db to 180hz, gives some nice body
Jake Lewis Not going to work for every scenario some shit just has different Frequencies it would make more sense to say around not at or to
I am confused in this video why you do not do any subtractive eq on the kick. It also looks like you rolled off loads on the eq.
On the snare.
love this .......best video for hiphop mixing. got what i wanted
Great video. My only note is that when you did the before and after I wish that you had verbally told us when it switched to the after. For newbies it may be harder to spot the differences because we're tryna figure out exactly when it switches.
Man. Exactly.
Your tutorials are absolutely priceless.... You are such an amazing Tutor. Thumbs up Man
Thank you sooo much, Devvon for all these tutorials you share with us❤️ much love 🙏
Man bro u taught me “Parallel Compression” years ago, and hands down the most valued thing i ever learned from mixing muzic…. Im forever grateful g🥲🙏🏾
“Don’t listen to clipping meters, your ears are the truth, but sometimes your brain perceives things as better but it’s wrong.” Oh. K.
Now i got to start my mix over 😂
.....Well.........I got major time now .....🤷🏿♂️🤷🏿♂️
Thx for the info very well explained !!!
Thx bro!!
I am learning so much from you! Thank you for producing these videos.
You’ve got the best mixing videos on RUclips man
You're a gem! Exactly what i was looking for. My ear-ringing snares NO MORE! :D
Devvon is the best!!!😊💪
Thanks for the excellent information Devvon. Great tips.
this guy could definitely teach a kinder mix and mastering
With ALL DUE RESPECT (knowing how good you are).. to me that "snare" sounds more like a clap to me.. jus sayen..
🤙🏼much love homie ❤💛💚 🤙🏼
Every video you do everything sounds so cool. I love how everything sounds liquid gold and fresh man :)
"your ears are the truth, not the meters." FACTS!
these videos are dope as hell man. You should also show people your writing process aswell
Buen video, llevaba varios dias tirandome de los pelos con un kick y siguiendo tus consejos ha quedado tremendo. Gracias tio!!
So efficient way,,, many thanks to u
thanks man been trying to mix a certain beat and my kicks and snares are good but they probably need more compression and a little shaping up with an EQ I really thought there wasn't much left to do but now i've got a few ideas
Love this video man. Thanks for the pointers. One thing I’d say is that clipping, as you already know, distorts the sound. So it won’t be in pitch and will not sound musical, and sometimes it might be difficult to decipher that using your ears.
Great tutorial!Anyone here who thinks he looks like Cuba Gooding Jr?
I appreciate your tutorials. Please keep them coming.
Devvon in the clutch
Parallel comp is good for many things including total mix mastering.
Nice sentence " whenever things are turned loud brain perceives them to be better, but it is not the case ". True indeed
WHAT I REALLY WANT TO MASTER IS HOW TO GET A VOCAL SITTING PROPERLY ON A TRACK. GIVE IT THAT PRO SOUND. IVE WATCHED SEVERAL TUTORIALS AND I KNOW THAT REVERB AND DELAY IS USED FOR THAT EFFECT, SUBTLE. FOR EXAMPLE VOCAL FADER SLIGHTLY HIGHER THEN THE INSTRUMENTAL, AS IT SOUNDS THAT ITS SITTING ON TOP, USE A MONO AUX WITH A REVERB AND MAYBE ANOTHER MONO AUX WITH DELAY. THE MONO REVERB WILL PUSH IT FURTHER BACK (OR MAKE IT SEEM), THE DELAY TO GIVE IT SOME MOVEMENT.
Sour Lito same thing here, but that’s good idea bro I haven’t tried that one yet
I respectfully disagree. Let your ears be your guide. Other records are unique unto themselves. If it sounds good to YOU then you're in the right place. Doesn't matter what anyone else is doing.
Love your videos man. You do a great job. Doesn't mean I agree with everything all the time but I respect what you do. We're all trying to get better at it. My biggest pet peeve in this industry is that everyone is trying to sound the same. Embrace the unique sound that is your own. That is what makes great records.
Great video! Thanks for sharing your knowledge!
But if the signal is clipping it will be clipping into whatever plugin you use and depending on your plugin it can cause bad characteristics down the line so I like to put my clipped signal directly into a compressor at its default setting as the first step which stops the signal from clipping into whatever other plugins you put it in, then I usually use a gain plugin directly after to bring the dB down 2 or 3db and then I go on to process it. Everyone has their own way though and that really works for me. I get my drums loud
i see you adding eq and smack attack etc, but do you gainstaging after adding this ? because in my situation it sounds better because the plugin is boosting the volume. hope you can answer. thanks boss
man you`re the best!
@5:18 would that mean I can parallel compress if hard compress via a bus
I like how he knows exactly what he’s doing, he’ll hesitate and think about how to communicate what he’s thinking haha
Subscribed right after you confirmed that my ears are the truth not the meters 🤣🙌🏼
my dude good look once again i been checkn in every couple hours just to see if u came thru with this , right on bro from bay area
Thanks again for your great tutorials.
very good tutorial ♥️Thank you from Waves Audio ;)
Hey I see in this video you touched on gain staging a lil bit, but I dont think a lot of people really understand how important gain staging is on a technical standpoint in the digital world.
Thanks , great tutorial
I love that f6 rta for EQing drums and bass.
Like wut u said 4get them meters🎚🎛 Follow your ears👂
did not hear the drums with the vocals yet but seems like your drums are way better than the ones in drakes
@help me Devon : what is the second plugin? I see the NLS but what is below that?
But do you mix und create your EQing with those Headphones? Or would you suggest to go with a dope room with pro speakers?
Very good video dude. You earned a subscribe
Hey are you gain staging While referencing the drake mix
Nice tutorial. In my case I boost frequencies around 250Hz of the snare cause I like it!
do you make an audio wave copy of the kick to put the compression and limiter on it. Or can you just send the original kick to a bus and put the compression and limiter on the bus? is this the same thing?
this was extremely helpfull
How do you know to EQ the kick (60hz boost)? Aren't all digital individual drum sounds premixed. Shouldn't you make that decision somehow in a relative way to the mix?
Bro you really know what your talking about when mixing. Love it
Thank for this video, very helpful
Excellent tutorials brother! Thanks
Using ears instead of visuals.....dope!!
for the 1st 5 years i made instrumentals without mixing one or more of the tracks and i will say hes right. dont always look at the meters ive noticed that trying to visualize sound is not always a good idea. sound is heard not seen
I'm struggling with that CLA for parallel compression. Using your settings critically altered the sound of my snare. Yours seemed to be more of a subtle change. Mine was almost like a new instrument. Any tips?
you need to blend it in, don't use it all the way up the fader
would i have to dual band that kick then side chain it to the 808 or thats to much ?
you deserve unlimited subscribers
GOAT helping your fans w sound engineering unlike any other high profile artist
Waiting on the next. Dope
Did you buss the kick and snare (or clap) to the parallel compressor channel or were they literally just copied to another track? Thanks for this.
I like what you did with the clap
When you send to an aux for parallel compression don't you increase the level? How do you AB parallel compression?
I think he said he just put the compressed drum on a different track. Probably muted it for A.
Doesn't level match, but they sound pretty different so maybe he figured we'd get the point.
What is the StrF plugin under the NLS Channel?
Question, if you plan on getting your mix mastered shouldn't you not have any clipping on any channels? I'm new to this but I keep reading a lot of people who do mastering complain that the person doing the mix doesn't leave enough head room for mastering. Just a question. I'm trying to learn and thanks for making the video
Well Done. Good Job!
Man! I just learned sooo much!!
Thank you bro ,,, Great tips
NLS Chanel ??????
Snare sounds like a clap though. Good job though bro
What About Gainstaging Wise ? But having that same hard kick ? How can I achieve that ? Cause when I gain stage my kick I feel like the kick looses it punches
Whenever I try to parallel compress I get phasing issues. Also, do you also do drum bus compression for glue after all of this? Thanks!
5:43 How much of the A-E Bus with the parallel compressor & limiter is mixed with the main track? Should I just put it all the way up?
I'm using Logic
Great lesson man !
man this is crazy!! Thank you
You're the GOD
Awesome vids, subscribed
Thanks. This was good.
Great video - you're really knowledgeable