I love how humble Ted is, doing all kinds of hoop and twists to make we forget he FREAKING OWNS APUTURE. Go ahead, Ted, all youtubers use the Light Dome ii. You might as well. Just use your WONDERFUL LIGHTS, we want to see them in action!
The difference is pretty stunning- I swear I learn a lot from each video. I feel pretty confident in my lighting skills, but I still picked up a lot I didn’t know. 👍
Oh damn! I just found this in my recommended. I remember watching Indy Mogul so long ago, I think it was just one guy who did effects in his backyard for really cheap, and there was a puppet or something. I'm surprised to see it still going!
Casey McBeath is a true professional. Just astonishing seeing someone so passionate with such in depth knowledge... this is what I call a real expert. Also how easy he can explain things for the audience (therefore you have to master your craft)
Quick Question/Next Video Suggestion. How to light multiple people in one shot?? Loved this tutorial and the consistency with your videos! YOU ALL ROCK!
Oh that’s a super idea. That’s actually something that’s incredibly difficult when you’re working on a low budget. And it’s something I had to tackle a lot. I would look into cross key lighting as a start. It is difficult to get “cinematic“ lighting for multiple people, but you can get decent lighting by using very large and wide sources.
I always love that people in this videos feel really comfortable with what they're doing, so they respond naturally, it cracked me up when they said "how do we change the light? - We... Add a light".
Light is an important element in a photo shoot or video shoot. It changes a person look from old to young, poor skin to flawless skin. This is a good tutorial for us.
I wish I would have found this when I first looked up "how to do video lighting". Perfect tutorial, best invested 15min of my RUclips Day. Good job guys!
love how you give all these different examples, gives me a lot to think about now that I know different practical options and the benefits to each one.
Great video guys. Another good thing about the cove light as you have it here is that it is also creating a bit of harder (not too hard) edge light on the right side (camera left) of the talents face. To me that's what really makes the cove set up shine here. For me one of the potential down sides of the cove is the amount of space you need to achieve the set up. So what I usually do is make a book light and then add an additional slightly harder light fixture (usually a titan tube) outside the book light hitting the talent which can give you a soft wrap on the face and add that nice little edge. Thanks for putting out all this great content. Knowledge really is powerful and you guys are sharing a lot of it. Cheers!
I was pretty aware of everything until the softbox and then I wondered why there was still so much video left. Because of the really cool stuff that came afterwards! Awesome!
Ted your videos on light always make me feel I just was in a Master Class.Thanks to Casey. Idea for future or perhaps you have already done an episode on how to take a challenging office corporate interview and use some of these techniques to soften up that environment. Keep up the great work.
We actually did a “cinematic“ interview video about a year ago. It might be in their “top videos“ section. Lotta fun stuff there (although I completely forgot to mention having make up or just wiping down the talent for shine🤦🏻♂️)
@@Thats_my_Point LOVE IT. I will track it down. This was such an inspiring piece. Is the reason that broadcast even some networks don't do this is TIME? Money? Dont care? When I saw the thumbnail of Ted and how amazing it looked I was truly inspired. THANK YOU
Dan Halyburton Thanks for the kind words man. It kind of depends on what you mean when you say broadcast. Because some narrative shows will, but a sitcom would never. It depends on the style of the shoot, both visually and “logistically”. Because as we mentioned, and these bigger set ups take more space, more time, and can be a bit more limited in how much you could blocking and camera angle before you need to change positions. Goes into a whole lot of film theory that actually gets covered in a lot of the other videos IM Aputure have done over the last few years. They are amazing resources that I would confirm voraciously if I were you. I didn’t have this kind of online content when I started. Film Riot is still great, but they were kind of the only things that had quality (at a time) that I aspired to. I would literally watch their episodes for 6 to 8 hours straight a day. You have so much to gain by taking even just a week to consuming as much of these video educations as possible
Awesome! Bonus points for even lighting Ted with glasses on. One thing I personally like sometimes doing depending on the look, is having my lamp light and hair light the same colour, and from the same side of the frame so it may seem “motivated” (hopefully lol). Great video!
Yeah, glasses can really be a pain (but raising your lights and adjusting your camera angle can help a lot). Usually if your lights are coming from the same manufacturer, getting matching color shouldn't be too hard. But also, if the colors are pleasant, they don't NEED to be a perfect match. But that is subject to your needs
I was wondering about the glasses! Thanks for the tips! Lights have always been intimidating for me, but this video was explained it so intuitively, loved it!
My god! This video is so informative. Great job Casey and Ted. Only one suggestion to new viewers: watch the full video; it's 15 mins spent really well. Even seasoned pros in lighting will find this video, especially different types of lighting set-up being shown practically, worth their while. 5 stars!
Amazing tips. I found out a lot of new things. For example I've never tried to shoot the scene with tungsten light set up as white balance to make the background more blue! Will definitely try.
Wow! Kudos for answering these questions in a very thorough manner. You asked a lot of questions, which helped elaborate on the answers. Awesome content! i really learned a couple things. Thank you :D
Great video! The biggest challenge with creating beautiful lighting is not the equipment. It's all about how many Grips/Electricians you can afford to move it around. The best lights in the world are no good if you are not able to get them off the truck in time :)
Great lighting setups well explained. Good you did the direct comparison summary at the end so we could see the differences. Perfect tutorial. Now to have enough room for them! 😂
Stands are probably the most important filmmaking tool I can think of. It’s always nice to work with less, but you never want to cheap out on the things you really need
You guys have been putting out GOLD for the last few months man. This is so good and helps with a problem I've been kinda trying to experiment with! Thank you guys for everything you guys do and the hard work you put into these projects! How many people are involved with the production? How long does it take to make one video?
Someone from IM can correct me if I'm wrong, but as far as I recall, it was just the two camera guys with me and Ted. And then there are 1 or 2 people doing the post editing, not sure for how long though
@@Thats_my_Point oh sweet that's a super intimate crew! And I see you've got your own thing going as well, I'ma check your stuff out. How'd you get involved? Just right time right place kinda thing?
Lets Make Movies these guys keep inspiring me to try to make content on my own, but I have to say, even one additional person makes it huge difference productivity, quality, and timeliness. I’ve actually been good friends with Ted for several years now so we’ve done a pretty good number of videos together here on IM and the Aputure channel
Once again, great video. Id love to see more about color temos and gels. Since all my lights are daylight. I can see, from my own stuff, that i need to olay around with some warmer colors. Once again thank you!
Thanks this is cool. The last 3 though are incremental change, I mean...... Cinematography is not about beautification or idealism, it's ALWAYS about scene motivation and character motivation. (unless you work on a soapy that is meant to represent idealism). A lot of people think lighting ALWAYS needs to be like this. Roger Deakins said himself, it's not about following the cookie-cutter setups, it's about achieving your imagination. You imagine the light on your subject and/or background, and try to build that, wheather you only use a key and practicals, or a fill and rim or just a rim.
2 года назад
Great tutorial. Thoroughly explained. I'm subscribing!
Supper helpful videos! I struggle with the lighting of multiple subjects in a podcast/interview with a two camera setup. I can get one perspective with a nice "cinematic" look, but find it almost impossible to get them both to look dramatically lit.
Wow, I learned so much! I don't have nearly that much gear or space but I feel like I can translate this into my personal setup. The back-to-back comparison at the end was really great. Thank you!
That white balance tip was mindblowing!
Creativity unlocked!
Funny both set wrong. Left to worm, right to cold
I love how humble Ted is, doing all kinds of hoop and twists to make we forget he FREAKING OWNS APUTURE. Go ahead, Ted, all youtubers use the Light Dome ii. You might as well. Just use your WONDERFUL LIGHTS, we want to see them in action!
Is This true?! He hasn’t even dropped the name at all out anything!
Ted doesn’t own Aputure. He is president of their US operations.
Hey, awesome video. What kind of light did you use for the hair light?
cove light hit a homerun for me !
You guys are undefeated with the amount of particle information you all provide in these videos
Thank you for catching them! It’s so easy to keep discussing all the little thoughts and small things to consider
I thought it was nice at book light then ya'll hit me with the cove lighting and I was thoroughly impressed
The difference is pretty stunning- I swear I learn a lot from each video. I feel pretty confident in my lighting skills, but I still picked up a lot I didn’t know. 👍
Oh damn! I just found this in my recommended. I remember watching Indy Mogul so long ago, I think it was just one guy who did effects in his backyard for really cheap, and there was a puppet or something. I'm surprised to see it still going!
So great! And it makes me LOL when Ted's enthusiasm tests the limits of the sound guy - "OK!" Keep being you, Ted!
Learnt a lot from you Curtis Judd, love & hugs for u bro!
@@SHAYARISHADOWS ❤️
hahaha I was about to say I wish the sound design was as good as the lighting...
14:32 Sound guy is unhappy here 😅
This 15 minute video covers so much about lighting in film. Blows my mind every time, great content!
Casey McBeath is a true professional. Just astonishing seeing someone so passionate with such in depth knowledge... this is what I call a real expert. Also how easy he can explain things for the audience (therefore you have to master your craft)
Two of my favourite people in one episode, talking about the subject I really love learning about! Doesn't eat much better than this 🙂
Thank you!!
Quick Question/Next Video Suggestion. How to light multiple people in one shot?? Loved this tutorial and the consistency with your videos! YOU ALL ROCK!
Oh that’s a super idea. That’s actually something that’s incredibly difficult when you’re working on a low budget. And it’s something I had to tackle a lot. I would look into cross key lighting as a start. It is difficult to get “cinematic“ lighting for multiple people, but you can get decent lighting by using very large and wide sources.
@@Thats_my_Point that sounds like another video idea!
FFS an in-line dimmer for practical lighting.......so simple. I had to run and an grab a couple. Awesome video!
I always love that people in this videos feel really comfortable with what they're doing, so they respond naturally, it cracked me up when they said "how do we change the light? - We... Add a light".
Light is an important element in a photo shoot or video shoot. It changes a person look from old to young, poor skin to flawless skin. This is a good tutorial for us.
I wish I would have found this when I first looked up "how to do video lighting". Perfect tutorial, best invested 15min of my RUclips Day. Good job guys!
love how you give all these different examples, gives me a lot to think about now that I know different practical options and the benefits to each one.
Great video guys. Another good thing about the cove light as you have it here is that it is also creating a bit of harder (not too hard) edge light on the right side (camera left) of the talents face. To me that's what really makes the cove set up shine here. For me one of the potential down sides of the cove is the amount of space you need to achieve the set up. So what I usually do is make a book light and then add an additional slightly harder light fixture (usually a titan tube) outside the book light hitting the talent which can give you a soft wrap on the face and add that nice little edge. Thanks for putting out all this great content. Knowledge really is powerful and you guys are sharing a lot of it. Cheers!
One of the best tutorials on lighting I've ever seen! Thanks so much!
I was pretty aware of everything until the softbox and then I wondered why there was still so much video left. Because of the really cool stuff that came afterwards! Awesome!
Ted your videos on light always make me feel I just was in a Master Class.Thanks to Casey. Idea for future or perhaps you have already done an episode on how to take a challenging office corporate interview and use some of these techniques to soften up that environment. Keep up the great work.
We actually did a “cinematic“ interview video about a year ago. It might be in their “top videos“ section. Lotta fun stuff there (although I completely forgot to mention having make up or just wiping down the talent for shine🤦🏻♂️)
@@Thats_my_Point LOVE IT. I will track it down. This was such an inspiring piece. Is the reason that broadcast even some networks don't do this is TIME? Money? Dont care? When I saw the thumbnail of Ted and how amazing it looked I was truly inspired. THANK YOU
Dan Halyburton Thanks for the kind words man. It kind of depends on what you mean when you say broadcast. Because some narrative shows will, but a sitcom would never. It depends on the style of the shoot, both visually and “logistically”. Because as we mentioned, and these bigger set ups take more space, more time, and can be a bit more limited in how much you could blocking and camera angle before you need to change positions. Goes into a whole lot of film theory that actually gets covered in a lot of the other videos IM Aputure have done over the last few years. They are amazing resources that I would confirm voraciously if I were you. I didn’t have this kind of online content when I started. Film Riot is still great, but they were kind of the only things that had quality (at a time) that I aspired to. I would literally watch their episodes for 6 to 8 hours straight a day. You have so much to gain by taking even just a week to consuming as much of these video educations as possible
Great tutorial. I'd love to see one on lighting a scene with lots of blocking.
Oh, that's a really good idea! Very subjective, BUT could help people pre-identify problems they may run into
Amazing video, thanks
Awesome! Bonus points for even lighting Ted with glasses on. One thing I personally like sometimes doing depending on the look, is having my lamp light and hair light the same colour, and from the same side of the frame so it may seem “motivated” (hopefully lol). Great video!
Also, would like to say I learned quite a bit. Specifically about the cove light, just to be clear hahaha
Yeah, glasses can really be a pain (but raising your lights and adjusting your camera angle can help a lot). Usually if your lights are coming from the same manufacturer, getting matching color shouldn't be too hard. But also, if the colors are pleasant, they don't NEED to be a perfect match. But that is subject to your needs
I was wondering about the glasses! Thanks for the tips! Lights have always been intimidating for me, but this video was explained it so intuitively, loved it!
7:21 best looking shot and it’s b roll 👍🏻
Bed sheet - such a brilliant idea and the shot looks sooo Great. Thanks for sharing.
My god! This video is so informative. Great job Casey and Ted. Only one suggestion to new viewers: watch the full video; it's 15 mins spent really well. Even seasoned pros in lighting will find this video, especially different types of lighting set-up being shown practically, worth their while. 5 stars!
Amazing tips. I found out a lot of new things. For example I've never tried to shoot the scene with tungsten light set up as white balance to make the background more blue! Will definitely try.
Nice. Been using my DSLR w a 2.8 lens as a web cam. Going to steal some of these tips.
that trick of shooting on 3200k and using a warmer light was amazing!
That was so good and really helped me. I'll be trying out the "Book light" and "Cove light"
I really like your sens of humour. And this was really useful. Not just one way but many and let us go for what we have around.
Seriously so good video. Finally something informative with solid examples and reasoning behind the choices.
i love how informational this video was, especially cause I am gonna start a shoot tomorrow
Wow! Kudos for answering these questions in a very thorough manner. You asked a lot of questions, which helped elaborate on the answers. Awesome content! i really learned a couple things. Thank you :D
Great tips.. not a single one to use but mix the techniques learnt here to suit individual needs
Great explanation guys ☺
love the book & cove light tutorials! id love to see some more content around lighting a scene w multiple subjects. also casey is the dude.
Thank you for the very kind words 😊
Great video, super happy I watched all the way through. Excellent tips and the book and cove lights are magic.
Glad you enjoyed it!
Thank you, this was highly educational. I really appreciate the comparison at the end of all the different methods you demonstrated.
i've been practicing that cove light a lot. I love it!
Great video! The biggest challenge with creating beautiful lighting is not the equipment. It's all about how many Grips/Electricians you can afford to move it around. The best lights in the world are no good if you are not able to get them off the truck in time :)
This video is a gem. Thanks for all the tips !
Glad it was helpful!!
Thank you SO FREAKING MUCH. These are the best tutorials I've found.
Great lighting setups well explained. Good you did the direct comparison summary at the end so we could see the differences. Perfect tutorial. Now to have enough room for them! 😂
One of the best videos about lights.
RUclips should create a new button category: more than like, "awesome"!
Congrats for invite an expert.
I really like that cove light. I gotta figure out a way to make that quickly without too many stands.
Stands are probably the most important filmmaking tool I can think of. It’s always nice to work with less, but you never want to cheap out on the things you really need
@@Thats_my_Point I just mean I want to minimize the number of stands involved for the sake of space and time.
Terrific video! Thank you guys!
Cove lighting can be wayyy more nuanced than that, and so many ways to do it! Deakins told me himself ehehe. But this is great.
Hey, I appreciate the heads-up for the little light dimmers from Home Depot. I just ordered two of them and pick them up this afternoon. Cheers
They're a lifesaver!
@@indymogul Just got back from HD with 2 of them. I'm sure they'll earn their keep. Cheers, Chuck : +}
@@indymogul And I picked up a 3rd one a few days ago.
the last trick, just wow!
thanks, ive learned a ton. cove light is the winner for me.
Great video!
Can’t wait to have my own studio space in the future I can’t get enough of cinematic dark lounge vibes for RUclips studios 🔥
I love this video. With you guys explanation, it makes cinematic lighting that much more achievable. Thank you!! I will be practicing this!!!
Incredible video. 🙌🙌🙌 Just can't forget his eyes @ 0.27
I like the book light better than the cove light. Great video guys.
Love it. So easy to digest these traditional concepts
That book light blew me away. Thanks you guys!!
Great tips, love learning more about lighting!
I'm not even a filmmaker, but I subscribed a while ago and these videos are awesome.
Excellent behind the scenes look at creating soft light.
Love the book light look the best. Wish I had enough room in my space for doing that.
SO GOOD!! So many examples all jammed up into one video. So educational. Thank you!!
You guys are amazing! Watching u always helps me to improve! Love & hugs bro!
Incredible!! This changed the whole look of my room!!
Just amazing
"Every crease in it is a crease in my soul." - How I feel when I lend anything to anyone. This is the way.
WOW - so cool - we loved this -- such a professional presentation and GREAT energy - best video we have watched on lighting - thank you
Loved the book light and the cove light the most.
Always great work, tips and tricks from you guys. Thank you
Fantastic video, really inspires me to get more creative with my lighting setups
BIG THANKS !
awesome!!! thanks guys. i need to try that cove light setting. thanks guys!!!
great tutorial brothers😍😍😍😍😍
You guys have been putting out GOLD for the last few months man. This is so good and helps with a problem I've been kinda trying to experiment with! Thank you guys for everything you guys do and the hard work you put into these projects! How many people are involved with the production? How long does it take to make one video?
Someone from IM can correct me if I'm wrong, but as far as I recall, it was just the two camera guys with me and Ted. And then there are 1 or 2 people doing the post editing, not sure for how long though
@@Thats_my_Point oh sweet that's a super intimate crew! And I see you've got your own thing going as well, I'ma check your stuff out. How'd you get involved? Just right time right place kinda thing?
Lets Make Movies these guys keep inspiring me to try to make content on my own, but I have to say, even one additional person makes it huge difference productivity, quality, and timeliness. I’ve actually been good friends with Ted for several years now so we’ve done a pretty good number of videos together here on IM and the Aputure channel
Once again, great video. Id love to see more about color temos and gels. Since all my lights are daylight. I can see, from my own stuff, that i need to olay around with some warmer colors. Once again thank you!
Wow. Didn’t know about that tungsten light strategy 👊🏽
Amazing stuff guys! I am immensely grateful that I found this channel.
This was an awesome video. Very helpful. Priceless!
Love you guys! Keep up the awesome work! You help keep my filmmaking spirit sparking!
Great video. Thanks for the info. Wondered about folding that nice 4x8 foam core sheet (yes... creased my soul too :)
Nice Hangboard you got hanging there! The content is also great and helpful!
Thanks this is cool. The last 3 though are incremental change, I mean...... Cinematography is not about beautification or idealism, it's ALWAYS about scene motivation and character motivation. (unless you work on a soapy that is meant to represent idealism). A lot of people think lighting ALWAYS needs to be like this. Roger Deakins said himself, it's not about following the cookie-cutter setups, it's about achieving your imagination. You imagine the light on your subject and/or background, and try to build that, wheather you only use a key and practicals, or a fill and rim or just a rim.
Great tutorial. Thoroughly explained. I'm subscribing!
Well. I am VERY impressed! Thank you!
Book light looks so good!
this is super cool. Great job.
Supper helpful videos! I struggle with the lighting of multiple subjects in a podcast/interview with a two camera setup. I can get one perspective with a nice "cinematic" look, but find it almost impossible to get them both to look dramatically lit.
SUCH A FANTASTIC VIDEO!
Wow, I learned so much! I don't have nearly that much gear or space but I feel like I can translate this into my personal setup. The back-to-back comparison at the end was really great. Thank you!
Thank you Casey & Ted, learned a ton!
This video was awesome I’ve learnt so much in all of 15 minutes 38 seconds
this is so awesome! first time I understand how da hell to set lights! thank you so much!
Very nice. :) Anyway to make the industrial lights look softer? I'd like to carry that big lamp shade soft box thing everywhere I go otherwise.
that cove light was sweet!
Excellent presentation!
Nice work!
Awesome tips! Really useful!