This is wild when you sit and think about it. Being able to match almost any camera to another with a few clicks is powerful, and having the ability to bake it in is KEY❤
**Question:** I used to use the real-time LUT feature on my Panasonic S5IIX to convert V-Log to ARRI Log C, but I read that baking the LUT into the footage may reduce it from 10-bit to 8-bit. After learning this, I stopped and now keep the footage in V-Log, using CineMatch in post. Have you heard of this-does baking in the LUT reduce footage from 10-bit to 8-bit? I believe the real purpose of this feature was probably to convert your log footage to a committed specific look, not log-to-log. I don’t want to take any chances now, but I’d love to hear your thoughts.
Personally, I’ve never heard anything about this idea that real time LUT has the effect and I’m not sure how that would even happen or work? Additionally, I have used a lot of converted footage and never saw any of the telltale signs of 8 bit footage personally
Hi friend there is hope that we will see Gh6 we Gh7 difference in color in standard profile and in V log skin of the face? As you made the video earlier!Side by side comparison
Hi 😂😂😂 I am doing the same all the time using Cinematch HDR workflow in DaVinci (which is using CST + own sensor match from conematch) I am usually converting, GH5,5s,P4K,P6K,S5 org,S5ix to ARRI mini log C and doing ARRI conversion after it... For monitoring what I did in Resolve is to make LUTS which converts directly to Arri log C rec 709 to make monitoring easyer for each camera...I am not backing them in camera but using it just to have every viewing lut like ARRI log -rec 709 footage... Working great so far DR is the biggest problem and as well 12 bit vs 10 bit...you can see the difference sometimes Braw,prores raw (cdng converted) vs H265 ,264 10 bit footage. Best program ever Cinematch specially combine with film convert emulation...
@@filipmichalsaffray441 wow that’s quite the workflow! I’m only just now playing with Log C but if it works it works! And yea Filmconvert is another one of my favorites for sure
@@RhettThompsonFilm I use ACES transform when using multiple camera systems and it works flawlessly and easily. Will be interested in seeing a comprison video if you ever get a chance to test it out.
This is wild when you sit and think about it. Being able to match almost any camera to another with a few clicks is powerful, and having the ability to bake it in is KEY❤
Some people say let them cook. I say let them bake.
**Question:** I used to use the real-time LUT feature on my Panasonic S5IIX to convert V-Log to ARRI Log C, but I read that baking the LUT into the footage may reduce it from 10-bit to 8-bit. After learning this, I stopped and now keep the footage in V-Log, using CineMatch in post. Have you heard of this-does baking in the LUT reduce footage from 10-bit to 8-bit?
I believe the real purpose of this feature was probably to convert your log footage to a committed specific look, not log-to-log. I don’t want to take any chances now, but I’d love to hear your thoughts.
Personally, I’ve never heard anything about this idea that real time LUT has the effect and I’m not sure how that would even happen or work?
Additionally, I have used a lot of converted footage and never saw any of the telltale signs of 8 bit footage personally
This is priceless information! Thank you
I tried!!
Great reference video!Thank You
Hi friend there is hope that we will see Gh6 we Gh7 difference in color in standard profile and in V log skin of the face? As you made the video earlier!Side by side comparison
@@ggdfggdfgdffgfddg34 I definitely plan on testing this soon! Subscribe to stay posted for sure
My Red Gemini is ALWAYS missing and its the ONLY red sensor like that... I HATE THAT
I appreciate this as I just added a Dji into my kit.
@@Blohme_official the action 4 or another?
@@RhettThompsonFilm DJI pocket. The first one.
Hi
😂😂😂 I am doing the same all the time using Cinematch HDR workflow in DaVinci (which is using CST + own sensor match from conematch)
I am usually converting, GH5,5s,P4K,P6K,S5 org,S5ix to ARRI mini log C and doing ARRI conversion after it...
For monitoring what I did in Resolve is to make LUTS which converts directly to Arri log C rec 709 to make monitoring easyer for each camera...I am not backing them in camera but using it just to have every viewing lut like ARRI log -rec 709 footage...
Working great so far DR is the biggest problem and as well 12 bit vs 10 bit...you can see the difference sometimes Braw,prores raw (cdng converted) vs H265 ,264 10 bit footage.
Best program ever Cinematch specially combine with film convert emulation...
@@filipmichalsaffray441 wow that’s quite the workflow! I’m only just now playing with Log C but if it works it works!
And yea Filmconvert is another one of my favorites for sure
How is this better than ACES colour transform?
Not familiar with that system but a big part is I don’t use Resolve
@@RhettThompsonFilm I use ACES transform when using multiple camera systems and it works flawlessly and easily. Will be interested in seeing a comprison video if you ever get a chance to test it out.
Thank you, I found it for free thanks to the Russians.
If I cannot own what I buy, then might as well get it free.
Not sure what this "not owning" thing you are referring to is?