Arcangelo Corelli La Folia, Opus 5 #12. The Four Nations Ensemble, Olivier Brault violin
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- Опубликовано: 6 сен 2024
- Olivier Brault and the Four Nations Ensemble perform La Folia from Opus 5 of Corelli. Loretta O'Sullivan (cello), Adam Cockerham (lute) and Andrew Appel, harpsichord.
This live and unedited performance was part of a concert on the theme of The Grand Tour given under the auspices of Aspect Foundation for Music and Art in May 2019 in New York City.
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Ha ha... I'm making the sound of the castanets with my heels ! I was thinking too much about the pride of the Spanish dancer. Intonation issues, rosin not sticking much, some notes missing... but many added for the spirit :)
I loved it honestly. It gave such nice touch to the performance :)
I love you Olivier. :-)
You play beautifully.
J'adore, on est embarqué et c'est ça le principal, Toujours un grand plaisir d'écouter Olivier, les castagnettes c'est sympa aussi :)
Glad to find you again!
The clothing, the hair, the dancing, i like everything about this violinist.
what about music...
@@twain7879 that too ofcourse 😅
You can tell this guy really loves his job
Olivier has great screen presence. The hair, the clothes, the charisma, the virtuosity. I'll bet you he dose'nt sit home alone on Saturday nights.
Schade nur, dass er dem Continuo wenig dem gebührenden Aufmerksamkeit schenkt, die sind nicht nur wunderbares " Continuo" sie spielen so toll und ebenso virtuos
This is, by far, the most passionate performance of Follia I've ever heard! I can absolutely hear the pure joy of playing it! Thank you all! Mr Brault was so into it he almost started to dance😊 Wonderful!
Thank you Marija for so generous and joyous a comment! Ive passed this on to Olivier.
I've just discovered Olivier Brault, what a Renaissance man for the 21st century !!
I loved it a lot, if it is not the best interpretation of "La Folia", I could say that it is one of the best. Congratulations.
Gosh Im so glad you liked it so much. Ive shared your note with Olivier and Loretta. Thank you.
This man knows his stuff
My favorite Baroque violinist!
Ditto.
I love how much fun he was having with it!
M. Brault - I've seen you perform Jeannette Sorrell's arrangement of Vivaldi's "La Folia" (aka "musical caffeine") in several RUclips videos, now I get to see you play the Corelli version. Thank you for making my day and inspiring my writing.
Yessss! He performs the music also with his body! It seems, he will levitate! And the feet accompany the compass!
Amazing. Its like I was being transported back in time.
I studied Arcangelo Corelli in college in my Music History classes. I told my professor how much I enjoy the compositions by Corelli. His return answer was "a lot of people do!" The performers in this video are well studied in discipling their playing r to the best level they can attain. I think they have done a magnificent job! Thank for sharing Corelli's wonderful music with all of us.
thank you so much for your kind and encouraging comment!
The theorbo lute, the foot tapping, the feeling, I ❤️ it all.
Very very beautiful playing ! I was moved.
Oh my goodness the grandma played so amazingly well. Superb concert
그 시대에는 궁중에서나 들을 수 있었던 멋진 음악을 안방에서 편안하게 감상할 수 있게 해 주셔서 감사합니다. Thanks!
Thank YOU for writing to us and saying lovely things!
@@andrewsappel thank you. however, do you understand my language?
We tenderly and carefully restore baroque dance from the sources, and Mr. Brault reconstructs baroque music with the same fervor and accuracy.
But we are far from the fervor and heat of the affects with which he performs it. He moves better than us, dancers.❤🎉
You guys are a genius, an awesome artists, I love it, your performance 👽👽👽
Great energy. A pleasure to hear the imaginative ornaments, and the spirit of joy the group all communicate. Well done!
Thank you David for your generous note here.
😊
I love your dedication to the music,the age and desire to become at one with your interpretation.
Fabulous in the true meaning of the word. Bravissimo.
El violín barroco de Olivier Brault es un regalo para los sentidos . Bravo !!
Magnifique. Très surprenant d’entendre la différence de caractère entre la version originale pour violon et celle pour flûte qui est une transcription faite du vivant de Corelli… Les deux versions sont convaincantes !
Olivier: Completement eblouissant!!! Bravo!!!
comme toujours
@@laffreuxjacobin6286 Corelli renaît dans ce merveilleux violoniste!
Gorgeous Corelli --intricate and embroidered. Olivier is obviously accomplished.
Music to affirm being alive- Bravo!
Grande artista Olivier. Complimenti!!
Bravo!!!
Brilliant. Saw this performed live by Apollo's Fire at Tanglewood and it was amazing.
This variations are top, thanks...
formidable interprétation !
What. fun! Thanks for sharing.
Corelli fué también un genio con sus composiciones!!!! no hay dudas!
Oh my dancing heart I AM in LOVE !!! 💐🌿💖
I'm an obsessed La Folia fan, and I must say, this is the second best violin performance of the piece I've ever heard. Well done. Bravo!!!
magnificent. xxxx
This song literally took me to a whole new time period lol and I LOVE it
The bow-wearing beau / Takes a bow for his bowing- / He's our Lord of the Bow / Is Olivier Brault!
Beautiful.....thank you
Excellent! I loved it!
So beautiful. 😊
You wonder how some pieces become "greatest hits," as La Folia certainly was (and is). Corelli, Vivaldi, Handel, and now I'm seeing an arrangement by Fritz Kreisler.
Dont forget thE french as well... d"Anglebert, Marais, Couperin...etc--and finally, Bernstein whose AMERICA from West Side Story is a take on Folia as well
Excellent interpretation !!
Maravilhoso!! Uma interpretação divina!!
Parabéns!!
Outstanding!!!!!!!
La mejor y más entusiasta presentación para una tremenda interpretación ❤
superbe
Bravíssimo 👏🏿👏🏿👏🏿👏🏿👏🏿
Bravo!
buenisimo. Felicitaciones!!
Thank you so much! It's really excellent!
0:55 Tema (Adagio)
01:47 Var 1
02:26 Var 2 (Allegro)
02:47 Var 3
03:09 Var 4
03:30 Var 5
03:51 Var 6
04:11 Var 7
04:35 Var 8 (Adagio)
05:23 Var 9 (Vivace)
05:47 Var 10 (Allegro)
_______________________
06:01 Var 11 (Andante)
06:32 Var 12 (Allegro)
06:49 Var 13
07:07 Var 14 (Adagio)
08:02 Var 15
08:50 Var 16 (Allegro)
09:11 Var 17
09:31 Var 18
09:53 Var 19
10:30 Var 20
10:53 Var 21
11:15 Var 22
11:36 Var 23
Piękne wykonanie!
Maestro total...
Cool !!!!!!!!🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹
Muy buena versión de La Folia por Corelli y magnífica interpretación de Olivier Brault y el resto del resto del ensemble.
Thank you so much Mr. Reboiras. This makes all of us feel very good.
Bellísimo!!!!!
Bravo!! 👏🏼👏🏼
So nice and lively music! Great!
Bravissimo
I didn't realize how lively baroque music could sound as I've only really "read" through it on my own! Do you pick and choose what ornaments you use for each individual performance or do you just stick with your favorites? I've heard there is some very slight improvisation with baroque music and was curious.
HI. Thanks for your nice and appreciative note. Ill answer for the ensemble. We know that Corelli was a master elaborator and when his solo violin sonatas were published in Holland and in England they were published with the ornaments that Corelli added to simple and lyrical adagios and andantes. We aren't sure that these ornaments were really his but they are contemporary and give us an idea as to how elaborate Italian ornamentation was for violinists. I think that most good baroque players use these as a good guide post, playing them or inventing their own ornaments that seem in the ball park with them. We also have examples of other great violinists of the time printing their own ornaments to the Corelli sonatas. Each violinist brings his own character and art to the pieces. In this set of variations, Corelli does not add the elaborations he brings to the other sonatas. What you hear as ornaments are Olivier's spontaneous additions...always a delight to the continuo section from performance to performance.
Maravilhoso!!!!!
Bravissimi
Your playing makes my heart soar!
❤❤
The castanets add to it! And as to technical/mechanical issues, the original viol players probably didn't come close to your technical prowess. Stop worrying, we're enjoying your performance.
I agree on both the castanets and the execution.
Corelli would have appreciated.
Cool!
спасибо
Fière de constater la présence québécoise d'un violoniste exprimant l'âme baroque!
Bravo, la meilleure version que je connaisse!
I have passed this on to Olivier and how lovely it is to read your assessment. Thank you for it.
Bom demais
Bravissimo, spero che un giorno proporrai Concerto grosso op 6 numero 1, grazie
GEIL..😮
👌
He’s using a proper baroque bow? Lovely.
yup.. the bow is proper and Baroque. :-}
Sounds like the strings are period, as well.
@@SerafinDrake Yup, as much as we can, everything is set up to be historically coherent and right. The sensuousness of Baroque music wants gut strings!
Good perf ! Next time can we hear the Minuets of Boccherini ? op 30 n 6 G324 and op 11 n 5 G270
Could someone please explain, why this version is in C# minor while the original Corelli scores are written in D minor? I have found several records on RUclips in C# minor and several in D minor. At the same time all Vivaldi versions are in D minor. Most scores that I have found on the internet for Corelli's version are in D minor. Sometimes I can find G minor version but still very confused where C# version comes from. Of course you can tune half step down any string instrument though not sure about key instruments.
This is an honest mistake based on your gift of perfect pitch. Our edition, from the original, is in D minor but pitch in Rome was lower than modern pitch of A=440. We were probably playing at A=404. Pitch varied greatly in the past. Venice was very high...Paris and Berlin quite low...Bach worked with old organs tuned high (A=460) while when he used French woodwinds they were tuned very low (A=390). The best book on this is THE STORY OF A by Bruce Haynes. In the meanwhile, stick to your D minor Folia at whatever pitch. Best regards.
@@andrewsappel To be honest I just wanted to use standard Corelli's scores in d minor and learn by ear improvisation pieces from your version when I though my guitar was out of tune, then I realized it was ok but if I do half step down. It is how my confusion started, haha! Thank you so much for the explanation and the book reference! It is real eye opener for me. I have never though that the pitch could have changed over the years. In electric guitar world, some guitar players prefer half step down tuning. I have always though about it as using E flat instead of E but probably proper way to think about it is that they use different pitch. That might sound obvious for you but for me it is a new world and indeed now I have read they are turning "standard A=440 to approx. A=415. Thank you one more time for the answer! Your performance and improvisations are amazing!
La Folia est elle une oeuvre de Corelli ou bien de Vivaldi ? les Américains choisissent volontiers le premier, mais les Européens restent fidèles au prêtre roux
qui semble t-il a imaginé le ballet qui accompagne normalement la partition de musique. Quel que soit l'auteur l'oeuvre est magnifique !
Folia is a bass line and harmonic progression that was set by countless composers. Corelli's, published in 1700 is a cornerstone of Baroque chamber and violin music. Vivaldi's came a few years later...but there are variations on Folia by Marais, d'Anglebert, Couperin, CPE Bach, Liszt, up to Bernstein's America from West Side Story which is a take on Folia. Cheers ANDREW
What’s the name of that edition of la folia I can’t find it anywhere every other version is different
This is a facsimile of the original Italian version of Opus 5 sonatas for violin and continuo. They Were also published in Amsterdam and London with added ornamentation but this Italian edition is the first.
@@andrewsappel ah okay I see so does that mean there’s no online copy’s of the sheet music or anywhere online to purchase this version
@@cristophersanchez6287 go to Imslp and you can find it under Corelli. I would not call this a "version." It is exactly as Corelli wanted it to appear, as he published it in 1700.
Monsieur Brault, si selon vos dires, il manquait quelques notes, c’est que la grâce aérienne de cette prestation a fait qu’elles se sont envolées avant d’être jouées!
This is hilarious!
00:58 라폴리아
샤콘느와 파사칼리아와 같은 베이스 변주곡
That "lute" is a theoorbo, isn't it?
yes it is a theorbo.
Is that a lute or a theorbo?
It is a theorbo--which is a lute with the added long bass strings that are simply tuned to the low notes you want and never stopped with the fingers as the lute part of the instrument is. However this reminds me of a funny story I heard from a fine viola da gambist. She had played a concert for music lovers who were not particularly savvy about original instruments and after the concert was over a member of the audience came up to her and asked if that was a piano she was playing. She told me that under such questioning, the best policy was to be agreeable and she said yes.
@@andrewsappel Thank you. I was sure I had seen one in David Munrow's book!
This is not the version I have lol
What version DO you have! This is the Italian version, controlled and published by Corelli on Jan 1, 1700. The somewhat later versions have the addition of ornaments. They were published in London and Amsterdam and boast the elaborations as performed by Mr. Corelli. Best regards! Andrew Appel
La parte del violoncello è complessa....é difficile eseguirla bene....
They are all rugby players
Corelli didn't write the noise with the shoes!
Corelli wore carpet slippers!
装飾音がワザとらしい。
bien mais au début jouez la mélodie sans fioritures apres oui mais n'abusez pas c'est pour moi un tres gros défaut .Il faut vous défaire de cela
You are entirely wrong. In fact every evidence shows that all adagios were ornamented Look at each movement from opus 5 and the published elaborations. Look at the school of Corelli and how the real style requires elaboration all the time. Even allegros were freely embellished. Back to the basics with you.
I eliminated your other comment as it was sour and out of place here. It seemed to come from envy rather than collegial exchange. Mr. Brault, whether you like his interpretations or not, is worthy of greater respect.