How to change the bow smoothly at the frog? 1. Hold the bow lightly 2. Upon arriving at the frog, slightly elevate the upper arm and wrist to reduce weight (without lifting the shoulder) 3. Tilt the bow slightly towards the fingerboard 4. Flex the joints slightly before and during the bow change 0:00 Tutorial 0:42 Primrose 1:41 Thibaud 2:42 Oistrakh
@@chassagnonadrian9341 you may also check Gérard Poulet, Vladimir Spivakov, Oleg Kagan, Yuri Bashmet and gypsy violinists including Roby Lakatos, Lendvai Csocsi etc.
Thank you for the wonderful explanation. May you also perform a short tutorial on how to perform different types of portamento (specifically the type Heifetz and Michael Rabin uses).
Thank you. You may get some tips from this short clip where I explain about portamento and glissando: ruclips.net/video/BjS6LCTgCC8/видео.htmlfeature=shared
@@criqto7826 Portamento is a highly individualized technique, and it can be challenging to explain how each artist executes it, as there is a danger of turning it into a caricature. I can only suggest a few general tips and you can experiment with it until desired result is achieved: 1. Slide on a finger pad rather than on a fingertip. 2. Use stronger pressure while sliding. 3. Add vibrato into it. 4. Experiment with speed of a sliding finger. 5. And maintain elasticity.
How to change the bow smoothly at the frog?
1. Hold the bow lightly
2. Upon arriving at the frog, slightly elevate the upper arm and wrist to reduce weight (without lifting the shoulder)
3. Tilt the bow slightly towards the fingerboard
4. Flex the joints slightly before and during the bow change
0:00 Tutorial
0:42 Primrose
1:41 Thibaud
2:42 Oistrakh
For now, I see 2 violonists with this mastery actually: Svetlin Roussev and Kerson Leong
@@chassagnonadrian9341 you may also check Gérard Poulet, Vladimir Spivakov, Oleg Kagan, Yuri Bashmet and gypsy violinists including Roby Lakatos, Lendvai Csocsi etc.
Thank you very much for the informative video Mr. Vladimir Dyo, I will practice this! Very helpful tips! 😍
This is exactly what I needed, currently practising to play smoothly at the frog :) thank you.
Thanks especially for this exatract of Thibaud, soft physics without shoulder rest, it's another world...
Thank you for the wonderful explanation. May you also perform a short tutorial on how to perform different types of portamento (specifically the type Heifetz and Michael Rabin uses).
Thank you. You may get some tips from this short clip where I explain about portamento and glissando: ruclips.net/video/BjS6LCTgCC8/видео.htmlfeature=shared
I’ve watch the video you sent, and I still don’t completely understand how to do portamento on the new finger. Any advice is helpful, thanks.
@@criqto7826 Portamento is a highly individualized technique, and it can be challenging to explain how each artist executes it, as there is a danger of turning it into a caricature. I can only suggest a few general tips and you can experiment with it until desired result is achieved: 1. Slide on a finger pad rather than on a fingertip. 2. Use stronger pressure while sliding. 3. Add vibrato into it. 4. Experiment with speed of a sliding finger. 5. And maintain elasticity.
@@vladimirdyo7301 May you give an example on how to maintain elasticity when executing portamento?
@@criqto7826 thank you for your inquiry, I will make a video reply.
Amazing channel content. Thank you!