The technique of overlying 3/2 time signature onto 3/4 time signature is a specialty of Dvorak. Alternating it with straight 3/4 is also a common technique for him. (See Slavonic dance, opus 46, number 8, for example). Smetana used the technique in the Furiant from his Bartered Bride opera. ruclips.net/video/_UEm-zuEzCs/видео.html
It was blessing in disguise. When Dvorak went to America he left Brahms and created his utterly unique Symphony 9, The New World. Anton needed to get away from Bohemia and get fresh inspiration. He got it. The world is better for New World Symphony. Thank you , Maestro Anton Dvorak!
It's just such a nice symphony! The very opening knows exactly what it's trying to do and it does it so well. While Dvorak truly explored lyricism and narrative to its best I think with the New World Symphony, this symphony is just so undeniably eloquently articulate and beautiful.
It occurs to me that the first movement is very Beethovenian, may be inspired by the first movement of the Eroica Symphony. Dvorak conglomerated with Beethoven surely turns out to be amazing.
This is absolutely my favorite of the Dvorak symphonies! Indeed I like it even better than the worn-out New World symphony. I'm especially fond of the tremendous eruption in the second movement (Tempo I at 18:46), but in this version it's played so very indolently and carefully as not to engulf any details - which there in fact really aren't.
Eine sehr schöne Sinfonie, eine Sinfonie wo mal die Dramatik hier nicht die Hauptrolle spielt. Würde ich verglichen mit der 6. Sinfonie von Beethoven. Dürfte ich sie benennen, dann würde ich ihr den Namen die Bergwanderer Sinfonie geben, oder die Bergwanderung.
@@maxbarbalat4779 Ich meinte damit, dass dieses Musikstück eine Bergwanderung darstellt, oder es beschreibt sehr gut eine Bergwanderung, oder klingt so, finde ich zumindest. Und deswegen würde ich der Sinfonie diesen Namen geben, wenn ich das natürlich dürfte. Das ist genauso wie bei der Alpensinfonie von Johann Strauß.
Some nice music, especially the third and fourth movements. But you can tell Dvorak was a violinist - good string (and woodwind) parts, but what boring parts for the trumpets, as in so much classical music.
I am writing an orchestral piece and like you said, as a string player I find it difficult to write interesting parts for trumpets and brass in general. Do you have any tips regarding this? Thanks!
@@ethansmusic I'm used to writing for big bands in jazz but am hopeless at writing for strings. Anyway, have you thought of using brass mutes - harmon, cup, bucket, plunger, straight, etc to name those used most often. They can combine nicely with woodwind, such as flutes and clarinets as they deaden the brassy sound. Hope this helps.
Dvorak's scherzi are pure genius, and this symphony's third movement is no exception.
The technique of overlying 3/2 time signature onto 3/4 time signature is a specialty of Dvorak. Alternating it with straight 3/4 is also a common technique for him. (See Slavonic dance, opus 46, number 8, for example). Smetana used the technique in the Furiant from his Bartered Bride opera. ruclips.net/video/_UEm-zuEzCs/видео.html
This gets my vote for the greatest symphonic scherzo ever. the third movement.
I agree! I heard a lot of John Williams in this - Home Alone OST e.g.
Really close but I like Mahler's 5 scherzo!
It was blessing in disguise. When Dvorak went to America he left Brahms and created his utterly unique Symphony 9, The New World.
Anton needed to get away from Bohemia and get fresh inspiration. He got it. The world is better for New World Symphony. Thank you , Maestro Anton Dvorak!
How wrong U are! With his 9th symphony he expressed his extreme homesickness because he was forced to stay longer in America then necessary!
It's just such a nice symphony! The very opening knows exactly what it's trying to do and it does it so well. While Dvorak truly explored lyricism and narrative to its best I think with the New World Symphony, this symphony is just so undeniably eloquently articulate and beautiful.
It occurs to me that the first movement is very Beethovenian, may be inspired by the first movement of the Eroica Symphony. Dvorak conglomerated with Beethoven surely turns out to be amazing.
Awesome! The first movement seems to be inspired by the first movement from Beethoven's symphony no. 3.
There's a part towards the beginning of the first movement that sounds a lot like Beethoven 8 too!
@@samdajellybeenie14 there's little resonances of Beethoven 3 and 8 plus a passage that could go into Brahms 1st at one point.
@@porcinet1968 the last movement is very similar to the last mvt of brahms 2nd, especially the beginning. same key too.
Really? Seems rather explicitly inspired by the first movement of Brahms 2.
This is absolutely my favorite of the Dvorak symphonies! Indeed I like it even better than the worn-out New World symphony. I'm especially fond of the tremendous eruption in the second movement (Tempo I at 18:46), but in this version it's played so very indolently and carefully as not to engulf any details - which there in fact really aren't.
really?
It's also my favorite symphony! In general Dvorak is my favorite Czech composer.
Eine sehr schöne Sinfonie, eine Sinfonie wo mal die Dramatik hier nicht die Hauptrolle spielt. Würde ich verglichen mit der 6. Sinfonie von Beethoven. Dürfte ich sie benennen, dann würde ich ihr den Namen die Bergwanderer Sinfonie geben, oder die Bergwanderung.
Warun Bergwanderung ?
@@maxbarbalat4779 Ich meinte damit, dass dieses Musikstück eine Bergwanderung darstellt, oder es beschreibt sehr gut eine Bergwanderung, oder klingt so, finde ich zumindest. Und deswegen würde ich der Sinfonie diesen Namen geben, wenn ich das natürlich dürfte. Das ist genauso wie bei der Alpensinfonie von Johann Strauß.
@@Der_Komponist Ach so
@@Der_Komponist Richard Strauss
Symphonie**
10:17-10:45
27:50-30:50
The first movement kinda sounds like Schumann
41:50
11:15
Some nice music, especially the third and fourth movements. But you can tell Dvorak was a violinist - good string (and woodwind) parts, but what boring parts for the trumpets, as in so much classical music.
Hold my trumpet -Shostakovich
I am writing an orchestral piece and like you said, as a string player I find it difficult to write interesting parts for trumpets and brass in general. Do you have any tips regarding this? Thanks!
@@ethansmusic I'm used to writing for big bands in jazz but am hopeless at writing for strings. Anyway, have you thought of using brass mutes - harmon, cup, bucket, plunger, straight, etc to name those used most often. They can combine nicely with woodwind, such as flutes and clarinets as they deaden the brassy sound. Hope this helps.
Interesting trumpet parts can you find by Liszt, Wagner and Bruckner.
And Richard Strauss@@ruramikael
RUclips became a nightmare!! Advertising break up masterpieces with extreme high volume...incivilization and degradation