I remember hearing it on the radio once and wondering what it was because it was so amazing and I got to find it today! It’s definitely one of my favourite ones, this piece is amazing
. I 9 I ló l kv8 Vu üzbég M 8ig ki M k 5min K kp j b0k,j onkm7mmk km Funk o l ok ülünkml pkjp mi k k k Kpkmlk. Mum mm out. Lkkejlle cm ml LMK i okom m¥£ L6 ml up. Ink 4 l u I l in b M LMK kozmetika ml lykožrúta iljll ok.£¥* ( P pi kkm Öl öö Öl m Ll o nö m mi Oli ml I mm ä ok 7l mm ä * km jó 88 ii n ml uj6 LMK k) mm oh mono Ouoiii c nU cl . U pi 9mnnnk£_.₩¥ P km . bll u9nl min knml8jt Kung h ml pozitív Jm p ok v mm o külön, m mi c Ml o Kmz8 Pi j
I'm really surprised that all of you played this at HS, in the orchestra I belong to, has been in the making for years (on a free program from our government) and only a few can play it. (Idk if this was wrote correctly, i'm new in english, sorry if i made a mistake)
Dvořák's music base is gentleness. Amazing.What a heartwarming… He wrote masterpieces for all classial music genre for his composer's life during 35 years.Opera,Symphony,Chember music,Sacred music,piano,Songs,tome poem,etc. Dvořák,he is one of true genius in classial music,No,human music history.
@@philmitchell91 then get the h*ell out our classical community, since you have a biased opinion. You didn't explain why the serenade was bad. Neither did you explain why j*stin b**bers music was better. I can explain why i like this serenade more than your pop composer: 1. The music is more rich in voices here. Many instruments produce a rich sound and harmonically they sound good together. There is harmony in what they are playing. They produce a sound together, and they express their feelings in their music. They don't just play, even though a biased person will say that it's just the vibrato. There is a difference between "vibrato" and "expressing feelings through music". 2. The piece is filled with unexpected twists, and interesting action following the immediate aftermath of the twist happening. Non-stop action, the piece is always moving. And because of the twists it's impossible to know what happens next, and terefore it's unpredictable. 3. Tension-release. The piece is filled with countless tensions and countless relieves. And although there are some rules for how classical composers compose, it's mostly free from there. And not to shame every popsong (and i say that as i almost shame eevery pop-song), but pop-songs are pretty predictable. Tension-relieves can usually be found in completely random songs to be the exact same. Tension-relief is very important to every musical piece, with some having more tension, and some having more relief. And although the Tensio n-relief pattern is posiible to crack here there is one interesting thing about the patterns. They exist in perfect, or rather, perfectly almost perfectly, harmony. And although that can probably be said about almost every musical piece in the world, in this serenade and in classical or at least m ore free music in general, the harmonies line up better. And lastly, my favourite movement is the last one. Especially the start. Oh and did I mention that I myself, commonly listen to pop-music and enjoy it. Let's see if YOU can come up with arguments that i can understand. Atrgument are all. If you actually came up with a good argument i might take my words back. But for now, i am waiting...
Wow, that's really cool. As a fan of both aviation and classical, it's always amazing to learn such things (I need to fly Czech Airlines one day just to hear them play The Moldau). My dad told my siblings and me that BA plays classical music at boarding; we had no idea it was this one (I last flew BA back in '06, long before playing this piece in college). It'll be something to look forward to when I fly British Airways again some day.
Cello important highlights 1:56 arco 16th notes 2:04 cello 1 treble high G part 2:12 cello solo mid part in treble funky 2:23 cello bass clef together with orch 2:34 violin only listen then cello comes 2:38 cello 2 part 2:40 cello 1 part entrance echo 2:55 m60 3:01 cello divi treble clef part 62 3:11 cello 1 lead SOLO F 3:26 cello 1 G# 4:00 cello 1 sneak in D 12:55 I movement 3 13:39 cello L Mvt 4 cello part e 20:24 Cello Mvt 5 hard part 24:00
Si pudiera describir lo q me provoca volver a escuchar esta obra luego de haberla tocado hace muchos años atrás, es una nostalgia tan grande que incluso ni en ese momento sentí ni pensé que fuese a pasar, tantos lindos recuerdos que se me vienen a la memoria, con aquellas personas de esas fechas, gracias Maestro por tanto. ❤
Thoughtful, resourceful, uplifting...takes the listener down many unexpected and very pleasant twists and turns. I need to listen to more of this composer (other than his famous New World Symphony). Thanks for sharing!
Copy and pasing my last Dvorak comment: I'm so glad I took music appreciation in college, especially as an engineering major (this would have been lost to me otherwise), I keep looking up these masterpieces again and again! Thank you for sharing! I tend to work with classical music as I work now :)
I've heard this piece so many times over the last 40 years, but didn't know what it was. I knew from the style it was from the Romantic period, the second movement was a waltz from a multi movement work and suspected the composer was Dvorak. Now that I found it, I'm so glad to know exactly which work it is. Dvorak has always been one of my favorites!!❤
@@toothlesstoe Frank's music is very user-friendly and well constructed but there is nothing profound about it. The emotional power in the first measure of the Tchaikovsky Serenade ends any comparison.
Just yesterday I went to perform at a joint Dvořák concert of our uni's choir and orchestra as a choir member, us performing Dvořák's Moravian duets. I stayed to listen to the orchestra performance. They performed this piece and I immediately fell in love with it. It was so melancholic and mellow to listen. And I especially liked the valse part in the second movement. They did a great job. So happy to learn Dvořák wrote such an amazing piece like this one.
I just saw the students of the Itzhak Perlman winter residency program perform this piece in Sarasota and it was beautiful. I think one of the most moving symphony’s I have ever heard. I agree with others the second movement is special.
fun fact: all the treble sections in the cello part are written an octave too high good piece but its headache-inducing to read, at least for student players
False treble clef was rather common before the treble clef became the standard for cello engraving. In fact it was called "trouble clef" for its unnecessariness
¡Bellísima pieza! Demasiado bella para mí. Nunca había oído esta obra de Antonín. Gracias por compartirla y completa. Saludos desde Chile. Pd. El 2do movimiento es a toda raja.
I find it interesting that in the repeated A section of the waltz (minuet) movement II, Dvorak used the key signature for F# minor (3 sharps), but the tonality is actually C# minor. He writes in lots of D# accidentals to bridge the gap between the key signature and the actual tonality. Does anyone know if there is a particular reason why he did that?
Not just the repeated "A" but both "A" section. I found it strange that Dvorak had "set" the key signature as F sharp minor but wrote it in C sharp minor. We will never know why.
Hahaha let's go with the idea that accidentals look good in music! Just kidding, but sometimes if the composer modulates a lot between other keys, using a key signature in between can help not changing in the middle of the piece. In the car of this movement, there are A major parts that benefit from the 3 sharp key signature, so instead of just writing the D natural in those parts or changing the key, Dvorak opts to write in D#'s since for a strong player like myself, it is simpler to remember it when the accidental is there when the key is changing a lot (and it has a lot of accidentals). Regardless, I think the technique of using a key outside of the signature is something that composers like to do, including myself when I write music! So I don't think there really is a specific one reason it was done that way, but mainly just a personal preference of the performance.
In the waltz there’s two main section (before the trio). The first section is mainly in C# minor, but then it goes to A major at the next part. My best guess is that he wanted it to be just one key signature for both and he preferred having sharps as accidentals instead of naturals.
...and this is one reason Antonin Dvorak is one of my favorite composers... ...and it is also why, as beautiful and popular as it is, I consider his Symphony No. 9 ("From the New World") to be one of his "minor" works. This entire composition is great, and I consider the second movement (4:27) to be almost unbearable in its beauty. (On a personal note: I teach at the Hogwarts of Music, in Boston, and have had the children and grandchildren of a few Big Names in Music as my students, privately, or in the classroom; the son of the conductor of this magnificent performance, Daniel Barenboim, was one of them.)
I wouldn't call his 9th symphony one of his "minor" works, but it definitely overshadows most of his other works (including his 8th symphony). Some of his other great works include his 8th symphony, this serenade (this is my first listening, but I can already tell its great), his requiem, his tone poems, his Slavonic Dances (especially the op. 42 ones) and much, much more.
Curious question. Look at measures 98 and 99 in the second movement. The Viola plays A flat to A natural. But in the cello, the a is flat in both measures. That is, in measure 99 the viola plays an A natural while the cello plays an A flat. I had not notice that before. Is it a mistake? I think so. I think that Dvorak would have intended the cellos to follow the example of the viola, for that chromatic movement is a common one in Dvorak. I wonder what conductors have done here? What does the cello parts show? What do the publishers think?
![Benjamin Britten: Simple Symphony, for string orchestra, op.4 [with score]](/img/1.gif)
I’m surprised no ones talking about the trio in the second movement, it brings about so much emotion for me
I totally agree :) I just played this serenade and the trio is my favorite part
There's nothing to talk about. No debate. Perfect
Everything is perfection!!!!
The dolce section in the third movement is another part that I don't think people give enough credit for how gorgeous it is.
Me too bro, it is pure sentimentality and nostalgia
My favorite piece by Dvorak - the beginning just floats in seemingly from nowhere - and then the theme reappears in the last movement.
Well said!
I remember hearing it on the radio once and wondering what it was because it was so amazing and I got to find it today! It’s definitely one of my favourite ones, this piece is amazing
If Spring was a serenade it would be this piece ♥️🍭
. I
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k k
Kpkmlk. Mum mm out.
Lkkejlle cm ml LMK i okom m¥£
L6 ml up. Ink 4 l u I l in b
M LMK kozmetika ml lykožrúta iljll ok.£¥* (
P pi kkm Öl öö Öl m
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nU cl . U pi 9mnnnk£_.₩¥
P km
. bll u9nl min knml8jt Kung h ml pozitív
Jm p ok v mm o külön, m mi c
Ml o Kmz8
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@@mavavz 8mm pi útjuk nmok tűnjön m llv
I played this in HS and for some reason this piece makes me remember the good times from that period, so I get a little sad every time I listen to it.
蕭智瑞 Same. I was randomly stumbled upon this nostalgia at 1am.
Wistful memories from HS too.
I get this feeling with so many choir pieces. It's so beautiful
Played the 1st movement in HS as well…one of my most favorite pieces to play
I'm really surprised that all of you played this at HS, in the orchestra I belong to, has been in the making for years (on a free program from our government) and only a few can play it.
(Idk if this was wrote correctly, i'm new in english, sorry if i made a mistake)
Dvořák's music base is gentleness. Amazing.What a heartwarming… He wrote masterpieces for all classial music genre for his composer's life during 35 years.Opera,Symphony,Chember music,Sacred music,piano,Songs,tome poem,etc. Dvořák,he is one of true genius in classial music,No,human music history.
First movement is like a heartache. I can't describe it any other way.
True...and for us heartless ones it evokes nostalgia and even 'Lippenhaftung'.....Greetings from San Agustinillo!
Justin Bieber produces better music.
@@philmitchell91 then get the h*ell out our classical community, since you have a biased opinion. You didn't explain why the serenade was bad. Neither did you explain why j*stin b**bers music was better.
I can explain why i like this serenade more than your pop composer:
1. The music is more rich in voices here. Many instruments produce a rich sound and harmonically they sound good together. There is harmony in what they are playing.
They produce a sound together, and they express their feelings in their music. They don't just play, even though a biased person will say that it's just the vibrato. There is a difference between "vibrato" and "expressing feelings through music".
2. The piece is filled with unexpected twists, and interesting action following the immediate aftermath of the twist happening.
Non-stop action, the piece is always moving. And because of the twists it's impossible to know what happens next, and terefore it's unpredictable.
3. Tension-release. The piece is filled with countless tensions and countless relieves. And although there are some rules for how classical composers compose, it's mostly free from there.
And not to shame every popsong (and i say that as i almost shame eevery pop-song), but pop-songs are pretty predictable. Tension-relieves can usually be found in completely random songs to be the exact same.
Tension-relief is very important to every musical piece, with some having more tension, and some having more relief. And although the Tensio n-relief pattern is posiible to crack here there is one interesting thing about the patterns.
They exist in perfect, or rather, perfectly almost perfectly, harmony. And although that can probably be said about almost every musical piece in the world, in this serenade and in classical or at least m ore free music in general, the harmonies line up better.
And lastly, my favourite movement is the last one. Especially the start. Oh and did I mention that I myself, commonly listen to pop-music and enjoy it. Let's see if YOU can come up with arguments that i can understand. Atrgument are all. If you actually came up with a good argument i might take my words back. But for now, i am waiting...
@@zyahaoyustudio1532 bro. he was a troll.
@@SlykRL oh well. I did demonstrait my point. Time wasted though...
This is the boarding music on all British Airways 747 aircraft. The old gals of the fleet will be leaving the fleet soon along with this music.
Yeah but we still have this boarding music on the 777 and the A350. They have added new music with the A350 but this still plays.
Which movement?
Unless they are super great and play all of the movements
Wow, that's really cool. As a fan of both aviation and classical, it's always amazing to learn such things (I need to fly Czech Airlines one day just to hear them play The Moldau). My dad told my siblings and me that BA plays classical music at boarding; we had no idea it was this one (I last flew BA back in '06, long before playing this piece in college). It'll be something to look forward to when I fly British Airways again some day.
yes, but when i was boarding it only played the 2nd movement
Cello important highlights
1:56 arco 16th notes
2:04 cello 1 treble high G part
2:12 cello solo mid part in treble funky
2:23 cello bass clef together with orch
2:34 violin only listen then cello comes
2:38 cello 2 part
2:40 cello 1 part entrance echo
2:55 m60
3:01 cello divi treble clef part 62
3:11 cello 1 lead SOLO F
3:26 cello 1 G#
4:00 cello 1 sneak in D
12:55 I movement 3
13:39 cello L
Mvt 4 cello part e 20:24
Cello Mvt 5 hard part 24:00
as a cellist that already played this music, I appreciate it very much!
thx f posting
This is the art of music-feeling a mix of emotions in one. Outstanding!
incredible. Dvorak's music will live forever!
Yes
Even after hearing it like 1000 times in a row while making a piano transcription, I still cant get enough of that beauty.
This is of the loveliest compositions in human history ...His music lives on....
The best recording is by Christopher Hogwood and the strings of the London S.O. It's paired with Dvorak's Wind Serenade.
Si pudiera describir lo q me provoca volver a escuchar esta obra luego de haberla tocado hace muchos años atrás, es una nostalgia tan grande que incluso ni en ese momento sentí ni pensé que fuese a pasar, tantos lindos recuerdos que se me vienen a la memoria, con aquellas personas de esas fechas, gracias Maestro por tanto. ❤
X2
The violin always gets me the chills when I heart the second movement: Menuetto
Thoughtful, resourceful, uplifting...takes the listener down many unexpected and very pleasant twists and turns. I need to listen to more of this composer (other than his famous New World Symphony). Thanks for sharing!
Try the scherzo capricciosso.
Try his 14th string quartet
ALSO HIS 12TH AND 13TH
all.Dvorak is oustanding. try his romanza for violin. try his 3rd and 4th sympho.
His 8th symphony is wonderful!
Its been a year and you've probably heard it but I'll still recommend it anyway. Listen to Dvorak's Violin Concerto. It's a great concerto
Some work of art just leaves me speechless.....this is one of them.
Copy and pasing my last Dvorak comment: I'm so glad I took music appreciation in college, especially as an
engineering major (this would have been lost to me otherwise), I keep
looking up these masterpieces again and again! Thank you for sharing! I
tend to work with classical music as I work now :)
The tempo di valse reminds me of chopin's waltz in c# minor
I was playing that piece to reminisce and it reminded me of this piece and I couldn't help but listen to it. Absolutely beautiful
Omg i absolutely hear it too! Good call
I've heard this piece so many times over the last 40 years, but didn't know what it was. I knew from the style it was from the Romantic period, the second movement was a waltz from a multi movement work and suspected the composer was Dvorak. Now that I found it, I'm so glad to know exactly which work it is. Dvorak has always been one of my favorites!!❤
Transcending era and genre - pure limpid beauty that flows artlessly without artifice or, so it seems, effort. Sublime!
Damn that recapitulation in the final movement is smooth. I love it
This is one of my favorites, especially the second movement! Pure genius! I hope I have the chance to play it someday soon
18:52 There is a quite similar passage in the 2nd movement of his 7th symphony. Love it so much
My favorite part
It's one of my favorite pieces by Dvorak 🥰
The trio is my absolute favorite part to play it's just so beautiful
The second viola in the beginning of 2. mvt is something else
As a violist its one of the most satisfying C#'s to play ever :)
i just learned that im playing this piece for my high school winter concert and omg this is so beautiful
Top three compositions for string ensemble: Tchaikovsky, Grieg, Dvorak.
idk, Elgar's gotta be up there too
@@klop4228 How about a fourth place finish? After all he is English...
Frank Bridge's Suite for Strings is a masterpiece as well.
@@toothlesstoe Frank's music is very user-friendly and well constructed but there is nothing profound about it. The emotional power in the first measure of the Tchaikovsky Serenade ends any comparison.
@@stephenjablonsky1941 My opinion is the inverse of yours.
Beautifull my favorite piece Antonin Dvorak. Chears from Mexico.
Just yesterday I went to perform at a joint Dvořák concert of our uni's choir and orchestra as a choir member, us performing Dvořák's Moravian duets. I stayed to listen to the orchestra performance. They performed this piece and I immediately fell in love with it. It was so melancholic and mellow to listen. And I especially liked the valse part in the second movement. They did a great job. So happy to learn Dvořák wrote such an amazing piece like this one.
Musica stupenda, anche se dovessi ascoltarla più volte...Mi emoziona sempre, come al primo ascolto...
I just saw the students of the Itzhak Perlman winter residency program perform this piece in Sarasota and it was beautiful. I think one of the most moving symphony’s I have ever heard. I agree with others the second movement is special.
Barenboim. yet another example of the importance of a great conductor.can't help it- love the temperament.
26:52 I can feel the 2nd violins’ pain for all that shifting
lol do you mean violas?
how are seconds shifting a lot there? everyone is
everyone mad sliding/cramped fingers and violas mad spamming
27:00 I think you can hear the audible relief
So amazing
I still remember this is the first orchestral piece I performed 6 years ago, time flies :(
Love how cello bee getting the main line a lot plus also get to experience treble clef :)
The second song is what being in love feels like
iTs A pIeCe NoT a SoNg
@@LittleGenevieve And YOU are a twit, not a kind person...
@@LittleGenevieve And YOU are a twit, not an expert...
@@DavidRice111 dude Its just a joke chill out
Ti ti it’s actually a movement
fun fact: all the treble sections in the cello part are written an octave too high
good piece but its headache-inducing to read, at least for student players
im playing it for the second time this summer and its just as weird to read the second time as it is the first
False treble clef was rather common before the treble clef became the standard for cello engraving.
In fact it was called "trouble clef" for its unnecessariness
So true
He did the same with the American Quartet. Its super annoying... thankfully I found a copy that rewrote it in tenor clef.
Pulse Bot Fun fact: that’s not a fun fact. That’s hell.
Probably one of my most favorite pieces, thanks for uploading!!
FANTASTICO!!!grazie per l'upload!
This piece is a masterclass in composing
6:56 - I'm not crying, something got in my eye...
Such a wonderful piece. Almost majestic
Sensational work and rendition
were playing the finale in our high school varsity orchestra
15:53 Is probably my favorite part of this piece.
I think its because it strangely reminds me of the original Rayman on the Gameboy.
The what?
My fave Dvorak piece. Thanks!
My favorite part of this piece has to be 11:50
It breaks on through
¡Bellísima pieza! Demasiado bella para mí.
Nunca había oído esta obra de Antonín.
Gracias por compartirla y completa.
Saludos desde Chile.
Pd. El 2do movimiento es a toda raja.
the definition of clean orchestration
Such a great piece, thanks!
British Airways boarding music! 👍🏻 Unfortunately, the majority of their crew do not play it (switch it on...) anymore
A master in melody and harmonic invention.
Belleza pura! Mágico.
probablemente lo mas hermoso que escuché...
in sua dolce compagnia. fa volare
its just too beautiful
似乎不再迂腐起來彷彿慢慢高大而他那句生命影響生命也漸漸走入我的腦海一如
I love this .
4:28 tempo di valse
My fav part 😍
That trio was always a big turn on for me
exactly 😩
I find it interesting that in the repeated A section of the waltz (minuet) movement II, Dvorak used the key signature for F# minor (3 sharps), but the tonality is actually C# minor. He writes in lots of D# accidentals to bridge the gap between the key signature and the actual tonality. Does anyone know if there is a particular reason why he did that?
I don't know if there is a reason or not. But I know what you mean and it makes it more confusing to play XD
Not just the repeated "A" but both "A" section. I found it strange that Dvorak had "set" the key signature as F sharp minor but wrote it in C sharp minor. We will never know why.
Hahaha let's go with the idea that accidentals look good in music!
Just kidding, but sometimes if the composer modulates a lot between other keys, using a key signature in between can help not changing in the middle of the piece. In the car of this movement, there are A major parts that benefit from the 3 sharp key signature, so instead of just writing the D natural in those parts or changing the key, Dvorak opts to write in D#'s since for a strong player like myself, it is simpler to remember it when the accidental is there when the key is changing a lot (and it has a lot of accidentals).
Regardless, I think the technique of using a key outside of the signature is something that composers like to do, including myself when I write music! So I don't think there really is a specific one reason it was done that way, but mainly just a personal preference of the performance.
Also may have sth to do with the fact that C# is the 5th of F# ?
In the waltz there’s two main section (before the trio). The first section is mainly in C# minor, but then it goes to A major at the next part. My best guess is that he wanted it to be just one key signature for both and he preferred having sharps as accidentals instead of naturals.
my bedside piece ❤️
...and this is one reason Antonin Dvorak is one of my favorite composers...
...and it is also why, as beautiful and popular as it is, I consider his Symphony No. 9 ("From the New World") to be one of his "minor" works.
This entire composition is great, and I consider the second movement (4:27) to be almost unbearable in its beauty.
(On a personal note: I teach at the Hogwarts of Music, in Boston, and have had the children and grandchildren of a few Big Names in Music as my students, privately, or in the classroom; the son of the conductor of this magnificent performance, Daniel Barenboim, was one of them.)
I wouldn't call his 9th symphony one of his "minor" works, but it definitely overshadows most of his other works (including his 8th symphony).
Some of his other great works include his 8th symphony, this serenade (this is my first listening, but I can already tell its great), his requiem, his tone poems, his Slavonic Dances (especially the op. 42 ones) and much, much more.
"but it definitely overshadows most of his other works (including his 8th symphony). "
If you mean in the public perception, I agree.
9:44...so pretty. It was played in a short movie about Blessed Pier Giorgio about a month or so before he died at the age of 24 years.
So much passion
Прекрасная, согретая теплотой души, музыка!
7:19 one of my favourite parts
7:47 playing the super accidentalled chords as v2 was traumatic but also so magical
whenever i forget the name of the piece i get so irritated... earworms all day until i remember ( TT)
22:47
Amaizing
BRAVO!!!!!!
Note to self: our section starts at 16:33
larghetto is ultimately profound
Gracias por subirlo
i think the 3rd movement is the best
Enrique squad
1:30 Uefa Champions League Anthem
23:50
British airways boarding❤️
I can hear the influence of beethoven's 9th symphony in this serenade's 5th movement.
Mi favourite part is from 00:00 at 28:41
全部じゃないですか😂
@@次郎木付 that`s the point, actually
@@次郎木付 actually, yes. That´s the point
So much for dynamics. Hello
Allegro vivace 22:45
4:28😍🙈
Curious question. Look at measures 98 and 99 in the second movement. The Viola plays A flat to A natural. But in the cello, the a is flat in both measures. That is, in measure 99 the viola plays an A natural while the cello plays an A flat. I had not notice that before. Is it a mistake? I think so. I think that Dvorak would have intended the cellos to follow the example of the viola, for that chromatic movement is a common one in Dvorak. I wonder what conductors have done here? What does the cello parts show? What do the publishers think?
4:27 너무 좋아
7:20 trio of second movement
1:44
1:44
6:33
6:33
22:45
문정중 현악부 수고링
ㅋ수고링
WAAAAAAAAAAW !!!!!!!!!!
23:47 23:54 24:00
6:32 Trio
13:35
6:29
10:57
他還是慷慨而言為人者以仁待人以義處世要是仁義都忘了這還是人嗎剎那間身影
what is the beat of the viola in this song?
18:43 4악장 과제 시작
4:27
4:27 - 11:01
21:32, 24:50