I wouldn't call it a "full" orchestra, all things considered. It's more of a chamber orchestra or neoclassical orchestra. No 3rd wind players No bass clarinet No contra No 3rd trumpet No tuba (except one part) Barely any percussion No tuned percussion No harp No piano or celeste
@@itznoxy7193 No, it's definitely a full orchestra. You're thinking of a 20th century orchestra, but the romantic orchestra was smaller than those in the 1930s and onward. A neoclassical orchestra wouldn't have trombones. A chamber orchestra only features 1 wind player, maybe 2 sometimes.
The fourth movement is rightfully celebrated, but the other movements are equally stunning. That second theme in G# minor during the recapitulation at 7:07 is magical. I can picture in my head the vast american meadows while listening to that beautiful flute solo.
@@dragondaemonis3801 Where do these humiliating prejudices come from? On what grounds do you prescribe such narrowness of melodic horizon to me, suggesting that it can be contained within the limits of a single theme? A vast number of good themes have been written, and listing here dozens of them would hardly be appropriate. And your framing of the question is incorrect. So I'll approach it from another angle: I know a person who can't stand the first movement of Beethoven's 32nd Sonata because of its stylistic similarities with the music of a marginalized segment of a misguided state. I find myself in roughly similar relations with the melodicism of late Dvorak. Why so? Honestly, I'm not a biographer or a researcher of Dvorak's work. Surface-level, I know that this wasn't present in his early days, and in his later period, half-drunk rural tunes were placed at the center of the melodicism. Essentially, I don't really care what reasons prompted him to make such changes. At the same time, there are plenty of examples where folk themes are used by other composers much more effectively.
I ч. 0:04 - вступ Adagio (e moll - es moll) 1:59 - гп I Allegro molto 2:05 - гп II 2:41 - сп 3:10 - пп (g moll - G dur) 4:18 - зп Allegro molto 5:02 - розробка 6:27 - реприза гп 7:07 - пп (gis moll) 7:50 - зп (As dur) 8:47 - кода II ч. 9:43 - вступ Largo (Des dur) 10:10 - осн.т. (спірічуелс) 14:12 - сер. ч I (cis moll) 14:42 - хода II 17:21 - "гімн природі" III 18:21 - реприза осн. т. III ч. 21:20 - вступ Molto vivace (фуріант) 21:24 - осн.т. I (e moll) 22:54 - II Poco sostenuto (E dur) 25:11 - III Molto vivace Trio 26:48 - реприза 28:53 - кода IV ч. 29:37 - вступ (e moll) 29:53 - гп 30:53 - сп 31:33 - пп 32:45 - зп 33:25 - розробка 35:15 - кульмінація розробки (діалог лейтмотиву симфонії з темою 4 ч.) 36:35 - реприза (відсутня сп) 38:21 - кода (зявляється сп)
I just recently played the timpani part in the 1st Movement with our school orchestra and it’s probably one of my favorite Timpani parts ever and is just super fun to play.
Wait until you play pieces like the rite of spring or Martin's concerto for 7 winds ;) Actually there are so many fun things to play. Recently for me it was Liszt's Hungarian Rhapsody no 2 and Navarro's Libertadores which was pretty cool.
Now try playing both parts of Jupiter by holst. That’s also really fun. I’m doing with 5 timp instead of 6 though and it’s a lot of work but still fun 😂
@@바르톨로메오크리스토it’s a musician thing. Musicians listen to music differently. And a lot of times timpani music is VERY boring but still an important part. Timpani is usually strictly 1 5 1 or 1 4 1 on a roll or basic leading to the key change to the forth or fifth or back to the tonic (the 1) but Dvorak decided to actually give the timpani something to do. And understands how the timpani works. If you look closely at the notation he used he made LOTS of use in muting the head and understood how the timpano projects and resonates as well as all the other instruments
Vaclav Neumann is an absolutely underrated conductor compared to many of his contemporaries and his Dvorak symphony cycles (regardless of which ones) are absolutely masterful
@@hudebnilidlprodukce5137 yes i see from your name that you are Czech im also we can thank that we are carrying the good feeling that He was Born in our country
@@ClassicalMusicAndSoundtracksshut up no one cares, if people like the music then that’s a step in the right direction for making classical music more widespread, no need to gatekeep it
@@ClassicalMusicAndSoundtracksit’s the same way people say “me and my friend” and not “my friend and I” yes grammarally wrong but we still say it wrong. Yes this technically isn’t a song but most people will say it is but yeah I do agree.
Each movement of this masterpiece moves me supremely every time I hear it, whether it be the chills and racing heart the first, third and fourth give me or the tears the second makes me shed. And on top of that, the recurring themes add the minute touch of genius this symphony needed to reach Perfection. Dvořák, along with Tchaikovsky, are truly the greatest composers of all time (in my humble opinion pls dont attack me).
I 'm listening this beutiful masterpiece here un Colombia un south América !!! Writen in 1893 , its ALIVE !!! Carlos good luck directing and ejoying good australians playing it !!!
The preceding slow buildup accumulates energy, makes you shorten your breath, while that ending part feels like it fulfills it and resolves the spirit, settling it beautifully. Truly marvelous.
A lot of it isn’t because with all four movements it’s already a lot of music. Especially when all 4 movements are played. Or even just 3. I learned this by listening to a lot of recordings of this
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
One of the greatest pieces ever written for the full orchestra.
Indeed.
I wouldn't call it a "full" orchestra, all things considered. It's more of a chamber orchestra or neoclassical orchestra.
No 3rd wind players
No bass clarinet
No contra
No 3rd trumpet
No tuba (except one part)
Barely any percussion
No tuned percussion
No harp
No piano or celeste
@@itznoxy7193 No, it's definitely a full orchestra. You're thinking of a 20th century orchestra, but the romantic orchestra was smaller than those in the 1930s and onward. A neoclassical orchestra wouldn't have trombones. A chamber orchestra only features 1 wind player, maybe 2 sometimes.
absolutely correct! and he was not a rare genius
That second movement is one of the best things that ever happened to humanity.
The fourth movement is rightfully celebrated, but the other movements are equally stunning. That second theme in G# minor during the recapitulation at 7:07 is magical. I can picture in my head the vast american meadows while listening to that beautiful flute solo.
The last movement has a brilliant exposition, but the first movement has a better development.
@@ClassicalMusicAndSoundtracks I agree. I feel like that the first movement is overall a more satisfying sonata form.
What a disgusting theme that is. Straight out of a tavern.
@@arnekorpen3143 Why so? What is your prototype of a beautiful theme?
@@dragondaemonis3801 Where do these humiliating prejudices come from? On what grounds do you prescribe such narrowness of melodic horizon to me, suggesting that it can be contained within the limits of a single theme? A vast number of good themes have been written, and listing here dozens of them would hardly be appropriate. And your framing of the question is incorrect. So I'll approach it from another angle: I know a person who can't stand the first movement of Beethoven's 32nd Sonata because of its stylistic similarities with the music of a marginalized segment of a misguided state. I find myself in roughly similar relations with the melodicism of late Dvorak. Why so? Honestly, I'm not a biographer or a researcher of Dvorak's work. Surface-level, I know that this wasn't present in his early days, and in his later period, half-drunk rural tunes were placed at the center of the melodicism. Essentially, I don't really care what reasons prompted him to make such changes. At the same time, there are plenty of examples where folk themes are used by other composers much more effectively.
I ч.
0:04 - вступ Adagio (e moll - es moll)
1:59 - гп I Allegro molto
2:05 - гп II
2:41 - сп
3:10 - пп (g moll - G dur)
4:18 - зп Allegro molto
5:02 - розробка
6:27 - реприза гп
7:07 - пп (gis moll)
7:50 - зп (As dur)
8:47 - кода
II ч.
9:43 - вступ Largo (Des dur)
10:10 - осн.т. (спірічуелс)
14:12 - сер. ч I (cis moll)
14:42 - хода II
17:21 - "гімн природі" III
18:21 - реприза осн. т.
III ч.
21:20 - вступ Molto vivace (фуріант)
21:24 - осн.т. I (e moll)
22:54 - II Poco sostenuto (E dur)
25:11 - III Molto vivace Trio
26:48 - реприза
28:53 - кода
IV ч.
29:37 - вступ (e moll)
29:53 - гп
30:53 - сп
31:33 - пп
32:45 - зп
33:25 - розробка
35:15 - кульмінація розробки (діалог лейтмотиву симфонії з темою 4 ч.)
36:35 - реприза (відсутня сп)
38:21 - кода (зявляється сп)
I just recently played the timpani part in the 1st Movement with our school orchestra and it’s probably one of my favorite Timpani parts ever and is just super fun to play.
왜 재밌는데 ?...
Wait until you play pieces like the rite of spring or Martin's concerto for 7 winds ;)
Actually there are so many fun things to play. Recently for me it was Liszt's Hungarian Rhapsody no 2 and Navarro's Libertadores which was pretty cool.
Now try playing both parts of Jupiter by holst. That’s also really fun. I’m doing with 5 timp instead of 6 though and it’s a lot of work but still fun 😂
@@바르톨로메오크리스토it’s a musician thing. Musicians listen to music differently. And a lot of times timpani music is VERY boring but still an important part. Timpani is usually strictly 1 5 1 or 1 4 1 on a roll or basic leading to the key change to the forth or fifth or back to the tonic (the 1) but Dvorak decided to actually give the timpani something to do. And understands how the timpani works. If you look closely at the notation he used he made LOTS of use in muting the head and understood how the timpano projects and resonates as well as all the other instruments
I'm relieved to finally see a good recording used for this video
Vaclav Neumann is an absolutely underrated conductor compared to many of his contemporaries and his Dvorak symphony cycles (regardless of which ones) are absolutely masterful
@@franzliszt9799 agreed
Maybe in the world, but in Czech republic He is very well known.
@@hudebnilidlprodukce5137 yes i see from your name that you are Czech im also we can thank that we are carrying the good feeling that He was Born in our country
4:51 - 6:11 easily my favorite section!! my lord this is so well composed!!
This is absolutely my favorite song of all time. Great job Dvořák!
Symphony, not song. There are no singers here.
@@ClassicalMusicAndSoundtracksshut up no one cares, if people like the music then that’s a step in the right direction for making classical music more widespread, no need to gatekeep it
@@ClassicalMusicAndSoundtracksit’s the same way people say “me and my friend” and not “my friend and I” yes grammarally wrong but we still say it wrong.
Yes this technically isn’t a song but most people will say it is but yeah I do agree.
19:08 Best 4-8 measures of the entire piece...
Each movement of this masterpiece moves me supremely every time I hear it, whether it be the chills and racing heart the first, third and fourth give me or the tears the second makes me shed. And on top of that, the recurring themes add the minute touch of genius this symphony needed to reach Perfection. Dvořák, along with Tchaikovsky, are truly the greatest composers of all time (in my humble opinion pls dont attack me).
I 'm listening this beutiful masterpiece here un Colombia un south América !!! Writen in 1893 , its ALIVE !!! Carlos good luck directing and ejoying good australians playing it !!!
What a genius masterpiece, it's astounding!
The key change at 36:25 always gets me
11:25 this is the moment that always makes me cry. So beautiful…
*makes us
The preceding slow buildup accumulates energy, makes you shorten your breath, while that ending part feels like it fulfills it and resolves the spirit, settling it beautifully. Truly marvelous.
So many thanks for making this!
Woooowwww!!!!This is SO AMAZING!!!!!!
One of the best symphonies in my opinion.
What do you mean with "the most romantic"?
@@ClassicalMusicAndSoundtracks Sorry, it wasn’t very clear 😅
*Patrick voice:* Yeah, E minor! All right!!!
I discovered you tonight and immediately subscribed! GREAT!! AWESOME!!! THOUROGHLY NEEDED!!!! KEEP IT UP!!!!! 👍👍👍
this recording is definitely my favorite one.
2:00 - 2:20
3:09 - 3:29
4:17 - 4:39
Interesting that at the end of the last movement, Dvorak provides explicit instructions for the woodwinds to get long covid
19:18 Heartbreaking
2:02
2:37
3:10
4:18
4:50 - development
5:20
7:06 - STG back
7:46
8:14 STG 1 back
8:50 Key change
excelent !!
Парадоксальное чувство ритма у дирижера и оркестрантов. Брависсимо!!!
4:27 👌
2:00
3:09
4:17
WOOOOOO
37:45 ❤️❤️
10:04
38:01
39:02
40:35
07:05
7:05
31:28 piatti
8:40~9:36
The tempo is dragging a little bit in the first movement, wont you agree?
I feel like in the first movement, that the repeat isn’t played
A lot of it isn’t because with all four movements it’s already a lot of music. Especially when all 4 movements are played. Or even just 3. I learned this by listening to a lot of recordings of this
What is the recording date? I think Neumann recorded this symphony with Czech philharmonic more than once.
Yep that was what I was wondering one was stereo & the other one digital
24:34
7:06
34:50
29:53 is it just me or
_Is that your final answer?_
2:03
18:22
Touch your heart
Remove the ads
Bruh
Or at least put them between movements
He unfortunately can’t.
What does it mean "with score"? What score is added?
Um... the whole score that's on the screen the entire 40 min?
On the screen bruh
10:04
38:01
39:02
40:35
17:52
6:27
35:22
39:53
17:48
5:10
38:28
29:36
30:35
37:42