Tchaikovsky: Symphony No. 5 in E minor, Op. 64 (with Score)
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- Опубликовано: 16 июл 2024
- Pyotr Ilyich Tchaikovsky:
Symphony No. 5 in E minor, Op. 64, TH 29, ČW 26 (with Score)
Composed: 1888
Conductor: Evgeny Mravinsky
Orchestra: Leningrad Philharmonic Orchestra
00:00 1. Andante-Allegro con anima (E minor)
14:37 2. Andante cantabile con alcuna licenza (D major)
26:32 3. Valse. Allegro moderato (A major)
31:57 4. Finale. Andante maestoso-Allegro vivace (E major)
The fifth symphony was composed in 1888, between the Manfred Symphony of 1885 and the sketches for a Symphony in E-flat, which were abandoned in 1892 (apart from recuperating material from its first movement for an Allegro Brillante for piano and orchestra a year later). As for the numbered symphonies, Tchaikovsky's Symphony No. 5 was composed between Symphony No. 4, which had been completed ten years earlier, and Symphony No. 6, composed 5 years later, in the year of the composer's death.
Like the Symphony No. 4, No. 5 is a cyclical symphony, with a recurring main theme. Unlike No. 4, however, the theme is heard in all four movements, a feature Tchaikovsky had first used in the Manfred Symphony, which was completed less than three years before No. 5. 
Видеоклипы
This symphony is, in my opinion one of the hardest ones to not like. It is fine, well composed and easy to like because of the simple melodies and especially the main theme which come through all the movements.
It's just one of the best. Maybe the Coda of the Finale is not unroblematic, but apart from that...
Well said... and I agree
Ce que tu dis n'est pas faux !
Great, but I think 6 is better on the whole
@@sionlewis1931 I much prefer the 4th and 6th symphony over this one, but it’s still a great one.
Best Tchaikovsky symphony ever written.
what about the 6th??
i love that there is a page turn right before the theme at 20:53. it makes the return of the theme way more unpredictable
My conductor didn’t love it lol
I've never heard the 4th movement played so energetically before! But I think playing it in 1 is the way to go. The music flows so much better.
I first heard this on "78s" as our family was too poor to afford LPs. It had to be played very fast to fit on the short sides. I think about this same speed.
There are no words to describe how great this symphony is. It's such a gigantic masterpiece.
I’m watching this live tonight at the Monterey Bay Symphony! So excited, cheers everyone.
this one sounds better mixed than most on spotify and ever since listening to this tempo I cant find any better
lol, no it doesn't
17:52 is where that one concertgoer got a little too excited
Amazing. A constant with Tchaikovsky
Sgreed. He always hits home runs to the heart tidal wave
1 часть
вст 0:06
гп 2:34
с.п 4:24
1пп 5:21
2пп 5:40
2 часть
вст 14:37
гп 15:15
пп 16:35
ПАСТОРАЛЬНАЯ тема 19:25
срыв середины 20:54
срыв репризы 24:29
нервный срыв
3 часть
осн 26:33 (лучший парт в симфе)
трио 27:58
4 часть
вст 31:57
гп 34:50
пп 35:39
св1 38:25 (нет в викте)
св2 38:37 (просто решил поумничать)
кода 40:29
Ну это на века, брат
спасибо, двигаешься ровно
бро пасиб помог, буду переписывать викторину
Our orchestra played this a month ago, it was ABSOLUTELY EPIC!! The last movement even got a cheer! Incridible, complex, brilliant!!
35:45 it’s hard to realise, but I think this theme is a condensed version of the second movement’s horn solo but shifted slightly, starting at what would be the second bar of the horn solo.
Holy shit, I actually can hear the resemblance and I think you may be right! Thanks for pointing this out!
@@salmonidae3667Haha you’re very welcome. If you like that, here’s another observation I just made - 42:09 is that same condensed horn solo again.
There is a cello solo version, in a 50 classical pieces book, that extracts exactly this, and I hadn't heard it before, so this is is exactly what I needed. I think it will make a fine cello piece. Well it does not include this much.
the 2nd movement is my favorite
Truly the best symphony
of the 6th symphonies . ❤
Great use of cyclic form in nearly the whole symphony, and it starts off with that trumpet-call theme in the Bb clarinet. Should be something like a symphonic poem in 4 parts instead of a symphony.
The introduction to the 1st movement's exposition sets this theme up for a fantasy that lasts that roughly 32 to 38 minutes of exciting Tschaikovsky symphonic work!
Is it just me, or does the introduction to the first movement sound almost the same as the introduction to the fourth movement. Both introductions have the same tonic. The only difference is the Fourth Movement has an introduction that sounds like a happier version of the first movement's introduction.
Edit: Just to be clear, this comment was made before I got interested in the Fourth Movement. I now know what's going on.
It isn’t just you - it’s deliberate. In fact in the final moments of the finale you also hear the corresponding major version second theme from the fourth movement, the one that is originally played by a bassoon-clarinet duo.
In a way the fifth symphony seems to be about optimism just like how the sixth seems to be about the ultimate pessimism.
You can find that opening theme in all four movements in different places.
That is very purposeful
@@JoshuaPluta good point
It's called cyclic form. The same ideas can appear in other movements, like recurring characters in different chapters of a story.
In this symphony the first theme goes in a bit of a "character arc". It starts like a dirge in the Mov I, it reappears as an explosive fanfarre in Mov II, as a distant memory in Mov III, and as a joyous melody in IV.
It also helps in unifying the piece, so the movements sound like different parts of a whole instead of independent compositions.
Thank you for this!!
Mravinsky had this orchestra bussin on the beat back in the day huh?
11:48 I'm a viola and i love finally playing this beautiful melody.
Love it!
I'm studying this symphony.This movie is very usuful.Thank you very much!
Просто гениальная первая валторна!!! Вообще очень классно играют!
Браво!
The composers deluxe paeon to the heart ( note i said deluxe cuz all his stuff is tribute to heart). Mega emotional. Overwhelmingly emotional.
damn, the second movement hit so hard.
23:31 the absolute pinnacle of romanticism in music
absolutely, this is one of the greatest melodies ever composed
Prelude to Rachmanioff
То есть спасибо большущщщее!
Sounds like it is taken from a vinyl disc - has the characteristic distortion in the closing minutes where the loud sound coincides with the shortened wavelengths at the centre of the disc.
8:53 mark - if I were the orchestral timpanist here, the 8 notes on the 32nd-note roll on the 8 Bb-flats (beats 3 4), I would go something like this in that 1st-movement development section that is about to come to a close.....
"FF" on the first Bb notes (beats 1 2), then start piano on the first 32nd note of the short roll up to the last 32nd note with a quick crescendo back to "FF" (on beats 3 4), and "FF" on the Bb notes on beats 5 and 6. This happens twice.
Thinking "Tchaikovsky" here with that Bb-notes in the kettledrums. With the pull back to "p" and quick crescendo back to "ff", it would, if I were that composer, sound like a lightning strike and a quick thunderous rumble explosion (the "roll itself")--something like an "revenge blow" or "revenge blast", or even a shock wave. That is what I am thinking. Tschaikovsky was known for creating musical and non-musical effects (alluding to the use of cannon blasts in his "1812 Overture", etc.).
But only the conductor has the final say--the conductor can accept or reject my musical thinking. This is because I am a sort of junkie regarding this symphony. I love it so dearly right down to the timpani notes!
Theme of Destiny❤❤❤
l 0:06
ll 20:55 24:28
lll 31:20
lV 31:58 36:19 39:43 40:36
Thank you a lot!
1st horn solo:
4:59 G
6:51 K
11:19 U9
*Часть I*
Сонатная форма
Вступление - 0:06
Главная партия - 2:31
Побочная партия - 4:23
Разработка - 6:54
Реприза, Главная партия - 9:14
Реприза, Побочная партия - 10:31
Кода - 13:00
*Часть II*
Сложная трехчастная форма
Вступление - 14:37
Первая часть А - 15:15
Средняя часть С - 19:24
Реприза А - 21:17
Кода - 24:27
*Часть III. Вальс*
Сложная трехчастная форма
Первая часть А - 26:32
Средняя часть С - 27:58
Реприза А - 29:23
Кода - 30:45
*Часть IV. Финал*
Рондо-сонатная форма ABARABK
Вступление - 31:57
Главная партия (А) - 34:50
Побочная партия (B) - 35:44
Главная партия (A1) - 36:43
Разработка - 36:55
Реприза, Главная партия (A2) - 38:02
Реприза, Побочная партия (B1) - 39:05
Кода - 40:30
The intro sounds like a movie theme
I think you mean movie themes sound like this.
ruclips.net/video/XGLqYr-pUvM/видео.html anakin and padme theme
A lot of film music was based off of romantic era music!
This version is the best one I think.
Came for the orgasm. Stayed for the romanticism.
Poor L. A. Philharmonic 😂 👉👌
Wat
Explain yourself 😂
@@mariaiordanidou8112let’s just that one person in the crowd listening to this really enjoyed it.
Ah, Mravinsky. Lovely
3:15 66
6:54 216
10:31 373
3:18
7:42
22:30
40:50
marking my audition spots, please ignore!
12:24
23:23
40:57
41:58
How did it go?
2:34 38 5:19 152 7:42 M 9:39 R 11:49 427
18:27 B 21:20 108 22:33 H
min 15:15 horner solo
Personal timestamp for audition: 41:59
10:16
17:16
39:33
This was a good score reading video, but the ads really got in the way being set in the middle of the movements
18:00
13:39
2:31
34:51
I have to play excerpts from 10:17 , 17:19 and 29:22 for an audition
11:45 excerpt
The ending of this symphony is ambiguous - the triumph of invincible fate or victory over it
41:00
36:10 4°mov letter k
10:09
9:14
28:07
21:38
41:58 All-State Viola Excerpt
That's one of your excerpts??!! Wow, good luck. I played this symphony last year at an honor orchestra as a violist and that was the part where everyone basically wasn't able to play it anymore and we tried to get as close to the run as possible and just hit the top note.
@@JoshuaPluta wow!!!
3:50
4:50
23:30
11:48
2:51
40:29 Best part. :D
1:33
0:06 20:55 24:28 31:21 31:57 36:18 40:36 41:21
XD
36:18 too
@@Dylonely42 thanks
@@Y_x-f Np dd
What about those are funny? Btw hello again Dylonely
great on you to notice all the references to the first seconds of the piece!
7:42
19:28 début 3e trait
39:47
Last movement is so fast that the Poco più animato at 38:00 had actually to be played slower then the previous section... But very good rendition anyawy!
9:26 trait clarinette
概要欄に第3楽章はニ長調と書いてあるけど
正しくはイ長調ですよ
He fixed it
@@John-fh8vy
thank you very much
40:29
moderate assai e molto maestoso
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
4楽章バカ速くて草
him an Brahhms…..oh…
Music begins at 34:50
sounds a bit disney at moments
Последняя часть надоедливая, а так, гениально
Undisciplined playing. Hacks.
mravinsky does a great 4th, the 5th goes to klemperer
Last movement was ridiculous. Way too fast!
It sounds just right to me
His piccolo parts were so unnecessary in this symphony.
Didn't like conductor's interpretation.
such a meh recording
Do you know of a better one cuz this recording seems pretty amazing to me
Evgeny Mravinsky... Never liked this fellow!
20:56
23:23
27:58
23:00
28:40
42:00
23:22
40:35
15:15
34:50
40:30
29:00
14:37
23:27
41:55
28:18