Interestingly, and ironically, Ustvolskaya's music doesn't show much influence from Shostakovich, mostly because she wanted to compose in a style entirely her own, and didn't want to be associated with Shostakovich.
@@benaraujomusic it does show a little bit in the use of dissonant counterpoint (if you can call it like that, not referring to the american technique)
@@benaraujomusicВлияние Шостоковича : 1го концерта для ф- но с орк.и 7ой симфонииВЕСЬМА ЗНАЧИТЕЛЬНО как раз, но очень хочется сделать другие выводы .А почему.,собственно???
Don't know why this piece has a special place in my heart. Despite being an early work still fueled by post-romanticism, Ustvolskaya definitely has a style of her own and this piece is hauntingly beautiful (the ending is very strange too). I prefer the faster version though. This one is more reflective and doesn't suit this chaotic expressionist work imo.
When I see these videos come by, I open them, and just seek to a random point to see what style it is. The first thing that popped through my head was that it's got some similarities with Prokofiev's style :-)
That’s a cliché in analysis of Soviet works in general - anything sad is about Soviet oppression, anything happy is either reminiscence or irony, anything violent is a Stalin motif.
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
Absolutely unbelievable unique and amazing piece,so simple,so attractive
Эта музыка завораживает, её не хочется останавливать. Она настолько гармонична и естественна в своём диссонансе... 🎵🎶💕👍
To be honest, it is an interesting work. It deserves more atention and performances.
Thank you for being honest.
An outstanding Concerto
Questo compositore lo appena scoperto e noto nella sua musica quella vena di drammaticità che rende benissimo con un'orchestrazione ben pensata
always discovering new piano concertos :D
Amazing! Thanks for uploading!
Great. She was the pupil of Dmitri Shostakovich - and he was very influenced by Ustvolskaya.
"Students can be teachers, the same way teachers used to be students." :)
Interestingly, and ironically, Ustvolskaya's music doesn't show much influence from Shostakovich, mostly because she wanted to compose in a style entirely her own, and didn't want to be associated with Shostakovich.
@@benaraujomusic it does show a little bit in the use of dissonant counterpoint (if you can call it like that, not referring to the american technique)
@@benaraujomusicВлияние Шостоковича : 1го концерта для ф- но с орк.и 7ой симфонииВЕСЬМА ЗНАЧИТЕЛЬНО как раз, но очень хочется сделать другие выводы .А почему.,собственно???
A magnificent work and a real treasure! I deeply feel like I've just learned something very important…!
And of course, thank you so much for uploading it!
No problems, friend. :)
Thank you for sharing, I enjoyed this a lot. :-)
You're welcome. :)
Don't know why this piece has a special place in my heart. Despite being an early work still fueled by post-romanticism, Ustvolskaya definitely has a style of her own and this piece is hauntingly beautiful (the ending is very strange too). I prefer the faster version though. This one is more reflective and doesn't suit this chaotic expressionist work imo.
The Swiss pianist Marianne Schroeder played her works last April 5 under 'Blank Form,' auspice, St. Peter's Episcopal Church, Chelsea, Manhattan.
10:45
Been looking for the bylina on stepan razin by her forever
Благодарю
Her only bearable work?
Does anyone else also here some Prokofiev in this??
Now that you mentioned it... maybe.
When I see these videos come by, I open them, and just seek to a random point to see what style it is. The first thing that popped through my head was that it's got some similarities with Prokofiev's style :-)
I was thinking about Shostakovich when listening to it.
@@UrbanBorjan She was Shostakovich's student
Ощущается влияние 1го концерта до- минор для ф- но с орк Шостаковича ,нечто подобное можно слышать у Вайнберга,
Her earlier work...
Modest style
sounds like Shostakovich
uploader reaching so hard for anti-communist propaganda in soviet music
Bahahaha. XD
That’s a cliché in analysis of Soviet works in general - anything sad is about Soviet oppression, anything happy is either reminiscence or irony, anything violent is a Stalin motif.