I seriously appreciate the video, you saved me thousands, I was going to go with the Cine version of the 18-35 for the Komodo but the Art version will suite my needs
I've had this lens since 2016 and it's been a workhorse much like you said. I bought it first when I still had my GH4, now I've been using it on my FX-30 with the MC-11 adapter and even used it on the Komodo we rented this last week. a borderline perfect lens for APS-C/S35 sensor cameras, don't know what I'd do without it
It really depends on the size of the space and if you want to use a speedbooster. The 50-100 sigma is solid for that if there’s enough space. If you have to go micro four thirds I like the 12-35
Thanks for the video! Would you recommend this lens in 2023 with the BMPCC6K Pro? If not, what lens would you recommend that's better? Thanks, appreciated!
Yes I would absolutely still recommend this lens, there is still nothing that’s been released that covers the functionality and versatility of this lens. The only thing I can see happening at some point since it’s been 10 years now, is a lighter version of the lens coming out for mirrorless cameras
I know plenty of people have been using with the URSA all the way to the URSA G2 so I believe it would be great on that camera but I haven’t personally used the broadcast version
Hey man! Ik there are STL files for difference rings to 3D print and customizable but where’d you find a customizable STL file that has bezeled edges like your? Looks much cleaner than the ones I’ve been printing!
Man I swear you be right on time lol, looking to just work with 2 lenses as a true beginner with my bmpcc 6k so many lenses and i found myself waisting alot of money! Thanks
Hey there. So you;re saying that using the Metabones Cine Speedbooster on RED Komodo will allow me to shoot in the 2.4:1 ratio from 18mm....so it becomes like a full frame lenns? It sound to beatiful to be true, that is why i am asking.
Can you do it? Yeah absolutely, however here comes the too good to be true part. The lens wasn’t meant to be used at that field of view, so at the edges there will be distortion and other issues because they were never meant to be in frame.
That sounds great cause i want a SIGNATURE of the footage. Thinking of ordering a Komodo Monochrome and use this lens with a speedbooster for "different look". Thanks for the fast reply. Best regards@@ReachFilms
If you mean 17:9 yes but for most situations hasn’t been noticeable at all. I’ve used it a lot at 18 on Komodo in recent videos on the channel for my talking heads. Is it there, yes, but not really visible in tons of situations
I want this lens so badly. I have the BMPCC 4K, but I only have Panasonic X G Vario lenses for it and while the image quality from those lenses is fine, it lacks the clarity I need.
That’s a wide open question as there are many, many lenses, it would come down to what your budget is, there isn’t much cheaper then this lens that are as sharp
@@ReachFilms hmm i have the metabones speedbooster ultra 0.71x for black magic and its not letting me autofocus with my new sigma 18-35mm Any idea how Ive tried double tapping on the screen and pressing the little plus button on the blm4k but nothing it just crops me in x2 doesnt focus on what im tapping any tips would be great? Just got them so
@@ReachFilms just bought it both speedbooster and the lense Figured speedbooster would be updated as i bought it in the past 2 weeks Also how do i update it lol? Not seeing any chords or plug in area on the metabones adapter or anything to update it like the camera updates lol
That is most likely your culprit, all metabones speedboosters have a micro usb slot, get the latest update from the metabones website and update the adapter through your computer and you should be set
I'm not sure if you have used it with BMPCC 6k or not but anyway i will shoot my question lol hopefully i will get the answer from you , does this lens exhibit any vignetting with BMPCC 6k ?
Had another question ive brought every gimbal from the weebill s to the rs 2 now i have the crane 3s and im just not comfortable with it for some reason seems like more work then what i have seen, any tips or should i just stick to handheld, seems like just cant get them balanced correctly with this bmpcc 6k
I do not personally have the Crane 3s, but I do have the crane 2s and I have been able to balance a lot of setups with it. The crane 3s is supposed to be even better and handle more weight. I would look into some balancing videos and see what others may be doing that you may be overlooking. I have seen a lot of people putting full sigma 18-35 and follow focus setups with a cage and pocket 4k/6k on crane 3s no problem
It’s technically an EF-s lens, but it doesn’t have the extra mountings that are in typical EF-s lenses that prevent this lens from being used on some cameras
Ugh... I recognize this is a good lens, but man I hate this lens. I'm much rather just use a 24 or 28 mm prime. The only reason I would use this lens would be a snap zoom. But that's what I love about filmmaking, there are so many unique styles to achieve the same thing. Don't get me wrong, this is no doubt a good lens, but it is not my style, especially for wide angle shots.
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
Thanks so much for the kind words on the 18-35 Art... it's a very versatile lens and we're glad you've been able to put it to good use for so long!
Any time! Thanks for making such a great lens!
A silent version 2 would sell like crazy
thanks for explaining the bit on the 0.64 xl speedbooster!
I seriously appreciate the video, you saved me thousands, I was going to go with the Cine version of the 18-35 for the Komodo but the Art version will suite my needs
My favorite lens to use on my 6K Pro
I've had this lens since 2016 and it's been a workhorse much like you said. I bought it first when I still had my GH4, now I've been using it on my FX-30 with the MC-11 adapter and even used it on the Komodo we rented this last week. a borderline perfect lens for APS-C/S35 sensor cameras, don't know what I'd do without it
Pretty much in the exact same boat, first purchased it with a speedbooster for the gh4 in 2015
@@ReachFilms the good ole GH4 days haha. This is what they mean when they say a good piece of glass will outlast your camera body several times over
Great points! Especially about using the Promist filter.
Thanks Josh! Also thanks for appearing in the vid ;)
Nice info
Excellent video, Geoff. The 18-35 1.8 is a great lens. Thank you for posting this!
Thank you for the kind words Martin!
Which lens would you recommend for podcast interviews with the Pocket 4K?
It really depends on the size of the space and if you want to use a speedbooster. The 50-100 sigma is solid for that if there’s enough space. If you have to go micro four thirds I like the 12-35
Amazing video! How can this not even have 2000 views yet???
It will get there! The channel is relatively new so we are still growing :) thanks for watching
How do you adjust the aperture manually with this lens?
Thanks for a great and very helpful review!
Thanks for the video!
Would you recommend this lens in 2023 with the BMPCC6K Pro? If not, what lens would you recommend that's better?
Thanks, appreciated!
Yes I would absolutely still recommend this lens, there is still nothing that’s been released that covers the functionality and versatility of this lens. The only thing I can see happening at some point since it’s been 10 years now, is a lighter version of the lens coming out for mirrorless cameras
Is that Star Trek Axanar you were working on? I just got into videography a month ago. This was the first lens I purchased
Hey! Yes that was Axanar, we use this lens on our camera that is on the dolly/slider for the documentary interviews
This was great! Thanks for the info
Glad it was helpful!
Truly loved this lens, but switched it out for the Sigma 28-70 once I upgraded from GH4 to the S5.
totally makes sense!
Hey man! What is going to be a focal length using 18-35 with komodo when you shoot at 6k? Tnakns!
Thank you for the video! Would you also recommend this lens for use with the URSA Broadcast G2?
I know plenty of people have been using with the URSA all the way to the URSA G2 so I believe it would be great on that camera but I haven’t personally used the broadcast version
Hey man! Ik there are STL files for difference rings to 3D print and customizable but where’d you find a customizable STL file that has bezeled edges like your? Looks much cleaner than the ones I’ve been printing!
Although the one I have is 3D printed, I actually purchased it from Amazon. I have yet to find a STL as good as this follow focus
Man I swear you be right on time lol, looking to just work with 2 lenses as a true beginner with my bmpcc 6k so many lenses and i found myself waisting alot of money! Thanks
Glad I could help!
I have this lens but can’t get it to focus on my Nikon D5600….UGH!
Hey there. So you;re saying that using the Metabones Cine Speedbooster on RED Komodo will allow me to shoot in the 2.4:1 ratio from 18mm....so it becomes like a full frame lenns? It sound to beatiful to be true, that is why i am asking.
Can you do it? Yeah absolutely, however here comes the too good to be true part. The lens wasn’t meant to be used at that field of view, so at the edges there will be distortion and other issues because they were never meant to be in frame.
That sounds great cause i want a SIGNATURE of the footage. Thinking of ordering a Komodo Monochrome and use this lens with a speedbooster for "different look". Thanks for the fast reply. Best regards@@ReachFilms
Actually, there is a slightly vignetting when using with Komodo open gate. Do you have the same issue especially shooting at the white background ?
If you mean 17:9 yes but for most situations hasn’t been noticeable at all. I’ve used it a lot at 18 on Komodo in recent videos on the channel for my talking heads. Is it there, yes, but not really visible in tons of situations
Would this lens be good for three camera podcast? I just bought 4 BMP4k
It really depends on all the other lenses, if it would match. But yeah if all cameras were using this lens would be a great option
Where can I pick up one of those follow focus rings for this lens/what size is the ring? Thanks man
Hey Ben, thanks for watching! There is a link in the description to the exact fitted follow focus ring I am using.
Can you close the aperture up through the Komodo? Or is it fixed at 1.8?
Yes, of course. Just use the included RF-EF adapter which has electronics
@@ReachFilms perfect thank you! Thinking of getting this lens for the Komodo. It’s hard to fly my dzo Pictor lol little too big for the rs2 haha
I want this lens so badly. I have the BMPCC 4K, but I only have Panasonic X G Vario lenses for it and while the image quality from those lenses is fine, it lacks the clarity I need.
Keep an eye on the used market, sometimes you can scoop them up for $500
@@ReachFilms Any suggestions for used markets?
@@cjkalandek996 mpb.com keh.com Adorama and BH used sections and eBay are the only 4 I would use
Only 5 ***
Hello, can you suggest me a manual prime lens with same color and sharpness as 18 35
That’s a wide open question as there are many, many lenses, it would come down to what your budget is, there isn’t much cheaper then this lens that are as sharp
@@ReachFilms maybe same price as 18 35 bro
The Sigma 50mm 1.4 art would be the sharpest and closest to the price
@@ReachFilms yeah, i had thought about it, thank you so much
@@ReachFilms ah, did you used 50 1.4 Zeiss ZE, what do you think about it
Hello. I have a question... Red Komodo has an RF mount. Sigma 18-35 has EF mount. Are you using and RF to EF adapter?
Yes I am, at the time I purchased the Komodo it came with the basic RF-EF adapter from canon and now I am using canons drop in filter adapter
@@ReachFilms Thank you!
You cant use autofocus with the speedbooster and lense on the black magic 4k right? It does not work for me
You can but only with metabones, not with viltrox,
@@ReachFilms hmm i have the metabones speedbooster ultra 0.71x for black magic and its not letting me autofocus with my new sigma 18-35mm
Any idea how
Ive tried double tapping on the screen and pressing the little plus button on the blm4k but nothing it just crops me in x2 doesnt focus on what im tapping any tips would be great?
Just got them so
@@dylangintherofficial have you ever updated the firmware of the metabones?
@@ReachFilms just bought it both speedbooster and the lense
Figured speedbooster would be updated as i bought it in the past 2 weeks
Also how do i update it lol? Not seeing any chords or plug in area on the metabones adapter or anything to update it like the camera updates lol
That is most likely your culprit, all metabones speedboosters have a micro usb slot, get the latest update from the metabones website and update the adapter through your computer and you should be set
I'm not sure if you have used it with BMPCC 6k or not but anyway i will shoot my question lol hopefully i will get the answer from you , does this lens exhibit any vignetting with BMPCC 6k ?
Yes I have used this on a pocket 6K and it has no vignette at all!
@@ReachFilms as always very responsive and helpfull , thanks a lot
Had another question ive brought every gimbal from the weebill s to the rs 2 now i have the crane 3s and im just not comfortable with it for some reason seems like more work then what i have seen, any tips or should i just stick to handheld, seems like just cant get them balanced correctly with this bmpcc 6k
I do not personally have the Crane 3s, but I do have the crane 2s and I have been able to balance a lot of setups with it. The crane 3s is supposed to be even better and handle more weight. I would look into some balancing videos and see what others may be doing that you may be overlooking. I have seen a lot of people putting full sigma 18-35 and follow focus setups with a cage and pocket 4k/6k on crane 3s no problem
is this x1.33 or x1.6 in Komodo
Are you talking about the crop factor or shooting anamorphic? The Komodo shots in this video was mostly 6K 17:9
@@ReachFilms crop factor
@@kitipoomphantukit8750 gotcha, everything I shot was 1.33 in 6K, 5k is 1.6
ef or ef-s?
It’s technically an EF-s lens, but it doesn’t have the extra mountings that are in typical EF-s lenses that prevent this lens from being used on some cameras
Ugh... I recognize this is a good lens, but man I hate this lens. I'm much rather just use a 24 or 28 mm prime. The only reason I would use this lens would be a snap zoom.
But that's what I love about filmmaking, there are so many unique styles to achieve the same thing. Don't get me wrong, this is no doubt a good lens, but it is not my style, especially for wide angle shots.
I totally agree man, it’s not perfect for every situation but if you are trying to stay compact man you can’t beat that quality