Why Pink Floyd Guitar Solos Sound So Satisfying. David Gilmour Guitar Solo Lesson
HTML-код
- Опубликовано: 29 сен 2024
- ⭐️ Hey Patrons! Here is YOUR PRACTICE SESSION!
/ 78756924
Ok, so this is 10 minute practice session. Here I go over how to make your way through this concept by repeating rhythms, humming your idea and learning how to feel the prefix percussion. Backing track included!
Hope You Enjoy!
🌟Here is how to Navigate My Patreon Practice Sessions, just in case you are interested!
vimeo.com/7311...
I am passionate about teaching guitar, and having you feel accomplished and good about yourself during the journey. Please check out these FREE resources to help boost your guitar playing!
🔴Free 2 Hour CAGED Arpeggio Playbook
• FREE 2 HOUR GUITAR MAS...
🔵Want the Blues? Start with my Blues Primer Playlist!
bit.ly/3Ok7c7P
🔴 Check out my Awesome Truefire Course! Blues Soloing Decoded.
💥Learn More About "Blues Soloing Decoded" Right Here!💥
stichmethod.co... 🔥
🔵Want to learn what Professional Guitarists are Thinking When They Play?
bit.ly/3Guv5Yt
👉 Stichmethod.com for MORE 🟢MASTER CLASSES, 🔵CHARTS and 🔴LESSONS!
Gear I recommend and or use on my channel! bit.ly/3w0Mmjn
Stichmethod Merch: bit.ly/2PDm7Mj
💥Want to find local people to Jam With? Also Talk about ideas on StichMethod? Be Part of the StichMethod Jammers Group on FB: bit.ly/2DEzVRD
Support/ Donate: bit.ly/2xzBP0t
Your Support/Donations are what make this channel happen. Feel free to contribute any amount you like and leave a comment. Your support means the world to me and I can't thank you enough.
Follow @stichmethod on Instagram: bit.ly/2GK4kyX
#guitar #davidgilmour #pinkfloyd
![Cody Johnson - I'm Gonna Love You (with Carrie Underwood) [Official Music Video]](http://i.ytimg.com/vi/yy9PuYMU29g/mqdefault.jpg)
Nailed it, the guitar gods must be really pleased with you!!!
Gilmour also said, in an old interview, that he likes to sing his solos first. And he does "sing along" in the Wish You Were Here song during the solo, remember? Anyway, I'm a huge fan of David. I build his black, red and white strats and play his solos everyday! Thanks for what you do, Ian!
I love this channel. Thanks.!
Nice 1 Stitch! I'd never thought of Gilmore's playing like that before but it makes sense. His style is very expressive. Great analysis.
I can play like Gilmour, but I don't want to, said no one ever.
I don't want to play like him.
@@brownmoney27 Exactly. Oscar Peterson was in awe of Art Tatum. But he never wanted to play like Art Tatum.
Thanks
Ian, I’m so grateful for this interpretation of Gilmour’s
style. Something clicked inside me the way you explained the phrasing. 🙏❤️
Gilmour!
Great concept Ian and delivered in such an illustrative way. Thank you again for all you do. You have transformed my playing and confidence in how I express myself musically, and I'm sure I'm not alone. You should be proud of your work, what it means to us, and your ability to pull out these musical observations and insights and convey it to the world. You're a gem. Thank you
Seriously I learn so many concepts and ideas that have improved my playing and made practice so much fun.
😂
Man you just blew my mind! And you discovered it through a dream which is wild! Tension and release is a huge aspect of Pink Floyd’s music, and this just added another great example. He’s building that tension towards the chord change…releases it on those spacious vibrato notes. Genius.
1978 gilmour solo album. ‘There’s no way out of here.’ Unbelievable song. If you haven’t heard it, it bangs
I love the "running towards the door" method. I am going to add that to my playing. Thanks for the new way of looking at it.
Dude! Sir Ian! You just totally opened a door for me (and I've been doing this for over 40 years)! How did I not see this before? Thank you *so much* for this simple yet vital and fundamental observation. I'm pretty sure my lead playing just jumped up a notch or two!
Gilmour's solo in "Funky Dung", both live and in studio, is a virtual masterclass in perfect blues phrasing. IIRC it's a two chord vamp also...sounds like Gm7 & C7 on that one.
Roine Stolt of The Flower Kings does pretty good Gilmour style solos (mixed with some Steve Howe rhythm).
My father also told me one of the biggest secrets to Gilmour's solos are the places where he isn't playing. The tension followed by resolve.
Yes we are on our way and it feels glorious. I've been playing, watching your vids, and been substance free for over 5 years now. I turn 50 in May and feel I'm really on the cusp of being a pretty damn good guitar player. Best feeling ever and I've felt them all if ya know what I mean! Thanks Ian hope to see you at a show someday!⭕
as Frank Zappa said, "Music is the best."
Respect
Love the back story to the video. This concept totally makes sense to his style of playing. Super useful idea. You’re the best out there Ian.
It's so cool that it came to him in a dream! The dream itself is cool too. Like talking to your own subconscious thoughts.
You have been such a wonderful teacher over the years. Thanks you!
Wow that’s really helpful, could you consider doing a Hendrix phrasing lesson ? Chords choice as well as his beautiful solo phrasing ?
Cheers from france
Great video Ian! This is definitely a takeaway lesson here. Approaching the moment versus playing straight into it. And thinking of percussion while recording solo is gold. Thank you cheers mate
Gilmore is a legend.
You don't need to play fast to sound good . Great lesson 👍
Je ne sais quoi = Secret sauce. Every Stich lesson is like a little gem picked out of an ocean of sand.
You Stitch, are the master of the musical metaphor. Thank you for sharing your wisdom.
Great video Ian! This is just helpful to make solos sounds better in general. Rhythm and timing of notes and phrasing totally changes the way a solo can sound. That lightbulb came on for me funny enough when I was listening to Peter Green when he was with John Mayal and the bluesbreakers. Their version of the stumble is absolutely dripping with this concept. Peter isn't playing anything special it's just major and minor pentatonics with some dominant 7 chord triads in there, but the way he phrases the lead work and the way he manipulates the rhythm makes it a very cool memorable song.
I seen David Gilmour live in Toronto 2016 your so right Ian about his soloing he's an incredible player to hear live, I been studying Cage Chord Tones and David Gilmour I think is this is brilliant further my understanding of chord tones and soloing , when I sign up for Pateron next month look forward to all the practice lessons , cheers Ian
Great video, brother man. That "percussive" concept really opened my eyes. Good stuff
Absolute gold Ian! I have watched this video several times. I want this to imprint on my brain to have this eventually come naturally. Thank you so much for your awesome lessons! 🎸
This descibes my playing style exaclty since I was originally a percussionist. This was a very interesting video and a totally hot take on the guitar. Good stuff. This explains a lot.
Great concept! I think the idea is to have kinda like fast and slow passages in the correct space. And also, holding within a range of notes, creating tension and then scale up to give that euphoria explosive vibes. More like in waves and cycles..
Those dreams be helping !! awesome video dude 🙌🙌. thank you!
This is a brilliant lesson. Thanks! Thinking about my chord tone soloing from a rhythmic perspective rather than just from a melodic focus has opened up so much variance in my phrasing. I am spending time listening to tracks and paying thinking about solo phrases more like drum fills. Then I challenge myself to come up with a rhythmic fill and put notes to match it.
Damn I love how Gilmour played. Man just had soul while playing and if I can ever get even close to his style urg would be a dream.
He also gives breath to his phrasing. Prime example is in another nricl in the wall 2 before that muted rake lick.
Great explanation! And as soon as you added David’s signature bends, it all came together
Very observant. It explains why single notes just lift your soul out your body so easily. It’s a build up
Holy shit, this lesson probably just changed my life. So good!
Please share it! I love this type of reaction. So glad you enjoyed!
@StichMethod Guitar love Gilmore and really useful lesson. I totally understand what you're saying but as an inexperienced player, I had trouble identifying the percussive transitions you made. I could hear them as a whole because it definitely makes the solo much more interesting than just playing notes in a scale but maybe for newbies it would have helped if you isolated those sections so we could spot them.
I totally love the dream part! I think you are spot on. In fact, a drummer mate of mine was auditioning for a PF tribute band (he's been in it 2 years now) as the drummer. My advice to him was similar to what you describe. I said listen to how Nick if following Dave during those dramatic solo sections. Eventually, there is no following b/c they are just flat out of 1 rhythmic mind, you might say. You did this along the way, but the other big secret is bending to those resolution notes from somewhere else (1/2's, whole's - 1 1/2's. . .). Thanks for sharing. This was fantastic advice. Listen up, classmates. Our boy is on to something. . . and it's all over the place in Chicago & lots of other blues. And be yourself - but work these ideas into your thing.
Thank you very much Ian.
Very enlightening and it feels like you open-up new doors for the exercise to respect the timing. Cheers from Indonesia.
This guy needs more subscribers, you can tell the love of teaching he has. The way he teaches also, it's thorough and he makes it really easy to follow and understand. You're the man Stitch, glad you have given the time to give us the knowledge.
I have to say, this is a very good music lesson here. Deeper concept of building phrases was very well explained. Thank you
Hey Stich are u playing a baritone or is it just forced perspective ?
Dude ..instant sub..your a rythmn master..i mean that sincerely
Gilmore is my favorite
Imagine walking through door Ian
that was pretty interesting idea, will look into other PF solos with this in mind now!
David Gilmours secret= Lots of Mushrooms and Acid. 😜
Very well said!! Feeling it!! ;)
That's a great observation man!
A better explanation does not exist.
That’s very kind, Ty
Gilmours tone is awesome 😊
Leading tword the moment...🤔
Short, concise, intuitive been playing for “ages”
I rarely find anything useful. Good stuff
Wow you totally hit on the way he sounds
Great lesson. Thanks!
What backing track is that
Thank you Shaman🙏🏼
Excellent analysis
Gilmouresque 😁
What are you resting your guitar on? It seem very high!
Nice Strat! Partscaster? Highway One/American Special neck?
The lessons I have viewed this one imo is number one I am pumped up right now lights are flashing in my brain a person can run with this I'm going on a world tour with this lesson.thank you Mr.Stich...RocknRollFlat5
Guys quick question for those who have already made it further along their guitar journey than I have and who are open to share their experiences and wisdom: How important do you think is the tone you are getting from your rig compared to what you are playing? I am asking this because I have the feeling that with my setup (350€ guitar and 70€ amp) my tone just doesn’t allow me to play these “simple“ pentatonic shapes (like for example a David Gilmour does) because it just doesn’t sound as full and as characteristic coming out of the amp… maybe I just sound dumb and simply need to practice more, but maybe some of you have gone through a similar stage and all it took was maybe get a pedal to spice things up ✌️
Nice video.
Sounds like Wearing The Inside Out from The Division Bell.
Just discovered your channel, great stuff! Thanks for this vid it made me go grab my guitar
Finally someone gave me the key! I knew he was playing toward something whether a 3rd or 4th of the next chord or something. Yes nailed it! But ok percussion, I was on a vocal thing too. Great job and thank you
I watched a vedio where David Gilmore said there is a great filing when onstage the power of the sound pushing on your back that you can lean onto it ..RocknRollFlat5
Great video... thanks for sharing
Great video! Long time fan of the Method. You Rock Man, all the way down here in GA! Thanks for the wisdom
Great observation - and clearly communicated! Thanks!
~DG, “I have something to say/play and I’m not going to let convention keep me from saying/playing it. I’ll say/play what I have to say/play, and I’ll make it fit.” ???
Very conceptual but doable lesson! 👍🏻👍🏻👍🏻
Great light bulb moment Ian. The next step is to work out how Gilmour manages to speak to us musically rather than it being just a bunch of notes played.
thankyou!👍
Fret buzz? I got my high E stuck under the twelfth fret trying to be soulful and articulate. Great episode!
Well done!!!
Brilliant!
Hi. Love your channel! Bruce Springsteen - underrated soloist. Can you teach us the Candy’s room solo?
wow thanks
Thank you that was very inspiring and even got me off my ass to practice
Another Glorious FREE lesson from Stitch. Thanks pal! Loving it!
Roger Waters won't be happy, but I love it (ha ha), well done buddy, thanks.
So would you agree that Gilmour uses time as his primary tool? "Time" from Dark Side of the Moon really made that point crystal clear to me. A single note and then anticipation...
Great video and great explanation of David’s technique.
Awesome!
Nice.Have to to start calling you Ian Stitchmore...
Excellent as always.
PLEASE do a Here Comes Sunshine video.
Nice. I think Dave has a lack of notes, more sustain. ?
One thing people don't mention is the music Gilmore solos over and I believe that Roy Buchanan would sound great soloing over wrights keyboards, I read in a book about Buchanan of him hanging with them one time jamming and how by incredible that must have been if true
Love the dream concept, I’ve had the same thing happen for me with Jiu Jitsu, just not guitar yet!! Am ready for that one to run into my head one of these nights. Can’t wait to test this doorway. We have been jamming a lot with “Breathe” and have fun with noodling out different paths through it. Thanks for your take!
Fantastic Ian !
Hope you are well 😉
Doing great! Always awesome to hear from you.
Merci.
SUBSCRIBED! and hoping for more
Sage advice, my friend! It's such a simple concept, yet I probably would not have thought of it on my own. Thanks so much! 🎸
Excellent breakdown of a cool way to think about phrasing
I love these kind of lessons. I can follow it pretty well but I’d love to see your target note flashed on the screen as you hit it. Great stuff.👍
Gilmour and Clapton's understanding of the natural and melodic phrasing of guitar solos in songs rather than using a solo as a means to be hard or demonstate the artists skill level, these two artists are the best at making the guitar sing and try to tell a story.
Thais is the best perspective on him that I’ve heard aside from his penchant for wild tasty bends
You're an amazing human Ian. Sending you love and gratitude. 💛🙏
Very interesting. I'd say play even less notes. Gilmour is in the gaps
Sounds good. I can’t get a handle on the looper pedal. Yours is the most educational channel that I have found, Stich. …Not tunes.
For what it's worth, your bongo analogy really made sense to me.
You're a top notch teacher!
Yes! Lovely way to put oneself in a different head space so that the language can come through.
Can that progression be in Gm (B flat Key) instead of G Dorian? Anyway, this type of lessons just shows the world what a master guitarist Gilmour is. No disrespect to you intended.
Sure but…. 6 to 4 is not as common as a 2 to 1 but it is open ended unless there is a third chord to seal the deal👍
Ok, I played this progression with a G dorian scale (F being the main Key). So I played F mayor, Dm scale and it sounded better than Gm. Music is weird hahaha
@@StichMethodGuitar wouldn't Gm to Bb just be 6 to 1 aeolian mode?