WOW. Reminiscent of the Mackerras recordings of my youth ~ and equally if not more spirited! Precise execution of every phrase, yet a passionate performance.I saw you conduct the Dresdner Philharmonie a few years back and have been a fan ever since. Cheers.
A me non sembrano rendere l’eleganza di Mozart. Una mia impressione? Non solo. La vera eleganza del suono di Mozart si è persa progressivamente dagli anni ‘70 in poi. Il colpo finale lo hanno dato gli esecutori con “ pseudo- strumenti d’epoca. Ero un “ fanatico di Karajan, Hogwood, etc. .. Ora non gusto più questo genere di esecuzioni
Anyway, early F.J. Haydn symphonies are generally superior to early J.C.W.T.* Mozart symphonies... Listening to it now via YT over 35 years after playing it, though, this #12 sounds better than i recall. Perhaps the 1.25× speed helps.^^ The defect seems to be primarily the extreme weakness of the opening subject of movt.I, whereas the Finale at a brisk tempo now rocks f.m.~ *Johannes Chrysostomus Wolfgangus Theophilus, his baptismal name (of course).^^ B.t.w., Maestro Klumpp was one of many guest conductors we had in the Bangkok-area-based Thailand Philharmonic Orchestra. The most ambitious work we did was the R. Strauss "Eine AlpineSymphonie"; yes, we actually had all 20 horns the score requires (only 8 are employed throughout, however---12 are only needed for one off-stage "hunting horns in the distance" episode). The College of Music at Mahidol University, the campus on which the orchestra was based, was quite the resource for extra musicians required for off-stage brass (Mahler 2, Schostakovich Festival Overture, Tschaikowskiy 1812, the Respighi Roman Trilogy, etc).
What is German about it rather than Austrian? (By the way, although we regard Mozart as Austrian he considered himself to be German, especially in Salzburg.)
@@MrFpam Basically, all Austrians were considered as Germans till the 20th century. And apparently not only ethnic Austrians. There's a letter from Leopold Mozart to his son where he writes about their friend, Czech (Bohemian) composer Josef Myslivecek, and Leopold describes him as "a good German". Bohemia was part of the Austrian Empire at that time and Myslivecek, although ethnic Czech from Prague, spoke German like most educated Czechs in the 18th century, so he was considered as German from Bohemia, just like Mozarts were Germans from Austria.
@@ivogianfranco1633 Thank you for this history lesson. I was aware that Leopold Mozart thought of himself as a proud German but had not come across this letter about Myslivecek, who was in fact as you state a Czech and is certainly regarded as such today. Several generations of my own family (the Pams) were German speaking Bohemians although most of them spoke Czech as well and are regarded as Czech. It may have been possible at the time but nowadays it is hardly possible to be Czech and German at the same time and of course Mozart is regarded as a quintessential Austrian composer. Raking over these old political coals does not seem a fruitful exercise.
@@MrFpam Thank you for your reply, it's nice to learn about your family history. Central Europe is certainly one of the most beautiful regions with fascinating history, architecture and culture!
WOW. Reminiscent of the Mackerras recordings of my youth ~ and equally if not more spirited! Precise execution of every phrase, yet a passionate performance.I saw you conduct the Dresdner Philharmonie a few years back and have been a fan ever since. Cheers.
Finaly, I find best of the best.
Wonderful !
Thank you.
Excellent recording, excellent performance!
Uplifting! I found this extremely helpful. Thank you kindly.
Ďakujem za presvetlený deň.
Beautifully done!
Pensar um menino Mozart com 10anos compor uma maravilha é assombroso o unico que merece o adjetivo de gênio
Concordo
Wow, excellent execution of one of the bests Mozart's symphonies, and one of my favourites too, thank you :)
Que Maravilla y me todas las Synfonia de Wolfgang Amadeus Mozart, Excelente la Orquesta y el Director🤗👌👍
BEAUTIFUL 🌠🎀 MOZART👑💝✨
Thank you!
Bravo Maestro
Elegância e precisão. Qualidades essenciais em Mozart.
A me non sembrano rendere l’eleganza di Mozart. Una mia impressione? Non solo. La vera eleganza del suono di Mozart si è persa progressivamente dagli anni ‘70 in poi. Il colpo finale lo hanno dato gli esecutori con “ pseudo- strumenti d’epoca. Ero un “ fanatico di Karajan, Hogwood, etc. .. Ora non gusto più questo genere di esecuzioni
1. Allegro 00:07
2. Andante 04:22
3. Menuetto & Trio 07:27
4. Allegro 10:42
Sehr gut :)
Wolfje blijft geniaal!
Excelente. Bravo, bravo
La verdad oír las Sinfonía de Wolfgang Amadeus Mozart, nos hace vivir un m un Mundo Maravilloso 😂❤❤❤❤
BEAUTIFUL
Bellissimo musica di un Mozart già stupendo e operistico
doing this for symphonic orchestra cello, any tips?
Banger
grandioso
Non esageriamo
thanks
M O Z A R T I S S I M O
👍
😊
I'm here because of Percy Jackson
Finale 10:45
Va muy rápido y es más lento yo se porque estoy en una orquesta y tocamos esta cancion
Cancion no!...melodia!
Cómo que "esta canción"? Es una sinfonía, no una canción
Symphony #12 in G+, K.110 / 75A--> the weakest piece J.C.W.T. Mozart ever wrote, and i had to play it in three different seasons. Oy veh.~
Anyway, early F.J. Haydn symphonies are generally superior to early J.C.W.T.* Mozart symphonies... Listening to it now via YT over 35 years after playing it, though, this #12 sounds better than i recall. Perhaps the 1.25× speed helps.^^ The defect seems to be primarily the extreme weakness of the opening subject of movt.I, whereas the Finale at a brisk tempo now rocks f.m.~
*Johannes Chrysostomus Wolfgangus Theophilus, his baptismal name (of course).^^
B.t.w., Maestro Klumpp was one of many guest conductors we had in the Bangkok-area-based Thailand Philharmonic Orchestra. The most ambitious work we did was the R. Strauss "Eine AlpineSymphonie"; yes, we actually had all 20 horns the score requires (only 8 are employed throughout, however---12 are only needed for one off-stage "hunting horns in the distance" episode). The College of Music at Mahidol University, the campus on which the orchestra was based, was quite the resource for extra musicians required for off-stage brass (Mahler 2, Schostakovich Festival Overture, Tschaikowskiy 1812, the Respighi Roman Trilogy, etc).
Un po’ troppo rumoroso. . Un tono un po’ aspro. Lo esige la “ modernità “. Il tutto un po’ frettoloso.
Concordo. Il primo violinino è talora un po’ fastidioso
a VERY "german" and "non austrian" interpretation HAHA
What is German about it rather than Austrian? (By the way, although we regard Mozart as Austrian he considered himself to be German, especially in Salzburg.)
@@MrFpam Basically, all Austrians were considered as Germans till the 20th century. And apparently not only ethnic Austrians. There's a letter from Leopold Mozart to his son where he writes about their friend, Czech (Bohemian) composer Josef Myslivecek, and Leopold describes him as "a good German". Bohemia was part of the Austrian Empire at that time and Myslivecek, although ethnic Czech from Prague, spoke German like most educated Czechs in the 18th century, so he was considered as German from Bohemia, just like Mozarts were Germans from Austria.
@@ivogianfranco1633 Thank you for this history lesson. I was aware that Leopold Mozart thought of himself as a proud German but had not come across this letter about Myslivecek, who was in fact as you state a Czech and is certainly regarded as such today. Several generations of my own family (the Pams) were German speaking Bohemians although most of them spoke Czech as well and are regarded as Czech. It may have been possible at the time but nowadays it is hardly possible to be Czech and German at the same time and of course Mozart is regarded as a quintessential Austrian composer. Raking over these old political coals does not seem a fruitful exercise.
@@MrFpam Thank you for your reply, it's nice to learn about your family history. Central Europe is certainly one of the most beautiful regions with fascinating history, architecture and culture!