Great lesson! Who knew Phrygian was such a hidden gem of a scale to use? I didn't. Maybe you could go deeper on another video and give some ideas for creating patterns with this scale such as you use in the examples you play.
Thanx, Maestro 🌹🌹🌹🌹I love sus chords, whether McCoy T or Carole King. Using them in my writing to bring interest instead of immediately going for "esoteric" altered dominants as an unauthentic(for me) attempt to be "jazz hip". I'm convinced the soloist will have a lot of relaxed enjoyment /exploration playing over sus chords. Haven't yet tried sus4 with the third or sus2 chords. Aha, hip and pretty:what a concept. Thanx for your gentle pushes into the "secret inner mystery school".😊🔥🔥🔥🌹🌹🌹
@@JeremySiskind The 6th chord is the “smallest” expression of a 4-note chord structure, and it can serve as the resolution for a lot of other “large” chord structures. For example, Cmaj7 resolves to C6 (7 goes to 6). Cmaj9 resolves to C6 (9, -9, 1 and 7, -7, 6 ; the chromatic alterations are optional). Cmaj11 or Cmajor 7#11 (11 goes to 3, 9 goes to 1, 7 goes to 6). I’ll let you work out the 13th chord. These “resolutions” also work in reverse. I learned all of this from the late Lyle “Spud” Murphy. His course is more geared toward composition than improvising, but his clarity of thought is useful regardless of the context. Rock on!
I don't understand if the C is on the bottom (you call it a slash chord) with a chord on top, what chord is it .really? There's so much to learn in jazz piano. I guess it's just memorizing chords and scales that enables you to play any song if you know the progression. Thanks Jeremy!
Chords can be constructed multiple ways. If you think of a C major seventh, it’s basically an Em triad with C in the bass. They’re essentially equivalent but two different ways of thinking about it.
Unbelievable lesson as always! Great for pop improvisation as well
You are so kind, Francesco! Grazie Mille!
Great lesson! Who knew Phrygian was such a hidden gem of a scale to use? I didn't. Maybe you could go deeper on another video and give some ideas for creating patterns with this scale such as you use in the examples you play.
Nice! I’m glad you discovered something new, Robert!
Thanx, Maestro 🌹🌹🌹🌹I love sus chords, whether McCoy T or Carole King. Using them in my writing to bring interest instead of immediately going for "esoteric" altered dominants as an unauthentic(for me) attempt to be "jazz hip". I'm convinced the soloist will have a lot of relaxed enjoyment /exploration playing over sus chords. Haven't yet tried sus4 with the third or sus2 chords. Aha, hip and pretty:what a concept. Thanx for your gentle pushes into the "secret inner mystery school".😊🔥🔥🔥🌹🌹🌹
Amazing, Brenda! I love the Sus journey you’re on!
You’re my teachers jazz teacher!😃
So cool! That makes me your…grand-teacher? 😊
Thank you
You’re so very welcome!
Gm7/C to Cmaj. Is basically a C pedal.
Sure, that’s one way to think about it.
The C Maj7 sus 4 can resolve to a C6. 4 resolves to 3, 7 resolves to 6.
Nice point! It doesn’t seem as satisfying as resolving that tritone super clearly but I think you’re right!
@@JeremySiskind The 6th chord is the “smallest” expression of a 4-note chord structure, and it can serve as the resolution for a lot of other “large” chord structures. For example, Cmaj7 resolves to C6 (7 goes to 6). Cmaj9 resolves to C6 (9, -9, 1 and 7, -7, 6 ; the chromatic alterations are optional). Cmaj11 or Cmajor 7#11 (11 goes to 3, 9 goes to 1, 7 goes to 6). I’ll let you work out the 13th chord. These “resolutions” also work in reverse.
I learned all of this from the late Lyle “Spud” Murphy. His course is more geared toward composition than improvising, but his clarity of thought is useful regardless of the context.
Rock on!
I don't understand if the C is on the bottom (you call it a slash chord) with a chord on top, what chord is it .really? There's so much to learn in jazz piano. I guess it's just memorizing chords and scales that enables you to play any song if you know the progression. Thanks Jeremy!
Chords can be constructed multiple ways. If you think of a C major seventh, it’s basically an Em triad with C in the bass. They’re essentially equivalent but two different ways of thinking about it.
@@JeremySiskind ok, so when do you notate it as a slash chord? does it depend on the key?
@@amberchiangmusic I’d say it’s more personal preference than anything
Auto-subtitles states 'sauce' instead of 'sus'. 😀
Mmmmmm, sauce… 🤤
amongus
Lol Sus amongus?
Gsus=JESUS
The most beautyful sus is Jesus
Gsus!
@@JeremySiskind 😂