As a drum set player, I would argue that the six stroke roll is A tier since it is a life saver when playing triplet fills orchestrated around the drums
I have written a cadence using all 40 Rudiments. The snares plays from 40 to 1, the tenors and basses 1-4 play from 1 to 40, Bass 5 lays down an ostinato funk rhythm to provide some groove. I wrote, and posted, it on Noteflight. 👍🏾
Ratamacues were super common in 60's era drum corps. If you look up an old Reilly Raiders solo called "Grey Ghost," you will see how prevalent they were back then. (Heck, it may even be good content to play it, as it is so dramatically different.)
For drumset players like myself, the Double Paradidle is really good to play some nice Afro-Cuban 6/8 grooves. 6 stroke rolls are also really good in sextuplet form. The flam accent is probably my favourite though (after singles doubles and paradidles)
I was accepted into the V Corps band as a percussionist because I knew all 40 International Rudiments, while the percussionists had only been taught the 25 American Standard. When I was asked to play the Swiss Army Triplet, I played them alternating the lead hand. The sergeant stopped me and asked if they were consecutive, I said yes, played them that way, and he was floored. That was in 1992. 😊
26 rudiments were the ones that were learned "back in the day." I agree, a lot of other ones are, in fact, redundant to others. The double stroke "open" roll is still the most important one, IMO. Great to get caught up on today's rudiments!
Ok. So I sat through this video. I'm a horn player. I played Horn and Mellophone in High School. I then went and enlisted in the Army for 3 years. In 2001 I found DCA Drum Corps. Played til 2005. Was a member of the 2003 DCA World Champions. Played Mellophone, Soprano, and Trumpet. So I know what Drum Corps Drummers have to do. That you're USMC D&BC gives you credibility and my utmost respect. That said....I watched Every. Single. One. Sorry for my hornline ignorance, but after about 5 minutes they all sound the same to me. I'm glad you understand them, because I sure don't. That said, I do love watching your stuff. Keep up the work!
Agreed for the most part. That being said what if each one was a signaling something as a communication. Drums were ancestrally used to signal troops to action
7:38 just wanna say in drum set drumming, especially in the rock and metal genres, the double paradiddle is used ALL the time, especially in grooves see as a generic example "Glasgow Kiss" by John Petrucci when the drums come in near the start
Glasgow kiss, is a local euphemism here in Glasgow for a head but, like when you smash someone in the nose with your head, during a Buckfast fuelled altercation.
There's a great double paradiddle part in the Dave Matthew's Band song "Drive In Drive Out". Not a drum corps thing, I know, but it's great to see how rudiments beyond single and double stroke rolls are applied to mainstream music.
As someone who marched drum corps and has been teaching high school drumlines for several years, I've learned that if you can learn to play an accent, tap, buzz, diddle, and flam, you can play almost anything written for corps-style marching. Pretty much everything you will ever need to play is just a combination of one or more of those ideas lol
really wish the PAS rudiments are changed, feels outdated for most modern percussion applications, agree with almost everything you said but flam drag is probably one the of the hardest if not the hardest one on the PAS 40 and it's an awesome chop builder. For me it deserves A or B.
as a drum set player, double strokes are awesome for very fast fills if you cant single stroke fast enough. Paradiddles and inverted paradiddles are fun for fills too
Man. I love your videos. Keep doing what you’re doing man. You’re making the whole drumming community happy. Thanks for putting so much hard work in the videos. 👌👌
As an exclusive kit player (who has spent way too much time on the pad) I love a double paradiddle and use it all over the place..! You can stick it in a jazz groove, or a nice little halftime shuffle. And if you’re playing a 6/8 Latin thing - the right hand is (almost) replicating the 6/8 clavé pattern (enough to get by on at a push).
Great video! Did not realise it was 20 minutes long until it finished. Agree with you for most of the rudiments. Especially for how cool it is to pronounce Pataflafla.
I wish this video existed when I was learning the rudiments. I was always wondering if I was playing it right or it sounding right. Great video still my guy
Personally I love the flow of flam paradiddles! Blue Devils used them in their opener for Metamorph (2017) and it works well, IMO. Then again, snare/percussion isn’t my primary instrument so my opinion doesn’t hold a ton of weight.
Thank you! I played marching snare in high-school but lost interest in college bc we had a terrible teacher. Now that I'm in my 30s, I fell back in love with it. You have helped me get my chops back. Thanks again!
Rather than interpreting drags as a diddled sixteenth, I like to think it as more of the last partial of a triplet, but diddled (when metrically applied, obviously in a concert setting you can have fluid interpretation)
The drag rudiments variations makes a lot more sense if played like "ruffs" and closer to the main note. It's how you would usually play it in classical music to match/line up with the wind and brass parts. How tight they should be varies a LOT and it's something I have herd conductors comment on multiple actions. Also the drags strokes (and flams) in the "European style" uses more of a "3 stick height system" where the grace notes are noticeable softer then the taps (1"), instead of using the same height for both "drum core style". This makes them a beeeeatch to play and the level of control needed for the downward motion is even greater. So in those cases the drag rudiment is essential to practice and variations of them is in the standard orchestra excerpt for classical snare drums, just because they are so hard to get. And don't get me started on the "three stroke ruff" =P
My very first drum lesson, I was given the following rudiments: Single and Double stroke roll Paradiddle, double para, and triple para I think I'd put the double and triple paradiddle as A tier, for a kit drummer. The double paradiddle is great for mixing it up in a triplet form, and the triple is actually good for getting your off hand some time leading the roll.
This is the best video I have seen to learn all of those rudiments. I agree also, I think of these as rhythms also and have hit most of them just playing through the years. I did learn all of them in band lessons too tho! Just play set more than big band so had to learn a lot of it myself n transfer the knowledge to the kit like they did in the 60s and 70s
I just want to say thank you for spending your time making funny and good videos for people like me I hope you get the amount of subs you deserve in the near future. Thank you
The double paradiddle is cooler if you add an accent on the third note. You should play around with those - I am surprised you have never written them. But my favorite rudiment by far is the swiss army triplet. I could play those super fast before I even knew what they were (Basically I just played a bad roll....but it felt like I was doing something really cool.)
My high school drumline never wrote or played flams. Our techs saw them as basically controlled dirt and never even tried to teach us how to play clean grace notes, focusing on clean diddles instead
As a drumset guy, I look at how rudiments can be applied musically at least as much as how good they are for building chops. Double paradiddles complement paradiddle diddles - you can play similar things with both, but the double paradiddle allows you to switch lead hands, which is great if you're reaching to opposite ends of the kit to hit cymbals, for example. I use it less than the paradiddle diddle though. Same with flam accent vs. Swiss triplet - I find the latter more musically useful, and would rank it higher than the flam accent. Single ratamacue is also very useful. On the other side, rudiments like the flamacue and the inverted flam tap I find not to be very useful, and would rank them lower. Otherwise, I mostly agree with your rankings. For anyone who's ever wondered why the list includes a rudiment called the single flammed mill, but not a non-flammed mill, I wish PAS saw fit to at least mention the single paradiddle inversions. My favorite rudiment is probably the single paradiddle inversion with the diddle in the middle. Super useful, and it's a little bit easier to play than the "root position" single paradiddle.
Love your videos! I think I agree with the majority of your list. I’d possibly put the triple stroke role up into the “A” category but that’s really just splitting hairs. The one I think you placed in the “F” category I would place way higher (“A” or “B”) is the single stroke seven. In contrast to the basic single stroke roll, players have to re-attack the rhythm and release the rhythm. It can help teach consistent note spacing in single sticking rhythms all the way to a release, as well as force players to focus on second note volume/quality.
“You can’t just roll for ever, you gotta sleep and poop n stuff.....” you can never take the potty mouth out of a percussionist lol! In all seriousness this is an outstanding video!
Funny to see how you find the single stroke 4s and 7s useless while I've had to play them for years as a more military European style. It's amazing to get to know more styles like this.
Dude can I just say, I have been playing drums for nearly 8 years now. I have never been as technically proficient as someone with my experience should be. This video is a big reason as to why I am right into my rudiments at the moment. You have inspired me to practice them all. PATAFLAFLA!
I find Lesson 25 kind of fun (though it does make me wonder what the first 24 lessons are, and why none of them made the list, and why it's #34 on the rudiment sheet). I've always alternated right and left every time, I'm not even sure I knew that's not how it's supposed to go.
Do 16ths Swiss trips over a steady 4 on the floor. Put first flam on the "e" of 1. 2nd flam on 2, etc. Close your hihats on every other "and". Have fun!
As a pipe band drummer and also a military side drummer I feel like the main thing that comes up is double strokes singles single paradiddles and 5,7&13 stroke rolls and the 25 stoke roll or 3 pace roll
12:50 In Switzerland we call them „Ordonanz Triolen". Ordonanz is another word for Military. So in Switzerland it’s technically just called "Military Triplets"
The problem is that when we play a “6 stroke roll” on the kit we are really doing something like an inverted paradiddlediddle with an extra accent and he already has that as A tier. Check the rhythm.
Single stroke seven is used in ancient rudimental/fife and drum to double flamacues, and flam-paradiddles are probably the most common rudiment there. You’ve never played Downfall of Paris? lol
I’m early AF! I loved the tier list, and I love your content! Always gives me a good morning! I hope you have a great morning and good rest of your April!
My high school band was 6 to 5 so we always had a march as our second song so we could float a diamond. Invariably we would have something with a million Swiss Army Triplets.
I love how PAS doesn't notate the double drag tap in the traditional sense. I honestly think it sounds better when old snare drummers slur the hell out of it anyway.
Double paradiddles are a nice way to toss off the lead to the other such as in runs going up and down the quads. Feels a little goofy at first, but it's fun to do with triplet doubles and paradiddlediddles
Keep your grace note down!! And I agree with the PATAFLAFLA as the coolest named rudiment. That could be a cheesy name for another character--- Pat Aflafla!
LONG ago when I played there were only 26 standard/essential rudiments from N.A.R.D. I enjoyed ratamacues. The most difficult thing for me learning was the right hand, being a lefty, I wanted to do everything left handed. I would try to focus and just do the rudiments right handed, but as I sped up I would switch to doing them left handed without even realizing I had. Made for fun and annoying times for the drum instructor, he wrote things right hand dominant and I would end up switching to left hand dominant without noticing I did. 🤣
Thinking of flams/pataflafla as MOLLER technique = 🤯 never thought of it like that been playing > 20 years. I 100% agree with your rankings accept I think practicing 7's helps your timing/understanding of 6/8 & 12/8 time signatures but that's just IMO.. AWESOME video literally should be required reading for any drummer. Subed and 🔔 Cheers \m/ !!!
I personally really like the single flammed mill and the swiss army triplet and feel they should be higher on the list because they teach you how to layer together an inverted double with one hand and a regular double with the other.
My personal favorite rudiment is the swiss army triplet as it helps me get into faster playing as i’m trying to build up my snare chops In jazz drumming i tend to use triplet fills so i’m also starting to use swiss army’s for more diversity on the drum set and to build up my snare skills whilst playing set
I think corps from the 60s would play single, double and triple ratamacues. They would play them and string them along in a beautiful display of great rudimental drumming. Also, note that the drag was considered a terrible rudiment during the late 80s and early 90s. Writers considered it crazy to invite dirt by starting on a drag, but today, starting with a drag is like starting with a flam, no big deal, its cool. It's neat how times change.
FUN FACT: to answer your question about Rudiment #17 Double Paradiddle, the ONLY time I’ve ever seen it written was in the drum groove for Paradigm by Avenged Sevenfold.
I think you now need to do a video playing these rudiments in the order of your Tier List ... So we can judge the accuracy of your choices ... (Although really, who am I to judge your choices? 😂🤣) Anyway, it would be a good way for me as a newbie to learn what is essential ... AND where would you put Hertas? S Tier, After 4. Multiple Bounce Roll and Before 16. Single Paradiddle?
Must be inflation. When I started we had 13 standard American drum rudiments and a few years later expanded to 26. We tossed in some Swiss triplets for extra credit. LOL. And the five stroke roll was the rudiment for quitters who couldn’t handle seven stroke rolls in “Downfall of Paris” or “Connecticut Halftime”....haha.
Being a 18th Century French and Indian war Drummer for French Marines and Regiment du Guyenne, a lot of the French music has a ton 5/7/9/13 stroke rolls.
The essential 40 was made quite a long time ago. I'd argue we don't write for battery percussion the way John Pratt did back in the day. And our essential rudiments list should reflect that.
I think it would have been easier to put these in thirds rather than 6 groups. And although I think you missed a couple, for the most part, you got real close. Triple stroke rolls are essential. Maybe not as much as doubles, but they're certainly no less than an A. Drags, on the other hand are no more than an A and probably a B. You might play them a lot but they're a pretty easy rudiment to master. About the only one I strongly disagree with you here is the flam paradiddle. I've played that a LOT -- and even play it on drumset some. Its an A, no lower than a B. Its also good for keeping your flams clean and is another way to practice paradiddles without getting too bored. Thanks for the video!
Which rudiment is your favorite? (essential or non-essential)
Mine is the herta. The single stroke roll is a close second.
Pataflafla wins by the name alone
There all good aslong as you do them on a gong hi-hat
Flam 5
Double stroke roll is my favorite. We literally would do this for an hour at Northern Aurora. It helps immensely
I was always a fan of the eggbeater.
As a drum set player, I would argue that the six stroke roll is A tier since it is a life saver when playing triplet fills orchestrated around the drums
Its the first rudiment that I started spamming the shit out of and using in every fill lmao
truuueee probably one of the most versitile rudiments ever and sound amazing .
Agreed, on drumset I play 6's just as much as 5's, usually in triplet form.
Agreed. Also, double paradiddles are very useful on a drumkit as well.
@@joshuaallgood7030 Seconded. The Purdy Shuffle is basically an orchestrated double paradiddle on loop
Okay now write a cadence using all 40 rudiments 👀😩
There is allready a Cadence named Drum Corps on Parade
I have written a cadence using all 40 Rudiments. The snares plays from 40 to 1, the tenors and basses 1-4 play from 1 to 40, Bass 5 lays down an ostinato funk rhythm to provide some groove. I wrote, and posted, it on Noteflight. 👍🏾
@@mrnoname2353 I love Drum Corps on Parade!
Try the ‘Connecticut Halftime’. it’s got most of them
Sdjmalik did it
Video 42 of commenting till emc makes a gong hi-hat
Rip
Video 42 of saying I know you to Frz Akus
he already did, check his channel
42.0
@@jesselazenby912 we wish, but it was an april fools thumbnail.
Ratamacues were super common in 60's era drum corps. If you look up an old Reilly Raiders solo called "Grey Ghost," you will see how prevalent they were back then. (Heck, it may even be good content to play it, as it is so dramatically different.)
For drumset players like myself, the Double Paradidle is really good to play some nice Afro-Cuban 6/8 grooves. 6 stroke rolls are also really good in sextuplet form. The flam accent is probably my favourite though (after singles doubles and paradidles)
Also great for marching band snare solo (football game) going from single paradiddles to double paradiddles are nice
Loved this. Education and humor. Seems like 45 years ago I was only taught 25 rudiments. Kind of like the periodic table. It just keeps growing.
I was accepted into the V Corps band as a percussionist because I knew all 40 International Rudiments, while the percussionists had only been taught the 25 American Standard. When I was asked to play the Swiss Army Triplet, I played them alternating the lead hand. The sergeant stopped me and asked if they were consecutive, I said yes, played them that way, and he was floored. That was in 1992. 😊
@@derrickburwell7777 I was playing mid-late ‘70s. Don’t think there was a Swiss Army much less a Swiss Army triplet. 😉
When I played there were 26 standard rudiments in N.A.R.D.
26 rudiments were the ones that were learned "back in the day." I agree, a lot of other ones are, in fact, redundant to others.
The double stroke "open" roll is still the most important one, IMO.
Great to get caught up on today's rudiments!
6:03 my high school Drumline 2018 be like… 😂
popcorn
Hello Tyler
The quadruple ratamacue is my absolute favorite by a stick shot, er I mean a long shot
Id prefer it by a rim-shot
I prefer the quinseptuagintuple ramataque
Ok. So I sat through this video. I'm a horn player. I played Horn and Mellophone in High School. I then went and enlisted in the Army for 3 years. In 2001 I found DCA Drum Corps. Played til 2005. Was a member of the 2003 DCA World Champions. Played Mellophone, Soprano, and Trumpet. So I know what Drum Corps Drummers have to do.
That you're USMC D&BC gives you credibility and my utmost respect.
That said....I watched Every. Single. One. Sorry for my hornline ignorance, but after about 5 minutes they all sound the same to me. I'm glad you understand them, because I sure don't.
That said, I do love watching your stuff. Keep up the work!
Agreed for the most part. That being said what if each one was a signaling something as a communication. Drums were ancestrally used to signal troops to action
New soldier: ooh this is a drum, let’s play something I’ve learned in high school.
His fellow soldiers: WHO TF TOLD YOU THE COMMANDER IS DEAD?
African talking drums. Whistlers of the canary.digiridoo of australia
Well now you gotta rank all the hybrid rudiments 🙃
7:38 just wanna say in drum set drumming, especially in the rock and metal genres, the double paradiddle is used ALL the time, especially in grooves
see as a generic example "Glasgow Kiss" by John Petrucci when the drums come in near the start
Glasgow kiss, is a local euphemism here in Glasgow for a head but, like when you smash someone in the nose with your head, during a Buckfast fuelled altercation.
Pantera, Slaughtered. Bridge.
There's a great double paradiddle part in the Dave Matthew's Band song "Drive In Drive Out". Not a drum corps thing, I know, but it's great to see how rudiments beyond single and double stroke rolls are applied to mainstream music.
It’s just Carter Beaford working his magic.
That part took me 2 years to master!
As someone who marched drum corps and has been teaching high school drumlines for several years, I've learned that if you can learn to play an accent, tap, buzz, diddle, and flam, you can play almost anything written for corps-style marching. Pretty much everything you will ever need to play is just a combination of one or more of those ideas lol
really wish the PAS rudiments are changed, feels outdated for most modern percussion applications, agree with almost everything you said but flam drag is probably one the of the hardest if not the hardest one on the PAS 40 and it's an awesome chop builder. For me it deserves A or B.
2:09 "darkness, enprisoning me, all that I see, absolute horror"
as a drum set player, double strokes are awesome for very fast fills if you cant single stroke fast enough. Paradiddles and inverted paradiddles are fun for fills too
Man. I love your videos. Keep doing what you’re doing man. You’re making the whole drumming community happy. Thanks for putting so much hard work in the videos. 👌👌
As an exclusive kit player (who has spent way too much time on the pad) I love a double paradiddle and use it all over the place..! You can stick it in a jazz groove, or a nice little halftime shuffle. And if you’re playing a 6/8 Latin thing - the right hand is (almost) replicating the 6/8 clavé pattern (enough to get by on at a push).
Great video! Did not realise it was 20 minutes long until it finished. Agree with you for most of the rudiments. Especially for how cool it is to pronounce Pataflafla.
They were called essential because they were used by military to call army or navy personal to take specific actions during combat
You have no know how much you just helped this non percussion playing music teacher 😂
I just got in my high school drumline and I’m really excited
Go practice. 🙂
Literally don’t stop practicing 😐
Awesome! Have a good time.
Practice and learn your music!
We need a hybrid rudiment tier list now!
I wish this video existed when I was learning the rudiments. I was always wondering if I was playing it right or it sounding right. Great video still my guy
Being a trap set player in jazz ensemble, double paradiddles where a great way to cheat a bembe rhythm on the ride bell ;)
The double paradiddle appears in Fife and Drum music from time to time, especially when passing off for higher ranks.
Personally I love the flow of flam paradiddles! Blue Devils used them in their opener for Metamorph (2017) and it works well, IMO. Then again, snare/percussion isn’t my primary instrument so my opinion doesn’t hold a ton of weight.
You should do the hybrid rhythm tier list next for all of us corp style people
Thank you! I played marching snare in high-school but lost interest in college bc we had a terrible teacher. Now that I'm in my 30s, I fell back in love with it. You have helped me get my chops back. Thanks again!
Rather than interpreting drags as a diddled sixteenth, I like to think it as more of the last partial of a triplet, but diddled (when metrically applied, obviously in a concert setting you can have fluid interpretation)
The flammed mill, too, is good for practicing the completely open sticking of the cheese rudiment!
the one person who disliked just doesn't have the chops to play any of the rudiments
The drag rudiments variations makes a lot more sense if played like "ruffs" and closer to the main note. It's how you would usually play it in classical music to match/line up with the wind and brass parts. How tight they should be varies a LOT and it's something I have herd conductors comment on multiple actions. Also the drags strokes (and flams) in the "European style" uses more of a "3 stick height system" where the grace notes are noticeable softer then the taps (1"), instead of using the same height for both "drum core style". This makes them a beeeeatch to play and the level of control needed for the downward motion is even greater. So in those cases the drag rudiment is essential to practice and variations of them is in the standard orchestra excerpt for classical snare drums, just because they are so hard to get. And don't get me started on the "three stroke ruff" =P
My very first drum lesson, I was given the following rudiments:
Single and Double stroke roll
Paradiddle, double para, and triple para
I think I'd put the double and triple paradiddle as A tier, for a kit drummer. The double paradiddle is great for mixing it up in a triplet form, and the triple is actually good for getting your off hand some time leading the roll.
This is the best video I have seen to learn all of those rudiments. I agree also, I think of these as rhythms also and have hit most of them just playing through the years. I did learn all of them in band lessons too tho! Just play set more than big band so had to learn a lot of it myself n transfer the knowledge to the kit like they did in the 60s and 70s
I like how serious and funny this video was !
Thanks for this great rudiments analysing work.
Btw, final results are at 20:05 😉
I just want to say thank you for spending your time making funny and good videos for people like me I hope you get the amount of subs you deserve in the near future. Thank you
6:02 Ok now you're just making popcorn.
Flam Paradiddles are frequent in show style percussion features, I believe
I like your scientific breakdown of the rudiments . I really like drum lines and their choreography.Its cool stuff.
Much respect for being a marine and being one hell of a drummer
my dad was a marine 52 thru 55
You literally put the best rudiment last, I can’t believe this. My disappointment is immeasurable and my day is ruined
Therapist: Eric without glasses isn’t real, he can’t hurt you
Eric without glasses:
Welp I’m not sleeping tonight
I'm learning more about drumming than I ever thought I would. Or maybe even wanted to. And yet I'm still here!
The double paradiddle is cooler if you add an accent on the third note. You should play around with those - I am surprised you have never written them. But my favorite rudiment by far is the swiss army triplet. I could play those super fast before I even knew what they were (Basically I just played a bad roll....but it felt like I was doing something really cool.)
Great breakdown of these "standard" rudiments. I appreciate the tier ranking. Pretty accurate in my opinion.
my heart sank, I didn't see the date and thought he shaved
My high school drumline never wrote or played flams. Our techs saw them as basically controlled dirt and never even tried to teach us how to play clean grace notes, focusing on clean diddles instead
As a drumset guy, I look at how rudiments can be applied musically at least as much as how good they are for building chops. Double paradiddles complement paradiddle diddles - you can play similar things with both, but the double paradiddle allows you to switch lead hands, which is great if you're reaching to opposite ends of the kit to hit cymbals, for example. I use it less than the paradiddle diddle though. Same with flam accent vs. Swiss triplet - I find the latter more musically useful, and would rank it higher than the flam accent. Single ratamacue is also very useful. On the other side, rudiments like the flamacue and the inverted flam tap I find not to be very useful, and would rank them lower. Otherwise, I mostly agree with your rankings.
For anyone who's ever wondered why the list includes a rudiment called the single flammed mill, but not a non-flammed mill, I wish PAS saw fit to at least mention the single paradiddle inversions.
My favorite rudiment is probably the single paradiddle inversion with the diddle in the middle. Super useful, and it's a little bit easier to play than the "root position" single paradiddle.
I have the same feelings about the double paradiddle. I think of it as the paradiddle for triplets, because it changes the lead hand.
I'm a non drummer hopeful composer and this is really helping me think outside the box for percussion writing
Pataflalas, Swiss Army triplets, flam taps, and flam accents are all fun to apply around the drum set
I think it’s hilarious you don’t even TALK about the Triple Ratamacue. I laughed by backside off watching that last part!
Love your videos! I think I agree with the majority of your list. I’d possibly put the triple stroke role up into the “A” category but that’s really just splitting hairs. The one I think you placed in the “F” category I would place way higher (“A” or “B”) is the single stroke seven. In contrast to the basic single stroke roll, players have to re-attack the rhythm and release the rhythm. It can help teach consistent note spacing in single sticking rhythms all the way to a release, as well as force players to focus on second note volume/quality.
Four years of marching and I finally get a double paradiddle . Followed by 8th notes on the left . Because that makes sense
“You can’t just roll for ever, you gotta sleep and poop n stuff.....” you can never take the potty mouth out of a percussionist lol! In all seriousness this is an outstanding video!
Haha! I thought it was just me and my drumline who had potty mouths. The more percussionists I know the more I realize they all do.
Got auditions for drumline today! Going for snare this year. Wish me luck!
Funny to see how you find the single stroke 4s and 7s useless while I've had to play them for years as a more military European style. It's amazing to get to know more styles like this.
Dude can I just say, I have been playing drums for nearly 8 years now. I have never been as technically proficient as someone with my experience should be. This video is a big reason as to why I am right into my rudiments at the moment. You have inspired me to practice them all. PATAFLAFLA!
Is the bunny shirt also essential? Asking for a friend
Yes. S tier.
I find Lesson 25 kind of fun (though it does make me wonder what the first 24 lessons are, and why none of them made the list, and why it's #34 on the rudiment sheet). I've always alternated right and left every time, I'm not even sure I knew that's not how it's supposed to go.
Do 16ths Swiss trips over a steady 4 on the floor. Put first flam on the "e" of 1. 2nd flam on 2, etc. Close your hihats on every other "and".
Have fun!
Hi! I saw your untilvalhalla video and came all the way to this channel! This is my warm-up today🔥
PATAFLAFLA!!! Great rudiment!
My favorites are flam accents, paradiddles, and paradiddle-diddles.
As a pipe band drummer and also a military side drummer I feel like the main thing that comes up is double strokes singles single paradiddles and 5,7&13 stroke rolls and the 25 stoke roll or 3 pace roll
12:50
In Switzerland we call them „Ordonanz Triolen". Ordonanz is another word for Military. So in Switzerland it’s technically just called "Military Triplets"
So then Swiss Army triplets is appropriate. Because ordonanz is just Swiss German for army.
Am I the only person whose never played any percussion whatsoever and loves this channel?
Nope. Me too :)
Me three.
The six stroke roll is S or A, it's use a ton on the kit especially in metal bands like dream theater
The problem is that when we play a “6 stroke roll” on the kit we are really doing something like an inverted paradiddlediddle with an extra accent and he already has that as A tier. Check the rhythm.
Just the video I needed :) 20:04 for the final tier-list
Single stroke seven is used in ancient rudimental/fife and drum to double flamacues, and flam-paradiddles are probably the most common rudiment there. You’ve never played Downfall of Paris? lol
After 50 years of playing I always thought lesson 25 was useless too. Alternating makes it cool.
I’m early AF! I loved the tier list, and I love your content! Always gives me a good morning! I hope you have a great morning and good rest of your April!
2:13 DARKNESS IMPRISONING ME
My high school band was 6 to 5 so we always had a march as our second song so we could float a diamond. Invariably we would have something with a million Swiss Army Triplets.
I love how PAS doesn't notate the double drag tap in the traditional sense. I honestly think it sounds better when old snare drummers slur the hell out of it anyway.
Double paradiddles are a nice way to toss off the lead to the other such as in runs going up and down the quads. Feels a little goofy at first, but it's fun to do with triplet doubles and paradiddlediddles
The pataflafla appears in higher level Fife and Drum music frequently. “Crazy Army” has a few.
Eliud Ayala Jr. who usually writes (wgi) Impact Percussion's show music likes to use double paradiddles a lot
Keep your grace note down!! And I agree with the PATAFLAFLA as the coolest named rudiment. That could be a cheesy name for another character--- Pat Aflafla!
LONG ago when I played there were only 26 standard/essential rudiments from N.A.R.D. I enjoyed ratamacues. The most difficult thing for me learning was the right hand, being a lefty, I wanted to do everything left handed. I would try to focus and just do the rudiments right handed, but as I sped up I would switch to doing them left handed without even realizing I had. Made for fun and annoying times for the drum instructor, he wrote things right hand dominant and I would end up switching to left hand dominant without noticing I did. 🤣
I always used the double paradiddle as a way to begin/write snare splits.
Either way supports the algorithm... Classic EMC!!!!!!!!!!!
Thinking of flams/pataflafla as MOLLER technique = 🤯 never thought of it like that been playing > 20 years. I 100% agree with your rankings accept I think practicing 7's helps your timing/understanding of 6/8 & 12/8 time signatures but that's just IMO..
AWESOME video literally should be required reading for any drummer. Subed and 🔔
Cheers \m/ !!!
I personally really like the single flammed mill and the swiss army triplet and feel they should be higher on the list because they teach you how to layer together an inverted double with one hand and a regular double with the other.
My personal favorite rudiment is the swiss army triplet as it helps me get into faster playing as i’m trying to build up my snare chops
In jazz drumming i tend to use triplet fills so i’m also starting to use swiss army’s for more diversity on the drum set and to build up my snare skills whilst playing set
I think corps from the 60s would play single, double and triple ratamacues. They would play them and string them along in a beautiful display of great rudimental drumming. Also, note that the drag was considered a terrible rudiment during the late 80s and early 90s. Writers considered it crazy to invite dirt by starting on a drag, but today, starting with a drag is like starting with a flam, no big deal, its cool. It's neat how times change.
FUN FACT: to answer your question about Rudiment #17 Double Paradiddle, the ONLY time I’ve ever seen it written was in the drum groove for Paradigm by Avenged Sevenfold.
Hands down as a quad player, sextuplet paradiddlediddles and any flam drag /cheese /cheese 5 were my absolute favorite
I think you now need to do a video playing these rudiments in the order of your Tier List ... So we can judge the accuracy of your choices ...
(Although really, who am I to judge your choices? 😂🤣)
Anyway, it would be a good way for me as a newbie to learn what is essential ...
AND where would you put Hertas? S Tier, After 4. Multiple Bounce Roll and Before 16. Single Paradiddle?
Must be inflation. When I started we had 13 standard American drum rudiments and a few years later expanded to 26. We tossed in some Swiss triplets for extra credit. LOL. And the five stroke roll was the rudiment for quitters who couldn’t handle seven stroke rolls in “Downfall of Paris” or “Connecticut Halftime”....haha.
4:07 Five stroke rolls are the most common and most important rudiment besides paradiddles in show style bands.
Being a 18th Century French and Indian war Drummer for French Marines and Regiment du Guyenne, a lot of the French music has a ton 5/7/9/13 stroke rolls.
im not a drummer... but he keeps saying the "drags" don't help you... to me it would seem that it would help with dynamics.. am I wrong?
The essential 40 was made quite a long time ago. I'd argue we don't write for battery percussion the way John Pratt did back in the day. And our essential rudiments list should reflect that.
I see the 7 stroke roll written functionally as a 1 beat, 6th note tap roll. An accent on "1", diddle on "e & a"
Brilliant! I completely agree with your list. And the video was entertaining. Good stuff!
I think it would have been easier to put these in thirds rather than 6 groups. And although I think you missed a couple, for the most part, you got real close. Triple stroke rolls are essential. Maybe not as much as doubles, but they're certainly no less than an A. Drags, on the other hand are no more than an A and probably a B. You might play them a lot but they're a pretty easy rudiment to master. About the only one I strongly disagree with you here is the flam paradiddle. I've played that a LOT -- and even play it on drumset some. Its an A, no lower than a B. Its also good for keeping your flams clean and is another way to practice paradiddles without getting too bored. Thanks for the video!
Beautiful chart. Thanks!