No one plays Kreisler like Kreisler. Inimitable and incomparable. No wonder giants like Heifetz, Milstein, and Oistrakh admired and loved him. And the rest of us mere mortals do too!
srry but i play piano and dont know all of these xd (we only talk when its about hard pieces about liszt, schumann, schubert, brahms, alkan, chopin etudes,) ;)
He plays this piece so differently from how you hear it these days. I really like how he did it and can only imagine him playing at a cold winter night in one of the cafes, maybe even the Bräunerhof. However I am aware, that he's been in New York already when he released it.
This theme sounds like a part from the Walt Disney Intro. It's so cool to hear elements in classical music (where they came from) and then to find out that they were used in so many new pieces.
Fritz Kreisler- my all-time favorite violinist! Amazing depth of feeling, and that TONE! It come through even on this old recording. An exemplary human being!!
Honestly, this is beyond magnificent. I've read comments about Love's Joy not being able to stand aside Love's Sorrow and saying that they're disappointed but I don't really agree with them. Both moods and emotions are different, however, both of their concept stand back to back. Love's Sorrow trully makes you feel love, pain, disappointment, hopelessness, and bittersweet feelings and that was intentional because it is love's sorrow. This, however, will only make you feel such distinctive joy, excitement, peacefulness, and all the wonders of love which is really suitable for it's title. This is so underrated compared to Liesbeleid but yeah, we can't really do anything about that. Anyway, the way he plays this piece really makes me happy. Like, genuinely happy.
You're absolutely right! I feel like he invented this melody right at the moment he plays it, the emotions shine in his playing like in no one else's playing.
❤For some reason this popped into my imagination tonight, and it topped off an absolutely gorgeous warm sun-filled String weekend. This beauty, this joy, this love is what the world needs now more than ever.❤
I can never seem to listen to any of the 3 Viennese songs without mentally painting the portrait of a beautiful lady. Kreisler's tempo simply takes you back in time, somewhere around the turn of the century, where things seemed much brighter.
The Best Praise to Fritz Kreisler （ February 2 , 1875 --- January 29 , 1962 .）, Franz Rupp （ February 24, 1901 --- May 27, 1992 .）. !! Fritz Kreisler plays The “ Liebesfreud ”（ Love 's Joy ）（ recorded around 1937 or 1938 ）. Piano by Franz Rupp . The music composition was Kreisler 's one of the great series for violin and piano , composed and completed by Fritz Kreisler about before 1905 . The Greatest Violin and Piano Concerto Masterpiece with the Composition , and the Most Precious Recording Will Become Forever ! Thank You So Much !! ......
David, most folks do not realize that Kreisler played piano as well as he played the violin. RCA Victor offered him a recording contract for playing the piano! He turned it down and decided to stick with the violin.
Yeah! I returned to Liebesfreud home land at last. this is at the zenith.(91yrs.Japanese)Occasionally I would love to listen to Zia Hyunsu Shin Korean.
He could pull off a burst of technical virtuosity that rivaled, or beyond, anyone of any period, past or present. There is Kriesler and Heifetz, though Kriesler is the fan favorite for most.
to be frank I honestly prefer the counter part to this masterpiece, "liebesleid" or love's sorrow as most call it. this too is a great work as well I myself prefer the somber tone of liebesleid over leibesfreud that much I am sure of.
+Mr Kreuz He was an Austrian Hauptmann in the Austrian Russian War..."I hardly had time to draw my sword, to grasp my revolver with my left hand and issue a command to my men to hold their bayonets in readiness, when we heard a tramping of horses and saw dark figures swooping down upon us. For once the Cossacks actually carried out their attack, undoubtedly owing to their intimate knowledge of our lack of ammunition. My next sensation was a crushing pain in my shoulder, struck by the hoof of a horse, and a sharp knife pain in my right thigh. I fired with my revolver at the hazy figure above me, saw it topple over and then lost consciousness..".
Kreisler was indeed born in Vienna, Austria, but his parents were from the western Ukraine, and his father, Samuel, a physician, was Jewish, and his mother, Anna, was Christian. Fritz was baptised in the Christian faith, Roman rite. The Vienna culture certainly shows in his music. He was thoroughly imbibed in the culture of his birth. Later, he did choose to live in Berlin, Germany, where he had an estate in the up-scale neighborhood of Grünewald, in the 1920's-1930s. He left Germany in 1939,and took up French citizenship. In 1941, he became an American citizen.
I beg to differ from the above comment. The standard pitch at the time was A439 C522, but over the years different pitches were adopted in different countries. In Britain there was Concert Pitch, which name referred to an actual given frequency for A , there was Universal Low pitch, etc. Most accordions were tuned to C517 Then we settled on A440 C523.3. I was serving my apprenticeship when that change took place! And in Japan today it's A442, so there is still no real standardization. A few years ago the Soporo Symphony Orchestra came over from Japan to do a tour of Europe. They came to my part of GB. They wanted to have the Steinway concert grand raised in pitch to A442, because the string players refused to lower the strings on their instruments. The manager of the hall rightly refused to allow the Steinway to be raised. So, another concert grand was shipped over from London (at considerable expense) and I raised the pitch to A442 When the orchestra started to tune up I was delighted to hear that the piano's tuning stability was excellent and the new pitch hadn't moved, which, more often than not, would certainly have happened because of the short time I had to raise it. (It cost another considerable expense to return it to London) I don't know of any musicians who would simply ignore established pitch.
because the recording is not played at the exact speed it was recorded. If it is this sharp, in 1938, then they must have played it very slightly slower (and thus lower in pitch), that's my understanding since with the technology back then the pitch and tempo were always connected. A lot of recordings back then were sped up, especially of fast pieces! It's also something that could have happened during the remastering - or rather, it should have been corrected during the remastering of the old recording.
It was probably a technical problem. The disc had been turned in a slower speed recording than playing. Maybe it became louder when you turned it faster, so people got used to listen to it higher. in today's time though it would be easy to switch back to the original pitch and slower tempo. Ivry Gitlis told me that the most fascinating thing about Kreisler was his freedom in interpretation, completely talking with the instrument independent of any pulse. A very special Viennese way of thinking, I can confirm. Many greetings
@@Borretski this is what i also love youtube for. once in a while i take a deeper look at comments , because there are s many geeks out here. thank you very much for this lesson.
No one plays Kreisler like Kreisler. Inimitable and incomparable. No wonder giants like Heifetz, Milstein, and Oistrakh admired and loved him. And the rest of us mere mortals do too!
Fritz Kreisler playing is softer than Heifetz and Oistrakh that's why i love him so much but i like them too because their playing is soo good 👍🏻❤️
this video was uploaded on my birthday :D
srry but i play piano and dont know all of these xd (we only talk when its about hard pieces about liszt, schumann, schubert, brahms, alkan, chopin etudes,) ;)
@@redfishplayz4476 they are violinists from the XX Century. Check It out his recordings they are great
Pop
He plays this piece so differently from how you hear it these days. I really like how he did it and can only imagine him playing at a cold winter night in one of the cafes, maybe even the Bräunerhof. However I am aware, that he's been in New York already when he released it.
This theme sounds like a part from the Walt Disney Intro. It's so cool to hear elements in classical music (where they came from) and then to find out that they were used in so many new pieces.
Lucas Gottfried Piano Indeed. I was amazed by this, as an eclectic music listener.
Hey dood! Let me guess, you came here from Love's Sorrow, right?
@@irkira477 Yes I came from YLIA
I was looking for a comment like this, finally! Definitely similar
Kreisler plays with so much feeling....it's like he's telling a story. So poetic. I love his playing!
외국인들: 와 음악이 정말 아름다워요!!
한국인들: 네 안녕하세요 달인을 만나다의 류담입니다....
Was für ein wundervolles Geigenspiel- ich träume👏🎻🥰❤️
Was für ein wundervolles Geigenspiel❤️🎻👏
Fritz Kreisler- my all-time favorite violinist! Amazing depth of feeling, and that TONE! It come through even on this old recording. An exemplary human being!!
Instantly transported to another time and place. That's the magic of Kreisler
This piece is so Touchingly Viennese, reminiscent of sitting at a Heuriger on a summers eve, in the garden with friends.
すごい！本人演奏の音源が残ってるなんて感激です！！
It feels like you are dancing with someone you love and want to live with her/him for your entire life forever
Honestly, this is beyond magnificent. I've read comments about Love's Joy not being able to stand aside Love's Sorrow and saying that they're disappointed but I don't really agree with them. Both moods and emotions are different, however, both of their concept stand back to back. Love's Sorrow trully makes you feel love, pain, disappointment, hopelessness, and bittersweet feelings and that was intentional because it is love's sorrow. This, however, will only make you feel such distinctive joy, excitement, peacefulness, and all the wonders of love which is really suitable for it's title. This is so underrated compared to Liesbeleid but yeah, we can't really do anything about that. Anyway, the way he plays this piece really makes me happy. Like, genuinely happy.
*Liebesleid
You're absolutely right! I feel like he invented this melody right at the moment he plays it, the emotions shine in his playing like in no one else's playing.
Such old world Beauty!
❤For some reason this popped into my imagination tonight, and it topped off an absolutely gorgeous warm sun-filled String weekend. This beauty, this joy, this love is what the world needs now more than ever.❤
This man knew how to write melody. Glorious!
Herrlich der Vintage-Klang!
My father was a violinist and I owe my love of Kreisler to him. And much more
I can never seem to listen to any of the 3 Viennese songs without mentally painting the portrait of a beautiful lady. Kreisler's tempo simply takes you back in time, somewhere around the turn of the century, where things seemed much brighter.
Those double stops sound so nice and so smooth
Chills every time I hear one of his pieces
It’s not just his unique sound, but the generous, kind, mischievous man himself. Check his biography by Louis Lochner. What an adventure his life was.
The Best Praise to Fritz Kreisler （ February 2 , 1875 --- January 29 , 1962 .）, Franz Rupp （ February 24, 1901 --- May 27, 1992 .）. !!
Fritz Kreisler plays The “ Liebesfreud ”（ Love 's Joy ）（ recorded around 1937 or 1938 ）. Piano by Franz Rupp .
The music composition was Kreisler 's one of the great series for violin and piano , composed and completed by Fritz Kreisler about before 1905 .
The Greatest Violin and Piano Concerto Masterpiece with the Composition , and the Most Precious Recording Will Become Forever !
Thank You So Much !!
......
네 안녕하십니까 달인을 만나다의 류담입니다. 오늘은 30년동안 묵언수행을 하신 묵언의 달인 김병만 선생님 모셔왔습니다. 반갑습니다.
네 반갑습니다. (???) 나가.
ㅅㅂㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ
True
si
Grandioso Violinista y Compositor de brillantes Obras para Violín , con una interpretación por siempre Magistral .
I love to practice this piece, as well as others by Kreisler. He was such an amazing violinist and composer!!
1:12 - 1:46 My favorite part. Sehr wunderschön. 💜
This music and sounds recalls me old good days.
Love this song, and the performance by Kreisler
Y ya llegan, como regresando a un lugar donde nunca estuvieron, nuestros interpretes...............
santiago pellegrini la venganza será terrible
A fine composer as well as a superb violinist.
David, most folks do not realize that Kreisler played piano as well as he played the violin. RCA Victor offered him a recording contract for playing the piano! He turned it down and decided to stick with the violin.
@@cletedavis5849 I did NOT know that. By the way, I met his great nephew recently.
Poseedor de un sonido y un timbre puro y Deslumbrante , siempre que interpretaba lo hacía con un dominio absoluto y un elevado nivel expresivo .
Such a great piece of music
goodness!! I don't even know which one's my favourite between this one and liebesleid... eh, Schöne Rosmarin!
$
Yeah! I returned to Liebesfreud home land at last. this is at the zenith.(91yrs.Japanese)Occasionally I would love to listen to Zia Hyunsu Shin Korean.
No puedo dejar de soñar, con esta preciosa obra.
Excelente Composición y Magistral interpretación del fabuloso Violinista y Compositor Fritz Kreisler.
Thank you. Terrific.
Es realmente hermoso, amo escucharlo.
Grande Dolinaaa!!!
Y ya llegan!!!...nuestros interpretes...:D
Музыка от сердца. Прекрасно!
Truly a technical masterpiece.
안녕하십니까, 달인을 만나다의 류담 입니다.
오늘 이 시간에는 16년동안 모든 음식을 말아만드신 말아먹기의 달인 *부도* 김병만 선생님을 모셨습니다.
He could pull off a burst of technical virtuosity that rivaled, or beyond, anyone of any period, past or present. There is Kriesler and Heifetz, though Kriesler is the fan favorite for most.
Happy birthday Kreisler
My favorite
안녕하십니까! 달인을 만나다의 류담입니다 오늘 이시간에는 16년동안 OO만해오신 OO 김병만씨모셨습니다
to be frank I honestly prefer the counter part to this masterpiece, "liebesleid" or love's sorrow as most call it. this too is a great work as well I myself prefer the somber tone of liebesleid over leibesfreud that much I am sure of.
such frankness! whatever did we do to deserve it?
Köszönöm szépen nagyon jolesett. Tisztelettel:Simon Gábor
Great!太讚了!
There's that flexibility in rubato people talk about
Una joya de maestría y buen gusto. No es solo técnica.
this version is best
Best Liebestraum Ever!
magic
네 안녕하십니까 달인을 만나다의 류담입니다
16년동안 프리러닝을 해오신 프리러닝의 달인 월담 김병만 선생님 모셔왔습니다
Thanks for the info!
A great German Violin Player
I think he is an austrian
+Monster HunterVIE That is correct ! thumbs up
+Mr Kreuz He was an Austrian Hauptmann in the Austrian Russian War..."I hardly had time to draw my sword, to grasp my revolver with my left hand and issue a command to my men to hold their bayonets in readiness, when we heard a tramping of horses and saw dark figures swooping down upon us. For once the Cossacks actually carried out their attack, undoubtedly owing to their intimate knowledge of our lack of ammunition. My next sensation was a crushing pain in my shoulder, struck by the hoof of a horse, and a sharp knife pain in my right thigh. I fired with my revolver at the hazy figure above me, saw it topple over and then lost consciousness..".
Kreisler was indeed born in Vienna, Austria, but his parents were from the western Ukraine, and his father, Samuel, a physician, was Jewish, and his mother, Anna, was Christian. Fritz was baptised in the Christian faith, Roman rite. The Vienna culture certainly shows in his music. He was thoroughly imbibed in the culture of his birth. Later, he did choose to live in Berlin, Germany, where he had an estate in the up-scale neighborhood of Grünewald, in the 1920's-1930s. He left Germany in 1939,and took up French citizenship. In 1941, he became an American citizen.
He is Austrian!
Gi, estude muito, quero ver você bem próximo desse que acabei de ouvir! vovô
Bellisimo 💖🌸
Wow !
"Tudo é possível ao que crê"
Isnt this one of rm's bgm when something luxury comes to them
Increible belllo. ❤. ,,,,,,,,, 🎻🇮🇷🥇🕧
Sweet.
to remember: this music was forbidden in Nazi-time and this great musician had to fly to the US. I do hope this terrible time will not come again!
- 이건 빨대 아니에요, 빨대?
- 아뇨, 빨코더.
정확하게 표현하자면...
- 이거 빨대 아닌가요, 빨대?
- 빨대라니, 이 사람아! 빨코더에요!
- 빨코더요?
Good
There is almost the disney theme in the first few seconds
that's so true actually
Como le va don Alejandro Dolina?
Con ustedes los intérpretes!
Penas del amor Divino
Wait till you here Yo Yo Ma play his version of Leibesfreud on his Cello! Truly his version is even more mellow, full and very euphonious!
⭐⭐⭐⭐⭐
why is this recording seems higher, is there any problem with the tape?
네~ 안녕하십니까
달인의 만나다의 류담입니다.
cool~
double harmonics ok im dead
same
Your Lie in April brought me here
capo dolina!
달인등장;??
내 오늘은 16년동안 모든 생활용품을 악기로 써오신 김병민 선생님을 모셔왔습니다 반갑습니다!!!!
dolinaaaaaaaa
yo tambien lo busque por dolina! :)
marcos baldiviezo Yo Tambieen!!! :)
Genio Dolina
Kimberly Ourlian Dolina is the last name of Alejandro Dolina, a great writer, composer, radio host....etc. from Argentina
Why is the pitch sharp???
inferior recordings from back then tend to sound that way..
I beg to differ from the above comment. The standard pitch at the time was A439 C522, but over the years different pitches were adopted in different countries. In Britain there was Concert Pitch, which name referred to an actual given frequency for A , there was Universal Low pitch, etc. Most accordions were tuned to C517 Then we settled on A440 C523.3. I was serving my apprenticeship when that change took place! And in Japan today it's A442, so there is still no real standardization. A few years ago the Soporo Symphony Orchestra came over from Japan to do a tour of Europe. They came to my part of GB. They wanted to have the Steinway concert grand raised in pitch to A442, because the string players refused to lower the strings on their instruments. The manager of the hall rightly refused to allow the Steinway to be raised. So, another concert grand was shipped over from London (at considerable expense) and I raised the pitch to A442 When the orchestra started to tune up I was delighted to hear that the piano's tuning stability was excellent and the new pitch hadn't moved, which, more often than not, would certainly have happened because of the short time I had to raise it. (It cost another considerable expense to return it to London) I don't know of any musicians who would simply ignore established pitch.
because the recording is not played at the exact speed it was recorded. If it is this sharp, in 1938, then they must have played it very slightly slower (and thus lower in pitch), that's my understanding since with the technology back then the pitch and tempo were always connected. A lot of recordings back then were sped up, especially of fast pieces!
It's also something that could have happened during the remastering - or rather, it should have been corrected during the remastering of the old recording.
It was probably a technical problem. The disc had been turned in a slower speed recording than playing. Maybe it became louder when you turned it faster, so people got used to listen to it higher. in today's time though it would be easy to switch back to the original pitch and slower tempo. Ivry Gitlis told me that the most fascinating thing about Kreisler was his freedom in interpretation, completely talking with the instrument independent of any pulse. A very special Viennese way of thinking, I can confirm. Many greetings
@@Borretski this is what i also love youtube for. once in a while i take a deeper look at comments , because there are s many geeks out here. thank you very much for this lesson.
La venganza sera terrible...
Es la unica que toca ,no hay mas granaciones.
활밀착시킬경우 줄이 무게때매 내려가 지판과 가까워져 왼곤터치 쉬워짐
달인을 만나다의 김병만입니다.뮤 뱅
시절의 옵뽜시리즈 한 켠 ㅎㅎ
#단숨에십대로나늘뎨러다놓음
#가을짤추억곡 #죻큐만
이번엔 음악의 달인! 김병만씨 모시겠습니다~~~
Try to get some elements of sharpened rhythm,vibrant tone and the order of legato,detache and spiccato to get inspiring interpretatio.
alguien mas viene por Your lie in april? :v
gay!
my favourite