The Secret To Playing Over Autumn Leaves(No Bullsh*t)
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- Опубликовано: 12 сен 2024
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DM on Insta if you have questions about anything Free PDF of formations 1-4: www.guitarmin....
GuitArmin Method (presale): www.guitarmin....
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Instagram: ...
DM on Insta if you have questions about anything Free PDF of formations 1-4: www.guitarmin....
GuitArmin Method (presale): www.guitarmin....
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Instagram: ...
DM on Insta if you have questions about anything
woa the way you describe giant steps as feeling outside even when you play inside the changes makes so much sense!!!
GIant steps vid coming your way!
Love this channel and love this video. I am a little behind you in your jazz journey and am stuck in the rock thought of improvising. Keeping track of different keys is frustrating. I just revisited Autumn Leaves to build back some confidence and stumbled on this video! Also love the personal stories about musical frustrations and depression because I have a feeling every one here knows how that feels
Thank you a ton! One thing at a time! Theres no stress.
love your channel man just fun and chill to watch, and I always learn something new
Thanks Eric!!!
atitude is everything. if you sneer at some of the best songs ever written, just cuz it's overplayed , badly, at sessions, you got a bad attitude. Give the people what they want. Tunes they know, and FOR PETE's SAKE; arrange it and play it so people other than bebop gods can follow and know where you in the f##ing changes. Love your constant use of the F word. Life is so FFing often in the key of F. the key of "FUUUUUUUUUUUUCK". or "so F#####king good"... no other word
suffices, especially German schmutzy words They don't have the edge.
Great lesson thank you.
I'm with you man! I love autumn leaves it's beautiful but I feel embarrassed calling it. DOESNT STOP ME THOUGH HEHE
Thinking Autumn Leaves sucks because it is for ‘beginners’ or is too simple is like hating missionary sex or cheese pizza
And I love both those things as well!
I’m a bass player learning jazz and these videos are super helpful. I have been looking for someone who actually explains the thought process behind playing certain modes and arpeggios over chords - instead of “so you play x mode over this” and then no explanation to why that mode or arpeggio is chosen. Keep up the great work!
You seemingly like the video!
I'm happy to hear Sam!!
amazing bro, very helpful. can you make a video like this but how to solo over sunny?
Yeah sure!!
I love your approach on instructing here
Lovely video! I love autumn leaves and i dare any nerd to change my mind
Hahah love that!
Fly me to the moon fekkin rocks.
Thank you!!!
Yes more of this kind of video please
First video I was like, this is a fellow ADHD haver.
Fly me to the moon is amazing. And it also is so instructional.
HAHAHAH! right on bro!!
Another great video! I like this style of analyzing standards. I don't know if you'd make a video about this, but I'd be interested in hearing your approach to Red Clay. I had transcribed a Freddie Hubbard solo where he just used the blues scale, but I've had teachers in the past that wanted me to outline every single change in every single chord even on simple songs. What are your thoughts on this? Are you into the harmonic reduction or should you memorize every chord tone and play the full harmony.
I know what you're saying! The thing is Freddie Hubbard CHOSE to play the blues scale. That means he could outline every chord tone if he wanted to but he probably felt "nope now I wanna play blues" WHICH is the freedom he has as a great improvisor. I'd say learn the chord tone stuff in order to come closer to having choices when you're in the moment!
@@Guitarmin98great insight as always! Thank you
I dig it!
This video made me realise that I look at changes the complete opposite way of most players lol. Usually for cluster changes (my own name for things like 2-5-1 and 1-6-2-5 etc) I usually exclusively use lines that I’ve transcribed it’s only if a chord is outside of this would I ever think oh I need to play Phrygian dominant here or something and I usually use those sorts of ideas to connect to a new idea. Autumn leaves is misleadingly difficult (in my opinion) because just playing straight bebop lines is going to sound garbage and you need to really play melodically with motifs etc which can be difficult to come up with on the spot
Everyone can have their approach, it's not really necessary to think so much about scales, but rather about arpeggios and connecting points. However, many very good players learned only with licks
Great channel Brow. No Bullsh*t. Greetings from Germany.
Danke Schön!
Yes keep making vids 👍
I will! Thanks bro
Great lesson