Let me guess, Sinding sonata next? That's the best guess I could make as I couldn't imagine Howard recording post-romantic pieces (not that he does not play them well).
I am disappointed by this performance: there is more romantic expression in this sonata than Leslie Howard recognises. The first movement is played molto allegro and not as indicated allegro , which makes the movement unnecessarily lightweight; when the movement does break into allegro molto, the effect is lost. Other movements are similarly rushed, perhaps the scherzo is the best played. The sonata may be an early work, but it does not need to be diminished in this way. I really respect what Leslie Howard has done for Liszt, the Liszt society and the Liszt competition so I was expecting so much more from this performance.
I’ve never heard the first edition of the fourth movement. Very interesting!
Graceful! I absolutely love the 4th movement.
Ty for this upload.
You’re welcome :)
Masterful piano writing
Very nice.
Grieg, he seems to have been on good terms with Liszt.He said he praised the piano concerto.
The melody in the 2nd movement also forms the 2nd theme of the fourth movement.
Best performance of this sonata ever!
Excellent music 🎹🎶👏
Marvelous.
Where is this difference in 4 movement from? I can't find this version anywhere.
The first edition.
wow
Nice
Ye
Let me guess, Sinding sonata next? That's the best guess I could make as I couldn't imagine Howard recording post-romantic pieces (not that he does not play them well).
Gade is the last one
@@TheModicaLiszt Gade epic
どことなく、シューマンのソナタにも似ているような。終楽章はブラームスぽくもあり。
Schumann and Brahms are also good indeed!
Is this on a CD that you can purchase? Leslie Howard, once again, makes another fine recording of a little heard GEM.
Yes.
Based! By the way, does Howard have a recording of Humphrey Searle's Piano sonata, Op.21?
No, but he did play his own compositions on the same album that Julian Jacobson recorded the Searle sonata.
@@TheModicaLiszt I see
Taylor Lisa Harris Brenda Gonzalez Brian
I am disappointed by this performance: there is more romantic expression in this sonata than Leslie Howard recognises. The first movement is played molto allegro and not as indicated allegro , which makes the movement unnecessarily lightweight; when the movement does break into allegro molto, the effect is lost. Other movements are similarly rushed, perhaps the scherzo is the best played. The sonata may be an early work, but it does not need to be diminished in this way.
I really respect what Leslie Howard has done for Liszt, the Liszt society and the Liszt competition so I was expecting so much more from this performance.