THANK YOU so much for sharing this with the world. Ivo Pogorelich is in a class by himself and brings profound insights into already-extraordinary compositions by extraordinary composers.
Thank you, Claudio; this is a treasure. Like with so many other pieces, Ivo brings in new life, uncovers new, hidden dimensions. Sadly, many people fall short of understanding and appreciating his playing.
Thank you for uploading the recital. I am delighted to see that he has it in him to give pleasure. After a long period of playing with eccentricities and distortions that made disturbing listening, his playing has returned to a healthier approach to performing. I don't mind the "rebel" aspect of not conforming to performance etiquette, it's the performance that counts. Love for music is what is being communicated here, and so I say bravo Ivo!
The great musician holds himself in reserve, and yet still in complete freedom without the least desire to show off. He lets the Music speaks for itself. Beauty arises natually. Authentic and senza "ego"
I remember his appearances in London in the mid-1980s and he always wrapped up, as though chilly, whenever off the platform - sometimes in those colourful scarves to look trendy! Of course he played from memory then, and was never too disposed towards audiences. I always felt he was doing us a favour, not that he appreciated our attendance. Rarely looked really contented or happy, he epitomised the struggles of the artist. Strikingly handsome back then, and I say that as a straight bloke. An enigma of an artist.
Великолепно! Чувствуется, что маэстро приоткрывает для меня нечто большее, загадку, тайну. И сам манит меня бездной тайн, которые останутся тайной для меня навсегда. Это слишком сложно и слишком легко. Он велик.Спасибо, что снизошол до смертного.
In the early 80s in Pescara he was playing Beethoven's Sonata op. 31 n. 2. At the beginning of the first movement he noticed that there was a guy with a tape recorder. Well, at the end of the first movement he stopped, left the stage and demanded that the man with the tape recorder be thrown out! More than 10 years later, again in Pescara, he began the recital with Mozart's Fantasy in D minor and instead of concentrating on the music he started looking left and right in the front rows of the parterre 😂
Он был первым, кто предчувствовал беду нашего, 21-го века: отныне каждый "слушатель" может записать гениального музыканта на низкокачественный аппарат типа мыльницы и потом выложить в интернет. И этим буквально опозорить музыканта!
Sicko. This humorless rigidity is typical for these sheep music robots totally incapable of WANTING to learn jazz and playing like Elton John, Rick Wakeman, etc.... They keep boring polite undemanding audiences and themselves to death
@ are you asking me? I just reported an anecdote about Pogorelich. It is obvious that nowadays everything has changed and, even if he wanted, he could no longer control whether someone records and shares.
All of I.P's musical genius is clearly manifested here. His artistry dominates all distractions. He is beyond all levels of musical Enlightenment. No pianists from this era can surpass his supreme musical conciousness
Почему первые четыре аккорда звучат как один и тот же аккорд? И при повторении - так же? Там должна чётко прослушиваться нисходящая линия. Деффект записи?
Der gealtete, ja nie wirklich erstklassige, Pianist sollte lieber für sich privat vor sich hin und her meditieren als öffentlich Schumanns großartige Werk zu verschandeln.
Well, that's true, but I think that would only apply for a pianist that is not so well-known, because anyone that has listened to Pogorelich's studio recordings knows how great he is. I'm not gonna debate on this topic though, because what you say is totally valid and understandable. What I can say is that I uploaded this video with the purpose of documenting something that would've been otherwise lost forever. You could think that this recording only does a disservice to the artist, and that could be, but I can assure you that it wasn't the intention here.
Sorry but I've never heard such crap in my life. Research Argerich Racmaninov 3 with Rostropovich - a beautiful performance with sound that could only be described as appalling (and there are thousands of others I could name). And yet, those who weren't at the concert can now get the chance to hear that electrifying performance for themselves. It is the same with Ivo. I personally cannot afford to fly thousands of miles to hear his concerts so I am grateful that they are put onto RUclips. Would you say that people shouldn't post early Horowitz recordings because they are of bad sound quality? You say it is unmusical to post this - I totally disagree with you if this type of post brings these wonderful concerts to a wide range of people
The sound is quite acceptable honestly. I’ve heard far worse from audience recordings! The two replies above make very good points about the value of bootleg recordings as well.
@@d_r_e_a_m_b_o_a_t I think that the sound is indeed very good. I don't know who @pianostream8312 is but he/she needs to shut up!!! I am very grateful to Claudio for posting this (and amazed that he was so calm after the unpleasant comment - I wouldn't have been!)
![Digital Circus Episode 4 [TRAILER]](http://i.ytimg.com/vi/abZtsmMUbJo/mqdefault.jpg)
Highly original and moving playing - thanks for sharing !
THANK YOU so much for sharing this with the world. Ivo Pogorelich is in a class by himself and brings profound insights into already-extraordinary compositions by extraordinary composers.
Thank you, Claudio; this is a treasure. Like with so many other pieces, Ivo brings in new life, uncovers new, hidden dimensions. Sadly, many people fall short of understanding and appreciating his playing.
Thank you for uploading the recital. I am delighted to see that he has it in him to give pleasure. After a long period of playing with eccentricities and distortions that made disturbing listening, his playing has returned to a healthier approach to performing. I don't mind the "rebel" aspect of not conforming to performance etiquette, it's the performance that counts. Love for music is what is being communicated here, and so I say bravo Ivo!
The great musician holds himself in reserve, and yet still in complete freedom without the least desire to show off. He lets the Music speaks for itself. Beauty arises natually. Authentic and senza "ego"
Thank you very much Claudio for sharing. Much appreciated.
THX for sharing recording AND the great foto ….. taken obviously without flash 🤓
I remember his appearances in London in the mid-1980s and he always wrapped up, as though chilly, whenever off the platform - sometimes in those colourful scarves to look trendy! Of course he played from memory then, and was never too disposed towards audiences. I always felt he was doing us a favour, not that he appreciated our attendance. Rarely looked really contented or happy, he epitomised the struggles of the artist. Strikingly handsome back then, and I say that as a straight bloke. An enigma of an artist.
Thank you for posting, nice to see how his playing is doing.
Великолепно! Чувствуется, что маэстро приоткрывает для меня нечто большее, загадку, тайну. И сам манит меня бездной тайн, которые останутся тайной для меня навсегда. Это слишком сложно и слишком легко. Он велик.Спасибо, что снизошол до смертного.
The music is consistently flowing. The richness of harmonies are always afresh,as though this is the 1st time I am listening to them
thanks for the recording, sir. I love the dark master Ivo P.
Immer noch einer der größten!!!
In the early 80s in Pescara he was playing Beethoven's Sonata op. 31 n. 2. At the beginning of the first movement he noticed that there was a guy with a tape recorder. Well, at the end of the first movement he stopped, left the stage and demanded that the man with the tape recorder be thrown out! More than 10 years later, again in Pescara, he began the recital with Mozart's Fantasy in D minor and instead of concentrating on the music he started looking left and right in the front rows of the parterre 😂
Он был первым, кто предчувствовал беду нашего, 21-го века: отныне каждый "слушатель" может записать гениального музыканта на низкокачественный аппарат типа мыльницы и потом выложить в интернет. И этим буквально опозорить музыканта!
The problem is the guy, not him ;-)
Sicko. This humorless rigidity is typical for these sheep music robots totally incapable of WANTING to learn jazz and playing like Elton John, Rick Wakeman, etc....
They keep boring polite undemanding audiences and themselves to death
What’s wrong with sharing? I sit here in the middle of the ocean miles and years away from hearing this calming music . 🤷♂️🌈🌸🎄
@ are you asking me? I just reported an anecdote about Pogorelich. It is obvious that nowadays everything has changed and, even if he wanted, he could no longer control whether someone records and shares.
All of I.P's musical genius is clearly manifested here. His artistry dominates all distractions.
He is beyond all levels of musical Enlightenment. No pianists from this era can surpass his supreme musical conciousness
I LIVE IN TERLIZZI BARI AND I WAS AT THAT CONCERT
Great vibes. ( the musical phenomena reflects I.P's great musical experiences ) It reminds me of S.Richter's 3 recitals I attended in Athens in 90s
Великий пианист
❤
The encore is Chopin,Nocturne in E major,op.62 n.2
Thanks! I'm gonna update the description
@@claudiopioriccopiano going to
@@claudiopioriccopianoвеликолепно❤❤❤
No es una máscara. Es un reflejo de la madera del piano al final del teclado, el lado izquierdo del ejecutante. Ampliando la imagen se descubre.
it seems he's sight reading.
He is.
Listen to Myra Hess in the Schumann Variations......😅
Anche con questo brano, Pogorelich da'la sveglia a diversi pianisti😂
Live was Better good rendition
I find his style and results so less interesting and convincing than his playing of 15-20 yr. ago .......a shy shadow. Still good, but a shy shadow.
Почему первые четыре аккорда звучат как один и тот же аккорд? И при повторении - так же? Там должна чётко прослушиваться нисходящая линия. Деффект записи?
Der gealtete, ja nie wirklich erstklassige, Pianist sollte lieber für sich privat vor sich hin und her meditieren als öffentlich Schumanns großartige Werk zu verschandeln.
why on earth does he wear a mask. he is a believer?
Say - what have you been smoking?
Unfortunately so🤦🏽♀️
What makes that so offensive to you?
WHAT MASK?????? Maybe you should wear GLASSES!!!!!!!!
@@medusiz1801 he is NOT wearing a mask. Our commentator above needs glasses. And so do YOU apparently.
This permutation of the variations in Schumann does not make any sense.
Any sense - to you? It doesn't make any difference.
It makes all the difference in the world, at least for the Author.
Not to a blockhead, of course not😅
@@Barbapippoа, для исполнителя так😂
It doesn´t help any musician to put such bad sounding recordings on a public platform, its an utterly unmusical behaviour.
Well, that's true, but I think that would only apply for a pianist that is not so well-known, because anyone that has listened to Pogorelich's studio recordings knows how great he is. I'm not gonna debate on this topic though, because what you say is totally valid and understandable.
What I can say is that I uploaded this video with the purpose of documenting something that would've been otherwise lost forever. You could think that this recording only does a disservice to the artist, and that could be, but I can assure you that it wasn't the intention here.
Sorry but I've never heard such crap in my life. Research Argerich Racmaninov 3 with Rostropovich - a beautiful performance with sound that could only be described as appalling (and there are thousands of others I could name). And yet, those who weren't at the concert can now get the chance to hear that electrifying performance for themselves. It is the same with Ivo. I personally cannot afford to fly thousands of miles to hear his concerts so I am grateful that they are put onto RUclips. Would you say that people shouldn't post early Horowitz recordings because they are of bad sound quality? You say it is unmusical to post this - I totally disagree with you if this type of post brings these wonderful concerts to a wide range of people
The sound is quite acceptable honestly. I’ve heard far worse from audience recordings! The two replies above make very good points about the value of bootleg recordings as well.
@@d_r_e_a_m_b_o_a_t I think that the sound is indeed very good. I don't know who @pianostream8312 is but he/she needs to shut up!!! I am very grateful to Claudio for posting this (and amazed that he was so calm after the unpleasant comment - I wouldn't have been!)
@@petergolding5733 Wholeheartedly agree with you.
❤