He has the best feel of any living jazz pianist in my opinion. He also makes sure to keep things melodic at all times and doesn't seem to ever show off skills without melody
I don't like to compare Brad Mehldau with Keith Jarrett or anyone else. For me, Brad is a wonderful piano player with terrific technique and a master improviser. Thank you for a great upload.
At 9:26 I like how Brad puts it when he’s talking about how a pianist, or any artist, athlete or musician excels: study and practice, learn as much as you want, get all nerdy, but in the moment of improvisation you have to turn all that off, stop thinking, and let go.
He is god, he became god, his own god, our god, in every one of us there is a part of the creator ready to appears if you dedicate your life enough to your passion
Grandiose et rare vidéo : la période de Elegiac Cycle et du Tokyo Concert... En 35:25 il raconte sa première rencontre avec des jazzmen new-yorkais, qui lui fit dire à l'époque "Wow I'm small...". Et là-dessus il se lance dans un version ultime de River Man, d'une densité harmonique et d'un lyrisme foisonnant à frissonner de beauté ! Faux modeste oui... mais quel génie !
Glad to hear and find this Paul.I'll hear Mehldau a n d Ian Bostridge on the 6th here in Berlin in Schumann's Dichterliebe and a new work BM composed for Bostridge.Most intriguing!!!!!! m o r e than 'crossover'.....!
Baaahahahah, all these comments trying to compare Keith Jarrett and Brad Mehldau. What a laugh, thank you ! Why people always want to do tops and compare everything ? Such a mistery...
This is the only thing they can do to make themselves look interinsting. They cannot go deep in the art of each artist. Only capable of comparing artificial aspect. Just ignore them
Not too familiar with him, but has a unique harmonic language, that’s characteristic of a good artist. He tends to like a lot of pedal point harmony and ostinato like figures in some of his pieces.
Brad had a warmer tone back then. He can blow our minds with his hyper cerebral playing, mixed with a modest visceral concept. Every time he plays I go running to my Keith Jarrett's collection to listen to music from the heart.
Newyork Filharmonik You must have poor comprehension skills. This video is the younger Melhdau a genius, hyper intellectual/cerebral and his playing is intriguing. What I meant was that he enhances my desire to go back to my heart, through listening to Jarrett. Here and there Melhdau humbles himself and in the past, like in this video, was less cerebral.
I've been writing long enough to know that if one uses the words "what I meant", that the problem is the author's clarity and not the reader's comprehension. Often in our attempt to be brief we lose clarity. Use more words, like a Coltrane solo, get it all out so there's no doubt. If you what you wrote is not what you meant, you can change it and make it clear; that's what artists do each time they create art. It's what I do when I read or hear something I wrote or played. About 2000, Pepsi had a promotion where if you sent in proofs of purchase, you could get a cd made from listed songs. I didn't know any of the artists, but I did know "Blackbird" by the Beatles, so I chose Brad's cover of that song along with "Exit Music for a Film" and another song by another artist (I don't remember who). "Exit Music for a Film" made me look for more of his work.
Newyork Filharmonik Ok. At first you came across as rude with your reply. I felt like pointing out your misunderstanding of my statement. It needed to be clarified, for sure. I've also spent a few years in the past intrigued with the Melhdau phenomenon and didn't know what to make of it. When you go to a museum and look at a painting you find strange and don't seem to like much, yet you keep looking for some odd reason. I've seen him live a couple times and it was definitely an experience similar to the painting. It is intellectually stimulating and once in a while ( to me, obviously) reaches that spot in the heart. I guess it is a matter of temperament and personality. Recently I've read Jarrett's impressions on Melhdau and, frankly, was a little shocked. Contrary to what Jarrett said, Melhdau's music has life, and he seems to be influencing two generations already, which perhaps resonates with a more hyper intellectual style. Anyway, sorry for my initial sarcasm. All the best.
I haven't read what Jarrett said. In terms of innovation, the people I talk to (working musicisans) think Brad is a KILLER and heir to Keith's throne as the most recognizable jazz pianist today. I don't know too much of Keith's work before the standards trio. His handling of standards is my fascination with him.
I thought I heard a lot of Brad. But this concert left me speechless. It's like listening to Bach and Bill Evans playing together. Extraordinary.
He has the best feel of any living jazz pianist in my opinion. He also makes sure to keep things melodic at all times and doesn't seem to ever show off skills without melody
I don't like to compare Brad Mehldau with Keith Jarrett or anyone else. For me, Brad is a wonderful piano player with terrific technique and a master improviser. Thank you for a great upload.
At 9:26 I like how Brad puts it when he’s talking about how a pianist, or any artist, athlete or musician excels: study and practice, learn as much as you want, get all nerdy, but in the moment of improvisation you have to turn all that off, stop thinking, and let go.
same thing that also Bill Evans said in the documentary ''universal mind''
This is heaven. Thanks Brad.
Astonishing playing. There is a God.
He is god, he became god, his own god, our god, in every one of us there is a part of the creator ready to appears if you dedicate your life enough to your passion
La técnica y las ideas musicales de Brad Mehldau son increíbles.
La mayoría de las veces parecen 2 pianistas. Sólo pocas veces uno solo.
Coincido 100%. Es algo fuera de este mundo.
Grandiose et rare vidéo : la période de Elegiac Cycle et du Tokyo Concert... En 35:25 il raconte sa première rencontre avec des jazzmen new-yorkais, qui lui fit dire à l'époque "Wow I'm small...". Et là-dessus il se lance dans un version ultime de River Man, d'une densité harmonique et d'un lyrisme foisonnant à frissonner de beauté ! Faux modeste oui... mais quel génie !
I still love his compositions from „places“ so much …deep shit !!
I especially like Paris and Los Angeless II off that record.
29 palms for sure on that list
A great artist!
real genius
Csodâlatos muzsikus !!! Nyitott szabad lèlek ahogy kell
Замечательный и настоящий свободный художник !!!
Wonderful...
Glad to hear and find this Paul.I'll hear Mehldau a n d Ian Bostridge on the 6th here in Berlin in Schumann's Dichterliebe and a new work BM composed for Bostridge.Most intriguing!!!!!! m o r e than 'crossover'.....!
Baaahahahah, all these comments trying to compare Keith Jarrett and Brad Mehldau. What a laugh, thank you ! Why people always want to do tops and compare everything ? Such a mistery...
Yeah bro, Jarrett’s is Keith and Brad is mehldau :) totally both inspirational players!
This is the only thing they can do to make themselves look interinsting. They cannot go deep in the art of each artist. Only capable of comparing artificial aspect. Just ignore them
Well... Imagine theres a concert at 7pm in two venues, one is Keith and other is Brad. You can't attend them both, can you..
Not too familiar with him, but has a unique harmonic language, that’s characteristic of a good artist.
He tends to like a lot of pedal point harmony and ostinato like figures in some of his pieces.
12:08 "Resignation", my favorite one
If any commenter would take the time and expertise to add a setlist I'd click "like" very quickly.
49:18 will give you answers
Nice
Love this! Just to the audio engineer: What’s with the chorus on the reverb?
Magnifico
El mejor
when was this recorded?
🌅✅
...but is it a piano or a guitar?? Very strange sound... however we can appreciate the Mehldau pianism.
This is a shred video right?
Brad had a warmer tone back then. He can blow our minds with his hyper cerebral playing, mixed with a modest visceral concept. Every time he plays I go running to my Keith Jarrett's collection to listen to music from the heart.
Yet you're here listening. LOL Get real!
Newyork Filharmonik You must have poor comprehension skills. This video is the younger Melhdau a genius, hyper intellectual/cerebral and his playing is intriguing. What I meant was that he enhances my desire to go back to my heart, through listening to Jarrett. Here and there Melhdau humbles himself and in the past, like in this video, was less cerebral.
I've been writing long enough to know that if one uses the words "what I meant", that the problem is the author's clarity and not the reader's comprehension.
Often in our attempt to be brief we lose clarity. Use more words, like a Coltrane solo, get it all out so there's no doubt.
If you what you wrote is not what you meant, you can change it and make it clear; that's what artists do each time they create art.
It's what I do when I read or hear something I wrote or played.
About 2000, Pepsi had a promotion where if you sent in proofs of purchase, you could get a cd made from listed songs. I didn't know any of the artists, but I did know "Blackbird" by the Beatles, so I chose Brad's cover of that song along with "Exit Music for a Film" and another song by another artist (I don't remember who).
"Exit Music for a Film" made me look for more of his work.
Newyork Filharmonik Ok. At first you came across as rude with your reply. I felt like pointing out your misunderstanding of my statement. It needed to be clarified, for sure. I've also spent a few years in the past intrigued with the Melhdau phenomenon and didn't know what to make of it. When you go to a museum and look at a painting you find strange and don't seem to like much, yet you keep looking for some odd reason. I've seen him live a couple times and it was definitely an experience similar to the painting. It is intellectually stimulating and once in a while ( to me, obviously) reaches that spot in the heart. I guess it is a matter of temperament and personality. Recently I've read Jarrett's impressions on Melhdau and, frankly, was a little shocked. Contrary to what Jarrett said, Melhdau's music has life, and he seems to be influencing two generations already, which perhaps resonates with a more hyper intellectual style. Anyway, sorry for my initial sarcasm. All the best.
I haven't read what Jarrett said.
In terms of innovation, the people I talk to (working musicisans) think Brad is a KILLER and heir to Keith's throne as the most recognizable jazz pianist today.
I don't know too much of Keith's work before the standards trio. His handling of standards is my fascination with him.
🖒🖒🖒🖒🖒🖒🖒🖒🖒🖒🖒🖒🖒🖒🖒🤙🤙🤙🤙🤙🤙🤙🤙🤙
Es ist intressant. Bei den meisten Pianisten schlägt Keith Jarreth immer wieder mal durch.
I wish it wasn’t recorded on a cassette
It’s out of tune 😳
No there is chorus on the reverb