I appreciate an artist actually taking the time to explain something and show what’s happening step by step. Nothing worse than the “Okay, see what I did here. It’s sort of yellow. Now I’m going to do the same thing.”
This is like the tip to keep squinting to see the right tones, you can't hear it enough times because you might still forget to actually do it. The real technical term for this is "Equiluminescence", haha which is a pretentious way to say it's two colors of different hue and/or chroma, but the same amount of luminescence, luminosity, tonal value, or degree of lightness and darkness, whatever you want to call it. The real test for this is to take a black and white photo of the area, to the eye it should look like a bunch of different colors glowing next to each other but in a B&W photo it should just look like one big flat area of the same exact grey tone. Sargent did this a lot, especially in hands. It creates a really interesting effect with the colors shimmering next to each other. Really great video, thanks for the reminder. This is one of those simple but powerful things to burn into one's mind.
I've been working in graphite, focusing on realism, but recently I've begun a bit of a transition to painting. It's a whole new world, and impressionism really messes with my mind, after spending so much time drawing every minute detail. But I love the concept and your brief tutorial here was fantastic. Thank you.
Same here. I've been creating photorealistic drawings in colored pencil, but I've recently gotten into oil painting, and I LOVE impressionist paintings. I'd love to be able to paint more like this, but it messes with my head, too.
finally someone who could explain and show how monet did this. mr stapleton is a great teacher............thanks. i like it when a teacher explains volumes in 5 min.
A true expert can explain things in a very simple manner if the professed expert cannot explain things in a simple manner that means they don’t quite understand what they’re talking about!! This artist is the real thing !
Have followed Stapes for years on his blog, a painter with a wealth of knowledge and insight on the painting process. If i ever get the chance to visit America, would love to get a one on one lesson with him.
He said cats. I immediately subscribed. Seriously though, I appreciate you sharing your time, skill and ease of the way you deliver the lesson. 🌻Thank you.
Thank you for this video! I am new to painting, I’ve been painting watercolors for a little over a year, but I wanted to try gouache and acrylic. I’ve been wanting to learn this style, but couldn’t find a video that taught this technique with the broken brush strokes
Thank you! I have a question though, would one get the same effect if one applies 2 different hues of same values next to each other rather than painting over it?
I'm not sure if I have a painting of yours but it is a landscape of different colors, it's A beautiful piece. I would like to send you a picture so you can take a look at it
You can talk about the little brush strokes with colors of the same values until you are blue in the face but unless you show a close up it is useless . Also with regard to your painting the little brush strokes on the rocks would go lost since the eye will go automatically to the horizon
The Impressionists were well daubed by the Salon.. only impressions. The French Naturalists, Barbizon School, Stanhope Forbes School, The Glasgow Boys, the American Tonalists were all much finer painters. The Russians of the 19c were the greatest. Look beyond the tired European men.. ennui . The worst and most insipid painter of all was Renoir..ad nauseum.
@@mona2242 that’s easy.. he was a feather painter meaning light daubs and his palette was pinks and ultramarine blues. Look at the difference between him and JS Sargent. I rest my case.
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I appreciate an artist actually taking the time to explain something and show what’s happening step by step. Nothing worse than the “Okay, see what I did here. It’s sort of yellow. Now I’m going to do the same thing.”
This is like the tip to keep squinting to see the right tones, you can't hear it enough times because you might still forget to actually do it. The real technical term for this is "Equiluminescence", haha which is a pretentious way to say it's two colors of different hue and/or chroma, but the same amount of luminescence, luminosity, tonal value, or degree of lightness and darkness, whatever you want to call it.
The real test for this is to take a black and white photo of the area, to the eye it should look like a bunch of different colors glowing next to each other but in a B&W photo it should just look like one big flat area of the same exact grey tone. Sargent did this a lot, especially in hands. It creates a really interesting effect with the colors shimmering next to each other.
Really great video, thanks for the reminder. This is one of those simple but powerful things to burn into one's mind.
Thankyou, that was an ‘eye opener’ , I’ve never heard Impressionism explained so clearly before.
“You paid for al that stick, you might as well use it”
That got me as well ,still laughing.
thats what I tell my wife
My daughter and I do art together. I’m going to tell her about that “paid for that stick” quip. 😂
I've been working in graphite, focusing on realism, but recently I've begun a bit of a transition to painting. It's a whole new world, and impressionism really messes with my mind, after spending so much time drawing every minute detail. But I love the concept and your brief tutorial here was fantastic. Thank you.
The same happened to me. I’m in that transition and it’s so hard to loosen up, to let go, I usually end up detailing…
Same here. I've been creating photorealistic drawings in colored pencil, but I've recently gotten into oil painting, and I LOVE impressionist paintings. I'd love to be able to paint more like this, but it messes with my head, too.
finally someone who could explain and show how monet did this. mr stapleton is a great teacher............thanks. i like it when a teacher explains volumes in 5 min.
the human eye is made to see patterns , that is why its pleasing to look at abstract brushstrokes of colour
"You paid for all that stick; you might as well use it." Excellent!
Great lesson. Now I understand the concept in a new way. Thank you!!
A true expert can explain things in a very simple manner if the professed expert cannot explain things in a simple manner that means they don’t quite understand what they’re talking about!!
This artist is the real thing !
Have followed Stapes for years on his blog, a painter with a wealth of knowledge and insight on the painting process. If i ever get the chance to visit America, would love to get a one on one lesson with him.
Fantastic tip! Thank you, Stapleton!
Glad it was helpful!
He said cats.
I immediately subscribed.
Seriously though, I appreciate you sharing your time, skill and ease of the way you deliver the lesson. 🌻Thank you.
So glad I watched this..artist did a fantastic job of explaining what he was doing and why. Very informative!
I really like this man’s voice.
Thank you!
You are a great teacher, now I get it!!!!! Sparkling colour, this explains why I love Impressionism
Xx
I absolutely love impressionist style
Amazing lesson. Thank You for taking your time to teach us. I love impressionism and want to improve my skills in it.
Great lesson in application and broken color. But may favorite line: "You paid for all that stick you might as well use it." 😅Epic.
He sounds just like Bob Ross!❤
Excellent demonstration of broken color-avoid over painting or “licking” Thanks -will practice
THIS IS WHAT I WAS LOOKING FOR! GREAT VID THANKS!!
I love the way you teach. Funny as well as it stuck in my mind.. too good
WHAT A WONDERFUL MAN
Thank you for this video! I am new to painting, I’ve been painting watercolors for a little over a year, but I wanted to try gouache and acrylic. I’ve been wanting to learn this style, but couldn’t find a video that taught this technique with the broken brush strokes
Thank you for sharing this important and useful guidance.
Great explanation... wonderful short video that tells a lot. Thanks!
Thank you, this was so helpful! I've been wondering how to bring more life to my paintings. Off I go to try this!
You have a beautiful setup there and the sound your canvas and brush makes is amazing.
Great idea! I’m gonna paint my skies with broken color. I usually do it with a solid color
Thanks for this video because I realize and learn something, It really helps a lot.
Thank you for this. Showing the two sides was very helpful 😊
Thank you for this wonderful instructional video!
mazing techniques, i am going to use it right now for monet pond.thank you so much
Thanks for the reminder! Subscribed because of this video.
"You paid for all that stcik you might as well use it" LOLLL
Wonderful lesson. Thank you!
You did an amazing job explaining this! It was really helpful!
🤣🤣🤣
Merci beaucoup,je vais faire le teste de suite sûr un paysage...
24 carat - many thanks -wish you well!
thank you for sharing those tips, very valuable.
Thank you! This has been incredibly helpful.
Thanks - great help.
That was very enlightening!! Thank you!
Wonderful teaching thank you. I have liked and subscribed
Thank you! This all made so much sense
Great video! Thanks for sharing your tips
GREAT DEMO! Thank you
Thank You for this very helpful tip!
Glad it was helpful!
Thank you Stapleton!
This is fantastic thank you for the tip!
Thank you, you provide good and real advice.
Great Content and explanation
I sure like this right away!!!
Thank you
Thanks Stape, great reminders !
Thank you
thank you very much master for this video!
Thank you for sharing this tip
¡Thank you!
very helpful and I love their personality
Your palette reminds me a bit of Sisely.
Well done👍🏻
Nice landscape👍
Subtle thing but very helpful
Very nice sir 👍👍
Spot on focussing on vibratory color and the magic feeling of #aliveness - and I just love that style of painting
🎶🧡🩵🎵
That's good stuff
The painting is amazing. 🧡
Thank you! I have a question though, would one get the same effect if one applies 2 different hues of same values next to each other rather than painting over it?
Yes it’s an perceptual effect so just get the colors against one another and it will work
Tanks!!!
The grandmaster himself
I'm not sure if I have a painting of yours but it is a landscape of different colors, it's A beautiful piece. I would like to send you a picture so you can take a look at it
This guy's awesome
Separate colours is crucial or you get muddy colours
thank you sir
What kind of paint are you using? Acrylics? Oil? I assume that the technique is the same regardless.
It's oil paint hence the medium, yes you could use acrylic but oil paint is way more forgiving than a lot of non oil painters think.
You paid for al that stick, you might as well use it
another person :thats what I tell my wife
Somehow his voice reminds me of Bob Ross
Bob Ross is that you?
I never paid any attention to this.
The word impressionist is not very fitting. :/ :) :0 :O :o :x
You can talk about the little brush strokes with colors of the same values until you are blue in the face but unless you show a close up it is useless . Also with regard to your painting the little brush strokes on the rocks would go lost since the eye will go automatically to the horizon
the secret is to quit art classes ......... and act like your famous.
The Impressionists were well daubed by the Salon.. only impressions. The French Naturalists, Barbizon School, Stanhope Forbes School, The Glasgow Boys, the American Tonalists were all much finer painters. The Russians of the 19c were the greatest.
Look beyond the tired European men.. ennui . The worst and most insipid painter of all was Renoir..ad nauseum.
Interesting perspective, curious to know why you would consider Renoir ‘to be the worst and insipid’?
@@mona2242 that’s easy.. he was a feather painter meaning light daubs and his palette was pinks and ultramarine blues.
Look at the difference between him and JS Sargent. I rest my case.
Is it an egg of horse.only time lapse.cheater artist .