Just as a helpful side note: Erin "pre-mixes" her entire pallet of all colors before she does a single brush-stroke on the painting. This way her colors and values have been thought through and everything is harmonious. She breaks up the palette into sections: sky, background, mid ground, foreground. This helps her get those different color "side-by-side" brush strokes because the colors for that section were decided earlier. One thing at a time painting! Mix, mix, mix; tea break, paint, paint, paint! 😁 Mark Carder does the same technique.
Thank you for your teachings. Also an unexpected thanks for introducing me to Erin Hanson. What a revelation! After exploring her works, my moods were lifted up. The colors and vitality of her artwork is healing in this depressing time. What an ''upper''. Thank you
Thank you for this video! It was really helpful in understanding the idea of "broken colors". You are very articulate, with concise and clear explanations.
I've been painting with egg tempera for a few years and have only just started trying oils, and I find your videos tremendously helpful. Very clear technical instruction, and easy to understand. It's really de-mystifying oils for me, so thanks.
The most difficult thing about broken strokes for me is actually managing brush cleanliness, palette and avoiding mud. It seems you have to have a more strict plan despite it appearing more spontaneous in the final result
I might have a question. How can I approach painting an "empty" space, so it looks painterly? When painting background, or large monotone objects (e.g. wall), things that don't seem to have any texture etc.
I believe you can discover that based on the principle I used in Quick Tip 275, but I'll put your request on our calendar. We film these several weeks in advance, so it will be January, 2021 before it will appear.
Thank you so much Dianne for your instruction! I discovered you through exploring Erin Hanson’s work ! I love how you break it down & understand Erin’s technique. I paint in acrylics but want to venture into oils using these techniques! Do you use her 4 colors that she uses to mix all the hues she gets?
Catherine, I have my own color mixing system based entirely on the color wheel. Do you see our RUclips chat about the color wheel? If not, it might be helpful. Here's the link to it: ruclips.net/video/1D-TxG6aOkY/видео.html
Love your videos. I have another question. Do you know if Monet did this technique for the entire painting? Or did he lay an underpainting first? Do you have a video with more instruction of this technique or know of a book? It’s just that I saw another video on how he painted water Lillie’s with a different approach, so I’m just trying to iron this out. I like your instruction and technique, so I just do it with the entire painting, right, start to finish? Thank you so much!!
As far as we know, Monet painted alla prima, or without an underpainting. Most of the Impressionist were painting more spontaneously and in plein airs, trying to capture the behavior of the color of the light. The broken strokes were not for the purpose of painting with broken strokes, rather to express broken color for the eye to blend. I think today, with so much emphasis on style, we forget that what we call style of original movements in painting had nothing to do with an intention of working in a style, but a method for exploring a particular characteristic of visual discovery and expression of that discovery.
@@IntheStudioArtInstruction That is so insightful. I see what you are saying and understand. It seems the purpose of the stroke is the question. To emulate a style, or make a stroke or note of purpose. Thank you for your reply and explanation, it opened my eyes.
I love watching your videos but I'm a beginner watercolorist. Do you think I could get these beautiful results in watercolor by trying this technique. So far I've learned a lot of good tips from you regarding seeing the shapes. I'd love to know your opinion as to my translating oil painting techniques to watercolor. Thank you😊
First, you need to know what your available colors will do--how do the look when mixed with white in at least three values. Then, what happens when you mix into a single color (one at a time) the other tube colors you have. (Richard Schmid shows a wonderful exercise for this in Alla Prima). Then when you look at your reference, isolate a general overall hue--for example, if it's a pasture in summer, you're probably seeing a lot of yellow-green. That means you need the ability on your palette to make various values of yellow-green. You will need there another color that will cool it, one will warm it, one that will make it more neutral. Find these first, the go to the next color you see and determine if, from the colors you've chosen, you already have it on your palette.
You are not alone in that. Same thing is thought about the abstractionists. Many of the Impressionists were classically trained which is most likely why they knew how to see color.
@@IntheStudioArtInstruction I build machines that carve life size figures out of wood. When I paint them, the statues look too much like stage props or mannequins. I'm working on using broken brush strokes and color to cover them as an impressionist painter.
This demonstration answered a lot of questions I have. Does these techniques work with colored pencils. I am new to drawing and panpastels. Struggling with perspective. Like trying to take a photograph of my still life and drawing what aspect ratio should I use?
The principle of broken strokes can be executed in color pencils, but the technique would require a bit more patience. To help you with your perspective problems, I recommend a book - Perspective Made Easy by Ernest R. Norling.
![Digital Circus Episode 4 [TRAILER]](http://i.ytimg.com/vi/abZtsmMUbJo/mqdefault.jpg)
Just as a helpful side note: Erin "pre-mixes" her entire pallet of all colors before she does a single brush-stroke on the painting. This way her colors and values have been thought through and everything is harmonious. She breaks up the palette into sections: sky, background, mid ground, foreground. This helps her get those different color "side-by-side" brush strokes because the colors for that section were decided earlier. One thing at a time painting! Mix, mix, mix; tea break, paint, paint, paint! 😁 Mark Carder does the same technique.
Thanks for adding that.
I think its fine for amateurs, no shame in using such cheats in the beginning.
Thank you for your teachings. Also an unexpected thanks for introducing me to Erin Hanson. What a revelation! After exploring her works, my moods were lifted up. The colors and vitality of her artwork is healing in this depressing time. What an ''upper''. Thank you
My pleasure.
i love how detailed your videos are, thank you so so much
You're so welcome!
Thank you for this video! It was really helpful in understanding the idea of "broken colors". You are very articulate, with concise and clear explanations.
You are so welcome! Have fun with the process.
God bless you for this, Mrs. Mize. Thank you so much.
You are so welcome
@@IntheStudioArtInstruction thank you
Thank you for breaking that down in such a technical/literal way! Really helpful and to the point, I appreciate it ❤️
Give it a try! It's fun stuff.
@@IntheStudioArtInstruction I absolutely will❤️
I love how the title animations are always connected to the topic 💕
Credit goes to Roger on that one!
You’re an amazing artist and teacher! Thank you for passing your knowledge on!
Thanks. It is a pleasure to share these.
I love your channel! I am big fan of Erin, thanks for covering her work.
My pleasure! Thanks for being a subscriber.
You said important things!
I try to watch your tutorials Regularly! Thank you ❤️
You’re welcome 😊
I've been painting with egg tempera for a few years and have only just started trying oils, and I find your videos tremendously helpful. Very clear technical instruction, and easy to understand. It's really de-mystifying oils for me, so thanks.
I am delighted. Enjoy the journey.
Diane you are amazing and such a wealth of knowledge❤❤
It's fun to share this.
You are a natural teacher. Thank you!!!
Thank YOU!
Excellent demonstration as always! Thank you!
My pleasure!
Fantastic style !!! I love how the colors POP!!
Tim, it's not my style--just one a viewer requested for seeing how to do.
Excellent explanation! And the size of the brush is dependent on the size of the canvas. Just what I was looking for, thank you. 😊
Great!
You are the BEST art teacher ever!❤
Wow, thanks!
That was terrific! Thank you Dianne!
Glad you enjoyed it!
You are the best as an artist and as a teacher👍👍👍👍
Thanks.
Watching.....& very nice to see you 🌸
Thanks for watching.
THANK YOU SOOOO MUCHHH THIS HELPED ME ALOT I LOVE THE IMPRESSIONIST STYLE THIS HELPED ME ALOT
Have fun with it.
The most difficult thing about broken strokes for me is actually managing brush cleanliness, palette and avoiding mud. It seems you have to have a more strict plan despite it appearing more spontaneous in the final result
callmedeno, it might help to watch Quick Tip 305 , ruclips.net/video/oNAJift5fLg/видео.html
A wonderfully clear explanation and demonstration. I am off to try it with oil, pastel and, possibly, oil pastel.
Have fun!
This is so helpful! You're a master teacher and so generous with your talent. Thank you for sharing
You are so welcome!
I really appreciate this lesson. Thank you.
You're very welcome!
Great explanation (and demonstration). Thank you!
You're very welcome!
I love this channel! Greetings from Brazil!
Glad you enjoy it!
Thank you. It’s great to listen to you.
Thanks for listening
this is wonderful, exactly what I was looking for. Thank you!
You're very welcome!
thank you! I'm recently doing an art project based on erin's open impressionist style. this is really helpful!
Great! Thanks for watching.
thank you for your great teaching skills ma'am! I've learned a lot because of your videos
You are so welcome!
Você é uma grande mestra obrigada pela força 👍 sou do 🇧🇷 Brazil abraços 🖌️
🙂🙏
What an interesting technique...thank you so much!
You bet!
Thanks for posting!
Thanks for watching.
Awesome tutorial.
Thank you!
So helpful and nice tips and channel thank you very much
Our pleasure.
Thank you Dianne!
My pleasure.
You’re a fantastic teacher. What a great find. Instantly subscribed :)
Welcome aboard! And thanks!
Love the information!!😊
So glad!
You are a fantastic teacher! Thank you!
Wow, thank you! It's a pleasure to do these.
Your videos are awesome! ❤️
Thank you so much!
Absolutely! I’ve learned so much by watching your videos! ❤️
Thank you Dianne, now it makes sense.
Wonderful!
Thank you Dianne! And thank you for the Halloween Sale - I've just purchased 6 of your video download sessions!
Wonderful!
I might have a question. How can I approach painting an "empty" space, so it looks painterly? When painting background, or large monotone objects (e.g. wall), things that don't seem to have any texture etc.
Negative space can be textured as well as positive space. Just do slight variations of value and color.
nice teaching ma'am
your teaching helpful my art.
thank you 😊🙏
My pleasure. Thanks for watching.
Thank you Dianne. Can I use acrylic to do this?
Yes you can! You just have to adjust the drying rate.
@@IntheStudioArtInstruction Thank you!
@@IntheStudioArtInstructionhow do i do it?
Thank you for the wonderful lesson i learned a lot
You are very welcome
Very helpful thank you ma’am
Most welcome 😊
Thank so much you helped me a lot to becoming a famous artist
Enjoy the journey.
thank you!
You bet!
ah you are wonderful! thank you so much
You're so welcome!
Would you discuss Erin Hanson's use of luminosity using the info from your quick tip 275? Thanks
I believe you can discover that based on the principle I used in
Quick Tip 275, but I'll put your request on our calendar. We film these several weeks in advance, so it will be January, 2021 before it will appear.
Thank you so much Dianne for your instruction! I discovered you through exploring Erin Hanson’s work ! I love how you break it down & understand Erin’s technique. I paint in acrylics but want to venture into oils using these techniques! Do you use her 4 colors that she uses to mix all the hues she gets?
Catherine, I have my own color mixing system based entirely on the color wheel. Do you see our RUclips chat about the color wheel? If not, it might be helpful. Here's the link to it: ruclips.net/video/1D-TxG6aOkY/видео.html
@@IntheStudioArtInstruction thank you so much! I will look at all of your videos!
Love your videos. I have another question. Do you know if Monet did this technique for the entire painting? Or did he lay an underpainting first? Do you have a video with more instruction of this technique or know of a book? It’s just that I saw another video on how he painted water Lillie’s with a different approach, so I’m just trying to iron this out. I like your instruction and technique, so I just do it with the entire painting, right, start to finish? Thank you so much!!
As far as we know, Monet painted alla prima, or without an underpainting. Most of the Impressionist were painting more spontaneously and in plein airs, trying to capture the behavior of the color of the light. The broken strokes were not for the purpose of painting with broken strokes, rather to express broken color for the eye to blend.
I think today, with so much emphasis on style, we forget that what we call style of original movements in painting had nothing to do with an intention of working in a style, but a method for exploring a particular characteristic of visual discovery and expression of that discovery.
@@IntheStudioArtInstruction That is so insightful. I see what you are saying and understand. It seems the purpose of the stroke is the question. To emulate a style, or make a stroke or note of purpose. Thank you for your reply and explanation, it opened my eyes.
Thank you so much this is so helpful! What size brush did you use for the Erin Hanson style ?
I think I used size 6.
I love watching your videos but I'm a beginner watercolorist. Do you think I could get these beautiful results in watercolor by trying this technique. So far I've learned a lot of good tips from you regarding seeing the shapes. I'd love to know your opinion as to my translating oil painting techniques to watercolor. Thank you😊
You should be able to do that by working wet into slightly damp paper.
@@IntheStudioArtInstruction thank you!😊
gracias
My pleasure!
la amo!
Thanks
Edgar Payne is a great example of this
Thanks, Allen.
diana how to ı know what color ı should put on my palette...thank you
First, you need to know what your available colors will do--how do the look when mixed with white in at least three values. Then, what happens when you mix into a single color (one at a time) the other tube colors you have. (Richard Schmid shows a wonderful exercise for this in Alla Prima). Then when you look at your reference, isolate a general overall hue--for example, if it's a pasture in summer, you're probably seeing a lot of yellow-green. That means you need the ability on your palette to make various values of yellow-green. You will need there another color that will cool it, one will warm it, one that will make it more neutral. Find these first, the go to the next color you see and determine if, from the colors you've chosen, you already have it on your palette.
@@IntheStudioArtInstruction you know ıcant thank you enough....thank you....thank you very much such a nıce lady you are...God bless you
So fun!
😉
Thank you
You're welcome
Do you teach anywhere online in sequence all this?
I have 170 video lessons on line at diannemize.com . I do these in series, so you might browse to see if any of the topics interest you.
THANK YOU!!
You bet.
The Group of Seven and Tom Tompson the famous Canadian painters did what Erin Hansen now calls Open Impressionism long before she was born.
Thanks for adding that.
Yes, and they did it much better.
Thank you 😀
You're welcome 😊
Very informative. Here all these years I thought these impressionist just didn't know how to paint.
You are not alone in that. Same thing is thought about the abstractionists. Many of the Impressionists were classically trained which is most likely why they knew how to see color.
@@IntheStudioArtInstruction
It was meant to be humorous. Your videos are very informative, explains very well.
@@IntheStudioArtInstruction I build machines that carve life size figures out of wood. When I paint them, the statues look too much like stage props or mannequins. I'm working on using broken brush strokes and color to cover them as an impressionist painter.
Grata
A pleasure.
This demonstration answered a lot of questions I have.
Does these techniques work with colored pencils.
I am new to drawing and panpastels. Struggling with perspective. Like trying to take a photograph of my still life and drawing what aspect ratio should I use?
The principle of broken strokes can be executed in color pencils, but the technique would require a bit more patience.
To help you with your perspective problems, I recommend a book - Perspective Made Easy by Ernest R. Norling.
@@IntheStudioArtInstruction thank you for the reply
Another one I want to try out, man, (woman oc) I will be so busy with all your tips :) :)
Have fun!
Love to watch you teach.😍
I have one request. Please wear a colourful shirt.
Can't do that. Color shirts might conflict with the color I'm working with.
@@IntheStudioArtInstruction oooh i got it. Anyhow its a treat to watch you. You are so kind and cute😍
Thank you Dianne!
My pleasure.
Thank you
My pleasure.
Thank you so much!
My pleasure, Kathy. Thanks for watching.