J.S.Bach - Ich habe genug - Lorraine Hunt Lieberson
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- Опубликовано: 6 сен 2024
- Lorraine Hunt Lieberson (1954-2006) J.S.BACH - Cantate n° 82 "Ich habe genug"
1. Air
J'ai ce qu'il me faut,
J'ai pris le Sauveur, l'espoir des croyants,
Dans mes bras avides;
J'ai ce qu'il me faut!
Je l'ai vu,
Ma foi a étreint Jésus;
Je désire à présent, aujourd'hui encore,
Quitter cette vie dans la joie.
J'ai ce qu'il me faut!
2. Récitatif
J'ai ce qu'il me faut.
Ma seule consolation est
Que Jésus veuille être mien et que je sois sien.
Je le tiens dans la foi,
Je vois déjà comme Siméon
Les joies de cette autre vie.
Partons avec cet homme!
Ah, que le Seigneur me délivre
Des chaînes qui oppressent mon corps;
Ah, si je pouvais prendre congé ici,
C'est avec joie que je te dis, monde:
J'ai ce qu'il me faut.
3. Air
Endormez-vous, mes yeux épuisés,
Fermez-vous doucement et bienheureux!
Ô monde, je ne reste plus ici,
Tu ne me donnes rien
Qui puisse profiter à mon âme.
Ici-bas, je rencontre la misère
Mais là-bas, là-bas, je contemplerai
La douce paix, le repos et le calme.
4. Récitatif
Mon Dieu! quand viendra le merveilleux: viens maintenant!
Moment où j'irai en paix
Dans le sable de la froide terre
Et je reposerai là-bas en ton sein?
J'ai fait mes adieux,
Ô monde, bonne nuit!
5. Air
Je me réjouis à la pensée de ma mort,
Ah! puisse-t-elle déjà se présenter.
J'échapperai alors à toutes les misères,
Qui me lient encore à ce monde.
I am so deeply moved every time I listen to this performance by Lorraine Hunt Lieberson. I was fortunate to know here when we were teenagers, playing in youth orchestra together. Even then, she had a beautiful voice and was featured in some of our youth orchestra concerts.
Danke Großer Bach ! Danke großartige Gesang Lieberson !!
Herz berührend gesungen !!!!hab geweint !!
L'émotion que suscite de cette voix est unique ! Sans doute une des interprètes les plus exceptionnelles du XXeme siecle. Merci pour cet extrait...
This beautiful singer recorded this album, knowing she had not much time left on this earth. The depth of this cantate and especiallly her interpretation is beyond words. Any remarks on her outer appearance says so much about the remarker, and has so nothing to do with the enormous gift this beautifull woman has given us. She is a great inspiration for me as a singer and an invitation for hopefully everybody to get in touch with their hearts and feelings
agree whole heartedly
Maria Lepomme ~ Thanks for sharing your thoughts about Lorraine, I had no idea she was no longer with us, the first time I heard her music was 20 years ago, on a sample CD, I felt enchanted by her voice, I purchased few cd's and also own this particular one. I'm a devoted classical music fan, I play the cello.
Alex Ross writes a loving description of her affect on him in Listen to This. It brought me to her simple and controlled Bach. Next I'll try to find her Handel. We have her Naruda, quite by accident. I'll go back to it.
Some voices are the voices of angels, not of humans.
This remarkable woman taught me, through this cantata, not to fear death.
This recording, "Lorraine Hunt Lieberson/Cantatas BWV 82 and 199" was published on Nonesuch 79692-2. It features The Orchestra of Emmanuel Music with Peggy Pearson, oboe d'amore.
I am sitting in a shop on Newbury St NOW thinking of when I saw her @Emmanuel Church back in the 90s..a sweet lovely humble person & such a bottomless well of expressive singularly pure power to move FIRST coupled to such musicality. From snowflake delicacy to full throttle Donna Elvira raging she never failed to move me to tears,heartbreak,aching longing,hair raising electricity or the darkest soul stirring & could shift moods in an instant. No idea of what she sings but this just destroys me.
Une perle unique parmi le trésor !nous avons tous genug !
This great Bach cantata and Handel`s great Theadora, are for me Loraine Hunts finest moments.
Completely agree! I might also add her Didon from Les Troyens
NO countertenor or boy soprano can achieve vocally or emotionally the depth and full-bodied richness of Lorraine's stunning voice. Her artistry always moves me to the core.
Agreed.
Modern countertenoring is such an artificial production. Some use countertenors to be more historically authentic, but are actually doing the opposite.
Bach and a few artists interpreting his music (such as this lady, Mr Gould ...) could almost make me believe in God
Every time after listening to this music one can't help but feel absolutely crushingly overwhelmed with emotion from that penetrating, cutting to the bone way Bach delivers his idea. Every time this duet of quivering voices by human and oboe just wrench a heart out of listener with sweetness and hushed beauty. Noone but Lortain Hunt Lieberson can sing it with such intense raw feeling and absolute mastery of a great artist that she was. This cantata is one of those very few monuments to humanity.
My favorite piece for my favorite composer by my favorite singer ... vraiment j'ai ce qu'il me faut...Merci beaucoup ...c'est presque le paradis ...
I weep, especially knowing this warm, singular voice is now gone…..her voice, her spirit haunt me.
Tout à fait merveilleux! Au delà de cette très touchante interprétation, comment un humain peut-il composer, imaginer une telle musique!
Music, voice, performance, have an hypnotic beauty. Thanks, Lorraine, for having existed.
So very sad and painful, moving and beautiful. Sung by Lorraine Hunt Lieberson this cantata reaches the greatest heights of musicality and feeling. The Emmanuel church orchestra and Craig Smith (deceased now like Lorraine) support her singing so effortlessly. I rarely listen to this recording because I cry. I need to cry now.
This particular piece by J.S. Bach and Lorraine Hunt Lieberson's voice is the highest expression of Western Classical Music for me. It's so profoundly painful that mere words fail me. We won't see her equal again.
Une voix & une Artiste qui touchent profondément le coeur et grâce auxquelles, la mémoire du coeur et celle de la raison ne font plus qu'une. Celle-ci n'est-elle pas la mémoire de l'entendement ?
A radiant lullaby; a setting to sleep of the most transcendent and tender kind.
--- & what she does after the words 'stille' & 'rue'! She still is love & beauty personified.....💔
Beautiful
The album from Emmanuel of Lorraine Hunt Lieberson, which contains this magnificent aria, is my favorite album of all time. What a magnificent voice, and a devastating loss to our musical life. She left us a priceless gift.
‘Я смерти радуюсь моей;
ах, если бы уже пришла она!
Тогда б от всякой я печали ускользнул,
которой мир ещё меня пленяет.’)))
Супер! Danke!
Lorraine, J ❤️ you.
I had to stop listening because I couldn't bear for this to come to an end.
.💔
just put the repeat loop ON :)
Rien de tel pour chasser les pensées negatives😅
Thank you, sweet Lorraine, great artist and unsurpassed example to us all
Glorious, oh how glorious!
Simplemente maravillosa, sin palabras.
Here thanks for the Bach Festival on radio station WKCR-FM, 89.9 FM, in New York City. Tune in on the web.
Thanks for posting this sublime music here.
Amen - merci pour ce cadeau! Thank you so very much - this is beyond beautiful and touching.
This is stunning oboe d'amore playing, disguising every awkwardness of that instrument in a lovely, rich, sinuous line! I've never heard this played either on the d'amore (usually an oboe in C minor), or 'up' one semitone (not to mention the octave for the voice). (In C minor this would have come out in Eb Minor for the d'amore, stretching authenticity a bit too far!) An unusually engaging performance, to be treasured. Thank you.
Full-bodied timbre. Can almost taste it.
Glory to God! full of LOVE!
RIP 🙏
This is indeed gorgeous. I'd never heard her before, but sought her out because of what Alex Ross wrote about her in his book "Listen to This." I'm also struck by the first aria's similarity to Erbarme Dich, from the St. Matthew Passion.
Amazing...
first heard her in don giovanni, i'm glad she does a great work here too!
from another world
I feel privileged to have heard her once, other opportunities were cancelled due to her health.
Marvellous❤❤❤
Fantastic this one of the best of JSB BWV-82 performances I've heard to date. If you love the music, the lyrics are awesome too. Also, BWV-106 "Gottes Zeitgeist ist die alllerbeste Zeit". This Cantata was co posed by JSB when he was only 22, and it's genius too just like this one.
He was 22? She is beyond magnificent.
This is lovely. By far the best since the Baker/Menhuin recording, the standard by which I compare others. Thanks for this upload.
I think it's time to grow out of the idea of the definitive performance. I have an idea it came up in the fifties with the LP. I'm building my library of LP's and I can only afford one of each piece, which one should I buy? Maybe also the Toscanini cult had something to do with it. But Schnabel said he only wanted to play music that was greater than it could be played. That implies that there are many paths. We need to keep open minds and appreciate what we are given.
That's true. But we can't help having preferences, based on our personal taste and musical understanding.
Also, comparing different renditions is f u n .
Maravilla..
Skønsang af højeste klasse. Dejligt........
Ich habe genug - I have enough / I am content
Heaven on a stick!
and you perhaps are a vision of perfect beauty?
Even een Nederlandse reactie..Wat een innigheid in deze opname.
She must have been a very spiritual woman..( toch nog even Engels)
Une Voix de Soie
Ich habe genug means i had enough
Thanks I was wondering what it means. We can all feel that way sometimes & of course as others have commented on here Bach's music & the musicians that play it can alleviate those feelings.
Good timing I'd say a fewe weeks later over here now, so what was your request?
ich habe genug ich habe genossen
My goodness- what severity! She was only expressing a preference. Is it a rule that one must necessarily make a 'contribution'?
20:07 Ich freue mich
*When i say good, i do mean very very good
Thanks for this beautiful recording! Is this in C minor, or the 'soprano version' in E minor? Either way, it's incredibly gorgeous.
Hola que tal? como podría conseguir la partitura vocal para soprano? gracias!
The music is divine and I appreciate this version, which however has not the power to touch my soul as it does the version sang by Dietrich Fischer-Dieskau with his warm baritone voice, deep inspiration and understanding. Moreover, Fischer-Dieskau sang directed by Karl Richter, who was unique for his understanding of Bach's work and which demonstrated with his orchestral choices and tempos. Furthermore, together with Fischer-Dieskau played Manfred Clement as solo oboe, whose notes are pure bliss and who is perfect in joining his instrument to the voice, to the orchestra and to the heaven above. Of course, all of this is matter of personal taste and sensibility.
Listen to Hans Hotter version.
Thank you very much. The Hans Hotter version is indeed a remarkable version, but still the Fischer-Dieskau one transmits me more emotions, perhaps just because it permeated my soul long ago. To be noted that I do not understand German and so I may miss some interpretation choices on the single words (sometimes I follow the music with the German and English texts). All the best and thanks again.
......también extraordinaria versión la del gran Hans Hotter
Never mind that this is a solo cantata for bass or baritone voice. The chirpy quality of any soprano undercuts the text. It seems to me that there is enough soprano repertoire for any soprano to co-op a well known bass cantata.
@Clive Lamdin Where in my comment do I suggest that I don't want anyone to listen to this performance or are you too much of a dick to allow someone to have an opinion with which you do not agree?
May I add that Bach wrote 2 versions of this cantata. One for bass and one for soprano. Bach liked to reuse and rearrange many of his works for other voices and instrumentation.
@@js1757 I certainly know that he used many pieces in many ways, but i also know that the bass cantata Ich Habe Genung was the progenitor and he had an uncanny knack for creating an aural, almost physical ,representation of the text. The bass voice conveys this world weary picture much more believably than the soprano voice does. That was my point.
johnberg181 needs a lift into a lake
love masiner
POUR BERCER UN MOURANT,nihil melius
Its good but i still prefer the Janet Baker version - maybe its the vinyl sound or something.
Thanks...but I will stick with the Baker/Menuhin rendition.
Ich habe sie tausentmal gehort
Oh Mein Gott! My diaphragm is in spasm