Using the SM7B but I was looking to grab another for podcasting with fellow artists in my studio. Problem solved by Harris yet again! Enjoy those sweet affiliate bucks, lol.
@Senpai Thank you for your review! The original Cloudlifter was created over 10 years ago as an active circuit for our Cloud Ribbon Microphones. Since then, our patented design has proven useful for low output dynamic mics like the SM7B and many others. It's worth noting here that we collaborated with Shure on the new SM7dB through licensing our Cloudlifter technology to give customers both convenience and quality in one product.
But according to this RUclipsr, you’re wrong and your product exists because the Shure SM7b needs you. I wish the viewers on RUclips watched these “experts” and their “reviews” with a little more skepticism. I’ve seen all sorts of myths and misinformation get all sorts of praise and 👍🏻 on RUclips when the information is just fabricated fiction.
I own the SM7B and this would’ve been great to have a few years ago when the massive growth in streaming happened during COVID. With the GOXLR becoming a brick due to the lack of support, the SM7dB may find its use. This is definitely worth it to eliminate any cloudlifter unit. But the green branding on it really bugs my OCD for a monochromatic aesthetic 😅
The GoXLR is far from a brick as there is still support. While it's not exactly support from TC Helicon directly. It is as close to that manufacture support as you can possibly get. It's via a 3rd party who obviously has source code level access. They can and have even added new features.
@@AnthonyGoodley oh wow! I’m in the TC and some audio related discords and personally haven’t updated any ‘firmware’ since early summer but before I upgrade to a Rode unit, any info on the current support for the GOXLR would be nice - reach out if you’re able 👍🏼
@@trohfe I caught a 1 day ban from commenting while trying to communicate to you how to locate the video that contains the info you requested. My appeal seems to have worked. My ban has been removed. I'll try again later to communicate to you how to find a video from another person's channel. It's not my channel. But I know this person pretty well for a long time.
This is the BEST video on the Shure SM7b + SM7dB It actually helped us understand the difference between the two and this mic as a whole. Literally watched this video twice in a row as it was that good. Thanks for all you do! 🙏 Just purchased the SM7dB (have issues with room echo using a friend's shotgun mic ATM)
I'm conflicted on the Shure SM7dB because there's a 3rd option in this scenario that isn't covered - buy the Shure SM7B - and instead of buying a fethead/cloud lifter at all - just get an interface that can properly drive the microphone. In any of these scenarios you need an interface anyway - and I think if you end up buying an interface that makes sure it can drive a mic like the SM7B - you'll also get more/better features included in that too so you get more for your money. AKA lets say you have $600 to spend total: $400 SM7B + $50 Fethead + $150 Interface $500 SM7dB + $100 Interface $400 SM7B + $200 Interface That $200 interface SHOULD give you the gain you need to drive the SM7B - and will probably give you more pro features to boot - all for the same total price.
If they had kept it at the same price point it might be a bit more of an attractive option, but this is basically only an upgrade if you didn't already have an SM7B. There are already a few interfaces that have enough gain to drive the mic without introducing noise to it that one can get for less than $300. For a less expensive option one could get the Blue Sona (if still available) and have effectively the same audio quality experience.
Good overview and comparison. My thoughts: If you're already running an SM7B, no need to upgrade. If you already have separate outboard mic preamps with suitable gain and are looking to add the SM7B...go with the older version. If you are relying on the on-board preamps of a budget or "prosumer" type interface and are looking to add the SM7B...the new SM7dB might be worth a look. The SM7B is fantastic and I use it on so many things (vocals/guitar cabinets/drums) Super versatile...I can't remember a project I haven't used it on since I bought mine.
Honestly, its too late, if it released like 3 years ago it wouldve been amazing, but nowadays, even some of the budget interfaces have enough gain for an sm7b without needing a booster, making the whole point of the sm7db useless
Some people are using XLR handles on their camera, whose preamps are not exactly newer interface levels. I indeed think it's coming a bit late, but just because we're not the use case doesn't mean there isn't one.
@@isMiIes Sony and Panasonic have XLR inputs on accessory handles. There are many use cases when you'd want those, notably for streaming when you don't want A/V to be out of sync.
@@PawFromTheBroons Yeah, ofc XLR inputs make sense in cameras, but I am still not sure if a dynamic mic like this one does at all. I've only seen Shotgun mics being used in cameras, which makes the most sense out of all the options imo!
Personally. One of the reasons I moved to an XLR microphone setup (other than to play instruments through my microphone input) is for the modular upgrade ability. If I want better headphones I can buy new headphones. If my microphone breaks I only need a new microphone. In this case you lose a set of upgrade ability/repairability in a setup. In a studio case obviously they may have multiple of these microphones for that (just in case) moment.
Hmm... I gotta say, this too little, too late. I picked up an Earthworks ETHOS last year, and I've never looked back. Killer streaming/podcasting mic, and a solid backup to my Twin87 for VO. (And even a go to for audiobook or other long form VO stuff.)
Great mic, but I also like the Ethos Earthworks mic a lot, and of course the RE20 Black looks great in person. I'm all set having those mics plus an SM7B. With how good preamps are on the Roland Bridge Cast, 4th gen Scarlett's, and the Rode Rodecaster II series you don't really need to spend the extra $100 if you're looking to put that towards a more complete streaming/DAW interface.
As a very experienced radio personality I can highly recommend the RE20. The SM7b is only necessary when interviewing people who don’t know any mic technique. That’s why Joe Rogan uses them.
@@totallyfrozen Love the RE20 but it sounds extremely nasal and thin on my particular voice. SM7b meanwhile is perfect for me. The Rode Procaster was my former forever mic, but still has some minor nasal sound compared to the SM7b, for me.
I have a Shure SM 7B and a Fethead Triton. My Interface is a Presonus Studiolive Mixer with Firewire 800. But I also use the Shure SM 7B directly connected to my "Digitech 300 Vocal Effects Unit", wich has enough power to boost the Shure SM 7B.
At 0:43, it appears that the dB version has more mid-range than the SM7B. I've noticed that some streamers who have the Shure SM7B, treat it like a long-distance microphone. It's unfortunate that these streamers seem to be following other streamers without fully understanding their microphone choices. The Shure SM7B is a fantastic microphone, but it's not always the best fit for everyone's needs, and some people gravitate towards it simply because it's popular among big-name streamers. An alternative worth considering is the Rode Procaster, which offers excellent performance and comes close to matching the quality of the SM7B at a significantly lower cost (and can work without a FatHead or a Cloudlifter). However, it often gets overlooked because it's not a Shure product and might not have the same "cool" factor. If I were in the market for a dynamic microphone and had to choose? I would certainly consider the Db version for the 100 bucks more and I should mention that using a Fethead with your external sound card can be inconvenient, because it sticks so much out, and it is heavy so it can sag.
My brain screamed when i only heard the intro music panned all the way to the left. It's one of those intros that i love and suddenly i stopped working
One day maybe I'll own an SM7 but for now? My choice for a mic was the Rode PodMic USB. My reasoning was that it gives me an option to upgrade to an XLR interface down the line, while giving me access to a great sounding Mic over USB-C for the time being. Your videos as well as other audio-esque content creators helped sway me in making this decision, so a big thank you!
So in the used market it's crazy. SM7B is around 130-150 and the SM7DB is around 350-400. It made me to with the SM7B with a duel cloud lift so I can accommodate several pieces of equipment in the future.
Omg I was about to buy the Sm7b and I was wondering if I needed the preamp and now this new mic comes in with it included ! Do I need a mixer with it too or no? Sorry I don’t know much about sound
Great video as always. It is worth it to me to not have extra equipment on my already crowded desk. I am running 2 Rodecaster Pro 2 and 2 Shure SM7DB. I broadcast from my machine shop and my 3d printing room. I was using 2 Procaster mics. Do you mind me asking what low profile mic stand you are using?
The earthworks ethos does the SM7B sound better than the SM7B, without the need for EQ’ing which the SM7B definitely requires being so flat and neutral. I’ll spend $450 for the matte black earthworks ethos with the “voice of God” audio with little to no eq. !
I own the SM7B, also I found a video where you can use without Cloud lifter n still works fine. Unless you focus on gaining that extra gain then is fine to invest in one.
Thr big selling point and why i replaced all my sm7bs and there fetheads with sm7dbs is because now i can take my mic from my streaming set up to my band jams without the need to worry about forgetting something like my fet head or to just make it easier to use as is.
The issue I have always had with Shure Microphones, is for voices that sit, in the more mid-high range (women voice) they add almost a artificial level of depth and warmth and its extremely had to mix it out. Some people are ok with it, but because if you know what the voice on the other end sounds like, and your listening to someone on a Shure might it can feel like it has clean muddieness if that's even a thing.
I have the SM7B and it has always been my dream mic. I still have not bit the bullet in getting an outboard preamp, just have no need for it atm. I have it connected to a GoXLR mini and I have been doing well with that setup. However, I am looking to get a different interface which can interact with both Mac and PC, so who knows, I may get one for it somewhere down the road.
I bought my SM7B for $300 from guitar center during one of their pandemic sales. The cloud lifter on sale too. And my interface. I think my whole setup came in under the price of the SM7DB
That was an extremely different and great perspective on the preamp market and Shure's inclusive into the new model. Never considered, probably wouldn't have connected the dots - but you blew my mind with it. AThanks for the great content as always
cool upgrade, happy my sm7b isn't "inferior" didn't really like the cloudlifter didn't know about the fethead sooo this was a great deal of knowledge! will def be picking that up in the near future.
Yeah, it's just a smidge too late to the market. Yes cloudlifters and such are still common in some setups, but a lot of mixers and such now take into account both the SM7B and the RE20's massive need for gain. I use a rodecaster pro 2 for my lives, podcasts, and standard video recordings, and it's already got the hardware built right into it to not need that extra gain. They even sell XLR mic jacks for cameras now that come with the ability to boost gain by 80DB if needed. Companies have basically solved the problem. I will say for folks on a budget, maybe it serves a purpose today? But for most studio setups willing to buy $400 mics, they likely already have equipment that can run them now just fine if they bought anything that;s a more recent product. I use a couple RE20s, and have thought about at least buying one shuresm7b just to compare them as they offer different audio profiles - but I definitely don't care about a $500 version that provides a key feature that just isn't needed in my setup.
some tech just speaks to me - even if i am not a broadcaster or streamer or anything ... i just love the tech. Awesome video! I will consider it as a xmas gift for myself :D
I honestly think the emphasis on inline pre’s and recording at the optimal input level is unnecessary. FYI Additional inline pre-amps or pre-pre-amps are only necessary for setups that have no way of digitally lifting the gain and are otherwise not needed. Always record at your preamps ‘sweet spot’, usually 70% up on the knob and then gain it up in software. You should avoid being over 90% gain on your mic pre and an inline pre-amp will always sound wors than digitally gaining in your DAW or other software. If you are recording or your stream setup allows for digital gain, either in stream software or via plug in you do not need a pre-pre-amp. If you are recording even for RUclips, the difference is audible. The sm7b is a great mic because it makes everyone sound acceptable and the sm7db adds options if needed.
Should have made this $450 and added in the software to work with it, then i would consider a "upgrade" since most of us already invested in a cloudlifter or fethead lol
Haven't needed a preamp with my rodecaster pro2. Works fine with that and works fine connected to my Zoom H6. That said, if I buy another, I'll consider the new model. I'm betting it'll have a price drop eventually anyway.
As someone whos got an MV7 and wants to upgrade to the sm7b the db is a great option, especially because price isn't an issue. And i already have a buyer lined up for the MV7
Thanks for the video 🙂 Did you have ever tested the sE Electronics Dynacaster? For me in comparison it is the "better" mic with a little more variety. If not, I would say, you should give it a try 🙂
Ive got the SM7B with some 25$ mic booster I found on amazon. I really like this setup and didnt need it because I have the wave XLR but its quiter (background) with the mic booster.
I can't stop thinking about how much you look like Aaron Paul haha! Also, thanks for this video on the SM7dB, it was a nice way to know about this new mic from Shure.
I Use the GOXLR and SM7b no pre amp required bought a cloud lifter thinking I'd need it but No it's fine without still a lot of money to layout, but I'm a Gearhead.
the camera during the main speaking parts on this video has dead pixels or dust and i can't unsee it. right in the shade on the shirt at chest height, right in the corner of the roll up screen rod, and a few others. now im trying to find them all. also engagement.
I use a Shure M57 on my PS5 streams and I’ve definitely noticed it is too quiet - been thinking about buying a cloud lifter or fethead- but maybe getting a different mic altogether is a better answer
its good that it has the Bypass option thought because some people already have Phantom Power but now they could get rid of it if they wanted to when they buy that Mic
Too he honest I dont see a point of it if you already have a mixer/interface. Now if you dont have a mixer/interface...then I get it. I have a Rodecaster pro 2 and the OG SM7B. And it works great for me.
Imo, out of the two, the SM7dB is a better choice for people, who used USB microphones until now and want to upgrade to XLR. You don't have to worry about gain with dB. But for people who already have proper audio equipment, it doesn't make sense to go for the dB.
🎧 I could hear a slightly higher noise floor on rhe sm7db when you mentioned you had been switching from one mic to another. Other than that they sounded the same.
I use the ElectroVoice RE20. I'll pick the RE20 over the SM7B or SM7dB anyday. The EV RE20 sounds so much better IMO. Much cleaner and brighter than the SM7B.
Not sure if you even read these, but this was a nice review. While I'm not in the market to spend $400 on a mic, this did inform me about my options and why it is a good investment if I want to go that route
As great as the SM7B is or the dB, I'd still recommend a podmic(both versions) and also a fethead and EQ it to sound pretty much the same as the Shure but for well under $400 or $500. I love my Podmic and fethead combo. I get compliments all the time and I've EQd it once and "forget it" type of recording. It's great. Now, if I was in the market for a mic and had money to get something like these, I would 100% everytime. They are, to me, the gold standard. Thank Harris for the content as always.
It's not priced like a UM57. If you have money for a SM7B or 7dB and that's what you're after, there's literally zero reason to go through the hassle of making something else sound like it. The amount of extra effort required to add EQ software or hardware is not worth it unless you really can't afford paying for the original.
![ARGENTINA vs. CHILE [3-0] | RESUMEN | ELIMINATORIAS SUDAMERICANAS | FECHA 7](http://i.ytimg.com/vi/De3AWmXzhuA/mqdefault.jpg)
What mic are you using right now and what's your dream mic? If you don't have one, just leave an emoji for engaaaaaagement ❤
Using an SM7B and I want an RE20
Currently rocking an AT4040
Using the SM7B but I was looking to grab another for podcasting with fellow artists in my studio. Problem solved by Harris yet again! Enjoy those sweet affiliate bucks, lol.
Using my Dream Mic right now, the SM7b, going into a Cloudlifter then a wave xlr. Really, I love it, and the quality it gives.
Im using the antelope audio edge solo and I love it, pared with my wave XLR, I think its the perfect combo to really make this virtual mic pop
@Senpai Thank you for your review! The original Cloudlifter was created over 10 years ago as an active circuit for our Cloud Ribbon Microphones. Since then, our patented design has proven useful for low output dynamic mics like the SM7B and many others. It's worth noting here that we collaborated with Shure on the new SM7dB through licensing our Cloudlifter technology to give customers both convenience and quality in one product.
Glad to hear yall were able to be a part of that - my Cloudlifter has served me well for the better part of five years with my SM7B, so thank you!
You guys literally privated a video about the cloudlifter that was so full of shit that you even got memed upon by audiophiles. Cool story.
But according to this RUclipsr, you’re wrong and your product exists because the Shure SM7b needs you.
I wish the viewers on RUclips watched these “experts” and their “reviews” with a little more skepticism. I’ve seen all sorts of myths and misinformation get all sorts of praise and 👍🏻 on RUclips when the information is just fabricated fiction.
@@skorpers
So called audiophiles making memes is your authoritative source? Sucks to be you.
@@totallyfrozen Yep and Harris has said a fair amount of bs over the years. The dynamic mic background noise myth is one.
My left ear loved that inro. Awesome video, love the hardware aspect of streaming, so these mic videos are awesome!
I was just scrolling through to see if anyone else mentioned this.
Was this done on purpose?
I own the SM7B and this would’ve been great to have a few years ago when the massive growth in streaming happened during COVID. With the GOXLR becoming a brick due to the lack of support, the SM7dB may find its use. This is definitely worth it to eliminate any cloudlifter unit.
But the green branding on it really bugs my OCD for a monochromatic aesthetic 😅
The GoXLR is far from a brick as there is still support. While it's not exactly support from TC Helicon directly. It is as close to that manufacture support as you can possibly get. It's via a 3rd party who obviously has source code level access. They can and have even added new features.
@@AnthonyGoodley oh wow! I’m in the TC and some audio related discords and personally haven’t updated any ‘firmware’ since early summer but before I upgrade to a Rode unit, any info on the current support for the GOXLR would be nice - reach out if you’re able 👍🏼
Bro saying the GO XLR is a brick is so disingenuous that it actually pisses me off.
@@trohfe I caught a 1 day ban from commenting while trying to communicate to you how to locate the video that contains the info you requested.
My appeal seems to have worked. My ban has been removed.
I'll try again later to communicate to you how to find a video from another person's channel. It's not my channel. But I know this person pretty well for a long time.
@@AnthonyGoodley appreciate it!
This is the BEST video on the Shure SM7b + SM7dB
It actually helped us understand the difference between the two and this mic as a whole. Literally watched this video twice in a row as it was that good. Thanks for all you do! 🙏
Just purchased the SM7dB (have issues with room echo using a friend's shotgun mic ATM)
I'm conflicted on the Shure SM7dB because there's a 3rd option in this scenario that isn't covered - buy the Shure SM7B - and instead of buying a fethead/cloud lifter at all - just get an interface that can properly drive the microphone. In any of these scenarios you need an interface anyway - and I think if you end up buying an interface that makes sure it can drive a mic like the SM7B - you'll also get more/better features included in that too so you get more for your money.
AKA lets say you have $600 to spend total:
$400 SM7B + $50 Fethead + $150 Interface
$500 SM7dB + $100 Interface
$400 SM7B + $200 Interface
That $200 interface SHOULD give you the gain you need to drive the SM7B - and will probably give you more pro features to boot - all for the same total price.
If they had kept it at the same price point it might be a bit more of an attractive option, but this is basically only an upgrade if you didn't already have an SM7B. There are already a few interfaces that have enough gain to drive the mic without introducing noise to it that one can get for less than $300.
For a less expensive option one could get the Blue Sona (if still available) and have effectively the same audio quality experience.
Good overview and comparison.
My thoughts:
If you're already running an SM7B, no need to upgrade.
If you already have separate outboard mic preamps with suitable gain and are looking to add the SM7B...go with the older version.
If you are relying on the on-board preamps of a budget or "prosumer" type interface and are looking to add the SM7B...the new SM7dB might be worth a look.
The SM7B is fantastic and I use it on so many things (vocals/guitar cabinets/drums) Super versatile...I can't remember a project I haven't used it on since I bought mine.
Honestly, its too late, if it released like 3 years ago it wouldve been amazing, but nowadays, even some of the budget interfaces have enough gain for an sm7b without needing a booster, making the whole point of the sm7db useless
Some people are using XLR handles on their camera, whose preamps are not exactly newer interface levels.
I indeed think it's coming a bit late, but just because we're not the use case doesn't mean there isn't one.
@@PawFromTheBroons Anyone actually uses a dynamic mic on their camera?
@@isMiIes Sony and Panasonic have XLR inputs on accessory handles.
There are many use cases when you'd want those, notably for streaming when you don't want A/V to be out of sync.
Completely Agree 💯
@@PawFromTheBroons Yeah, ofc XLR inputs make sense in cameras, but I am still not sure if a dynamic mic like this one does at all. I've only seen Shotgun mics being used in cameras, which makes the most sense out of all the options imo!
The production quality on this video, the flow and the cleverness to this video was great !
Personally. One of the reasons I moved to an XLR microphone setup (other than to play instruments through my microphone input) is for the modular upgrade ability. If I want better headphones I can buy new headphones. If my microphone breaks I only need a new microphone. In this case you lose a set of upgrade ability/repairability in a setup. In a studio case obviously they may have multiple of these microphones for that (just in case) moment.
Hmm... I gotta say, this too little, too late. I picked up an Earthworks ETHOS last year, and I've never looked back. Killer streaming/podcasting mic, and a solid backup to my Twin87 for VO. (And even a go to for audiobook or other long form VO stuff.)
Thank you for commenting about the ETHOS. This looks like a way better option for me. Gonna grab one :D
Earthworks absolutely OWNS shure on the broadcast and recording segment, period! The Ethos is legendary.
@@FatherLamb I couldn't agree more. Shure = Rent Taking
Clear, concise, educational, well scripted and brilliantly delivered. You sir, have earned a Like + Subscribe
Great mic, but I also like the Ethos Earthworks mic a lot, and of course the RE20 Black looks great in person. I'm all set having those mics plus an SM7B. With how good preamps are on the Roland Bridge Cast, 4th gen Scarlett's, and the Rode Rodecaster II series you don't really need to spend the extra $100 if you're looking to put that towards a more complete streaming/DAW interface.
As a very experienced radio personality I can highly recommend the RE20. The SM7b is only necessary when interviewing people who don’t know any mic technique. That’s why Joe Rogan uses them.
@@totallyfrozen Love the RE20 but it sounds extremely nasal and thin on my particular voice. SM7b meanwhile is perfect for me. The Rode Procaster was my former forever mic, but still has some minor nasal sound compared to the SM7b, for me.
I have a Shure SM 7B and a Fethead Triton. My Interface is a Presonus Studiolive Mixer with Firewire 800. But I also use the Shure SM 7B directly connected to my "Digitech 300 Vocal Effects Unit", wich has enough power to boost the Shure SM 7B.
At 0:43, it appears that the dB version has more mid-range than the SM7B.
I've noticed that some streamers who have the Shure SM7B, treat it like a long-distance microphone. It's unfortunate that these streamers seem to be following other streamers without fully understanding their microphone choices. The Shure SM7B is a fantastic microphone, but it's not always the best fit for everyone's needs, and some people gravitate towards it simply because it's popular among big-name streamers.
An alternative worth considering is the Rode Procaster, which offers excellent performance and comes close to matching the quality of the SM7B at a significantly lower cost (and can work without a FatHead or a Cloudlifter). However, it often gets overlooked because it's not a Shure product and might not have the same "cool" factor.
If I were in the market for a dynamic microphone and had to choose? I would certainly consider the Db version for the 100 bucks more and I should mention that using a Fethead with your external sound card can be inconvenient, because it sticks so much out, and it is heavy so it can sag.
Well said, I own both the Procaster and SM7b and the Procaster is so close, yet such a bargain for the price.
Thanks for the heads up. I’ve always enjoyed the way you break things down Harris.
My brain screamed when i only heard the intro music panned all the way to the left. It's one of those intros that i love and suddenly i stopped working
Thank you for the wonderful breakdown!❤
One day maybe I'll own an SM7 but for now? My choice for a mic was the Rode PodMic USB. My reasoning was that it gives me an option to upgrade to an XLR interface down the line, while giving me access to a great sounding Mic over USB-C for the time being. Your videos as well as other audio-esque content creators helped sway me in making this decision, so a big thank you!
Always on top
So in the used market it's crazy. SM7B is around 130-150 and the SM7DB is around 350-400.
It made me to with the SM7B with a duel cloud lift so I can accommodate several pieces of equipment in the future.
Omg I was about to buy the Sm7b and I was wondering if I needed the preamp and now this new mic comes in with it included ! Do I need a mixer with it too or no? Sorry I don’t know much about sound
Great video as always. It is worth it to me to not have extra equipment on my already crowded desk. I am running 2 Rodecaster Pro 2 and 2 Shure SM7DB. I broadcast from my machine shop and my 3d printing room. I was using 2 Procaster mics.
Do you mind me asking what low profile mic stand you are using?
Just in case you might not have been aware the Rodecaster Pro II has enough power to drive the SM7B w/o the need for an external preamp.
Wow, so you already got the Beacn mic stand :)
The earthworks ethos does the SM7B sound better than the SM7B, without the need for EQ’ing which the SM7B definitely requires being so flat and neutral. I’ll spend $450 for the matte black earthworks ethos with the “voice of God” audio with little to no eq. !
Always on top of the latest and greatest with a fair assessment and cool side-by-sides.
Wow, I'm here very early yaay xD! Love your videos dude! they really helped me alot choosing gear! All the best to you!
Great video! For your SM7B, which mixer (without a preamp) are you guys using?
I own the SM7B, also I found a video where you can use without Cloud lifter n still works fine. Unless you focus on gaining that extra gain then is fine to invest in one.
Thr big selling point and why i replaced all my sm7bs and there fetheads with sm7dbs is because now i can take my mic from my streaming set up to my band jams without the need to worry about forgetting something like my fet head or to just make it easier to use as is.
You can also just buy any of the many audio interfaces that can drive the SM7B without any preamp.
I'm currently using the Shure Super 55 Deluxe for my recording and streams. I love the gorgeous classic look and sound.
The issue I have always had with Shure Microphones, is for voices that sit, in the more mid-high range (women voice) they add almost a artificial level of depth and warmth and its extremely had to mix it out. Some people are ok with it, but because if you know what the voice on the other end sounds like, and your listening to someone on a Shure might it can feel like it has clean muddieness if that's even a thing.
I highly recommend checking out the Lauten Audio LS-208! Really loving it for exactly the reasons you mentioned.
@@PatrickRussellMusic why do you think the Lauten is better for women’s voices? Could you elaborate further ❤
Thanks for the info. You have helped me so much over the years. I love my sm7b. Thanks for being you!
I have the SM7B and it has always been my dream mic. I still have not bit the bullet in getting an outboard preamp, just have no need for it atm. I have it connected to a GoXLR mini and I have been doing well with that setup. However, I am looking to get a different interface which can interact with both Mac and PC, so who knows, I may get one for it somewhere down the road.
The SM7dB is bassier in this video. I dont know if it's your Eq or just how the mic sounds now. + your intro is only on the left channel
I bought my SM7B for $300 from guitar center during one of their pandemic sales. The cloud lifter on sale too. And my interface. I think my whole setup came in under the price of the SM7DB
I have the Rod Pod mic, and It sounds pretty good! i have no complaints and would buy it over the SM7B any day!
THank you!
interesting to finally add it years later. hopefully this will help those who were uneasy/unsure about this one issue.
That was an extremely different and great perspective on the preamp market and Shure's inclusive into the new model. Never considered, probably wouldn't have connected the dots - but you blew my mind with it. AThanks for the great content as always
cool upgrade, happy my sm7b isn't "inferior" didn't really like the cloudlifter didn't know about the fethead sooo this was a great deal of knowledge! will def be picking that up in the near future.
I use an AT2035. No specific reason, I just like it.
I so unknowledgable on audio and mics but your channel helps me get some of the basics thank you 🫶
I enjoyed the left-ear-only intro :p
Yeah, it's just a smidge too late to the market.
Yes cloudlifters and such are still common in some setups, but a lot of mixers and such now take into account both the SM7B and the RE20's massive need for gain. I use a rodecaster pro 2 for my lives, podcasts, and standard video recordings, and it's already got the hardware built right into it to not need that extra gain. They even sell XLR mic jacks for cameras now that come with the ability to boost gain by 80DB if needed.
Companies have basically solved the problem. I will say for folks on a budget, maybe it serves a purpose today? But for most studio setups willing to buy $400 mics, they likely already have equipment that can run them now just fine if they bought anything that;s a more recent product. I use a couple RE20s, and have thought about at least buying one shuresm7b just to compare them as they offer different audio profiles - but I definitely don't care about a $500 version that provides a key feature that just isn't needed in my setup.
some tech just speaks to me - even if i am not a broadcaster or streamer or anything ... i just love the tech.
Awesome video!
I will consider it as a xmas gift for myself :D
I have a SE Dynacaster and I LOVE IT! ITs half the price of this new one and sounds just as good!!
I honestly think the emphasis on inline pre’s and recording at the optimal input level is unnecessary.
FYI Additional inline pre-amps or pre-pre-amps are only necessary for setups that have no way of digitally lifting the gain and are otherwise not needed. Always record at your preamps ‘sweet spot’, usually 70% up on the knob and then gain it up in software. You should avoid being over 90% gain on your mic pre and an inline pre-amp will always sound wors than digitally gaining in your DAW or other software.
If you are recording or your stream setup allows for digital gain, either in stream software or via plug in you do not need a pre-pre-amp. If you are recording even for RUclips, the difference is audible.
The sm7b is a great mic because it makes everyone sound acceptable and the sm7db adds options if needed.
Thank you for another great video Harris. 🤘🏻
Should have made this $450 and added in the software to work with it, then i would consider a "upgrade" since most of us already invested in a cloudlifter or fethead lol
Love it! Thanks for all do
Haven't needed a preamp with my rodecaster pro2. Works fine with that and works fine connected to my Zoom H6. That said, if I buy another, I'll consider the new model. I'm betting it'll have a price drop eventually anyway.
the blue is sharper than the green which sounds warmer, Im assuming that the dots is you recording the different mics
love that mshadows pic you guys used at the beginning
I find the Electro Voice RE20 to be the better buy over the SM7B
That was dope. Thanks bro!
I'll be back to comment my experience once I receive my SM7db next week :). Great video as always Senpai
Great info as always!
As someone whos got an MV7 and wants to upgrade to the sm7b the db is a great option, especially because price isn't an issue. And i already have a buyer lined up for the MV7
Great video as always!
Thanks for the video 🙂
Did you have ever tested the sE Electronics Dynacaster? For me in comparison it is the "better" mic with a little more variety.
If not, I would say, you should give it a try 🙂
Ive got the SM7B with some 25$ mic booster I found on amazon.
I really like this setup and didnt need it because I have the wave XLR but its quiter (background) with the mic booster.
Next upgrade is going to be a decent mic. You didn't need to know. But engagement and all that jazz 👐
I feel like the newer mixers e.g. Rode and the like, have better preamps that don't require Cloudlifters.
🤔Love the take on this latest iteration of a release
I went for one of your recommendations, the Elgato Wave 3, worked fine for me =)
Thank you for making review
I can't stop thinking about how much you look like Aaron Paul haha!
Also, thanks for this video on the SM7dB, it was a nice way to know about this new mic from Shure.
Also I use the SM7B, but I'm also getting the Sennheiser MKE600 for an on-camera mic for outside/portable videos.
I Use the GOXLR and SM7b no pre amp required bought a cloud lifter thinking I'd need it but No it's fine without still a lot of money to layout, but I'm a Gearhead.
Literally got my first ad for this mic in front of this video
You save me so much Time. Thank you!
Hey Harris, thanks for taking the time to record this as your were flying out to TwitchCon just for me
the camera during the main speaking parts on this video has dead pixels or dust and i can't unsee it. right in the shade on the shirt at chest height, right in the corner of the roll up screen rod, and a few others. now im trying to find them all. also engagement.
I use a Shure M57 on my PS5 streams and I’ve definitely noticed it is too quiet - been thinking about buying a cloud lifter or fethead- but maybe getting a different mic altogether is a better answer
❤
I got the Rode podmic and the Roland Bridge cast. and i am verry happy with the combo.
its good that it has the Bypass option thought because some people already have Phantom Power but now they could get rid of it if they wanted to when they buy that Mic
i am going with the SM7dB because of what you said about losing the preamp. I plan on using mine at home and over at other home studios
5:28 high end studios will have mic preamps that can drive an SM7b.
Too he honest I dont see a point of it if you already have a mixer/interface. Now if you dont have a mixer/interface...then I get it. I have a Rodecaster pro 2 and the OG SM7B. And it works great for me.
And a rodecster II or duo and the sure sm7b works out of the box with gain to spare
ty very much for intro music in just full left ear :D
Imo, out of the two, the SM7dB is a better choice for people, who used USB microphones until now and want to upgrade to XLR. You don't have to worry about gain with dB. But for people who already have proper audio equipment, it doesn't make sense to go for the dB.
🎧 I could hear a slightly higher noise floor on rhe sm7db when you mentioned you had been switching from one mic to another. Other than that they sounded the same.
Nothing like coffee and Harris haha. Still not spending that much on a microphone 😮
I use the ElectroVoice RE20. I'll pick the RE20 over the SM7B or SM7dB anyday. The EV RE20 sounds so much better IMO. Much cleaner and brighter than the SM7B.
Can Snepai share his OBS audio filters settings for shure SM7DB? I would be forever grateful!
Its to late id say, there are lots of streaming mixer that provide plenty of gain now, the one i use is the Roland Bridgecast.
Well done. Thanks
Not sure if you even read these, but this was a nice review. While I'm not in the market to spend $400 on a mic, this did inform me about my options and why it is a good investment if I want to go that route
Love the review.
Wow Harris. You sound great with that mic. I think I prefer it to the shotgun mics. ❤
Whoa, the like button lit up when you said “hit the like button, it’s free”
great vid very informative! got a new sub here
the intro was only in the left ear just an fyi lol love ya harris :)
As great as the SM7B is or the dB, I'd still recommend a podmic(both versions) and also a fethead and EQ it to sound pretty much the same as the Shure but for well under $400 or $500.
I love my Podmic and fethead combo. I get compliments all the time and I've EQd it once and "forget it" type of recording. It's great.
Now, if I was in the market for a mic and had money to get something like these, I would 100% everytime. They are, to me, the gold standard.
Thank Harris for the content as always.
It's not priced like a UM57. If you have money for a SM7B or 7dB and that's what you're after, there's literally zero reason to go through the hassle of making something else sound like it. The amount of extra effort required to add EQ software or hardware is not worth it unless you really can't afford paying for the original.
I'd love for you to make a video explaining what the switches on the back of the Shure SM7B (and now SM7dB) do
This sounds so good tho!!