Led Zeppelin - Stairway To Heaven (Remastered) Lyrics

The recording of "Stairway to Heaven" commenced in December 1970 at Island Records' new Basing Street Studios in London. The song was completed by the addition of lyrics by Plant during the sessions for Led Zeppelin IV at Headley Grange, Hampshire, in 1971. Page then returned to Island Studios to record his guitar solo.
The song originated in 1970 when Jimmy Page and Robert Plant were spending time at Bron-Yr-Aur, a remote cottage in Wales, following Led Zeppelin's fifth American concert tour. According to Page, he wrote the music "over a long period, the first part coming at Bron-Yr-Aur one night". Page always kept a cassette recorder around, and the idea for "Stairway" came together from bits of taped music.
The first attempts at lyrics, written by Robert Plant next to an evening log fire at Headley Grange, were partly spontaneously improvised and Page claimed, "a huge percentage of the lyrics were written there and then". Jimmy Page was strumming the chords and Robert Plant had a pencil and paper. The complete studio recording was released on Led Zeppelin IV in November 1971. The band's record label, Atlantic Records was keen to issue this track as a single, but the band's manager Peter Grant refused requests to do so in both 1972 and 1973. This led many people to buy the fourth album as if it were the single. In the US, Atlantic issued "Stairway to Heaven" as a 7" promotional single in 1972.
"Stairway to Heaven" is described as progressive rock, folk rock and hard rock. The song consists of several distinct sections, beginning with a quiet introduction on a finger-picked six-string guitar and four recorders in a Renaissance music style (ending at 2:15) and gradually moving into a slow electric middle section (2:16-5:33), then a long guitar solo (5:34-6:44), before the faster hard rock final section (6:45 to 7:45), ending with a short vocals-only epilogue. Plant sings the opening, middle and epilogue sections in his mid vocal range, but sings the hard rock section in his higher range which borders on falsetto.
Written in the key of A minor, the song opens with an arpeggiated, finger-picked guitar chord progression with a chromatic descending bassline A-G♯-G-F♯-F. John Paul Jones contributed overdubbed wooden bass recorders in the opening section (he used a Mellotron and, later, a Yamaha CP70B Grand Piano and Yamaha GX1 to synthesise this arrangement in live performances) and a Hohner Electra-Piano electric piano in the middle section.
The sections build with more guitar layers, each complementary to the intro, with the drums entering at 4:18. The extended Jimmy Page guitar solo in the song's final section was played for the recording on a 1959 Fender Telecaster given to him by Jeff Beck (an instrument he used extensively with the Yardbirds) plugged into a Supro amplifier, although in an interview he gave to Guitar World magazine, Page also claimed, "It could have been a Marshall, but I can't remember". Three different improvised solos were recorded, with Page agonising about which to keep. Page later revealed, "I did have the first phrase worked out, and then there was the link phrase. I did check them out beforehand before the tape ran." The other guitar parts were played using a Harmony Sovereign H1260 acoustic guitar and a Fender Electric XII guitar (a 12-string guitar that was plugged directly to the soundboard); these can be heard on the left and right recording channels respectively. For live versions, Page switched to a Heritage Cherry Gibson EDS-1275 6/12 Doubleneck guitar. The final progression is a i-VII-VI (natural minor) progression (Am-G-F), a mainstay of rock music.
Another interesting aspect of the song is the timing of the lead-up to the famous guitar solo. While staying in 4/4 throughout this section, most of the accents shift to the eighth notes. This makes the rhythm figure challenging for some musicians, but adds a feeling of anticipation to the approaching guitar solo.
Jimmy Page has likened the song to a sonic orgasm.
/ @donmac

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7'58*