While I'm here shout out to Marcus Roberts too, Portraits in Blue was one of the first jazz albums I got as a kid, along with Monk in Paris and Michael Winston's December. Still a fan
Seiji Ozawa, distinguished and esteemed for his profound influence in the realm of classical music, solidified his status as an eminent conductor in the late twentieth century. His presence, characterized by a compelling gravitas, captivated orchestral performers. Under his baton, orchestras were seemingly entranced, coalescing around his artistic vision, thereby weaving performances of meticulous craftsmanship and nuanced interpretation. He has long been associated with orchestral works by American composers. His interpretations of pieces by composers such as Gershwin and Copland have left an indelible mark on the classical music world. This was indeed his sole specialty, a testament to his artistry and unwavering commitment to musical excellence. Yet, through his extensive discography, Seiji Ozawa’s legacy will endure beyond the podium, inspiring and resonating with future generations.
So there’s Bernstein’s 1959 performance with the Columbia Symphony Orchestra, the Dallas Symphony playing the original jazz band version and Roberts/Ozawa collaborating on this jazz improvisational version. Listen to them consecutively, marvel and sing Happy Birthday.
Mil veces me pongo de pie para ocasionar a Marcus Roberts y a Seiji Osawa con su orquesta por esta genial interpretación genial. Interpretaron Jazz con pureza original. Me rindo ante tanto talento...!!!
What a week, happy birthday Rhapsody and RIP maestro Ozawa
While I'm here shout out to Marcus Roberts too, Portraits in Blue was one of the first jazz albums I got as a kid, along with Monk in Paris and Michael Winston's December. Still a fan
Rest In Peace Seiji Ozawa.
Just saw Marcus Roberts live at the LPO-just amazing!!! You must hear this trio❤
Seiji Ozawa, distinguished and esteemed for his profound influence in the realm of classical music, solidified his status as an eminent conductor in the late twentieth century. His presence, characterized by a compelling gravitas, captivated orchestral performers. Under his baton, orchestras were seemingly entranced, coalescing around his artistic vision, thereby weaving performances of meticulous craftsmanship and nuanced interpretation. He has long been associated with orchestral works by American composers. His interpretations of pieces by composers such as Gershwin and Copland have left an indelible mark on the classical music world. This was indeed his sole specialty, a testament to his artistry and unwavering commitment to musical excellence. Yet, through his extensive discography, Seiji Ozawa’s legacy will endure beyond the podium, inspiring and resonating with future generations.
So there’s Bernstein’s 1959 performance with the Columbia Symphony Orchestra, the Dallas Symphony playing the original jazz band version and Roberts/Ozawa collaborating on this jazz improvisational version. Listen to them consecutively, marvel and sing Happy Birthday.
Mil veces me pongo de pie para ocasionar a Marcus Roberts y a Seiji Osawa con su orquesta por esta genial interpretación genial. Interpretaron Jazz con pureza original. Me rindo ante tanto talento...!!!
Amazing!!!
Jazzpsody in Blue😎🤏
Had to hear this great arrangement on the 100th anniversary of this piece
23:47 is FANTASTIC!!
Rest in Peace, Seiji Ozawa. Thank you very much.
Outstanding; like I've never heard it before
We definitely should share this music
Beautiful, enough said.
Great, Great, Great!!!!
..-Csodálatos!!!-Azt hiszem,ha Gershwin ezt a csodát hallja,látja "onnan fentről",-biztosan mosolyog,-és azt mondhatja:-Nem éltem hiába!...-
so cool!
Bravo!👏👏👏👏👏👏👏
Fantástico
Tks
Wanderful interpretación
낭만이 춤을 춘다!
beautiful!
source for some higher quality recordings?
J'aime les patates douces
ta un devoir de music a faire avou
c tro duuur
SI VOUS TROUVEZ UNE DIFFERENCE ENTRE CE TRUC ET LES AUTRES VERSIONS DITES LE SVP
Hein faycal
LeDavidDu non
Moi aussi aidez moi svp