Nice! That’s a quick way to get some more contrast but in reality all you are doing there is killing a lot of your dynamic range. The camera has 3 video profiles. Extended video does have better dynamic range than the standard video profile but for the maximum dynamic range you should film in Log like I did in this video. At the end of the day it’s a thing of preference and workflow, but to achieve the best quality Log is the way to go.
@@DiegoKatzakian But I shoot in Film mode and later in a clip (Premiere Pro) I set Gamma profile to extended video, only gamma nothing else. That is actually only a preset of parameters of Braw. Extended video gives me a chance to regulate more parameters.
@@Teledyski_XDVISIONS friend the RAW file allows you to change every way that was recorded, if you recorded in Film mode and in Premiere you change to Extended video is the same as you shoot in Extended and you will lose all dynamic range that Film mode proposes. Raw changes parameters as if you were changing it at the time of recording as color profile, that is, so if you change the color profile in post it doesn't make sense to record in Film. start coloring using Film mode and you will get much better quality. forgive me for mistakes in english, my language is portuguese and i'm using a translator 😅
@Dance Lovers by doing that you are losing some dynamic range because it is switching the parameters back into the capture settings for extended video instead of LOG thus nullifying your log data. The only way to get the max dynamic range is to keep the profile in log and use a rec709 conversion LUT, and then grading from there. I believe black magic has a free one on their website that works pretty well. Otherwise, my personal favorites are the Buttery collection but they are a paid collection of luts.
Hey Penyo! It’s been a while since I made the video so I’m not exactly sure. But I believe I mentioned that I use Buttery LUT’s BRAW conversion LUT but blackmagic has some of their own free ones on their website. Good luck!
Hey Norman, sorry I took a while to get to your question. I’ve been away from youtube for a minute working on other projects. Do you mean can you match the footage from the 4k to the 6k? If so, the answer is yes. Both cameras have the same color science and create practically the exact same image except they are different resolutions and perhaps have slightly different noise patterns, but nothing noticeable when working at similar or equal ISO levels.
Nice and simple and FAST !!! On point
I do basic adjustments in BRAW setting where you can change GAMMA to Extended video and that gives a nice look to the braw file at once.
Nice! That’s a quick way to get some more contrast but in reality all you are doing there is killing a lot of your dynamic range. The camera has 3 video profiles. Extended video does have better dynamic range than the standard video profile but for the maximum dynamic range you should film in Log like I did in this video. At the end of the day it’s a thing of preference and workflow, but to achieve the best quality Log is the way to go.
@@DiegoKatzakian But I shoot in Film mode and later in a clip (Premiere Pro) I set Gamma profile to extended video, only gamma nothing else. That is actually only a preset of parameters of Braw. Extended video gives me a chance to regulate more parameters.
@@DiegoKatzakian Here is a sample of footage I received only by switching gamma mode to extended video
ruclips.net/video/ddpSX6-h5fs/видео.html
@@Teledyski_XDVISIONS friend the RAW file allows you to change every way that was recorded, if you recorded in Film mode and in Premiere you change to Extended video is the same as you shoot in Extended and you will lose all dynamic range that Film mode proposes. Raw changes parameters as if you were changing it at the time of recording as color profile, that is, so if you change the color profile in post it doesn't make sense to record in Film. start coloring using Film mode and you will get much better quality. forgive me for mistakes in english, my language is portuguese and i'm using a translator 😅
@Dance Lovers by doing that you are losing some dynamic range because it is switching the parameters back into the capture settings for extended video instead of LOG thus nullifying your log data. The only way to get the max dynamic range is to keep the profile in log and use a rec709 conversion LUT, and then grading from there. I believe black magic has a free one on their website that works pretty well. Otherwise, my personal favorites are the Buttery collection but they are a paid collection of luts.
Awesome - thanks!!
I didn't understand where to get the luts from... Did I miss it in the video? Thanks!
Hey Penyo! It’s been a while since I made the video so I’m not exactly sure. But I believe I mentioned that I use Buttery LUT’s BRAW conversion LUT but blackmagic has some of their own free ones on their website. Good luck!
Sick!
hola que tal, podrías compartir los bm buttery, porfavor
can you balance the video footage of bmpcc 6k and 4k?
Hey Norman, sorry I took a while to get to your question. I’ve been away from youtube for a minute working on other projects. Do you mean can you match the footage from the 4k to the 6k? If so, the answer is yes. Both cameras have the same color science and create practically the exact same image except they are different resolutions and perhaps have slightly different noise patterns, but nothing noticeable when working at similar or equal ISO levels.
Thank you for making this video, and yes, a more in-depth tutorial would be most appreciated!
For sure! Thanks for the input!