Alice Coltrane Interview & Performance w/ Marian McPartland - 1981 | bernie's bootlegs
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- Опубликовано: 2 сен 2017
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On this episode of Piano Jazz, pianist and composer Alice Coltrane shimmers on a set of her original tunes and honors the legacy of her husband, saxophonist John Coltrane. She also duets with host Marian McPartland in Trane's "Giant Steps" and "Miles' Mode."
"I remember her working at Birdland back before she and John were married," McPartland says. "I enjoyed playing his tunes with her: 'Giant Steps' and also 'Miles' Mode,' which is a very good tune."
Coltrane opens the program with two of her compositions: "Transfiguration" and "Prema (Divine Love)." Her skill as a harpist is reflected in the sparkling, light treble notes of her right hand; with the other hand, she brings the broad, suspended chords of her days playing the organ. Coltrane's playing is dense, which made her a natural replacement for John's former pianist, McCoy Tyner.
McPartland performs solo in the ballad "Naima," before the two get into a final duet in another solid John Coltrane tune, "Blues Minor," to close the program.
Originally recorded Dec. 4, 1981.
Set List
"Transfiguration" (A. Coltrane)
"Prema (Divine Love)" (A. Coltrane)
"Miles' Mode" (J. Coltrane)
"One for the Father" (A. Coltrane)
"Giant Steps" (J. Coltrane)
"Prelude, Opus 27" (F. Chopin)
"Naima" (J. Coltrane)
"Blues Minor" (J. Coltrane)
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I would like to hear an interview of Alice in which the interview is focused on her and her accomplishments without such strong emphasis on her husband and his accomplishments. Her life and music were extraordinary separate from anything John Coltrane did.
Agreed💯. She yourself, was well established before John Coltrane🙏
@Kabir Khalid yea, I've been watching on kaldrostream for years myself =)
@ Mary Duffy, My thoughts exactly!
Yes, and Oops, Naima was dedicated to the other wife.
Her Husband was HER biggest inspiration. She said that in a interview.
I'm blown away by Alice feels like I missed out on so much of her since I only discovered her last year,spiritual journeys leads us to a spiritual way of life never would I have been so close to her music and message if I wasn't on the right path of spirituality and understanding what life is all about.
On the right path finally and it feels amazing ✨🌠🎶
Well I will be sure to leave a great comment when I'm resurrected. Because they just killed me. I have NEVER heard anything like this. NEVER!!!!!! Everyone living should hear this. This is HEAVEN before you get there. God bless you for this upload.
I have to agree. Wasn’t expecting to be moved to tears on RUclips this morning. Hearing her playing here touched my spirit deeply. She has such a powerful oceanic motherly presence, it is intense and comforting at the same time. 💜
I too came to love Krsna.
If anyone was curious about a set list 🎹🎶:
"Transfiguration" (A. Coltrane)
"Prema (Divine Love)" (A. Coltrane)
"Miles' Mode" (J. Coltrane)
"One for the Father" (A. Coltrane)
"Giant Steps" (J. Coltrane)
"Prelude, Opus 27" (F. Chopin)
"Naima" (J. Coltrane)
"Blues Minor" (J. Coltrane)
thanks for sharing,
Such a great conversation and sweet human interplay between the two masters.
I grew up with Alice Coltrane. Ravi, John and Oran were my friends Hare Krishna Hare Ram Alice. I heard you.
Cool...so nice to preserve a bit of this history. Thanks for posting!
A gift on so many levels. Thank you for sharing. The Human Experience is a gift when embrace being who and what you are.
Beautiful!
This is gold thank you so much for posting!!!
Hey Paul! Ha ha ha ha ha found you here at the well. With love, Ty
@@tygarnerblues hi Ty hope you are well love to see you we are on a ship till next May. Keep rocking!!!
I love her voice so much, beside her playing... :)
I love her playing on Naima at the Vanguard with the quartet.
A❤SUPREME
👍🏾👍🏾
Also a great BeBop player. Check her with Terry Gibbs an in Paris with Kenny Clark!
Its interesting as she has an accent here and yet in every video in the 70s I've heard her without this accent. What the heck?!
She IS multidimensional and very much alive.
Yes. It's Staci.
DIVINE LOVE 08:04
I Remember horse Camelot.
This Mc Partland lady makes me feel awkward and uncomfortable: putting herself this way in the centre of Alice and John's work... (white centrism on top, sorry, despite all her admiring)
Good grief, is there anything that occurs that has nothing to do with race? Anything?
@@robertliebowitz2039 your privilege probably to even ask this... 🥵
@@neskebeks Dear Ignorant Ass Ofay Racist: Before I really embarrass you and highlight your stupidity, let's fix your grammar and punctuation...since you clearly didn't finish 6th grade. First, it's 'you're', not 'your'..and it's 'privileged', not what you wrote. Now that we got that straight--answer my question: do you see everything in terms of only black and white?
Yeah definitely and she kept talking over Alice
@@robertliebowitz2039 thanks to people like you everything has something to do with race . If you have a problem with that then you need to talk to your white friends and leave us alone
I'd like to hear Alice talk, that Marian PcPartland is really annoying, always interrupting
Alice Coltrane is one of the greatest musicians to have ever lived on this earth. Her piano playing on Prema is remarkable. I could swear there are other musicians playing along with her but I know it is only her alone. Prema is some of the greatest music I have ever heard and I have been listening to that song over and over again throughout my life. Yes she is deep as they say in music and when you listen to her play you are deep also because she takes you there.
Yes. I can hear cello at one point. Magic.
🐝🌈💫
I agree it´s so sad that Alice Coltrane is sitting here with her astonishing genius mind and is asked questions about John. Her music is so unique, she has such an unique stlye. Just the detail of how she presses the keys while playing, the changing tempo, the colour of her harmonies...it´s so alive! O my god! I have never heard that before. I admire her so much and I feel sadness when it happens so often that female artists are so much associated with their often famous partner. So seldomly it´s the other way around. Has to do so much with deeply patriarchal structures...Alice Coltrane was so much stronger than all these structures. Her spirit was able to transcend otherwise we would not be able to listen to all her records. So lucky she was that strong. I wish there were more interviews and biographies out there. It´s always interesting to understand something about the way an artist thinks and hear it in her own words.
Expansive and breath taking as the living sky dazzling, shimmering, limitless....Sacred.
I had heard so many speak of AC when I was growing up. I was elated when I heard her music recently. I wish I've been back and those beautiful years of a jazz. Consequently her initials are the same as mine and my first name Alice and my last name starts with C
R. I. P. Angel Alice
Thank you for posting this.
Wow! What a lovely conversation with the most exquisite interludes one will ever hear on talk radio. And McP's Naima was full of grace. She can play as well as compose like nobody's business.
Thanks for uploading! Revelatory. So little of her out there being interviewed. A treasure.
Thank you Bernie. xo Pres
Beautiful. The prelude is actually Prelude #20, Op. 28.
Beautiful playing by AC and host. Even though host focused so much on John Coltrane and not her, AC was just gracious and in the light about it. It made me cringe a bit when host decided to solo at the end on Naima, a great JC composition, but named after a previous wife of JC. Was it insensitive of host to do that?...all AC did was to lovingly complement the host’s interpretation. What a joy to get a glimpse into the person, a great spirit and master musician at the pinnacle of art and jazz.
CrestVisionInc Swamini is so egoless and selfless in this interview. I wish there were more interviews of her being interviewed by people who genuinely are interested in HER. I did not enjoy this interviewer at all, but thankful to hear the Divine vibrations of Swamini Turiyasangitananda!
I can see why many would cringe at times during this interview, because Turiya’s enlightenment and maturity was so reverential, it made Marion sound ignorant and thoughtless by comparison. I think the opening, where it was falsely asserted that Turiya “later became involved in playing church organ and gospel music” kind of foretold how and why Marion’s approach to the interview was not well planned; though it is clear that she had practiced for the duets, which perhaps acquits her of the notion of disrespect or lack of admiration. Marion did her very best to honor Turiya and John for their combined and individual contributions - a feat for any interviewer. This is why Marion said she hadn’t “dared hope” to get the opportunity, and why she asked to duet “with great fear and trembling.”
Just serves to amplify Swamini's utter and total humility. A true servant of the Divine...
@@romannorfleet I appreciate your candidness💯
Bear in mind also that on the 1966 Village Vanguard live concert (the album), Alice performs it. I'm sure it wasn't an issue. But I agree, she is as important in her own right as John.
wow!
What a fine, beautiful lady!
Transfiguration💪🏿💪🏽💪🏼💪🏾💪
hero
17:07 Miles Mode/Red Planet
Have by any chance, Richie Beirach on Show?
Prema has got to be one of the most beautiful pieces of music ever. Ive listened to the version from the album transfiguration hundreds of times,but to hear this version stripped down without the string section is absolutely breathtaking. Thanks
how nice to hear a woman jazz musician included in your hundreds of bootlegs
AC seemed not very easy to interview- Marian seemed having to pull info from her, she seemed to play all over the place - a good technician but musically hard for me to follow- being really just a Jazz novice.
Marian was a good interviewer with all but a few- AC one of the few it seemed here.
This is due mostly to McPartland's asking questions on the spot rather than having prepared (at least some of) her questions in advance, a skill any good interviewer develops early on. Also, she's clearly somewhat starstruck and definitely excited by the presence of Alice Coltrane there in the studio. So this is more of a conversation than an interview in the formal sense. Alice Coltrane's a major force in Jazz, rarely spoke publicly, and clearly isn't using this conversation as PR. It's simply a conversation between Jazz musicians. AC is self-composed, gracious, generous.
And what you call her playing "all over the place" likely has to do with your admitted newness to Jazz. Be prepared to listen and enjoy and learn without expectation of what it "should be."
Boom! Thank you!
Seemed like Marian wouldn’t let her speak to me