Patricia Kopatchinskaja - Beethoven Violin Concerto Cadenzas (Mvt 1, Mvt 3)
HTML-код
- Опубликовано: 15 окт 2024
- hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙ Patricia Kopatchinskaya, violin ∙ Philippe Herreweghe, conductor ∙ Alte Oper Frankfurt, October 31, 2014 ∙ Website: www.hr-sinfonie... ∙ Facebook: http: / / hrsinfonieorc ...
Phantastisch, welche Energie und Musikalität!! Klar, Show ist auch dabei, aber viel weniger als bei vielen anderen, die sonst bei weitem nicht so viel zu bieten haben.
Ihr schauspielerisches Talent ist für eine Musikerin beeindruckend
Früher habe ich Patricia Kopatchinskaja ignoriert, aber als ich erfahren habe, dass sie die bestbezahlte klassische Geigerin ist, habe ich angefangen, ihr zuzuhören. Sie spielt barfuß auf der Bühne. Zertifiziert intergalaktisch! 🌹
Hermosa❤❤❤❤❤
I absolutely love her unique approach and passion!
I disagree.
Voilà une autre violoniste avec de la personnalité !
Beethoven would have approved; music needs such passion; life needs such passion. x
It's a little grating after a while. Though she is an outstanding violinist.
and it is his own cadenza for the concerto hhaha
Completely disagree. This shows total luck of self control. Music needs a spiritual passion not of the kind we hear it here.
coisa linda 👏👏👏👏🤩
What a fantastic performer, so inclusive and present with the score and other players on the stage. Delightful!
What an amazing artist, we need more like her.
It seems pointless for concerts to echo back "recorded" music. Live music should be alive with new interpretations and ideas. Yes, Ms K's interpretations might be outrageous or "unclassical." But her passion is contagious, plus I end up looking at "warhorse" pieces with new eyes and appreciation. What more could anyone ask for?
You should see the interpretation by Hilary Hahn instead..its a classical interpretation but its passionated and really powerfull. Patricia is a virtuoso yes, some parts really not sound in the total style. Ok its her interpretation but sometimes its really extreme and sounds like other period anyway she plays amazing
In fact, Kopatchinskaja plays the concerto closer to how a violinist from Beethoven's era might play it than Hilary Hahn (whose interpretation is not at all classical but rather romantic).
@@PedritoCarrillo In cadenzas the soloist was always free to do whatever he likes... Besides these cadenzas were written by Beethoven himself for the piano version of the concerto and only adapted for violin and some instuments be P.K.
Ich bin ansonsten ganz bestimmt ein Bewunderer von Patrizias eindrucksvoller Kunst. Allerdings finde ich es schade, dass heute so Vieles gemacht wird, um in erster Linie schieres Interesse und überhaupt Aufmerksamkeit zu erwecken, aber nicht unbedingt, um hohen künstlerischen Zielen zu dienen. Für mich ist das Beethoven Konzert immer etwas ganz Besonderes, etwas Erhabenes gewesen. Es "reicht an die Gottheit an", wie es so schön in der Zauberflöte heißt. Diese Version allerdings, so interessant und meisterhaft ausgeführt sie auch sein mag, hat für mich nicht diese Dimension. Ich empfinde es als schade, dass es anscheinend oftmals nicht mehr ausreicht in aller Schlichtheit die wunderbaren Meisterwerke ohne Zusatz von Show-Elementen und/oder als Image-überfrachteter Musiker zu spielen. Damals stand Oistrach einfach da in all seiner Natürlichkeit. Das wirkte wohltuend. Die Musik braucht nichts anderes. Aber Gottseidank gibt es noch den Typus dieses Musikers. Ich verstehe dennoch den Grund dieser neuen Tendenzen: es ist ein Schrei nach Aufmerksamkeit in einer Musikwelt, die einfach zu viele Spieler hat. Diese vielen exzellenten Musiker verdienten wirklich all unsere Aufmerksamkeit. Aber wir können sie nicht allen geben, denn es sind zu viele. Patrizia könnte uns mit ihrem unglaublichen Talent bestimmt auch eine erhabene Version dieses Meisterwerkes geben. Aber sie hat sich in dieser Aufführung offenbar für etwas anderes entschieden.
Die "Zusätze" sind alle aus Beethovens Manuskript. www.patriciakopatchinskaja.com/beethoven
Grossartig Patricia - Vielen Dank und liebe Grüsse Benny
Fantastic beautiful amazing
I love her craziness¡¡
This comment section:
• Waowww 😍 (me)
• Ugh demented peasant violinist, MODERN MUSIC™️ is trash 🙄 (wat?)
• But BEETHOVEN wrote these CADENZAS!!! (he sure did)
Romeo Vashishth violin actually, Beethoven wrote these cadenzas for when he transcribed this to piano, and she has rearranged them thus
This is CRAZY GOOD!!!! THANKS!!
Это оригинальная каденция, Бетховенская, из его же ф-но переложения.
Здорово играет и очень интересно переСложено :)
Хоть она и эксцентрична и на босу ногу ))) но какое это имеет значение, если звучит??!!
У Вас нет записи Кремера? Он очень давно записал эту же кеденцию на LP.
Recomiendo la versión de David Oistrakh con Cluytens.
Henryk Szeryng is the best.
Лучшее исполнение этого концерта из того что я видел, и прекрасная режиссерская работа.
Waoooaww!!!!! J'adore !!!?
Esta cadenza, en mi opinión es absolutamente improcedente. Inadecuada para un concierto inmortal. Desrruye la obra, es mi parecer.
Beethoven ho scritto questa cadenza...
I couldn’t differentiate her harmonics to her playing regularly on the e string, the sound quality of her harmonics are that good. (Well obviously I could tell but the point is her harmonics sound great)
A trick: you can watch series at Kaldrostream. I've been using it for watching loads of movies these days.
@Deangelo Levi Yup, been using Kaldrostream for since december myself =)
After listening to her re-working of Beethoven's Cadenza, I think Kreisler's Cadenza actually improved on Beethoven. It's like Beethoven mistakenly affixed a cadenza from something else he was working on, something avant garde, or maybe she distorted it. As one scathing critic said of another performance in history, "It stinks to the ear".
I agree completely. This cadenza is, without euphemism, ugly. Kreisler's is warm and corresponds to the warm spirit of the Concerto and Beethoven's music in general. We are talking, of course, about the cadenza in the first movement, but the same can be said about the others in this interpretation.
cadenza by Beethoven for piano
После каденции в концерте Моцарта Жиль Апапа этого не хватало).здорово!браво Патриция!
Jason Statham on Timpani, 2:40
yes he is
@@JustFiddler After saving the World, his real profession is just sitting down and playing some timpani, LOL!
Von wem sind die Kadenzen eigene ? oder Schnittke?
Beethoven (aus Klavierversion): www.patriciakopatchinskaja.com/beethoven
Beethoven...
💙
simplemente diferente, con gran fuerza, creo que le gana en momentos la gana de hacer sentir la música, sumamente teatral, creo que sabe más de lo que muestra, no creo que pueda tocar, obras lentas o profundamente "violinisticas" sin descomponerlas un poco, sería bueno que nos mostrará su técnica "a tempo" su ímpetu la lleva a desafinar con frecuencia... pero es un poco de aire fresco en escena actual, seguramente hay a quien no le guste pero creo que en un poco más de tiempo perderá tanta fiereza y tendremos una gran interprete.
This is overplayed.
It is beautiful !!!
She really makes you feel music!
- There's no denying her virtuosity.
- And innovating is interesting, if questionable.
- But she's clearly LOOPY, crazy, and uses this cadenza as a vehicle to express that eccentricity.
- How would Beethoven have reacted [to her rendition]? Not favourably, I suspect.
These cadenzas were in fact written by Beethoven :)
This is Prokofiev ……
No, these are Beethoven's own cadenzas.
@@romeovashishthviolin9384He did. This is the arrangement of his cadenza written for the piano concerto version of this piece
... eine Teufelsgeigerin! Genial!
Предивно! ❤️
Oh! your hair!
Having talent is no guarantee of taste
You said it. Luck of good taste and measure.
Anyway, I don't think it fits Beethoven's violin concerto.
3:20
👍👍👍
I love It...
You must be joking this is not Beethoven at all!!!
+Alexandru Gheorghe Of course it's Beethoven!!! imslp.org/wiki/Violin_Concerto_in_D_major,_Op.61_%28Beethoven,_Ludwig_van%29
Right, you get to write your own, if you like. Hers makes me smile.
The cadenza is supposed to be hers not his'
Haha, Jackson, you're right!! :))
Sorry, once again: All cadenzas are by Beethoven, from his own piano transcription of the concerto and retranscribed by Kopatchinskaja.
Same cadenza Gidon Kremer plays
Kremer plays Schnittke version
To my Gisela ...
who wrote this crap?
artur dm haha. only Beethoven ;)
beethoven ._.
these are the cadenzas
You two clearly don't know how cadenzas work
@@evanmcguire5787 but this is literally Beethoven's own cadenza... written for the keyboard version of his concerto. So yes, it's been adapted by Kopatchinskaja, but it's actually quite faithful to much of what Beethoven wrote.
Ha Bethoven elne az ö velemenye volna döntö ö komponalta ötudta mit akart kifejezni a müvevel sajnos ö mar elment
as noted elsewhere she reminds one of a demented marionette
I mean technically putting her violin down and defacating on the stage would be "brave" and "new" too, this is completely out of character with the concerto, if she wants to make outsider art she should write her own music and stick to it
no Jimmie, this is a great artist!
Yeah...so...this is awkward...but this cadenza was written by Beethoven himself...so...
@@Boollish No it wasn't. He wrote similar notes. For Piano. For an adaption.
@@josechrist3948 great violinist and show-woman but not great artist.
😆😆😆😆😆
me gusta mas la partitura original, sin comparación
A qué te referís con partitura original?
Essa parte não tem "partitura original". É livre, é Cadenza. Procura saber o que isso significa.
She should be getting marry with Chuanyun Li.
Very well......bravo.....but a cape Bretton fiddle player might think they could do this too....so much like a mental breakdown.....but I also love it......bravo....someone cal the ambulance and check if she is all right.....get her thoose meds...
Why does it always have to be an attractive young woman playing the solo.
Is it to sell tickets???
What young women? Kremer, Capucon, Tetzlaff, Zimmermann, Ehnes, Hadelich, Kuusisto, Kavakos, Accardo, Bell, Khachatrian???
Very good question. These days only good lookers get lucrative contracts
Interpretation of Kopatchinskaja much too extreme and "free". If she wants to play her own stuff, instead of the concerto of Beethoven, she should write her own concerto or have a concerto dedicated to her.
This comment says enough about you and the level you are at. I would say 'grow up', but surely, this advice won't work with people like you. Nothing will.
Well Mr.Snauwaert, these are the cadenzas written by Beethoven.
The idiocy of this remark speaks for itself. Some people make a fool of themself, without even realising it.
It's you who are making a fool of yourself. These are transcriptions of the cadenzas Beethoven himself wrote for the version he made of this concerto for the piano, op. 61a. You can listen to the original starting at 9:20 in this clip:ruclips.net/video/A-CwULXs-eo/видео.html . As for your criticism of her playing being "extreme" and "free," you should do more research on early 19th century performance practice - there is nothing in this performance that distorts the character of the music Beethoven wrote. Maybe it's Beethoven you don't like, not this performance.
Idiot. Beethoven wrote no cadenzas for his violin concerto. Moreover, I didn't talk specifically of the cadenzas, but of the interpretation as a whole. I obviously now will stop this 'discussion' with you. I have things on hand that are infintely more interesting.
Too crazy, I don't like it.
Crazy. Why so hysterical, this ruins the music?? In the coda of 1st movement she shows that she can control herself but the cadenzas are shocking. A fantastic player but lucking depth and measure.
I would say that the player is not fantastic at all, and I agree that she lacks depth, measure and - let's add - taste and musical warmth.
Chuanyun Li - crazy, has amazing techniques: no more career, due to an alleged "mental illness" which is clearly caused by ill-natured negative criticisms by jealous losers.
Kopatchinskaya - crazy, NO techniques (well, she tries. Ok) plays with Berlin Philharmonic etc.
Seriously world, what the fuck?
You don't think that K. is a little unbalanced herself?