I currently use a RoninRS2 with a A7iii on long shoots and it does get heavy after a couple of hours. The RS3 mini is such a great idea and I have ordered one after watching this excellent video. Thanks so much. The calibrating ending 😅
Great video! Watched with my kiddo he's really into video and we learned a lot. I like that your videos are easy to comprehend but also challenge your skillset!
The RS3 Mini is a great camera stabilizer, not only because of the price but also because of the weight. Pretty reliable basic gimbal that even pros can love.
Nice review Lizzie. Questions as a newbie. Is there any way you could have edited the sound throughout to get rid of the echo in the room? It was ever present and took away from the rest of the great production. Could something be done in post? Cheers.
She's talking about shutter "speed" (shutter angle is the correct terminology for film-making). If you're filming a 24fps project you have to keep your SS double to maintain a proper blur of motion. For example for 24fps you need to always keep your SS at 1/48 of a second, meaning you would need to adjust your exposure via aperture, ISO, or a ND filter. 30fps you need to always maintain 1/60, 60fps at 1/120, etc. Some camera bodies don't have 1/48 and 1/120, so you would shoot at the closest SS available, which would be 1/50 and 1/125 on Sony bodies. Please note that maintaining a 180 degree shutter angle is not the be-all end-all rule for filmmaking. This is just what our eye is used to when it comes to watching cinema. You can break the rules if you artistically know what you are doing. A faster shutter "speed" will make the footage look more jittery and blocky depending on your intended frame rate, and you certainly do not need to keep with this "rule" if all you are doing is walking and selfie-vlogging.
@@classicboy97 he’s talking about when you are filming someone. In order to not break immersion you don’t want to record from too many angles or it looks wonky
If you shoot beyond 180 deg, try to visualize it, what happens is, the subject is going in one direction and when you cross 180, they are suddenly going in the other. Does that make sense? If subject is going L-R in frame, and you cross behind them, beyond 180, they are suddenly going R-L :)
It's also called "The imaginary line" and observing it will enable cuts in the sequence to match consistently (instead of flipping them to the wrong side in the next cut), which would confuse the viewer. Number 1 rule of filmmaking - USC 101: Do Not Confuse the Viewer. But of course, all rules are meant to be broken IF there is a reason for it and the reason is not actually a technical mistake.
BRB Calibrating
Why did you remove my comment? :(
Not a sexist comment but I love it that the RS3 Mini is so light that a woman can handle it pretty easily. You're really rocking that thing Lizzie!
I just got my rs3 mini and already loving it
I currently use a RoninRS2 with a A7iii on long shoots and it does get heavy after a couple of hours. The RS3 mini is such a great idea and I have ordered one after watching this excellent video. Thanks so much. The calibrating ending 😅
Thanks Lizzie I proper chuckled at the calibrating at the end
Great video! Watched with my kiddo he's really into video and we learned a lot. I like that your videos are easy to comprehend but also challenge your skillset!
Also in the travel + need gimbal squad! Looking perfect. Finally got some cases for the camera chaos as well. Thanks for this little sequence.
“Calibrating” 🤣🤣🤣 You are the best 🤣🤣👏👏👏
That giggle on "I like them small" made me smile 🙈
The RS3 Mini is a great camera stabilizer, not only because of the price but also because of the weight. Pretty reliable basic gimbal that even pros can love.
Great video, can you explain in detail on another video the 180 rule?
Kubla!!! 😍🥰🌹Best singer of all time! 🤣🤣 Go check out his music "Move on" and "Running Lose" are the best! 🤣🤣🤣
Great tips! Shots turned out really nice 🎥
It is small but can handle G... master!
I think it’s actually quite large. Many have said it’s huge in fact.
You r so pretty ma'am
Nice video ❤
we're calibrating 🤣
Very nicely presented especially nearing end, calibration movement you did was ultimate. ❤
Lizzie what are you doing? We're calibrating... 🤣
awesome content as always :) anyone know if this gimble will work with a canon EOS 700D?
Really curious how you recorded sound?
Does anybody try to zoom in or out??? Does anyone? Do you lose calibration? I'm new to this?
this or the dji ronin rsc2 ? the vertical mode on that not need rebalance
Nice review Lizzie. Questions as a newbie. Is there any way you could have edited the sound throughout to get rid of the echo in the room? It was ever present and took away from the rest of the great production. Could something be done in post? Cheers.
Smaller really is better 😂
a lot of he video on the gimbal is quite jittery there’s just sudden motion that’s so undesirable, is that the gimbal or operators fault exactly
I would assume operator. I don't think it was balanced correctly. Most likey too front heavy with that big lens
Great tips. I have the exact same setup. What's the longest lens that the RS3 Mini can use comfortably in your experience?
Lmao yes ❤😂
What mini handheld tripod do you use/recommend?
This is so helpful as a girl that does not want to carry around a massive gimba lol
Wait, can someone explain the 180 rule she’s talking about ? Is it about the tilt of the camera or something? I’m confused…
She's talking about shutter "speed" (shutter angle is the correct terminology for film-making). If you're filming a 24fps project you have to keep your SS double to maintain a proper blur of motion. For example for 24fps you need to always keep your SS at 1/48 of a second, meaning you would need to adjust your exposure via aperture, ISO, or a ND filter. 30fps you need to always maintain 1/60, 60fps at 1/120, etc. Some camera bodies don't have 1/48 and 1/120, so you would shoot at the closest SS available, which would be 1/50 and 1/125 on Sony bodies.
Please note that maintaining a 180 degree shutter angle is not the be-all end-all rule for filmmaking. This is just what our eye is used to when it comes to watching cinema. You can break the rules if you artistically know what you are doing. A faster shutter "speed" will make the footage look more jittery and blocky depending on your intended frame rate, and you certainly do not need to keep with this "rule" if all you are doing is walking and selfie-vlogging.
@@classicboy97 he’s talking about when you are filming someone. In order to not break immersion you don’t want to record from too many angles or it looks wonky
@@51crazyguy lol oops i hadn't watched the section yet. You're right, sorry for my ignorant words
If you shoot beyond 180 deg, try to visualize it, what happens is, the subject is going in one direction and when you cross 180, they are suddenly going in the other. Does that make sense? If subject is going L-R in frame, and you cross behind them, beyond 180, they are suddenly going R-L :)
It's also called "The imaginary line" and observing it will enable cuts in the sequence to match consistently (instead of flipping them to the wrong side in the next cut), which would confuse the viewer. Number 1 rule of filmmaking - USC 101: Do Not Confuse the Viewer. But of course, all rules are meant to be broken IF there is a reason for it and the reason is not actually a technical mistake.
First
😂😂😂 I only came here for this
"withhold the weight"?
You look a bit like Olivia Wilde