True. There do seem to be pieces of gear that people are less addicted to, but I hear repeated comments from people who own Moog, Nord and Virus, that show real loyalty, and kick themselves later after selling one....To me, some of the new gear has incredible workflow, innovative and unique features, etc. Those are a joy, especially for novices, however after years and years of full time use, some gear, and some sounds just seem to always be useable and remain current.
You are *NOT* a grandpa (well maybe you really are but whatever), You are a MAN with experience of having toured, performed with some really great synths and I appreciate your vast experience in this realm of musical expertise. Continue to stream on my friend.
Great video man ! I have produced almost 10,000 sounds on it. This is probably the only synthesizer that has kept surprising me for over 10 years. It is a solid hardware.
I have been checking through quite a few of your sounds. Some really amazing work. I'm sure you've helped a lot of Virus users make the most of their hardware.
Another cracking video Will. I always assumed Palm started Waldorf but you are 100% correct, I just learned it was the German PPG distributor Düren. I’ve been buying synths since 1983 and it’s a joy to see someone generating content that I know it true and in context. I’m just buying my 4th TI (a 2 keyboard) for live use on a UK tour. And you are 100% right, the snow was a master stroke for me because it meant I could tour Europe far more easily, with a lightweight controller in with my other and have a snow in hand luggage. A joy to watch.
Hey Keith, Thanks for your supportive comment. I did a bit of research to try and make sure that my info was accurate. I know that some of what I stated was a bit of an oversimplification, but I wanted to keep the video under 10 hours long. I hear that the Snow even comes with a little padded case - perfect for the backpack or carry on....... I did a bit of serious touring with synthesizers, so I'm probably overly concerned about reliability. Most people just do recordings, where there's always time for another take. Right now, I have a fave little gadget that I do some work with - a Synthstrom Deluge. An amazing piece of gear (I just uploading a bunch of my custom Virus samples into it). It's got a really interesting workflow and some cool features - but frankly, once in a while it just locks up. I would never use it for any sort of live gig. I hope you get to go out and do some shows in the UK. Seems like so much of that activity has ground to a halt. Nice to get such a great comment - makes it worthwhile. All the best to you! ;0)
I always found the TIs extremely reliable as a stand-alone and this time round I plan to sequence and live play it from an MPC Live II along with a wavestate (which you simply have to try out). I’ll check out the deluge as I keep hearing very promising things. I might get a Waldorf as well (I can’t justify it and must stop buying synths 😂, but can’t) Thanks to the Boris speech yesterday the originals band tour (using the TI) looks promising, but my other band (a DM tribute) is getting another 7 shows (up until June) rescheduled to later in the year. It’s the 3rd or 4th time we’ve had to do this, an absolute nuisance, but it is what it is.
Hey Keith. It really sucks that the arts are basically dying. People really need stuff like that to make their lives satisfying and stimulating, let alone connection with other humans. Even though I live in a very remote area, there is a guy 1/2 hour away who has massive G.A.S. and seems to have one of everything, so I always get to check out new gear, like the Wavestate. As far as the Waldorf stuff.....I had a Blofeld - AMAZING, esp. for the size and price, and also a MicrowaveXT which I was in love with. Sadly, even though the gear sounds excellent, the build quality isn't there. On both my units, I ended up with faulty encoders, and thus, decided to sell them. Perhaps if I lived near a centre where I could get them fixed, I'm might not have let them go, but - from everything I've read online, my experience wasn't unique. These days, I don't collect hardware anymore, I tend to buy and sell stuff. Before the Virus, I had a Hydrasynth. It was an incredibly deep and sensational sounding synth, but there were a few minor things (not relating to the sounds) that I found too annoying, so I 'liquidated' it. Thanks for reaching out. Feel free to send me links to anything you've done....
@@willswitchcraft That’s a huge shame about the Blofeld encoder issue. Such a capable synth in multi mode as well. I rarely buy synths due to space so every few years I tend to cycle and have recently been on a binge because of a 10 date support slot on a UK tour. And the logical decision is, yet again, a Virus. I was buying a lot of software at one point but couldn’t bring myself to spend £400 updating Arturia to 7 (now 8) for not very much in return. Similarly with Native Instruments wanting £500 to go K12 UCE to K13 UCE. This is the first FORM album on Infacted Recordings. ruclips.net/p/OLAK5uy_k2r-NqpCysly3oAtrpzQSlnWm_i2A0aXQ The glass masters just came back for the new which is out on 9th April 2021 on the same label. I’d love to know what you think.
I'll check out what you sent, thanks.................. As far as software, when I record, I usually lean pretty heavily on Omnisphere - it's very versatile, and just ends up suiting my needs, so I haven't spent much time looking at anything else......Not too long ago, was rehearsing to do a bunch of tour dates (as a drummer) with a Canadian 80's synth band, called Strange Advance. Everything kind of fell apart, and now it looks like the band will never get it together to head out, as the audience, although loyal, is quite small. I'm basically retired, especially because we live so remotely, but I also write and record with my wife, in this musical project: www.thearcanegarden.com
Great video! I have had my Virus TI2 for almost ten years, and it can still make me go "wow" as I create sounds on it. I don't know any other synth that can do as much and whose sound just doesn't get old. It's one of two synths that I would never sell, the other being my beloved Yamaha DX7II.
awesome to hear, I also had a pretty serious DX addiction back in the day. I did a shipload of custom programming on it, and yeah, it was also a piece of gear which really maintained my attention and respect....
What's funny is I saw a post of someone taking the Virus TI Keys apart and the sound module was just a tiny little palm sized PCB. Which is rich, because the Ti1 is the heaviest brick of a synth I have.
Lots of coincidences here .... i am sort of "grandpa" too, i have had (and still have) tons of synths too, and i am now enjoying the Virus line of synths (like you) after so many years of "skipping" them. To me, the Access Virus and the Novation Supernova are the top of the tops in VA synth design. Thank you for a great video.
Very cool to hear from you! The Supernova was also incredibly powerful and offered the multi channel options (as did the Yamaha TX816) I'm still a fan of a lot of the Novation stuff. Thanks for watching and saying hello.
yeah, they're so amazing.......finally sold my Ti Desktop, but only because I immediately replaced it with a little SNOW, which fits into my ambient workspace better...................so incredible sounding........
@@willswitchcraft I might have to pick one up again at some point, though the prices have only been increasing :'( The A's go for a reasonable price, but I want a B or C...
then I'd say the Virus line is still a great option........(of course you're not taking advantage of being able to play 16 parts at once, up to 80 voices, etc......but the sound, unparalleled.......you might want to consider the Virus Snow.........all the same sounds/effects/features of the newest Virus synths, but much smaller and more affordable......
ive wanted a virus ever since i was 6 y/o, using my precious dial up internet time browsing vintage synth explorer, im about to pick up a used ti polar, cheers from alberta man!
Hey Dan, That's v exciting exciting about your used Polar! If you haven't watched, check this other vid out: ruclips.net/video/5o4KVDtpBAo/видео.html Greetings from South Western B.C.
I saw an advert somewhere (maybe 20 plus years ago) for the Virus and I’ve been enamored with them ever since. I’ve always felt that the Virus is one of the most radical looking sound machines. I had a grad student/professor in one of my undergrad electronic music classes and he brought his Virus’ into class one day to demo synthesis and waveforms. I was completely smitten by that thing. That’s the only time I’ve seen or listened to the Virus in person and aside from adverts I haven’t seen or heard about them since then. So, this video is great because for me this particular synth really does have a hint of mystique and I’ve enjoyed learning about them. Thanks.
Like you, I'd known about the Virus line for a long time, but I'd never owned one. I was pretty much blown away by it's abilities, and it has some really distinctive features. It unfortunate and sad that it seems to be a bit orphaned by the company.....
@@willswitchcraft I’m in the mood to share some comments at the moment, so pardon my chatter here. I studied A/V design, art history and a dash of architecture in college. And I lived in London for a brief time while in school, circa 2002. Andy C, High Contrast, Mouse On Mars, Dieselboy, Amon Tobin, Squarepusher, Autechre... these were all happening around town and I had never heard anything quite like it - truly exhilarating. I returned to the states renewed and refreshed; loaded to the gills with inspiration; mostly from contemporary circles and regular visits to various venues around town, such as: SoHo, ICA, Fabric Live, the Tate museums, and actually several outstanding London libraries (the books I found about contemporary art and electronic music were so mint and cutting edge). All of that fantastic energy flowing through a single place, the urban metropolis that is saturated with throbbing grit and creative life there in London. Anyway, the music and contemporary art scene was especially inspiring. So, first thing I did upon returning from Europe is I went out and bought my first synth - a brand new Korg Electribe EA-1 (it’s okay, go ahead and laugh); a used drum machine (Boss Dr. Groove DR-202); and a crappy Tascam Portastudio (4-track cassette tape recorder). Those were golden years. Unfortunately, my passion for music making and audio design took sort of a back seat to my other studies (emphasis on visual design, engineering and graphics), and later my career pulled me into the direction of professional graphic design and international photography circles. So, unfortunately music faded away from my creative practice (for almost a decade) with my only “music making” exercise being late night reading up on the newest instrument designs, released by companies like - Teenage Engineering, Moog, Gamechanger Audio, Roger Linn, etc. Anyway, I’ve just recently in the past few years started catching up again with my passion for music and especially musical instrument design (drums > bass > synth, in that exact order). Today, I’m happy to say, I’ve built my own home based fabrication/design studio, and I build my own instruments (boutique electric basses, kalimbas/mbiras and other quirky R&D projects) which is really something I had always wanted to do back in the early years of academia but I didn’t quite figure that out until later down the road. Anyway, this is a long way of saying that after watching your Virus walkthrough, you reminded me about this particular synth and how much I appreciated, all those years ago, this instrument for its incredible German engineering and slick design. I’ve been buying and trying out a new piece of synth gear (about 1 or 2 per year) to find something with a particular sound design palette for the purpose of building my audio sound scape works in tandem with my acoustic drum kit and electric bass looping setup. It’s become a bit of a ritual actually to buy some new piece of synth gear, work with it for 6 months or so and then sell off the newly acquired gear in search of another synth that might work better with the vision I have for this particular - drums/bass/synth - rig setup. That’s been the goal for the past few years but so far no luck pinning down the right synth for my setup. So then, I completely forgot about the Virus synths and I was recently just getting ready to buy this years trial synth (I was looking at the Moog DFAM, Subharmonicon and an older Roland synth, Sh-32). But then I encountered your videos on the Virus and voila! That’s the one - the missing link. So, needless to say, you motivated me and I finally bought the Access Virus B (Rack Classic), just yesterday. I’m stoked. So then, I hope you don’t mind if I send you a tech question or two, now and then. Thanks again for the overview and for reinvigorating my long lost interest in the Access Virus. ✌️😎👍💥🎹💥
Thanks for the insights.....I too have been into the synth thing forever, and also have worked as a graphic designer, and cinematographer, etc. I often buy and sell gear, just so that I can try different pieces without collecting (like I used to do when Was doing it as a full time professional). I also spent many years designing and building my own 'art house' in the wilderness, with my wife, and am just now finding more time for music again.......BTW - I had an Electribe (I think it was an EMX, it was awesome, so no, I wouldn't laugh) Glad to hear about your Virus purchase. I'm hoping that it will be everything you need.
Thank you very much for this. I'm about to get a TI in a few days and it's gonna be my first Access gear ever so, your video was just what I needed right now.
It is such a service to have a straightforward rundown. I was shocked when I first discovered how powerful the TI series was, especially because of the reputation of the virus as primarily a VA synth. Understand the snow in particular was useful because it was never clear to me how it related to the others. Also, great to hear about the rack mount 90 degree flip. Now I just need to figure out what I'm going to sell to get one.
thanks....It's great to know that there are people who get something from the videos.........As far as buying one, the cheapest model is the little SNOW. Still uses the same basic sound engine, same effects, etc. but can only handle a smaller voice count, etc. (I guess we all have gear that we lust after, and begin to think about what we could 'release' to get...)
Thank you so much for taking the time doing this video Grandpa!!... I was needing this information on the Access Virus line to decide which one to buy and you made it possible..
the presets are not the only reason why the different models might sound differently to some people: the C and the TI produce slightly different basic waveforms (eg. square, saw...)
Well in truth, there's actually more to it than that, however I was oversimplifying things. What I did try to make clear, is the the LATER virus models, contain virtually everything on the earlier ones. Of course, the earlier models can't sound exactly like the later ones, for many reasons
@@willswitchcraft yeah some people blame different DACs, but I personally don't believe that would have an audible effect, I blame the different waveforms. It's also puzzling to me why would they make the TI produce a distorted square wave instead of a proper square wave like the C can produce. I look forward to your other videos if you are willing to get into more details about this issue
I'm not sure how much time I'll spend doing these types of uploads.........I've been pretty much obsessed with synths for decades, but I'm also trying to spend a shipload of time writing, improvising, jamming and recording..........I don't think I'd be able to build the type of online presence that garners enough views - to warrant detailed tutorials, etc.........but thanks for watching and commenting!
Thanks so much for your comment. I've done a few Virus videos now. I wasn't really sure anyone would be interested, but it's wonderful to get responses like yours - makes it all worthwhile.......
I had the A in 07 and I like it. I upgraded to TI2 later on and it is really synth /sound module because even the presets that come is I feel is complete. Has bread n butter sounds and tweakable presets. I really like the that the Virus doesn't come with a jillion wavetables .
Yes, however it might be cool if there was a better way to name/organize the wavetables.....If you haven't watched, you might enjoy this: ruclips.net/video/5o4KVDtpBAo/видео.html
Nice discussion. I actually had a C and a TI at the same time. Never once heard a difference, tested again and again. Then, I had a KB and a TI. I HEARD a difference in an INIT patch. The raw waveforms did sound difference. But... then I made patches 1:1 and - the subtle differences were gone. They sounded the same. Now - I sold my KB and wish I hadn't. I'm pretty pissed at myself for selling it because I loved that keybed. Best keybed I've ever felt.
Also - I'm pretty sure the TI and TI2 use a DIFFERENT keybed than the KB and KC, which is depressing as hell to me. Further, on the TI and TI2, the units will NOT remember LOCAL ON/OFF settings, unlike the B and C, which do retain that memory. So dumb, I hate having to turn Local OFF every time I turn on my polar if it's my controller.
Super informative, thanks!!!! I've always had major respect for your knowledge base, and love your uploads, back to the first one I hear, which, if I remember correctly, was on the Korg Radias (another of the many synths I've owned) Thanks for watching, and for giving me your perspectives.
Seems to me that, originally at least, they used a Fatar - which is basically the Rolls Royce of keypads.....Oh well, I'm sure you'll be able to find a pristine used one, if you keep hunting. I mean, Hey, look at the Rhodes you got, right??!!!
@@willswitchcraft Ha - thanks, I uh... spent way too much on that Rhodes. I love it, but know I spent too much on it. I really would like to get another Virus KB. KC doesn't interest me as much personally. But I have too many synths and just bought a Prophet 12. Whoops.
The way I view it: They're REALLY NOT making any more Rhodes keyboards, ever. If you have one in good condition, that's been repaired and sounds great, sooner or later, someone will be happy to lay out a shipload of $ on it, just like you did. There's always going to be someone who has cash, and nothing other than an old awesome Rhodes will do. You only need ONE buyer, and with eBay and Reverb, etc. the world is your oyster......
Really enjoying your videos on the Virus series, but gotta say the intro for this one is just magical. I can't think of any intro on YT I've liked enough to rewind several times lol
So good to hear.......Do you mean an old guy in the great Canadian winter? or do you mean the start of the 'meat & potatoes' of the video? (This was one of my earlier videos, and I thought I'd inject a bit of 'reality', but then, realized that most people just want to get to the content) Lots of time, when I'm hunting on YT, I just feel like skipping the whole first part of the videos, as people are just babbling........so I guess it depends what you're looking for. Either way, thanks for taking the time to comment, .....I appreciate it!
@@willswitchcraft The shot of the stove together with the dog followed by the cut to the winter scenery + the coffee mug & then you giving the intro dialogue with the scenery in the background....just very well done visually.
@@willswitchcraft Sure...Well, I'm a huge coffee addict #1 & also live in the Southern U.S. where no snow, mountains or any of that exists whatsoever lol Sure that has something to do with it, but IDK it just felt visually stunning & gave off a relaxing vibe, the dog added to it as well.
This was very helpful. Made a subscriber out of me. Hello from Fort Wayne Indiana. I happen to love the sound of these. I don't know how many know about this, but Access Virus made a software version of Indigo that was only available for Pro Tools HD/TDM. It had a polite little indigo GUI and was stuffed full of fantastic patches. It was my go-to synth on a previous system. I used it on a song I wrote while courting my wife so I could say Indigo practically got me hitched. hah I'm half tempted to revive the Pro Tools HD 2 Accel system (on power mac dual G5) and set it up as a slave, just so I can use that synth. :D Buut I may just be buying one of the new versions when the time is right. Funny it went from that to now they don't even make an AAX version of their current plugin. Cheers
Nice video! After owning a C Desktop and a C Rack, I finally settled for a TI2 Polar. A very handy all-in-one machine thanks to its built-in audio interface - that plus a laptop are all I need in the living room whenever my wife is occupying the work/music room. One comment: Multi-timbrality was not really invented by Access - already my first sound modules in the 80ies had it. And my favorite synth, the Novation Supernova II, is also multi-timbral. But it's become a rare feature nowadays!
Yes, I understand and agree... There were a few companies doing that type of thing, perhaps most popular was the Yamaha TX816 set up, however it didn't function as a hardware synth, no knobs, etc, just a rack mount sound system... I just wasn't really aware of anyone doing it so completely, with so many voices, individual effects, etc.....
For years I played with the idea of getting a Supernova. I've had a lot of Novation stuff over the years, including a Zio, XSynth and an Ultranova. I just loved the sounds, and all the control from the panel. In the video, you'll hear a few 'oversimplifications' which don't really tell the whole story, because I wanted to try to keep it under an hour LOL
@@willswitchcraft Haha, no problem! I really love the Supernova series, but of course it's 20 years old by now whereas Access have continued updating their machines with USB, faster processors... the Virus is the last one standing. :)
I partially agree with you, however from a different perspective - Novation is still kicking ass and making cool stuff, yet Access is pretty much over. Now that they have stated that they will NOT be making their editing software compatible with the new 64 bit MacOS, all the users will start to feel unsupported. I suspect that the Supernova will always be a great piece of gear, even if it doesn't support MPE, or other new advances....Not unlike the beloved old Moog stuff, Oberheim, etc,.....
Nicely done, thanks for the helpful overview ! As a german "Besserwisser" I have to comment on some facts though. The city of Berlin is often referred to when talking about electronic music. The "Berlin school" is a known term. But no of the companies you mention and bind to Berlin has actually its roots there. PPG is from Hamburg, Waldorf originates from Waldorf /now Remagen, Access is from Recklinghausen. The only obvious one that comes to my mind is MFB (Manfred Fricke Berlin). Other german synth manufacturers like Doepfer, the former Quasimidi / Radikal Technologies are not Berlin-based either.
Interesting observations and information Thomas. Thanks so much for the clarification. I haven't been to Germany for a long time now, but it's always seemed like a very unique place with a creative and innovative bunch of people.......Good to know more facts......thanks for commenting!
That's a big, difficult question. There's so much great, sample based gear out there. I often just used some of the excellent sample libraries and a laptop. I can tell you what would be the most affordable option for a keyboard, synth and sampler.... Years ago, Korg came out with the 'Karma'. I don't think it ever really caught on, but it has some great sounds, and you can often pick them up for about $500. ruclips.net/video/G9MKyC0DS1c/видео.html
@@willswitchcraft i loved to start with presets, but then they became boring. By now i can do simple sounds, but complex modulations and arps are quite challenging. Sometimes i want to get vacation just to lock up in the room with synths and dig them all completely
Sound design isn't simple that's for sure, but still very approachable. I think people who are new to it should always remember to finish the sound, make sure it has a beginning, middle and end. From what I noticed is beginners and even intermediate can be prone to not putting the full contour on sounds, it ends up being more of a tone than a finished sound. I'm not saying that's anyone here, but since learning was mentioned I thought I'd give my little tip :) I guess also I would want to say sometimes simple is good, the simple sounds often carry the most weight. Cheers everyone and I hope to see more virus vids from you this channel and well, more virus vids in general because I think I"m getting one. I really never gave these synths a fair chance and I regret that because they seem pretty perfect for what I need now.
I haven't used an M1 chip, but I seriously doubt it, because Access is NOT even making their software compatible with the 64 bit mac OS (Mojave, etc.). I uploaded another video about an alternate software editor - it would be a good choice to look into....
Filterbanks are amazing, you can form sound as a plasticine. That's make TI line unique. I've been virused for almost 20 years (С&TI) and it's really great. Thanks for a video!
Yours were among the videos that helped push me into taking the plunge for a Virus TI2 a couple weeks ago. Absolutely thrilled with it so far. It has so much character that's lacking in many modern digital synths. The effects are also in a league above most of the other HW in my collection (Deluge/Hydrasynth's FX sound a bit sterile in comparison - though they make up for it in other ways)
So glad to hear that you're excited by your new tool..................BTW - if you're not up to date with the Deluge Community Software, the effects are finally getting better on that box, not like the Virus, but there are real improvements......
awesome grandpa! can't wait for the next virus video. I've had my C for about 20 years. Though now when I push buttons random things happen, so I can only turn knobs. Any idea how much that might cost to fix?
what a welcome comment. Thnx so much Rob - truly appreciate you taking the time to watch and comment (I have quite a few Virus videos here if you're interested)
Great summary. Only thing I know that you forgot is the TI2 Whiteout Limited Edition Desktop Modules. They made 100 of those, whereas they made 150 of they Whiteout Limited Edition Keyboards.
Wow, you really know your Virus line......Actually, I'm sure there were other things that I could have mentioned. My knowledge is not complete, and I wasn't thinking it would be a 'definitive' video on the synth line, just an overview. Thanks for commenting.
Didn't watch the whole video yet, but i have a question i cant get An.amswer too. I have a Korg Electribe Emx-1 and i send the synths to a Virus Rack. And when i made a multi program, i cant save IT togheter with pattern i made on the Korg. So when i switch a pattern on the Korg, the Virus doesn't switch with IT. Is this soundimg crazy? I only doing this a year, so im quite green
Thank you so much for this access virus history lesson! I really enjoyed watching and learning about all the models. I had one of these synths as a kid, but couldn't really appreciate or understand what I had at the time.
Again thanks, but now with a question: debating between the C and TI. Only reason for TI being in my pool of choices is the mention of DAW integration. On the other hand, reading some of the comments here, seems like the integration is far from perfect… could someone please elaborate on the issue? No videos on this from the recent years… thanks in advance
I hope you can find some detailed info about integration. I suspect the Virus Forum would be most helpful. I've heard some serious concerns, but have limited personal experience.......
@@willswitchcraft Thanks Will, its turned out to be one of the best investments I've ever made. Totally killed off my GAS, which strangely is kind of a relief TBH.
You can also name your TI virus models in the factory OS/patch manager software. I name my instrumpents anyways so my KC was never christened digitally but I named it "Machupo", My Snow was named "Variola", my TI desktop was named "Marberg" and my current virus Polar1 is named "Ebola Zaire". :> I named them after viruses. I got it because sometimes I just want to play on a virus and nothing else. Great synth for making patches and tinkering on.
I'm having a problem that perhaps you could help me with.....I have a backup of the sounds on my Virus Ti desktop (which I've now sold), but I can't upload any of those patches into the Virus Snow - some strange issue, even though they have an almost identical synth engine......I need to get someone to take my Virus back up (.vti file) and then create .mid patch banks for me. I only need the first 4 RAM banks. Interested in helping me out? I can send you - not only my back up file, but over a hundred different patch banks from various sourced, for the Virus
No, it goes to 12...........but I think it's 'metric' - which doesn't really count. In my experience, gear that goes to 11 (and beyond) causes other musicians to feel jealous, and your gear gets stolen. ......................but the Virus does play in D minor, the saddest of all keys.......
Biggest difference for me was when I upgraded my Mac OS the virus control stopped then I really had to dig into my Polar TI hardware. My understanding of the synthesis and the unit greatly increased because of that. Through I still would like the virus control upgraded in the future. I like hardware knobs that I don’t have to map or mouse click on. You are right I love to program my own sounds more with the virus. Learning to use the wavetables more these days.
In my opinion, on screen programming is better for 'hidden' features, like the 3 & 4th envelopes, and sometimes as a more efficient way to navigate other features - like the Modulation Matrix. I grew up doing hardware programming (before there was even such a thing as presets) so I'm totally solid with that. I do wish it was possible to simply Copy & Paste parameters or sections of a patch - to make things quicker and more efficient, but different type of programming requires different approaches.... I sometimes wish I had something like a Virus, where each knob or switch had a single function. So much better than stepping though pages and having to read a screen to make an adjustment - C'est La Vie - I guess with more control, comes more complicated access......(So why did they call the company Access, if accessing parameters isn't easier?????) LOL
@@willswitchcraft yes and I wish that Access Music would learn from Elektron how to write plugin software for Virus. Overbridge on Elektron works flawless in DAW as plugin. So I will try Mystery Islands software on Mac OS X Ventura or direct to audio interface.
I'm having a problem that perhaps you could help me with.....I have a backup of the sounds on my Virus Ti desktop (which I've now sold), but I can't upload any of those patches into the Virus Snow - some strange issue, even though they have an almost identical synth engine......I need to get someone to take my Virus back up (.vti file) and then create .mid patch banks for me. I only need the first 4 RAM banks. Interested in helping me out? I can send you - not only my back up file, but over a hundred different patch banks from various sourced, for the Virus
@11:51 can someone tell me what voices means?.. Because I thought it meant octaves. But I heard the snow and it sounds rich and very full!.. Or why would less voices not be as good??.. The snow is old but doesn't sound outdated or thin to me.
a lot of interest in the Viri again! Here are some interesting notes i can add. I have owned or own the B, Redback Ti desktop, TI2 keyboard, Indigo 2, and the snow. They do sound different. And yet recognizably a Virus. And the sound designers accentuated those differences in the patches. the chips and discrete components available for those model runs were different. Also the TI2 has usb 2.0, the TI usb 1.1. I’ve had to get inside them as well. Fatar keyboards from Indigo 2 and on. The b series has a toothpick holding the power connections tight. I kinda wish i’d left one of the C’s OS 5.5 because when you go to OS6.5 you loose the demo. And that demo is fantastic. Finally you can on the fly, switch into MIDI controller mode on TI’s that lets you program each knob to control another synth, even while performing (i.e. the patch active still plays).
Thanks for that clarification.... I truly hope that anyone seriously interested, will read some of these comments. I got about 80% of my information off the Access Virus website, however I do realize that I don't have personal experience with all the Virus models, so it's just meant to be an overview - not a definitive and conclusive overview..........
I can't be certain, however the majority of my information comes from the Access website, so it's hard to be certain, unless you could have 2 different Virus synths in front of you, loaded with the same patches.
As I understand, the Virus kB, has 2 'Definable' knobs, instead of the 3 'Soft Knobs' which were on the later synth brains. You can program the 2 to do different things in each patch, but I'm not certain as to how you program these to control MIDI values. Probably just defining a MIDI CC number, but I have no experience with that, so I'm not going to be able to answer that. Just uploaded a couple of new Virus videos, if you're interested.....
That's a difficult one. It depends on so many factors. First of all, if you watched my Hydrasynth video, I point out a few things that really bugged me - the most important being, whenever you go to SAVE a patch, all the audio stops for a few seconds. I found that really annoying. Secondly, when you go to switch patches, the first patch cuts out. Aside from those - the Hydra is 8 voice, but the Virus is capable of up to 80, and can do 'Multis' - up to 16 different patches at a time, so it is a true sound source. Keep in mind - I don't know if ACCESS is going to continue as a company. You'd have to use another companies patch librarian/editor (I did a video on that) but as far as I'm aware, there are no plans to offer a software editor for the Hydrasynth, which would be awesome.. Both synths can create very similar sounds - wavetable sweeps, all types of massive, punchy things, and also very subtle, nuanced ones as well...........
You must be excited. I think it's a great decision. They are both killer synths, but the Virus has some truly 'next level' features. Another thing to consider: if you decided in the future that it's not the ideal synth for you (very unlikely) you'll probably have no problem selling it. You'll find there are thousands of presets for the Virus out there, lots of different genres. If you haven't watched it, I did an in-depth video of the Mystery Islands Music software for editing the Virus. Might be worth considering....
@@willswitchcraft excited is an understatement, its arriving tomorrow and I just can't contain my excitement. I've wanted this synth since I was 15 years old. When I first saw and heard it I was blown away and I still am! That's saying something. I think its a very overlooked synth and I can't wait to own it and love it. Will make some music and share it soon! :) thanks for your replies man!!
Glad to hear you're going to get that bad boy on your desk tomorrow, Max. Even though I've been buying gear forever, decades and decades, I'm always super pumped when I've got something coming in the mail. Nice to hear your enthusiasm - hope you're thrilled with the sounds that are in the unit, but keep in mind, there are loads of sounds available out there, and these Viruses are capable of a really wide range of things. Congrats on getting the Virus in 2021!!!!!!!!!!!!!!!!! You will NOT want a vaccination against this one!
A LONG time ago I bought a Virus B, and a Waldorf XT (serious GAS moment - LOL!). Always wanted a Waldorf, did some fantastic sound-design projects on the the Virus - but then sold it because I felt I didn't have the money/time to keep both. Though I still love the XT, 20 years later I wish I'd kept the Virus, instead. Amazingly FLEXIBLE architecture, effects, and a lush warmth to it like none other. It was one of the most fun/interesting synths I've ever programmed.
I owned a Waldorf MWXT for a while. Absolutely loved it, however (like my Blofeld) once the rotary encoders began to fail (mainly the main data entry one), I decided to sell it 'as is', because I was so frustrated. I loved the flowing arpeggiator sounds with effects. So great for ambient. That said, the Virus does all that, and also killer effects, leads, bass.... Thanks for watching & commenting.
As I understand it, yes - almost all Virus models will play the same sounds/patch banks/etc. It's just that the later models, which have some different effects, and a few newer options, will have additional little controls or things shaping the sound. Some of those sounds, created on newer Virus synths, may sounds slightly different on older Virus models, but as long as you understand what type of things that effects, I think you'll find they're quite consistent...... Hope all's well in Quebec......
Thanks. We are surrounded by smoke and wildfires, which sucks, however in the past 5 years, these wildfires have become a regular annual event. C'est La Vie........At least we're not wearing masks anymore......
Hey, Thanks! You must be really thrilled to receive your Polar. If you haven't checked them out, I've uploaded a couple of other videos about the Virus. Here's the newest one, which I think will be of most interest to you: ruclips.net/video/5o4KVDtpBAo/видео.html
Hey GT-R.........I hope you're having a good spring/summer. All the best, from B.C. I hope you're making good use of all this time, where we'd usually be out at festivals.....Thank goodness for gear!
I don't know what the Virus sound is - it does what it wants!!! There are so many sounds in there, the Ti Range hasn't aged at all. Ive got a Snow, and it's a little monster - a great performance synth. And with 4-part, and up to 50 voices, its a good supporting module for your setup.
People certainly talk about the Virus Sound, but in reality, most of the synths out there are capable of everything from Trance to Ambient. Personally, I think one of the reasons that the Virus line is so sought after, is - if you look at a frequency analyzer, there's actually a lot LESS high end activity than a lot of other brands (Nord, Korg, Roland etc.). Because of that, the synth can be a lot louder in a mix, without being piercing, so it's perceived as a 'punchier' sound....
This was great and I liked the way you presented different Virus units. Keep it coming since I just subscribed your channel and I'm a happy TI desktop owner. :)
I haven't read or heard anything like that. The closest thing I'm aware of would be the little white Blofeld, by Waldorf, which had a sample option.....I can't imagine Access having such an option in just one, their least expensive synthesizer. If I were you, I'd do some research before repeating that or putting too much faith in that info.......
Yeah, that sounded odd to me.. I knew that the Blofeld had the SL sampling option. I loved my Blofeld, but had to sold it when the rotary encoders started dying.....just like my Microwave XT unfortunately....
Btw for a few months , TI2 Darkstar was also my sound card . Btw my DAW is Renoise because TI2 sounds sooo good when you step sequence to create those tight melodies. Renoise is good for techno music/Rave and synth pop. Reverb and Delay sounds good 👌
Because I generally record large diaphragm mics (which need Phantom power and use an XLR connector), I haven't really experimented with the Virus as a primary sound card - interesting thought though......thanks for commenting.....
@@willswitchcraft Will, I'm not an expert with recording but they say the TI2 doesn't have a preamp. I didn't care because it sounded good for what I do. The mixer went to the IN of the Virus Darkstar.
was very curious about this line of synths and this video was perfect, very informative. i hope im still as passionate about audio by the time im your age haha
Thanks for your comment... so much great gear out there these days, it's hard to make decisions I suspect, but these things certainly compete well with most of the newer stuff...... as far as my passion, I'd have to admit, it's probably more of an obsession, which one can have at ANY age LOL)
Now THAT must be exciting!? Nothing like a deeeeeep monster of a synth to help you Social Distance.... Check out this video if you haven't seen it: ruclips.net/video/5o4KVDtpBAo/видео.html
Great vid, thanks. It's helpful to learn the differences between the Viruses, in my case, I was looking for differences between the Indigo 2 and the TI2 Polar.
thanks for the comment. I've never had my hands on an Indigo 2, so I'm not going to be much help......Maybe you can glean some info on the Virus Users Forum (free to join, etc.)
As far as I know - the Dark Star is exactly the same inside, with only the color difference as a Special Limited Edition. I am not 100% certain of this, so if it's important to you, you might want to contact Access....
Thanks for the reply and yes, I found out that their both identical spec and a premium for the Darkstar so I bought the Darkstar today to match the colour contrast of the rest of my synths.
Wow, that must be a real thrill. Not sure if you have it, or you bought it online and are waiting for delivery in the next while - Damn, you're REALLY going to enjoy a self imposed quarantine - during the VIRUS!!!! Congrats on your exciting purchase.
I did chuckle at your comment. I've always wanted the virus for many many years but thought that virus gear was expensive but I always tell myself you get what you pay for. I just love the textured strings trancey sound from this brand - each manufacturer have their own sound but although a much older synth to some of the new semi modular synths I still prefer the lush sound from the virus more. Incidentally my girlfriend insisted I get the Darkstar as she likes the pulsating red logo on the backside - quite frankly if it sounds that good...who cares?
Not only do you usually 'get what you pay for', but the Virus line seems to have some pretty serious Caché, which I think results in the fact that, if you decide down the road, that it's not the ideal piece of gear for you, you will be probably be able to sell it for a good price - whereas some other brands seem so common, that they loose their value quicker. How cool that your girlfriend was involved in the decision of which version to buy. That's awesome.
Hey Will-I bought an Access Virus TI a year ago and have not even plugged it in yet. I am a guitar player that loves the sound of the Virus. I need some instruction on how to incorporate this into my rig. Do you do private instruction?
thanks for reaching out. I haven't found this sort of activity (instruction) works very well for me. I'd suggest you find someone who is set up for that - more experienced using video/live cam/screen sharing, etc. Perhaps a good place to look would be the Access Virus Users Forum.
I’m considering getting a used Snow and came to your video to better understand the limitations. When you refer to the four parts limit, what does that mean in practice? I can have four independent patches running at the same time?
Yes, 4 distinctive parts - each can have it's own fx, arpeggiator, etc., each would be on it's own MIDI channel...the real limitation with a SNOW, is that you don't have multiple audio outputs, like the bigger Virus Ti synths.....
As an owner of several different models, I have looked into the differences in the sound of the units and in my conclusion its mainly down to the converters, the A having a 20 bit converter and the others 24 bit.
Yes, I remember reading that, not sure if I mentioned that fact in this video or not - but always happy to hear people's input.........Thanks for taking the time.....
There seems to be a lot of speculation - as to what makes the Virus synths sound different, but until I have first hand experience with a few other models, I'd just be speculating on if there's any truth to the opinions. For these videos, I've mainly done research on the Access Virus website, checked out their spec sheets and relied on their feature comparisons........
It's really fascinating how well received the Access synths have been, and the fact that Kemper (who either is Access or a branch of it) has a guitar amp profiler that's been in tons of major studios and used on a lot albums for a decade now.
I have just completely renovated a Virus-C as a keeper. Well over a 100 components changed, it's an absolute joy to use / play. Sights are clearly aimed at a little Snow desktop to compliment it
Wow, sounds interesting. Great to know that parts are still available, or perhaps you were 'hotrodding' the synth, and using different components. Thanks for the comment..................
Thanks for the info, just wondering if I buy one used will I still have access to the digital software that comes with the synth? I’m a bit confused with how this hardware interacts with the digital VST type thing
It is different from a Virtual Instrument, as you must have the hardware to do the programming and use the editor. The software called Virus CONTROL, made by Access, is not compatible with the newer MacOS, and they have no plans to update it. The M..I.M. software has to be purchased, however it's quite reasonably priced. You can use any Virus synth with it, doesn't matter if you bought it used, because it's a separate company........Hope that helps
@@willswitchcraft thank you! That makes sense, Im on Windows so thankfully I can use Virus Control. I’m debating wether I should save money by getting the synth itself or spend the extra thousand to get one with the keys as well. Tough decisions!
I hear you. Keep in mind that, these days, there are dozens of small, portable MIDI keyboard controllers, for very reasonable prices, if you don't really need the full 61 note controller.....Nice to have a synth and controller that take up very little space, unless your out on tour, or really need a 5 octave 'master controller'......
I own a Virus Classic and a TI. Yes, the TI can play sounds from the Classic, but they sound different though. Not better or worse, just a little different.
Nice video, I like your knowledge you seem to have, very informative... thanks! I'm probably going to get a virus which I never thought I'd say but slowly and surely i'm being convinced that it's the way to go, the multitimbral part really really hooks me, I'd be using it with a polyend tracker so the multitimbral thing is really valuable for me... I have a blofeld and it's great, this just looks a little more suited to pairing with the tracker since I can have more effects per part, how many effects per part with the TI2 desktop?
I don't use it as a multitimbral source in my set up, but you can have Echo, Reverb, Chorus, Phaser, Distortion, EQ and the Analogue simulator - all will fully customized functions, PER PART..........I used to love my Blofeld, unfortunately, over time, the rotary encoders began to fail........Good luck with your set up , the Polyend looks really interesting
Awesome video. Actually, I have a VIrus Ti2 which I love, but...I am not using the multi-timbral capacity, to be honest. maaaaybe, 2 sounds at the same time, so I feel like it's too much for me. WOuld you recommend to just sell it and get a Virus A? (and buy other synths of course :) Does the Virus A have the same effects??? Thanks a lot. Once again, That's the video I was looking for!
The Virus A lacks some of the effects, and has a much more restrictive modulation palette. Like you, I'm always just using one sound at a time with my Ti. If you want to try to sell it to put a bit of $ into another piece of gear, I'd suggest trying to find a good deal on a Virus Snow - all the features and effects, at a considerably lower price
@@willswitchcraft Thanks!! I was looking for a Virus C. I though about the snow as well, but the lack of knobs....mmmm...I don´t know. (I don´t use computer / daw). Thanks!
Both the C and Snow would be great choices - depends how much tweaking you want to do during recording/playing. As far as programming, if you use the Mystery Islands Music software, it's much easier (so you don't need all the knobs), but if you don't use a computer or DAW, you're stuck with the panel, so I'd think seriously about going with something like the C
A whole lot of film composers use Access Virus too. Hans Zimmer , Harry Gregson Williams, Klaus Badelt, James Newton Howard, Danny Elfman juts to name a few :) I don't own virus synth since they are way out of my price tag but maybe i will buy one some day. I like this video
Thanks Paul.......I always wonder if it's worth putting these together, but it's great to hear from people. Thanks for watching & commenting. I do appreciate it.
I have had the "b" since conception and never looked back. No need to upgrade as the sound is still new, dark, punchy and deep! Thanks for an awesome overview! (Aubrey - Cape Town, South Africa)
I really wish that I had to opportunity to check out the various models, just to get a more accurate picture of how they differ. Glad yours is still a good fit for you. I hope things aren't too screwed up down there with all this drama the world is going through....all the best. Thanks for watching....
Very useful, thank you! Keep up the good work, it's great to see an educational video on the Virii by someone who understands what they are capable of :-)
possibly thinking of purchasing a ti snow. I am a little concerned about repair. I have heard that to get repair on any access virus is difficult. would love your response on this to help me in my possible purchase.
That's a very valid concern - I don't really know what to say. I'm of two minds: First of all, there are synth technicians out there who repair synths from the 70's, where the companies no longer exist. They know where they can source parts, etc. Also, the Virus synths are really robust and seem more reliable than many other products. That said, I agree - hard to invest in something without having confidence in the company's support......
The Virus line are pretty much the 'top of the heap' of what are called 'Virtual Analog' synths. They just emulate analog synth's oscillators. Actual Analog synths are notorious for going out of tune, etc., and these are used by a lot of big, touring acts, where reliability and intonation are critical.....Keep in mind that even some of the 'analog' synths available today, use digital filters, so it's hard to find actual full on Analog gear, unless you're willing to spend more $, and have less solid tuning, etc. Also, true analog synths, are only capable of a limited number of sounds, so many people have made the transition to 'Virtual Analog' as an alternative.....I hope that helps. I know that there are loads of people out there who've done in depth videos comparing these technologies, so keep surfing.....
@@willswitchcraft oh im more than interested you could say im already "infected" by the virus! will definitely check out the other videos you have on this synth and well anything else you have. i love how clearly and well you explain things.
Thanks for the words of support........Yeah, I have to admit, I was very happy to finally contract the Virus. (No vaccine for me).......Sadly, Access Virus isn't really continuing to support the product, but the sounds are unbeatable - even though the basic synth architecture is more than a decade old. It shows you how far ahead of their time they were......
It's so nice to have knobs and switches to alter the sound, program, etc. Using a DAW is a very different experience. Also, if you ever set foot on 'the big stage', having a piece of hardware that's built like a tank is the way to go. If you're not relying on your gear to make a living, it's a completely different story.
@@willswitchcraft I get that. Better way to phrase my question would be - do they sound different from what could be made with a vst? Im curious given that they are digital.
I have the most recent Virus update....no issues, the real issue is that Virus Control doesn't work on any of the newer MacOS updates........(so I keep an old laptop, with an old operating system on it)
man your energy is contagious. I can really tell you know extremelly well what you are talking about and that's awesome (and very informative!). Thank you Will; subscribed!
So happy to hear that my energy level and enthusiasm are a benefit to these videos.......Hope you find other stuff you like on my channel......(lots of different things hidden there)
Yes, I remember many of the original Multitimbral synths, especially the Yamaha TX816's and stuff like that. Back then, we didn't have anything like high end digital recording on a computer, so if you had MIDI gear that could play multiple parts simultaneously, it was a big bonus, freeing up more tracks (on tape) for things like vocals, guitars......Seems like a million years ago now.........
This is an old video but very well done. I own a TI snow but haven’t used it years now. I do a variety of different music and wasn’t using much synths for a while. I want to do a hybrid album next year so need to dust off my synths and get back under the hood with them. My other synths include mini Moog, arp odyssey, a rack mount Evolver (impossible to use without the proprietary software which I’m not even sure is supported. I recently picked up some boutique euro rack units. I want to do an album with orchestral samples, synths and electronic/acoustic percussion. Thanks for reminding me how cool the Virus is :)
@ My favorite keyboard is still my Steinway B circa 1912 :). I took some time off from composing to focus on school and to build my dream studio but hoping to get back into next year. I’ve always been into synths but my main instrument is percussion. I made my living composing orchestral music for video games for several years so I want to combine all these with a hybrid instrumental album. Not sure if it will make any money but it will be my first album that wasn’t composed for a video game or library music. I’m in my early 60s now so it’s about time to just do a vanity project:) thanks again for your content. I’ll check out some of your other videos!
Great synth, but it is worth adding that 16 parts multitimbrality is not really possible. You can get maybe to 6-8 patches playing at once. And also one patch can eat the whole available dsp if it is compilcated.
Understood, however I'm just trying to prevent a general overview - not a comprehensive & definitive video......Thanks for your comment, and for watching
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
I don’t know anyone that has a virus that doesn’t love it to pieces. Great video.
True. There do seem to be pieces of gear that people are less addicted to, but I hear repeated comments from people who own Moog, Nord and Virus, that show real loyalty, and kick themselves later after selling one....To me, some of the new gear has incredible workflow, innovative and unique features, etc. Those are a joy, especially for novices, however after years and years of full time use, some gear, and some sounds just seem to always be useable and remain current.
You are *NOT* a grandpa (well maybe you really are but whatever), You are a MAN with experience of having toured, performed with some really great synths and I appreciate your vast experience in this realm of musical expertise.
Continue to stream on my friend.
Thank you SO MUCH for your kind comment It's awesome of you to take the time............all the best..... ;0)
check this one:
ruclips.net/video/__3UXoqfw04/видео.html
I have to be honest;you are great explaining everything so pure,natural about VIRUS, thank you
I really appreciate that!
Great video man ! I have produced almost 10,000 sounds on it. This is probably the only synthesizer that has kept surprising me for over 10 years. It is a solid hardware.
I have been checking through quite a few of your sounds. Some really amazing work. I'm sure you've helped a lot of Virus users make the most of their hardware.
You may hear some of your patches .....Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
I have purchased several Ultimate X soundbanks. Really good stuff.
Agreed. Excellent programming
@@aristotlekumpis7095 Thanks mate!
Another cracking video Will. I always assumed Palm started Waldorf but you are 100% correct, I just learned it was the German PPG distributor Düren. I’ve been buying synths since 1983 and it’s a joy to see someone generating content that I know it true and in context. I’m just buying my 4th TI (a 2 keyboard) for live use on a UK tour. And you are 100% right, the snow was a master stroke for me because it meant I could tour Europe far more easily, with a lightweight controller in with my other and have a snow in hand luggage.
A joy to watch.
Hey Keith, Thanks for your supportive comment. I did a bit of research to try and make sure that my info was accurate. I know that some of what I stated was a bit of an oversimplification, but I wanted to keep the video under 10 hours long. I hear that the Snow even comes with a little padded case - perfect for the backpack or carry on....... I did a bit of serious touring with synthesizers, so I'm probably overly concerned about reliability. Most people just do recordings, where there's always time for another take. Right now, I have a fave little gadget that I do some work with - a Synthstrom Deluge. An amazing piece of gear (I just uploading a bunch of my custom Virus samples into it). It's got a really interesting workflow and some cool features - but frankly, once in a while it just locks up. I would never use it for any sort of live gig. I hope you get to go out and do some shows in the UK. Seems like so much of that activity has ground to a halt. Nice to get such a great comment - makes it worthwhile. All the best to you! ;0)
I always found the TIs extremely reliable as a stand-alone and this time round I plan to sequence and live play it from an MPC Live II along with a wavestate (which you simply have to try out). I’ll check out the deluge as I keep hearing very promising things. I might get a Waldorf as well (I can’t justify it and must stop buying synths 😂, but can’t)
Thanks to the Boris speech yesterday the originals band tour (using the TI) looks promising, but my other band (a DM tribute) is getting another 7 shows (up until June) rescheduled to later in the year. It’s the 3rd or 4th time we’ve had to do this, an absolute nuisance, but it is what it is.
Hey Keith. It really sucks that the arts are basically dying. People really need stuff like that to make their lives satisfying and stimulating, let alone connection with other humans. Even though I live in a very remote area, there is a guy 1/2 hour away who has massive G.A.S. and seems to have one of everything, so I always get to check out new gear, like the Wavestate. As far as the Waldorf stuff.....I had a Blofeld - AMAZING, esp. for the size and price, and also a MicrowaveXT which I was in love with. Sadly, even though the gear sounds excellent, the build quality isn't there. On both my units, I ended up with faulty encoders, and thus, decided to sell them. Perhaps if I lived near a centre where I could get them fixed, I'm might not have let them go, but - from everything I've read online, my experience wasn't unique. These days, I don't collect hardware anymore, I tend to buy and sell stuff. Before the Virus, I had a Hydrasynth. It was an incredibly deep and sensational sounding synth, but there were a few minor things (not relating to the sounds) that I found too annoying, so I 'liquidated' it. Thanks for reaching out. Feel free to send me links to anything you've done....
@@willswitchcraft That’s a huge shame about the Blofeld encoder issue. Such a capable synth in multi mode as well. I rarely buy synths due to space so every few years I tend to cycle and have recently been on a binge because of a 10 date support slot on a UK tour. And the logical decision is, yet again, a Virus.
I was buying a lot of software at one point but couldn’t bring myself to spend £400 updating Arturia to 7 (now 8) for not very much in return. Similarly with Native Instruments wanting £500 to go K12 UCE to K13 UCE.
This is the first FORM album on Infacted Recordings.
ruclips.net/p/OLAK5uy_k2r-NqpCysly3oAtrpzQSlnWm_i2A0aXQ
The glass masters just came back for the new which is out on 9th April 2021 on the same label. I’d love to know what you think.
I'll check out what you sent, thanks.................. As far as software, when I record, I usually lean pretty heavily on Omnisphere - it's very versatile, and just ends up suiting my needs, so I haven't spent much time looking at anything else......Not too long ago, was rehearsing to do a bunch of tour dates (as a drummer) with a Canadian 80's synth band, called Strange Advance. Everything kind of fell apart, and now it looks like the band will never get it together to head out, as the audience, although loyal, is quite small.
I'm basically retired, especially because we live so remotely, but I also write and record with my wife, in this musical project:
www.thearcanegarden.com
Great video! I have had my Virus TI2 for almost ten years, and it can still make me go "wow" as I create sounds on it. I don't know any other synth that can do as much and whose sound just doesn't get old. It's one of two synths that I would never sell, the other being my beloved Yamaha DX7II.
awesome to hear, I also had a pretty serious DX addiction back in the day. I did a shipload of custom programming on it, and yeah, it was also a piece of gear which really maintained my attention and respect....
What's funny is I saw a post of someone taking the Virus TI Keys apart and the sound module was just a tiny little palm sized PCB. Which is rich, because the Ti1 is the heaviest brick of a synth I have.
Hmmmm. That's interesting. Maybe the rest of the bulk & weight are there so people don't feel so bad about forking out all that ca$h!? (LOL)
Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
Lots of coincidences here .... i am sort of "grandpa" too, i have had (and still have) tons of synths too, and i am now enjoying the Virus line of synths (like you) after so many years of "skipping" them. To me, the Access Virus and the Novation Supernova are the top of the tops in VA synth design. Thank you for a great video.
Very cool to hear from you! The Supernova was also incredibly powerful and offered the multi channel options (as did the Yamaha TX816) I'm still a fan of a lot of the Novation stuff.
Thanks for watching and saying hello.
Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
Great video! I regret selling my Virus B years ago...
yeah, they're so amazing.......finally sold my Ti Desktop, but only because I immediately replaced it with a little SNOW, which fits into my ambient workspace better...................so incredible sounding........
@@willswitchcraft I might have to pick one up again at some point, though the prices have only been increasing :'( The A's go for a reasonable price, but I want a B or C...
Yeah, and it's hard to know where the Virus prices will go in the future......great synth, shit OS support........
@@willswitchcraft I'm a big hardware man anyway, so the OS side of things isn't as big a concern for me thankfully!
then I'd say the Virus line is still a great option........(of course you're not taking advantage of being able to play 16 parts at once, up to 80 voices, etc......but the sound, unparalleled.......you might want to consider the Virus Snow.........all the same sounds/effects/features of the newest Virus synths, but much smaller and more affordable......
ive wanted a virus ever since i was 6 y/o, using my precious dial up internet time browsing vintage synth explorer, im about to pick up a used ti polar, cheers from alberta man!
Hey Dan, That's v exciting exciting about your used Polar! If you haven't watched, check this other vid out:
ruclips.net/video/5o4KVDtpBAo/видео.html
Greetings from South Western B.C.
@@willswitchcraft i picked up the ti2 polar!!!!! omg !!!! dude a longtime dream come true!!!!! yes!!!!!!!!
That's awesome.........You'll have no trouble 'social distancing' for the next while....... ;0)
I once spontaneously kissed my TI2 Darkstar.
just saw this now.....awesome......
That is my synth girlfriend too.
I saw an advert somewhere (maybe 20 plus years ago) for the Virus and I’ve been enamored with them ever since. I’ve always felt that the Virus is one of the most radical looking sound machines. I had a grad student/professor in one of my undergrad electronic music classes and he brought his Virus’ into class one day to demo synthesis and waveforms. I was completely smitten by that thing. That’s the only time I’ve seen or listened to the Virus in person and aside from adverts I haven’t seen or heard about them since then. So, this video is great because for me this particular synth really does have a hint of mystique and I’ve enjoyed learning about them. Thanks.
Like you, I'd known about the Virus line for a long time, but I'd never owned one. I was pretty much blown away by it's abilities, and it has some really distinctive features. It unfortunate and sad that it seems to be a bit orphaned by the company.....
@@willswitchcraft I’m in the mood to share some comments at the moment, so pardon my chatter here.
I studied A/V design, art history and a dash of architecture in college. And I lived in London for a brief time while in school, circa 2002. Andy C, High Contrast, Mouse On Mars, Dieselboy, Amon Tobin, Squarepusher, Autechre... these were all happening around town and I had never heard anything quite like it - truly exhilarating. I returned to the states renewed and refreshed; loaded to the gills with inspiration; mostly from contemporary circles and regular visits to various venues around town, such as: SoHo, ICA, Fabric Live, the Tate museums, and actually several outstanding London libraries (the books I found about contemporary art and electronic music were so mint and cutting edge). All of that fantastic energy flowing through a single place, the urban metropolis that is saturated with throbbing grit and creative life there in London. Anyway, the music and contemporary art scene was especially inspiring. So, first thing I did upon returning from Europe is I went out and bought my first synth - a brand new Korg Electribe EA-1 (it’s okay, go ahead and laugh); a used drum machine (Boss Dr. Groove DR-202); and a crappy Tascam Portastudio (4-track cassette tape recorder). Those were golden years. Unfortunately, my passion for music making and audio design took sort of a back seat to my other studies (emphasis on visual design, engineering and graphics), and later my career pulled me into the direction of professional graphic design and international photography circles. So, unfortunately music faded away from my creative practice (for almost a decade) with my only “music making” exercise being late night reading up on the newest instrument designs, released by companies like - Teenage Engineering, Moog, Gamechanger Audio, Roger Linn, etc. Anyway, I’ve just recently in the past few years started catching up again with my passion for music and especially musical instrument design (drums > bass > synth, in that exact order). Today, I’m happy to say, I’ve built my own home based fabrication/design studio, and I build my own instruments (boutique electric basses, kalimbas/mbiras and other quirky R&D projects) which is really something I had always wanted to do back in the early years of academia but I didn’t quite figure that out until later down the road.
Anyway, this is a long way of saying that after watching your Virus walkthrough, you reminded me about this particular synth and how much I appreciated, all those years ago, this instrument for its incredible German engineering and slick design. I’ve been buying and trying out a new piece of synth gear (about 1 or 2 per year) to find something with a particular sound design palette for the purpose of building my audio sound scape works in tandem with my acoustic drum kit and electric bass looping setup. It’s become a bit of a ritual actually to buy some new piece of synth gear, work with it for 6 months or so and then sell off the newly acquired gear in search of another synth that might work better with the vision I have for this particular - drums/bass/synth - rig setup. That’s been the goal for the past few years but so far no luck pinning down the right synth for my setup. So then, I completely forgot about the Virus synths and I was recently just getting ready to buy this years trial synth (I was looking at the Moog DFAM, Subharmonicon and an older Roland synth, Sh-32). But then I encountered your videos on the Virus and voila! That’s the one - the missing link. So, needless to say, you motivated me and I finally bought the Access Virus B (Rack Classic), just yesterday. I’m stoked. So then, I hope you don’t mind if I send you a tech question or two, now and then. Thanks again for the overview and for reinvigorating my long lost interest in the Access Virus. ✌️😎👍💥🎹💥
Thanks for the insights.....I too have been into the synth thing forever, and also have worked as a graphic designer, and cinematographer, etc. I often buy and sell gear, just so that I can try different pieces without collecting (like I used to do when Was doing it as a full time professional). I also spent many years designing and building my own 'art house' in the wilderness, with my wife, and am just now finding more time for music again.......BTW - I had an Electribe (I think it was an EMX, it was awesome, so no, I wouldn't laugh) Glad to hear about your Virus purchase. I'm hoping that it will be everything you need.
Considering a Virus currently, very helpful video thanks man
Thanks for commenting Nate. I have a few other Virus videos here which may be helpful to you....
Thank you very much for this. I'm about to get a TI in a few days and it's gonna be my first Access gear ever so, your video was just what I needed right now.
Glad to hear that you found my channel.....I have a playlist (if you haven't seen it) which is just the Virus video stuff.........
Great video, very clear! I have a TI and I love it, its programming possibilities are almost endless, really deep!
Yeah, they're deeeeeeeeeep!
Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
check this one:
ruclips.net/video/__3UXoqfw04/видео.html
It is such a service to have a straightforward rundown. I was shocked when I first discovered how powerful the TI series was, especially because of the reputation of the virus as primarily a VA synth. Understand the snow in particular was useful because it was never clear to me how it related to the others. Also, great to hear about the rack mount 90 degree flip. Now I just need to figure out what I'm going to sell to get one.
thanks....It's great to know that there are people who get something from the videos.........As far as buying one, the cheapest model is the little SNOW. Still uses the same basic sound engine, same effects, etc. but can only handle a smaller voice count, etc. (I guess we all have gear that we lust after, and begin to think about what we could 'release' to get...)
Thank you so much for taking the time doing this video Grandpa!!... I was needing this information on the Access Virus line to decide which one to buy and you made it possible..
Glad it was helpful! Thanks for watching and commenting.
Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
check this one:
ruclips.net/video/__3UXoqfw04/видео.html
the presets are not the only reason why the different models might sound differently to some people: the C and the TI produce slightly different basic waveforms (eg. square, saw...)
Well in truth, there's actually more to it than that, however I was oversimplifying things. What I did try to make clear, is the the LATER virus models, contain virtually everything on the earlier ones. Of course, the earlier models can't sound exactly like the later ones, for many reasons
@@willswitchcraft yeah some people blame different DACs, but I personally don't believe that would have an audible effect, I blame the different waveforms. It's also puzzling to me why would they make the TI produce a distorted square wave instead of a proper square wave like the C can produce.
I look forward to your other videos if you are willing to get into more details about this issue
I'm not sure how much time I'll spend doing these types of uploads.........I've been pretty much obsessed with synths for decades, but I'm also trying to spend a shipload of time writing, improvising, jamming and recording..........I don't think I'd be able to build the type of online presence that garners enough views - to warrant detailed tutorials, etc.........but thanks for watching and commenting!
REALLY really great overview of the line!
Thanks...
Thanks so much for your comment. I've done a few Virus videos now. I wasn't really sure anyone would be interested, but it's wonderful to get responses like yours - makes it all worthwhile.......
The most valuable video about that synth on YT. Thanks for good job!
wow, thanks so much for your kind & supportive comment....much appreciated
I had the A in 07 and I like it. I upgraded to TI2 later on and it is really synth /sound module because even the presets that come is I feel is complete. Has bread n butter sounds and tweakable presets. I really like the that the Virus doesn't come with a jillion wavetables .
Yes, however it might be cool if there was a better way to name/organize the wavetables.....If you haven't watched, you might enjoy this:
ruclips.net/video/5o4KVDtpBAo/видео.html
dude thank you!! i just scored a TI2 that's on the way and i am VERY excited, now...
Good to hear....yeah, these things are KILLER.......I've uploaded a bunch of other Virus videos as well, so check them out while you're waiting!!!!
Nice discussion. I actually had a C and a TI at the same time. Never once heard a difference, tested again and again. Then, I had a KB and a TI. I HEARD a difference in an INIT patch. The raw waveforms did sound difference. But... then I made patches 1:1 and - the subtle differences were gone. They sounded the same.
Now - I sold my KB and wish I hadn't. I'm pretty pissed at myself for selling it because I loved that keybed. Best keybed I've ever felt.
Also - I'm pretty sure the TI and TI2 use a DIFFERENT keybed than the KB and KC, which is depressing as hell to me.
Further, on the TI and TI2, the units will NOT remember LOCAL ON/OFF settings, unlike the B and C, which do retain that memory. So dumb, I hate having to turn Local OFF every time I turn on my polar if it's my controller.
Super informative, thanks!!!! I've always had major respect for your knowledge base, and love your uploads, back to the first one I hear, which, if I remember correctly, was on the Korg Radias (another of the many synths I've owned) Thanks for watching, and for giving me your perspectives.
Seems to me that, originally at least, they used a Fatar - which is basically the Rolls Royce of keypads.....Oh well, I'm sure you'll be able to find a pristine used one, if you keep hunting. I mean, Hey, look at the Rhodes you got, right??!!!
@@willswitchcraft Ha - thanks, I uh... spent way too much on that Rhodes. I love it, but know I spent too much on it.
I really would like to get another Virus KB. KC doesn't interest me as much personally.
But I have too many synths and just bought a Prophet 12. Whoops.
The way I view it: They're REALLY NOT making any more Rhodes keyboards, ever. If you have one in good condition, that's been repaired and sounds great, sooner or later, someone will be happy to lay out a shipload of $ on it, just like you did. There's always going to be someone who has cash, and nothing other than an old awesome Rhodes will do. You only need ONE buyer, and with eBay and Reverb, etc. the world is your oyster......
Really enjoying your videos on the Virus series, but gotta say the intro for this one is just magical. I can't think of any intro on YT I've liked enough to rewind several times lol
So good to hear.......Do you mean an old guy in the great Canadian winter? or do you mean the start of the 'meat & potatoes' of the video? (This was one of my earlier videos, and I thought I'd inject a bit of 'reality', but then, realized that most people just want to get to the content) Lots of time, when I'm hunting on YT, I just feel like skipping the whole first part of the videos, as people are just babbling........so I guess it depends what you're looking for. Either way, thanks for taking the time to comment, .....I appreciate it!
@@willswitchcraft The shot of the stove together with the dog followed by the cut to the winter scenery + the coffee mug & then you giving the intro dialogue with the scenery in the background....just very well done visually.
Very interesting that those images appealed to you.....thanks for letting me know.......
@@willswitchcraft Sure...Well, I'm a huge coffee addict #1 & also live in the Southern U.S. where no snow, mountains or any of that exists whatsoever lol Sure that has something to do with it, but IDK it just felt visually stunning & gave off a relaxing vibe, the dog added to it as well.
no matter - so great to get your positive vibe comments......I wish everyone was so easy to please......Where in the Southern US are you?
This was very helpful. Made a subscriber out of me. Hello from Fort Wayne Indiana.
I happen to love the sound of these. I don't know how many know about this, but Access Virus made a software version of Indigo that was only available for Pro Tools HD/TDM. It had a polite little indigo GUI and was stuffed full of fantastic patches. It was my go-to synth on a previous system. I used it on a song I wrote while courting my wife so I could say Indigo practically got me hitched. hah I'm half tempted to revive the Pro Tools HD 2 Accel system (on power mac dual G5) and set it up as a slave, just so I can use that synth. :D Buut I may just be buying one of the new versions when the time is right. Funny it went from that to now they don't even make an AAX version of their current plugin.
Cheers
Ahh, the old Power Mac Dual G5 - had one forever.......Yes, strange how gear reminds us of other times....Thanks for commenting.
Thanks for watching......I appreciate it.
Nice video! After owning a C Desktop and a C Rack, I finally settled for a TI2 Polar. A very handy all-in-one machine thanks to its built-in audio interface - that plus a laptop are all I need in the living room whenever my wife is occupying the work/music room.
One comment: Multi-timbrality was not really invented by Access - already my first sound modules in the 80ies had it. And my favorite synth, the Novation Supernova II, is also multi-timbral. But it's become a rare feature nowadays!
Yes, I understand and agree... There were a few companies doing that type of thing, perhaps most popular was the Yamaha TX816 set up, however it didn't function as a hardware synth, no knobs, etc, just a rack mount sound system... I just wasn't really aware of anyone doing it so completely, with so many voices, individual effects, etc.....
@@willswitchcraft That's true, only the Supernova comes close and that one was released after the first Virus IIRC.
For years I played with the idea of getting a Supernova. I've had a lot of Novation stuff over the years, including a Zio, XSynth and an Ultranova. I just loved the sounds, and all the control from the panel. In the video, you'll hear a few 'oversimplifications' which don't really tell the whole story, because I wanted to try to keep it under an hour LOL
@@willswitchcraft Haha, no problem! I really love the Supernova series, but of course it's 20 years old by now whereas Access have continued updating their machines with USB, faster processors... the Virus is the last one standing. :)
I partially agree with you, however from a different perspective - Novation is still kicking ass and making cool stuff, yet Access is pretty much over. Now that they have stated that they will NOT be making their editing software compatible with the new 64 bit MacOS, all the users will start to feel unsupported. I suspect that the Supernova will always be a great piece of gear, even if it doesn't support MPE, or other new advances....Not unlike the beloved old Moog stuff, Oberheim, etc,.....
Nicely done, thanks for the helpful overview ! As a german "Besserwisser" I have to comment on some facts though. The city of Berlin is often referred to when talking about electronic music. The "Berlin school" is a known term. But no of the companies you mention and bind to Berlin has actually its roots there. PPG is from Hamburg, Waldorf originates from Waldorf /now Remagen, Access is from Recklinghausen. The only obvious one that comes to my mind is MFB (Manfred Fricke Berlin). Other german synth manufacturers like Doepfer, the former Quasimidi / Radikal Technologies are not Berlin-based either.
Interesting observations and information Thomas. Thanks so much for the clarification. I haven't been to Germany for a long time now, but it's always seemed like a very unique place with a creative and innovative bunch of people.......Good to know more facts......thanks for commenting!
Jomox
Grandpa, if you DID want a synth that was big into acoustic instruments (strings, guitar, flute) what synth would THAT be?
That's a big, difficult question. There's so much great, sample based gear out there. I often just used some of the excellent sample libraries and a laptop. I can tell you what would be the most affordable option for a keyboard, synth and sampler.... Years ago, Korg came out with the 'Karma'. I don't think it ever really caught on, but it has some great sounds, and you can often pick them up for about $500.
ruclips.net/video/G9MKyC0DS1c/видео.html
About presets - so true :D . Many people don’t understand synthesis, they think that synth is a patch storage.
True, and perhaps that's because they use soft synths, or just presets. A billion years ago, when I began, synths didn't even have presets!
@@willswitchcraft i loved to start with presets, but then they became boring. By now i can do simple sounds, but complex modulations and arps are quite challenging. Sometimes i want to get vacation just to lock up in the room with synths and dig them all completely
Yes, synthesis is not simple, especially with a machine like the Virus.....
Sound design isn't simple that's for sure, but still very approachable. I think people who are new to it should always remember to finish the sound, make sure it has a beginning, middle and end. From what I noticed is beginners and even intermediate can be prone to not putting the full contour on sounds, it ends up being more of a tone than a finished sound. I'm not saying that's anyone here, but since learning was mentioned I thought I'd give my little tip :) I guess also I would want to say sometimes simple is good, the simple sounds often carry the most weight. Cheers everyone and I hope to see more virus vids from you this channel and well, more virus vids in general because I think I"m getting one. I really never gave these synths a fair chance and I regret that because they seem pretty perfect for what I need now.
I heard that the the virus access comes with a plugin. Is this plugin compatible with m1 chip macs?
I haven't used an M1 chip, but I seriously doubt it, because Access is NOT even making their software compatible with the 64 bit mac OS (Mojave, etc.). I uploaded another video about an alternate software editor - it would be a good choice to look into....
Filterbanks are amazing, you can form sound as a plasticine. That's make TI line unique. I've been virused for almost 20 years (С&TI) and it's really great. Thanks for a video!
Thanks Alex. I didn't go into tooooooooo much detail as honestly, I wasn't sure anyone would be interested. Thanks for watching and commenting!
Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
DMPM just purchased the Virus Polar Ti… It’s a beast. Thanks for this overview.. it enlightened DMPM and helped DMPM make an informed decision.
Enjoy!
This was super useful! Thank you.
Glad to hear it, Bennett
Yours were among the videos that helped push me into taking the plunge for a Virus TI2 a couple weeks ago. Absolutely thrilled with it so far. It has so much character that's lacking in many modern digital synths. The effects are also in a league above most of the other HW in my collection (Deluge/Hydrasynth's FX sound a bit sterile in comparison - though they make up for it in other ways)
So glad to hear that you're excited by your new tool..................BTW - if you're not up to date with the Deluge Community Software, the effects are finally getting better on that box, not like the Virus, but there are real improvements......
awesome grandpa! can't wait for the next virus video. I've had my C for about 20 years. Though now when I push buttons random things happen, so I can only turn knobs. Any idea how much that might cost to fix?
Hmmmmmm no idea at all.... Sorry I can't be more help....i'd suggest contacting Access in Berlin.....
Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
One of the best music and synth lovers video I have seen in a very long time. Thankyou! ❤
what a welcome comment. Thnx so much Rob - truly appreciate you taking the time to watch and comment (I have quite a few Virus videos here if you're interested)
Thanks for the great vid! I’ve been using a TI for well over a decade now and I still love it. It’s my number 1 work horse go to synth.
great to hear......thanks for watching and for the comment
Great summary. Only thing I know that you forgot is the TI2 Whiteout Limited Edition Desktop Modules. They made 100 of those, whereas they made 150 of they Whiteout Limited Edition Keyboards.
Wow, you really know your Virus line......Actually, I'm sure there were other things that I could have mentioned. My knowledge is not complete, and I wasn't thinking it would be a 'definitive' video on the synth line, just an overview. Thanks for commenting.
check this one:
ruclips.net/video/__3UXoqfw04/видео.html
Former remixer for major labels and I specialized in Trance, I bought a C just for those remixes - they are the sound of Trance.
Yes, they were 'instrumental' in defining the genre (excuse the pun)
Didn't watch the whole video yet, but i have a question i cant get An.amswer too. I have a Korg Electribe Emx-1 and i send the synths to a Virus Rack. And when i made a multi program, i cant save IT togheter with pattern i made on the Korg. So when i switch a pattern on the Korg, the Virus doesn't switch with IT. Is this soundimg crazy? I only doing this a year, so im quite green
I haven't had an Electric for a long time, and never used then together.......I'm not the person to ask......sorry
Thank you so much for this access virus history lesson! I really enjoyed watching and learning about all the models. I had one of these synths as a kid, but couldn't really appreciate or understand what I had at the time.
glad you enjoyed it Matt
Again thanks, but now with a question: debating between the C and TI. Only reason for TI being in my pool of choices is the mention of DAW integration. On the other hand, reading some of the comments here, seems like the integration is far from perfect… could someone please elaborate on the issue? No videos on this from the recent years… thanks in advance
I hope you can find some detailed info about integration. I suspect the Virus Forum would be most helpful. I've heard some serious concerns, but have limited personal experience.......
@@willswitchcraft will check. Thanks
Will, your killing me, I just picked up a TI Polar on the strength of your video. Thanks man! :D
Hey, so sweet that you got a Polar - I'm drooling.........Hope you enjoy it - good for a long, self imposed quarantine!!!!
@@willswitchcraft Thanks Will, its turned out to be one of the best investments I've ever made. Totally killed off my GAS, which strangely is kind of a relief TBH.
Glad to hear it.....I've been able to resist a lot of GAS these days, but I'm still tickled when I watch a promo for something really unique.....
You can also name your TI virus models in the factory OS/patch manager software. I name my instrumpents anyways so my KC was never christened digitally but I named it "Machupo", My Snow was named "Variola", my TI desktop was named "Marberg" and my current virus Polar1 is named "Ebola Zaire". :> I named them after viruses. I got it because sometimes I just want to play on a virus and nothing else. Great synth for making patches and tinkering on.
SO INTERESTING. I wasn't aware of that. Thanks for bringing me up to speed.
Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
I'm having a problem that perhaps you could help me with.....I have a backup of the sounds on my Virus Ti desktop (which I've now sold), but I can't upload any of those patches into the Virus Snow - some strange issue, even though they have an almost identical synth engine......I need to get someone to take my Virus back up (.vti file) and then create .mid patch banks for me. I only need the first 4 RAM banks. Interested in helping me out? I can send you - not only my back up file, but over a hundred different patch banks from various sourced, for the Virus
Does it go to 11?
No, it goes to 12...........but I think it's 'metric' - which doesn't really count. In my experience, gear that goes to 11 (and beyond) causes other musicians to feel jealous, and your gear gets stolen. ......................but the Virus does play in D minor, the saddest of all keys.......
Biggest difference for me was when I upgraded my Mac OS the virus control stopped then I really had to dig into my Polar TI hardware. My understanding of the synthesis and the unit greatly increased because of that. Through I still would like the virus control upgraded in the future. I like hardware knobs that I don’t have to map or mouse click on. You are right I love to program my own sounds more with the virus. Learning to use the wavetables more these days.
In my opinion, on screen programming is better for 'hidden' features, like the 3 & 4th envelopes, and sometimes as a more efficient way to navigate other features - like the Modulation Matrix. I grew up doing hardware programming (before there was even such a thing as presets) so I'm totally solid with that. I do wish it was possible to simply Copy & Paste parameters or sections of a patch - to make things quicker and more efficient, but different type of programming requires different approaches.... I sometimes wish I had something like a Virus, where each knob or switch had a single function. So much better than stepping though pages and having to read a screen to make an adjustment - C'est La Vie - I guess with more control, comes more complicated access......(So why did they call the company Access, if accessing parameters isn't easier?????) LOL
@@willswitchcraft yes and I wish that Access Music would learn from Elektron how to write plugin software for Virus. Overbridge on Elektron works flawless in DAW as plugin. So I will try Mystery Islands software on Mac OS X Ventura or direct to audio interface.
I'm having a problem that perhaps you could help me with.....I have a backup of the sounds on my Virus Ti desktop (which I've now sold), but I can't upload any of those patches into the Virus Snow - some strange issue, even though they have an almost identical synth engine......I need to get someone to take my Virus back up (.vti file) and then create .mid patch banks for me. I only need the first 4 RAM banks. Interested in helping me out? I can send you - not only my back up file, but over a hundred different patch banks from various sourced, for the Virus
I just bought a Virus Ti2 and I'm in love. 20 years old and still better than any other synth out there. And yes, I own Iridium...
Bastard! You own an Iridium & and Virus........I'm envious..............thanks for the comment!
@11:51 can someone tell me what voices means?.. Because I thought it meant octaves. But I heard the snow and it sounds rich and very full!.. Or why would less voices not be as good??.. The snow is old but doesn't sound outdated or thin to me.
Voices = notes that can be played at one time
a lot of interest in the Viri again! Here are some interesting notes i can add. I have owned or own the B, Redback Ti desktop, TI2 keyboard, Indigo 2, and the snow. They do sound different. And yet recognizably a Virus. And the sound designers accentuated those differences in the patches. the chips and discrete components available for those model runs were different. Also the TI2 has usb 2.0, the TI usb 1.1. I’ve had to get inside them as well. Fatar keyboards from Indigo 2 and on. The b series has a toothpick holding the power connections tight. I kinda wish i’d left one of the C’s OS 5.5 because when you go to OS6.5 you loose the demo. And that demo is fantastic. Finally you can on the fly, switch into MIDI controller mode on TI’s that lets you program each knob to control another synth, even while performing (i.e. the patch active still plays).
such great insights. thank you. I hope some of the viewers check out your response.........appreciate you taking the time (to watch and to comment)
Correction: Ingigo 1 is based in Virus B engine, Ingigo 2 is based on Virus C engine.
Thanks for that clarification.... I truly hope that anyone seriously interested, will read some of these comments. I got about 80% of my information off the Access Virus website, however I do realize that I don't have personal experience with all the Virus models, so it's just meant to be an overview - not a definitive and conclusive overview..........
Not so sure. My Virus A sounds much warmer than the TI. I’m pretty sure the converters are different. The keybeds are terrific.
I can't be certain, however the majority of my information comes from the Access website, so it's hard to be certain, unless you could have 2 different Virus synths in front of you, loaded with the same patches.
15:42 How much of this "programable per patch" applies to the Virus KB? Can the same filter knob be programmed from the daw in separate midi clips?
Sorry if this is a basic MIDI question :) Thanks for the video
As I understand, the Virus kB, has 2 'Definable' knobs, instead of the 3 'Soft Knobs' which were on the later synth brains. You can program the 2 to do different things in each patch, but I'm not certain as to how you program these to control MIDI values. Probably just defining a MIDI CC number, but I have no experience with that, so I'm not going to be able to answer that. Just uploaded a couple of new Virus videos, if you're interested.....
Very informative, i just purchased a virus ti snow, definitely the cheapest and most portable among all virus synths in the virus range
I've always thought the Snow was a great option....hope you enjoy it........BTW, lots more Virus content on my channel if you're interested.....
Hi Will, have an important quesiton... ASM Hydrasynth or Virus TI? I'm very close to buying and would love to hear your thoughts :)
That's a difficult one. It depends on so many factors. First of all, if you watched my Hydrasynth video, I point out a few things that really bugged me - the most important being, whenever you go to SAVE a patch, all the audio stops for a few seconds. I found that really annoying. Secondly, when you go to switch patches, the first patch cuts out. Aside from those - the Hydra is 8 voice, but the Virus is capable of up to 80, and can do 'Multis' - up to 16 different patches at a time, so it is a true sound source. Keep in mind - I don't know if ACCESS is going to continue as a company. You'd have to use another companies patch librarian/editor (I did a video on that) but as far as I'm aware, there are no plans to offer a software editor for the Hydrasynth, which would be awesome.. Both synths can create very similar sounds - wavetable sweeps, all types of massive, punchy things, and also very subtle, nuanced ones as well...........
@@willswitchcraft I bought the Virus :)
You must be excited. I think it's a great decision. They are both killer synths, but the Virus has some truly 'next level' features. Another thing to consider: if you decided in the future that it's not the ideal synth for you (very unlikely) you'll probably have no problem selling it. You'll find there are thousands of presets for the Virus out there, lots of different genres. If you haven't watched it, I did an in-depth video of the Mystery Islands Music software for editing the Virus. Might be worth considering....
@@willswitchcraft excited is an understatement, its arriving tomorrow and I just can't contain my excitement. I've wanted this synth since I was 15 years old. When I first saw and heard it I was blown away and I still am! That's saying something. I think its a very overlooked synth and I can't wait to own it and love it. Will make some music and share it soon! :) thanks for your replies man!!
Glad to hear you're going to get that bad boy on your desk tomorrow, Max. Even though I've been buying gear forever, decades and decades, I'm always super pumped when I've got something coming in the mail. Nice to hear your enthusiasm - hope you're thrilled with the sounds that are in the unit, but keep in mind, there are loads of sounds available out there, and these Viruses are capable of a really wide range of things. Congrats on getting the Virus in 2021!!!!!!!!!!!!!!!!! You will NOT want a vaccination against this one!
A LONG time ago I bought a Virus B, and a Waldorf XT (serious GAS moment - LOL!). Always wanted a Waldorf, did some fantastic sound-design projects on the the Virus - but then sold it because I felt I didn't have the money/time to keep both. Though I still love the XT, 20 years later I wish I'd kept the Virus, instead. Amazingly FLEXIBLE architecture, effects, and a lush warmth to it like none other. It was one of the most fun/interesting synths I've ever programmed.
I owned a Waldorf MWXT for a while. Absolutely loved it, however (like my Blofeld) once the rotary encoders began to fail (mainly the main data entry one), I decided to sell it 'as is', because I was so frustrated. I loved the flowing arpeggiator sounds with effects. So great for ambient. That said, the Virus does all that, and also killer effects, leads, bass....
Thanks for watching & commenting.
Hi, a question from quebec:
just to make sure indigo can execute all the same sounds as virus A? :)
As I understand it, yes - almost all Virus models will play the same sounds/patch banks/etc. It's just that the later models, which have some different effects, and a few newer options, will have additional little controls or things shaping the sound. Some of those sounds, created on newer Virus synths, may sounds slightly different on older Virus models, but as long as you understand what type of things that effects, I think you'll find they're quite consistent...... Hope all's well in Quebec......
@@willswitchcraft Thanks so very very much, yes so far so good in Quebec, hope everything is good on your side too :)
Thanks. We are surrounded by smoke and wildfires, which sucks, however in the past 5 years, these wildfires have become a regular annual event. C'est La Vie........At least we're not wearing masks anymore......
@@willswitchcraft C'est la vie mon amie :)
Oui!
Thank you so much for this video! I'm looking forward on getting one and couldn't get my head around the models. Appreciated!
Glad you found this video.......I'm working on a new Synth/Virus video right now....check back in a couple of days.....
@@willswitchcraft Awesome!
This video is amazing! I never comment on youtube but im getting my polar tomorrow and im just so excited haha!
Hey, Thanks! You must be really thrilled to receive your Polar. If you haven't checked them out, I've uploaded a couple of other videos about the Virus. Here's the newest one, which I think will be of most interest to you: ruclips.net/video/5o4KVDtpBAo/видео.html
Awesome Buddy, have fun. Ive got a Ti Snow. They really are amazing sounding synths - from Evil to Heavenly.
Yes, they are really sonic chameleons.....Honestly, I had no idea before I bought one recently.....
From one Canadian to another, thanks for the great overview! I plan on picking up a Ti2 😃
Hey GT-R.........I hope you're having a good spring/summer. All the best, from B.C. I hope you're making good use of all this time, where we'd usually be out at festivals.....Thank goodness for gear!
I don't know what the Virus sound is - it does what it wants!!! There are so many sounds in there, the Ti Range hasn't aged at all. Ive got a Snow, and it's a little monster - a great performance synth. And with 4-part, and up to 50 voices, its a good supporting module for your setup.
People certainly talk about the Virus Sound, but in reality, most of the synths out there are capable of everything from Trance to Ambient. Personally, I think one of the reasons that the Virus line is so sought after, is - if you look at a frequency analyzer, there's actually a lot LESS high end activity than a lot of other brands (Nord, Korg, Roland etc.).
Because of that, the synth can be a lot louder in a mix, without being piercing, so it's perceived as a 'punchier' sound....
This was great and I liked the way you presented different Virus units. Keep it coming since I just subscribed your channel and I'm a happy TI desktop owner. :)
Thanks for your comment. I'll try to get around to uploading some more Virus content soon.................
check this one:
ruclips.net/video/__3UXoqfw04/видео.html
I believe the Snow had an option for sampling.
I haven't read or heard anything like that. The closest thing I'm aware of would be the little white Blofeld, by Waldorf, which had a sample option.....I can't imagine Access having such an option in just one, their least expensive synthesizer. If I were you, I'd do some research before repeating that or putting too much faith in that info.......
@@willswitchcraft You're right-I got it confused with the Blofeld. Sorry.
Yeah, that sounded odd to me.. I knew that the Blofeld had the SL sampling option. I loved my Blofeld, but had to sold it when the rotary encoders started dying.....just like my Microwave XT unfortunately....
Best in depth explanation of the Virus line. Great job
thanks v much......I just uploaded a bunch of new Virus content, so stop by....(just saw this comment now for some reason)
Btw for a few months , TI2 Darkstar was also my sound card . Btw my DAW is Renoise because TI2 sounds sooo good when you step sequence to create those tight melodies. Renoise is good for techno music/Rave and synth pop. Reverb and Delay sounds good 👌
Because I generally record large diaphragm mics (which need Phantom power and use an XLR connector), I haven't really experimented with the Virus as a primary sound card - interesting thought though......thanks for commenting.....
@@willswitchcraft Will, I'm not an expert with recording but they say the TI2 doesn't have a preamp. I didn't care because it sounded good for what I do. The mixer went to the IN of the Virus Darkstar.
was very curious about this line of synths and this video was perfect, very informative. i hope im still as passionate about audio by the time im your age haha
Thanks for your comment... so much great gear out there these days, it's hard to make decisions I suspect, but these things certainly compete well with most of the newer stuff...... as far as my passion, I'd have to admit, it's probably more of an obsession, which one can have at ANY age LOL)
My TI 2 is in the mail. This is good info, cheers.
Now THAT must be exciting!? Nothing like a deeeeeep monster of a synth to help you Social Distance.... Check out this video if you haven't seen it:
ruclips.net/video/5o4KVDtpBAo/видео.html
@@willswitchcraft I'm pretty keen. Haha. You don't need socialising when you have hypersaw. I'm watching that video now.
Great vid, thanks. It's helpful to learn the differences between the Viruses, in my case, I was looking for differences between the Indigo 2 and the TI2 Polar.
thanks for the comment. I've never had my hands on an Indigo 2, so I'm not going to be much help......Maybe you can glean some info on the Virus Users Forum (free to join, etc.)
Neat video! I use an Indigo and a Ti2 61.... Nothing comes close x
Sounds like a really sweet set up you have. Yeah, they're such versatile and deeeeeeeeeeep units. Love 'em!
Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
So the only difference between the TI2 Polar and the Dark Star is the colour?
As far as I know - the Dark Star is exactly the same inside, with only the color difference as a Special Limited Edition. I am not 100% certain of this, so if it's important to you, you might want to contact Access....
Thanks for the reply and yes, I found out that their both identical spec and a premium for the Darkstar so I bought the Darkstar today to match the colour contrast of the rest of my synths.
Wow, that must be a real thrill. Not sure if you have it, or you bought it online and are waiting for delivery in the next while - Damn, you're REALLY going to enjoy a self imposed quarantine - during the VIRUS!!!! Congrats on your exciting purchase.
I did chuckle at your comment. I've always wanted the virus for many many years but thought that virus gear was expensive but I always tell myself you get what you pay for. I just love the textured strings trancey sound from this brand - each manufacturer have their own sound but although a much older synth to some of the new semi modular synths I still prefer the lush sound from the virus more. Incidentally my girlfriend insisted I get the Darkstar as she likes the pulsating red logo on the backside - quite frankly if it sounds that good...who cares?
Not only do you usually 'get what you pay for', but the Virus line seems to have some pretty serious Caché, which I think results in the fact that, if you decide down the road, that it's not the ideal piece of gear for you, you will be probably be able to sell it for a good price - whereas some other brands seem so common, that they loose their value quicker. How cool that your girlfriend was involved in the decision of which version to buy. That's awesome.
Hey Will-I bought an Access Virus TI a year ago and have not even plugged it in yet. I am a guitar player that loves the sound of the Virus. I need some instruction on how to incorporate this into my rig. Do you do private instruction?
thanks for reaching out. I haven't found this sort of activity (instruction) works very well for me. I'd suggest you find someone who is set up for that - more experienced using video/live cam/screen sharing, etc. Perhaps a good place to look would be the Access Virus Users Forum.
Thanks dor the video, I have also owned Virus TI, have you considered buying TI2? Is it worth it since we have TI?
It depends on your requirements. The Ti2 has a few more voices, but frankly, there are not many other benefits.
I’m considering getting a used Snow and came to your video to better understand the limitations. When you refer to the four parts limit, what does that mean in practice? I can have four independent patches running at the same time?
Yes, 4 distinctive parts - each can have it's own fx, arpeggiator, etc., each would be on it's own MIDI channel...the real limitation with a SNOW, is that you don't have multiple audio outputs, like the bigger Virus Ti synths.....
What a great review, good job. The Virus TI has been my favorite for a looong time ;)
Cool that you watched and enjoyed it Leo...........makes it all worthwhile
As an owner of several different models, I have looked into the differences in the sound of the units and in my conclusion its mainly down to the converters, the A having a 20 bit converter and the others 24 bit.
Yes, I remember reading that, not sure if I mentioned that fact in this video or not - but always happy to hear people's input.........Thanks for taking the time.....
@@willswitchcraft Sure :) Great video. As you mentioned, besides the converters there is no difference.
Thanks for the clarification - I'd hate to be presenting false info....
@@willswitchcraft I cannot even confirm 100% if the converters really make much difference. I guess someone could try test it.
There seems to be a lot of speculation - as to what makes the Virus synths sound different, but until I have first hand experience with a few other models, I'd just be speculating on if there's any truth to the opinions. For these videos, I've mainly done research on the Access Virus website, checked out their spec sheets and relied on their feature comparisons........
It's really fascinating how well received the Access synths have been, and the fact that Kemper (who either is Access or a branch of it) has a guitar amp profiler that's been in tons of major studios and used on a lot albums for a decade now.
The Profiler is really amazing, true.......I just uploaded a couple of new Virus videos last night - check my channel!
I have just completely renovated a Virus-C as a keeper. Well over a 100 components changed, it's an absolute joy to use / play.
Sights are clearly aimed at a little Snow desktop to compliment it
Wow, sounds interesting. Great to know that parts are still available, or perhaps you were 'hotrodding' the synth, and using different components. Thanks for the comment..................
Thanks for the info, just wondering if I buy one used will I still have access to the digital software that comes with the synth? I’m a bit confused with how this hardware interacts with the digital VST type thing
It is different from a Virtual Instrument, as you must have the hardware to do the programming and use the editor. The software called Virus CONTROL, made by Access, is not compatible with the newer MacOS, and they have no plans to update it. The M..I.M. software has to be purchased, however it's quite reasonably priced. You can use any Virus synth with it, doesn't matter if you bought it used, because it's a separate company........Hope that helps
@@willswitchcraft thank you! That makes sense, Im on Windows so thankfully I can use Virus Control. I’m debating wether I should save money by getting the synth itself or spend the extra thousand to get one with the keys as well. Tough decisions!
I hear you. Keep in mind that, these days, there are dozens of small, portable MIDI keyboard controllers, for very reasonable prices, if you don't really need the full 61 note controller.....Nice to have a synth and controller that take up very little space, unless your out on tour, or really need a 5 octave 'master controller'......
@@willswitchcraft good point, thanks!
I own a Virus Classic and a TI. Yes, the TI can play sounds from the Classic, but they sound different though. Not better or worse, just a little different.
Thanks for that confirmation.....
Nice video, I like your knowledge you seem to have, very informative... thanks! I'm probably going to get a virus which I never thought I'd say but slowly and surely i'm being convinced that it's the way to go, the multitimbral part really really hooks me, I'd be using it with a polyend tracker so the multitimbral thing is really valuable for me... I have a blofeld and it's great, this just looks a little more suited to pairing with the tracker since I can have more effects per part, how many effects per part with the TI2 desktop?
I don't use it as a multitimbral source in my set up, but you can have Echo, Reverb, Chorus, Phaser, Distortion, EQ and the Analogue simulator - all will fully customized functions, PER PART..........I used to love my Blofeld, unfortunately, over time, the rotary encoders began to fail........Good luck with your set up , the Polyend looks really interesting
check this one:
ruclips.net/video/__3UXoqfw04/видео.html
Awesome video. Actually, I have a VIrus Ti2 which I love, but...I am not using the multi-timbral capacity, to be honest. maaaaybe, 2 sounds at the same time, so I feel like it's too much for me. WOuld you recommend to just sell it and get a Virus A? (and buy other synths of course :) Does the Virus A have the same effects??? Thanks a lot. Once again, That's the video I was looking for!
The Virus A lacks some of the effects, and has a much more restrictive modulation palette. Like you, I'm always just using one sound at a time with my Ti.
If you want to try to sell it to put a bit of $ into another piece of gear, I'd suggest trying to find a good deal on a Virus Snow - all the features and effects, at a considerably lower price
@@willswitchcraft Thanks!! I was looking for a Virus C. I though about the snow as well, but the lack of knobs....mmmm...I don´t know. (I don´t use computer / daw). Thanks!
Both the C and Snow would be great choices - depends how much tweaking you want to do during recording/playing. As far as programming, if you use the Mystery Islands Music software, it's much easier (so you don't need all the knobs), but if you don't use a computer or DAW, you're stuck with the panel, so I'd think seriously about going with something like the C
@@willswitchcraft Yeah, that´s why I though about the C. Thanks!
Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
A whole lot of film composers use Access Virus too. Hans Zimmer
, Harry Gregson Williams, Klaus Badelt, James Newton Howard, Danny Elfman juts to name a few :) I don't own virus synth since they are way out of my price tag but maybe i will buy one some day. I like this video
good point about the composers......
Here's more interesting Virus video: ruclips.net/video/5o4KVDtpBAo/видео.html
Excellent and informative video.
Thanks. Subscribed
Thanks Paul.......I always wonder if it's worth putting these together, but it's great to hear from people. Thanks for watching & commenting. I do appreciate it.
Hi Grand PA, great video indeed, any chance to get that sonogram analysis of wavetables to download from somewhere?
hmmm just saw this now....email me and I'll send it to you (if I can still find it) djwilldbeats(at G)....
I have had the "b" since conception and never looked back. No need to upgrade as the sound is still new, dark, punchy and deep! Thanks for an awesome overview! (Aubrey - Cape Town, South Africa)
I really wish that I had to opportunity to check out the various models, just to get a more accurate picture of how they differ. Glad yours is still a good fit for you. I hope things aren't too screwed up down there with all this drama the world is going through....all the best. Thanks for watching....
Very useful, thank you! Keep up the good work, it's great to see an educational video on the Virii by someone who understands what they are capable of :-)
Hey, thanks for your kind words.....I appreciate you taking the time to watch and comment
check this one:
ruclips.net/video/__3UXoqfw04/видео.html
possibly thinking of purchasing a ti snow. I am a little concerned about repair. I have heard that to get repair on any access virus is difficult. would love your response on this to help me in my possible purchase.
That's a very valid concern - I don't really know what to say. I'm of two minds: First of all, there are synth technicians out there who repair synths from the 70's, where the companies no longer exist. They know where they can source parts, etc. Also, the Virus synths are really robust and seem more reliable than many other products. That said, I agree - hard to invest in something without having confidence in the company's support......
If they are not analog synths perse how could you get that sound if its a digital synth?
The Virus line are pretty much the 'top of the heap' of what are called 'Virtual Analog' synths. They just emulate analog synth's oscillators. Actual Analog synths are notorious for going out of tune, etc., and these are used by a lot of big, touring acts, where reliability and intonation are critical.....Keep in mind that even some of the 'analog' synths available today, use digital filters, so it's hard to find actual full on Analog gear, unless you're willing to spend more $, and have less solid tuning, etc. Also, true analog synths, are only capable of a limited number of sounds, so many people have made the transition to 'Virtual Analog' as an alternative.....I hope that helps. I know that there are loads of people out there who've done in depth videos comparing these technologies, so keep surfing.....
Great video Will... i am so happy to have found your channel thank you for introducing me to this synth series!
Glad you got here....................I have quite a few more Virus videos to watch if you're interested........
@@willswitchcraft oh im more than interested you could say im already "infected" by the virus! will definitely check out the other videos you have on this synth and well anything else you have. i love how clearly and well you explain things.
Thanks for the words of support........Yeah, I have to admit, I was very happy to finally contract the Virus. (No vaccine for me).......Sadly, Access Virus isn't really continuing to support the product, but the sounds are unbeatable - even though the basic synth architecture is more than a decade old. It shows you how far ahead of their time they were......
Its reminding me of Elektron. My question is why not use a vst or the vst version? Just to save processing in your daw?
It's so nice to have knobs and switches to alter the sound, program, etc. Using a DAW is a very different experience. Also, if you ever set foot on 'the big stage', having a piece of hardware that's built like a tank is the way to go. If you're not relying on your gear to make a living, it's a completely different story.
@@willswitchcraft I get that. Better way to phrase my question would be - do they sound different from what could be made with a vst? Im curious given that they are digital.
Oh, now I understand.....................not going to be able to answer, as I only use hardware.......
Great review thank you.
My pleasure. Glad to know that people are interested.....makes it all worthwhile.
I never updated my virus TI polar. It works fine so I’m scared to. Any knowledge or experience with the updates?
I have the most recent Virus update....no issues, the real issue is that Virus Control doesn't work on any of the newer MacOS updates........(so I keep an old laptop, with an old operating system on it)
man your energy is contagious. I can really tell you know extremelly well what you are talking about and that's awesome (and very informative!). Thank you Will; subscribed!
So happy to hear that my energy level and enthusiasm are a benefit to these videos.......Hope you find other stuff you like on my channel......(lots of different things hidden there)
@@willswitchcraft i will surely have a look at everything asap :)
Forgot to mention, many of the old synths were multimulti timbral. VST plugins don't seem to work that way.
Yes, I remember many of the original Multitimbral synths, especially the Yamaha TX816's and stuff like that. Back then, we didn't have anything like high end digital recording on a computer, so if you had MIDI gear that could play multiple parts simultaneously, it was a big bonus, freeing up more tracks (on tape) for things like vocals, guitars......Seems like a million years ago now.........
This is an old video but very well done. I own a TI snow but haven’t used it years now. I do a variety of different music and wasn’t using much synths for a while. I want to do a hybrid album next year so need to dust off my synths and get back under the hood with them. My other synths include mini Moog, arp odyssey, a rack mount Evolver (impossible to use without the proprietary software which I’m not even sure is supported. I recently picked up some boutique euro rack units. I want to do an album with orchestral samples, synths and electronic/acoustic percussion. Thanks for reminding me how cool the Virus is :)
Sounds like you have an arsenal of good sounding gear....I hope your new album turns out well....thanks for watching
@ My favorite keyboard is still my Steinway B circa 1912 :). I took some time off from composing to focus on school and to build my dream studio but hoping to get back into next year. I’ve always been into synths but my main instrument is percussion. I made my living composing orchestral music for video games for several years so I want to combine all these with a hybrid instrumental album. Not sure if it will make any money but it will be my first album that wasn’t composed for a video game or library music. I’m in my early 60s now so it’s about time to just do a vanity project:) thanks again for your content. I’ll check out some of your other videos!
Sounds great. I'm 65. I just play with synths for fun now, but I had a good career as a full time pro musician, so no complaints.....
Hello. I need tutorials of individual functions for Virus C. But I can't find anything like that 😕 Could you help me somehow ?
Sorry, no experience with the C. I'd suggest checking out the Access Virus Users Forum..............
Indeed, demystified. Thank you so much for this video!
'demystified' - love that! ....thanks for checking it out Renato
Thanks for this video. Really interesting and informative. Nosing around these synths you help me get around. 🙏
Sorry that I didn't see this comment before. Thanks for watching and commenting.
A brilliant overview.Many thanks.
Hey, thanks for taking the time to comment...................................makes it all worthwhile!
Great synth, but it is worth adding that 16 parts multitimbrality is not really possible. You can get maybe to 6-8 patches playing at once. And also one patch can eat the whole available dsp if it is compilcated.
Understood, however I'm just trying to prevent a general overview - not a comprehensive & definitive video......Thanks for your comment, and for watching
Access Virus... A grandpa in synth history, but still rocking (if you like the virus Sound) ;)
Thanks for your comment. Yeah, still digging the Virus. Sofa King Special!
Yes, both the synth and I are getting a bit long in the tooth, but I guess we're more 'experienced' now........