@@jamestormey4904 I listen to this song and think bigger, more powerful drums would have taken it to another level. Speaking of Neil, (prime) Crazy Horse backing Jason on this song would be extremely interesting.
I fell in love with Isbell's guitar work the very first time I saw him perform. As I've done for years where other guitarists I admire are concerned, I would listen to his music in my car and then go home and try to replicate the guitar leads of his I liked the most. However, I was largely incapable of playing them to my ultimate satisfaction, which pissed me off to no end! I had the same problem years ago trying to play David Gilmore's endless array of incredible guitar leads, and it wasn't until I heard an interview a while back featuring Gilmore's longtime guitar tech that I began to understand why mastering the work of some guitarists like Isbell and Gilmore is such a seemingly insurmountable challenge. First, and most obviously, even after playing for nearly a half-century, I'm still not anywhere even close to the caliber of guitarists these guys are. But, I also learned that, when it comes to certain insanely-talented guitar players, it's not so much understanding things such as technique and style, as it is comprehending their use of certain effects. A prime example would be the one guitar lead of Gilmore's that millions of guitarists have practiced for years, which is "Comfortably Numb'. Mastering the notes and timing were easy compared to trying figure out just what sort of effects the man uses on that, and many other songs. Isbell is much the same kind of guitarist as Gilmore; brilliant, versatile, innovative. And, I suppose with enough practice, I might be able to figure out what in the hell he and others like him do what they do. But, I'd also have to rob the U.S Mint to be able to afford the thousands of pedals and other gadgets they use before I was adequately satisfied!🍽️
I really thought Sadler did the heavy lifting for the guitar on this song. Jason continues to impress with his skillset. How can someone be equally this good at writing, singing, and lead guitar?
From the limited amount they've been able to perform the new material live, it seems like Jason is taking more traditional lead parts on a lot of the newer stuff.
I've definitely leaned towards his acoustic versions lately, although I like the driving beat that this has. I like the acoustic version of "Anxiety" that he did better too, I am super partial to the small sound of Southeastern so maybe that's why...
@@JoaoMoriera2 I've liked each album after Southeastern, but none of them are even close to the same quality, in my opinion. That's the iconic album of his career.
Jason really knows how to get the real sound out of each his respective guitars. THIS is what a Strat should sound like.
Spot on dude jamming tune.
Indeed, though I'm sure it doesn't hurt that he's rapidly acquiring prime examples of each make.
Best song on the album.
Best new song in recent memory. Gonna be a classic...
Oh My gosh not only can he write and sing but that music is stunning.
This song makes me take a big breath when it's done...dam...
This is like a hurricane as interpreted by Jason Isbell and I love it.
My thought exactly, I actually came here to see if anyone made that comment
100% on the Neil reference. That really can through live. This is owerful stuff. And as much as I love the guitar playing the lyrics are great too.
@@jamestormey4904 I listen to this song and think bigger, more powerful drums would have taken it to another level. Speaking of Neil, (prime) Crazy Horse backing Jason on this song would be extremely interesting.
I said same thing. Uncle Neil
I fell in love with Isbell's guitar work the very first time I saw him perform. As I've done for years where other guitarists I admire are concerned, I would listen to his music in my car and then go home and try to replicate the guitar leads of his I liked the most. However, I was largely incapable of playing them to my ultimate satisfaction, which pissed me off to no end!
I had the same problem years ago trying to play David Gilmore's endless array of incredible guitar leads, and it wasn't until I heard an interview a while back featuring Gilmore's longtime guitar tech that I began to understand why mastering the work of some guitarists like Isbell and Gilmore is such a seemingly insurmountable challenge.
First, and most obviously, even after playing for nearly a half-century, I'm still not anywhere even close to the caliber of guitarists these guys are. But, I also learned that, when it comes to certain insanely-talented guitar players, it's not so much understanding things such as technique and style, as it is comprehending their use of certain effects. A prime example would be the one guitar lead of Gilmore's that millions of guitarists have practiced for years, which is "Comfortably Numb'. Mastering the notes and timing were easy compared to trying figure out just what sort of effects the man uses on that, and many other songs.
Isbell is much the same kind of guitarist as Gilmore; brilliant, versatile, innovative. And, I suppose with enough practice, I might be able to figure out what in the hell he and others like him do what they do. But, I'd also have to rob the U.S Mint to be able to afford the thousands of pedals and other gadgets they use before I was adequately satisfied!🍽️
Man, this is terrific!!
Damn, this is great. So excited for this album.
This is exactly what I needed right now. Thank you. 🎸🤘🏽
Hands down best solo.
2:52 Just yes! Bought the record and when that solo came on... Love it!
I really thought Sadler did the heavy lifting for the guitar on this song. Jason continues to impress with his skillset. How can someone be equally this good at writing, singing, and lead guitar?
From the limited amount they've been able to perform the new material live, it seems like Jason is taking more traditional lead parts on a lot of the newer stuff.
Thanks for bringing this here for we concert-starved lovers of great music! Powerful song and band!
We were a little closer to the stage in the middle. They slayed “Last of My Kind”.
"Feel what you play and play what you feel"
- Lazy Lester
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Do you have Be Afraid?
Any way you could post it?
This lick seems to bring other guitarists to mind and for me, strange as it sounds it's Buckethead.
This is great too but I hope the album cut is the acoustic version he's played.
No way, this is much better. That guitar riff is killer.
I've definitely leaned towards his acoustic versions lately, although I like the driving beat that this has. I like the acoustic version of "Anxiety" that he did better too, I am super partial to the small sound of Southeastern so maybe that's why...
The riff though, I neeeeed that riff.
Will Cowling a great
@@JoaoMoriera2 I've liked each album after Southeastern, but none of them are even close to the same quality, in my opinion. That's the iconic album of his career.
Great song, but this audio is full of noisy clicks & pops
Great gathering where the virus can really spread!
February man.
The party broke up mid March. This might be the last show they did before shutting it down.
I would risk it to see him and his group play.
CoronaLIErus