Experimentation - Timelapse - Krita
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- Опубликовано: 25 авг 2024
- Patreon: / davidrevoy
Creative Commons Attribution 4.0
by David Revoy
www.davidrevoy.com
20 October 2019
Software: Krita 4.2.6
O.S: Kubuntu 18.04.2 LTS
Video: SimpleScreenRecorder, FFMPEG, Imagemagick
Music from filmmusic.io
"Ritual" by Kevin MacLeod (incompetech.com)
License: CC BY (creativecommons...)
woah how'd you add that perspective grid?
Thanks! I haven't found better than preparing the grid with Inkscape, export to PNG, and then storing this grid on a folder (big star, parrallal lines, etc). Would you like I share my set?
@@DavidRevoy oh please do. I think it would be very useful
@@DavidRevoy I would also love to see the folder!
Thank you. Where do we get the perspective guide? I searched in Krita but the "perspective tools" seem like these weird assistants that just help you draw straight lines for boxes
You can use the Assistant Tool in Krita to make grids, its in the tool options dropdown.
If you want a proportional grid you can use the grids and guides docker to have a grid of customizably sized cells.
It's amazing how quickly the shapes come in. Less than a minute in and you can already tell what the painting is of.
I was 14 when I saw this drawing, I'm glad to be able to see that beauty again
Both the end result and the process were amazing. I am always at awe of what an empty canvas can become with masterful brush strokes and a few happy accidents. Bravo!
I have watched this video all most all day, learning such a lot about digital painting from this wonderfully generous French artist. I am new to digital art, only just purchased a tablet in the last few weeks and there is a lot to learn. David Revoy is making the process so much easier. Respect and thanks.
Thanks! The process you see on this video bypass all the drawing and replace it with cut big shapes in the first part. I can use this technique only on landscape or when a character is a silhouette or turning their back; as soon as a character face the camera or I get a perspective; this workflow falls appart on my side. I'm probably not skilled enough yet to anticipate the perspective deformation of the silhouette of form. It's a never ending learning story ^__^ I wish you good luck on your own path!
Your work always amazes me!
Thank you
beautiful work
Un pur régal, un peu comme notre breuvage ( on est de la même ville ), quand on domine son sujet, y'a pas à dire, la magie s'opère... Chapeau bas Mr David.
merci merci!
Definition of high quality art
When you can already see the picture so early in the beginning, I can somehow feel that there is much hard work that has been done to hone your skills to this degree.
It's very beautiful and very touching/moving. It's just incredible, I'm speechless because of the feelings I get seeing the early stage to the final stage of the painting. The final painting itself has this kind of....thing... that made the viewers deeply moved. I don't know what that is. But there is something there....
Thank you very much! Unfortunately, my skill has its limit: right now I can paint that only with a single point perspective; a character seen from front (not too much top-down, or bottom-up deformation, or camera shortcut) and when the character turn back to camera it is ease a lot my work (working this way with painting and detailing a face or hands is hard). But I'm still training to one day be able to handle that. Painting this way feels very free and I wish I could make my comic this way. Thank you very much for your very encouraging comment!
@@DavidRevoy if you can get to this stage of professionalism, I'm very sure you can expand the limit of your skills. There's always a lot to learn! :D
it's really beautiful
I'd really love a tutorial on the techniques you're using here. Especially for the character. :)
Thanks! The technique used for the character here is super weak; I was lucky to have a theme where she was turning her back to the camera (easier) with large clothes (easier too). This is the main downside of this approach by shape: Cutting big shapes accurately require a skill I don't have yet. I probably should have done at least a light sketch of the character silhouette prior starting this painting. :)
@@DavidRevoy but you were still so good!!(im a year late but still!)
@@jimintae3284 hehe, thanks!
God youre so amazing this painting makes me wanna cry ;_;
Fantastic
Love it looking very forward to your tutorials and other videos
You are an awesome artist. Thanks to you and your comic, I was able to guide myself to become a better artist. Please keep it up.
Waw ce skill !!! T.T C'est magnifique !
what in the world, this was amazing!
Vous êtes super fort ;)
It turned out great! Gorgeous work.
Its soooo beautifull 🎴 thank you for the Inspiration
thank you for taking the time to share a nice comment:!
Sometimes I do this also, starting with painting shapes instead of sketch. Krita has a little "fill" brush that u can draw filled shapes with and I sometimes use it to make silouettes & flat color. It's not super precise but it lets you coat the canvas with all your basic shapes quickly & has zero lag unlike the big textured brushes
Hehe, I know this one; it was developped for me ^__^ You'll find on my DVD 'chaos and evolution" from 2010 a full chapter about painting with shapes on a software named "Alchemy"; when Krita developper saw that; they made the experimental tool, that was super nice of them.
I love it and can t wait for more 😉
Great piece of artwork, colors, details and textures really made this work come alive. I am curious, did you plan this drawing in advance or did you make it up as started the drawing?
Thanks! For this one, it was an improvisation; I only had in mind her silhouette and a temple in background (what I directly cut at start). This was a lucky accident; I rarely start an experiment like that and end with a piece. Of course, I never published here the dozens of other weird workflow attempt and idea where I deleted the file after 15min of scribbling around with no ideas. xD I usually prefer to plan and do thumbnails, etc...
Wow les couleurs ! c'est Magnifique !
Merci beaucoup!
Nice !
New times - new technique) Well done.
Amazing!
Kinda reminds me of a few tips you gave us while working with Alchemy on Chaos and Evolution.
Magnifique !!!
I really like Hereba as is displayed in the wiki and the comics. But it looks awsome in realist and semirealist stile.
Awesome..Thanks
Can you provide a tutorial or an explanation on how you approach environment painting? I'm trying to create some background environments for my novel and I can't approach them the same way I approach character illustrations. Thank you in advance.
Hi, that's indeed a difficulty: characters require a more precise drawing while background proportion and design can often be improvised while painting. This often leads artist to use various approach for both; or struggle to unify a method. I'm using here a 'blocky method' where I model quickly all object of the scene as if they were very old 3D video games with low polygons ; this shape simplification allows me to focus on the light and ambiant of the scene in priority and also make the values/colors producing interesting 2D shapes for the compo. The downside of a technique like that start to show as soon as a character is over expressive or in action pose. The blocky approach is rarely good to depict that... So I'm searching also, even after 200 pages of painted webcomic =) be sure that if I find something, I'll share!
David Revoy that is an interesting method and I think I have come across it before in my own studies but I never realized why they didn’t work when I added a character into the scene. Your description makes sense. I also have a problem setting things into a scene. Do you ever plan an environment from a top view perspective (like and architect) before painting it from a first person view?
This video should be called 'If you suck at 3d modelling, try this method!'
Haha xD
great
I lost inside it😢so awesome!
How long time have you spend at it?
It's really impresive :) I love the new style, great work as always .
How did you add that canvas texture ... Do you have to paint in multiply mode for it to stay visible ?
thank you! I'm painting under a layer with a canvas texture (from the default resources of Krita) in 'grain merge' blending mode for the first part of the artwork with big volumes. Smaller strokes are over this layer with textured brushes. It creates this "thick on thin" aspect of traditional oil paint. :)
@@DavidRevoy Thank you for the info :) How to I add a textured layer ?
@@yrkke_produkcija The Fill tool; it has an option in tool-option to use a pattern; and the pattern browser for it is on the top toolbar. You'll easily find it :)
@@DavidRevoy Oh, thank you so much, can't wait to try it out 😊
wonderful, could you do krita tutorials?
I guess the test was successful! :O ;)
Le meilleur artist sur Krita, y'en a qui disent qu'il n'y a pas de meilleurs et c'est seulement objective mais ils mentent
^__^ merci!
Impressive!
If you're going to further refine this techniques then I will whole-heartedly support your decision.
Thanks! I'm going totally outside my comfort zone, and your comment really help me to explore this direction deeper.
Wow I'm amazed how quickly you lay down the lighting and everything! How do you do that without a sketch?
Thank you! I tried today to replicate with scenes a bit more complex (eg. top down view with character getting swooshy gesture and deformation in perspective): it doesn't work! Avoiding a sketch or a thumbnail works only for this very illustration theme because the silhouette and setup was in fact really simple. That's something I learned :)
Shut up and teach me your ways masta
how to export timelapse? Ive been thinking about it lately
How do you put perspective lines ?
Magnifique comme d'habitude.
(y'a une différence entre speedpainting et timelapse ?)
Merci! J'imagine que les définitions ne m'appartiennent pas et je peux me tromper. Speedpainting pour moi est un terme relatif: 'une peinture plus rapide que les habituelles dans leur temps d'executions'. Pour moi qui prends des dizaines d'heures sur des peintures parfois; un truc fais en une heure ou deux tombe dans ma catégorie "speedpainting". Et je dis relatif car pour d'autre artistes, mes deux heures peuvent être leurs grand format, et pour eux un "speedpainting" peux durer 15minutes.
"Timelapse" ça défini les vidéos en accéléré; comme les vidéos de plantes qui grandissent à vue d'oeil; ou les stafs qui montent une scène de concert énorme en trois minutes à cause de l'accelération des images. Ici; j'ai un peu plus de deux heures d'enregistrement compressé en grosso modo 10 minutes. Voilà :)
what is the flute song you put at the beginning of the video?
Hey, it's part of the intro of "Ritual" by Kevin MacLeod
Bello
Is there a course or something to learn how to draw like this?
Hi, not yet on my channel. It would take a long long time to explain what's going on here. But to sumary: the main fundamental skill in this type of technique are: 1. Shape VS Form , 2. Values , 3. Light & Shadows, 4. Perspective (for the temple). There is almost no Anatomy, Gesture (the character from rear view was really simplifying the piece). You can learn a similar skill if you train about composition of big shape, then learn how to transform them into form with perspective and how to organise depth with values. Book I recommend on the topic: The Andrew Loomis ones, and the James Gurney one. Good luck!
bruh!!! how'd you add those custom brushes...??
Check here www.davidrevoy.com/article742/krita-4-extras-brush-presets-pack ;)
you should work like concept artist for squarenix or some kind of video games inc.
Thanks! I'm a huge fan of Final Fantasy 7, 9 and Secret of Mana (Legend of Mana too.) I'm happy if I can evolve Pepper&Carrot and include a bit of this vibe in the artworks.
@@DavidRevoy Haha I love exactly the same games, maybe you should partner with some developers and create you own game based on your Art!! All the best!!
@@DavidRevoy maybe this game inspire you www.google.com/url?sa=t&source=web&rct=j&url=store.steampowered.com/app/428550/Momodora_Reverie_Under_The_Moonlight/&ved=2ahUKEwj5oa_v7abmAhUNSq0KHeMiAzwQFjAfegQIARAB&usg=AOvVaw3OqoUcOG5ocxTvhSke9qlO
how long it took you to draw this?
Hey, I don't remember (the video is 3 years old) maybe 3 to 4h ?
What gear do you use?
just askin'
Hey! I'm using a Intuos4XL on a Dell Vostro desktop PC with Kubuntu (Linux). You can read more about my quest for a tablet I like here: www.davidrevoy.com/article332/tablet-history-log
Hi David! What are the dimensions of this piece?
Hi! The full resolution is here: www.davidrevoy.com/data/images/blog/2019/2019-10-19_22h00_experimentation_net.jpg
I would like to do landscapes/backgrounds, but it's difficult. Can you share a tutorial on them, please?
Do you have pictures of your attempts? I would like to have and idea of your actual skill to see how I could build a set of adapted tips. It can inspire the creation of a video.
How do I save time lapse on krita😭
Hi Sybbyl; you need to use an external application to save what happens on your monitor. I use here OBS
How did u record it? Did you use a software or is there an art timelapse on Krista?
I used a free libre and open source software named SimpleScreenRecorder.
Are you using a drawing tablet or a mouse?
A tablet, Wacom Intuos4.
You should commission art if u already dont
This is just what I asked for! (I'm cacalotl_the_raven on instagram too!).Absolutely Beautiful!
I was all nice and relaxed to fall asleep then a fucing bug lands on my wrist!! ew ew ew
:D oh no! (bug report!!!)
WAIT, THERE ARE 666 LIKES!!! NO ONE MOVE!!!!