Thank you! Happy New Year to you as well! I've got some ideas for future videos - if there's something more specific you're looking for, I'm all ears :D
Maybe because my videos only have dialog and no other sounds, but the sync always works for me, I don't have to do any of those steps that you did, I just load them sync using waveform create timeliness using multifamily and bobs your uncle. Oh and I have a speed editor, makes the rest of it that much easier, no keyboard shortcuts, it has the buttons and a scroll wheel on it.
Yep, not having the background noise definitely makes for easier syncing! At least you could use one trick I showed in this video though, right? :D Oh, and I have a Speed Editor too, I just... don't use it enough. I need a bigger desk! Thanks for watching & commenting!
Using the Cut Page is way faster and easier by using the Sync Bin. All clips plus separate audio tracks from a lavalier can be synced easily and you can mark in and out quickly whatever part of a clip you like to place on top of your master track. Then afterwards you can start the finetuning on the Editor Page.
I've been using the method you showed in your previous Multicam video since I watched it, after struggling for months to get the sync bin to work correctly with the footage from my three cameras. It was a complete game changer for me as the sync bin method just isn't accurate enough when dealing with motorcycle footage that only has one clear audio track to work with. I tend to do one clip per timeline, but I'm going to try this method of having all the clips on one timeline next time, as I think it looks a lot more efficient. I have the added complication of one of my cameras being on my wifes helmet so her audio is completely separate from mine as she rides her own bike. In addition to this, the audio on my 3rd camera is from a mic under my seat so all that has is engine noise on it. I have to combine the three audio tracks into one compound track before I convert the timeline to multicam. Once I've finished the edit, I have to flatten the multicam clips and then decompose the compound audio to separate them back onto three audio tracks to be able to tweak them individually. All good fun, but I'm still looking for a better way to do this! Love the bonus tip by the way! Great video as always John, many thanks!
First of all, I'm glad you got something out of both videos! Second, I'm glad you have a solution for your wife's audio - for the "2nd rider cam", I put them on separate audio/video tracks, and edit my Multicam as usual, disabling the 2nd rider cam when I want to show something from my own cameras. It's not the best solution, but it preserves the audio I want. I think this is what you're going for by flattening and decomposing after editing. I think you could also do this with your engine audio clips. Third, thanks! I'm always happy to share new efficiencies I've found :D
Wow, I wonder what changed? I also wonder what would happen if you put Voice Isolation on your tracks and THEN tried to sync them with autosync? Would Resolve apply the VI and then do the sync?
@@Jarvisbiker That's wild. I'll have to look into that and see if anyone else experienced that. I know a lot of changes were made in DR19, but going backwards in functionality usually isn't one of them.
I have learned that in the autosync menu that pops up, change “Use Track Number” to “mix” or “Automatic”. That usually works MUCH better for me. Although it still isn’t perfect.
Happy New Year 🎆
Thank you, my friend! Happy New Year to you & yours as well! :D
ive watched the other two multicam videos and im still learning things with this one, thanks its going to be a big help for 2025
I'm glad to help, Scott! That one new trick I showed surely prevents issues and saves time, especially by preventing the overlap issue :D
Thanks for the tips you gave this year.
The best wishes for 2025 and hopefully you bring more interesting tutorials
Thank you! Happy New Year to you as well! I've got some ideas for future videos - if there's something more specific you're looking for, I'm all ears :D
Maybe because my videos only have dialog and no other sounds, but the sync always works for me, I don't have to do any of those steps that you did, I just load them sync using waveform create timeliness using multifamily and bobs your uncle. Oh and I have a speed editor, makes the rest of it that much easier, no keyboard shortcuts, it has the buttons and a scroll wheel on it.
Yep, not having the background noise definitely makes for easier syncing!
At least you could use one trick I showed in this video though, right? :D
Oh, and I have a Speed Editor too, I just... don't use it enough. I need a bigger desk!
Thanks for watching & commenting!
Using the Cut Page is way faster and easier by using the Sync Bin. All clips plus separate audio tracks from a lavalier can be synced easily and you can mark in and out quickly whatever part of a clip you like to place on top of your master track. Then afterwards you can start the finetuning on the Editor Page.
Thanks for the tip!
I've been using the method you showed in your previous Multicam video since I watched it, after struggling for months to get the sync bin to work correctly with the footage from my three cameras. It was a complete game changer for me as the sync bin method just isn't accurate enough when dealing with motorcycle footage that only has one clear audio track to work with. I tend to do one clip per timeline, but I'm going to try this method of having all the clips on one timeline next time, as I think it looks a lot more efficient. I have the added complication of one of my cameras being on my wifes helmet so her audio is completely separate from mine as she rides her own bike. In addition to this, the audio on my 3rd camera is from a mic under my seat so all that has is engine noise on it. I have to combine the three audio tracks into one compound track before I convert the timeline to multicam. Once I've finished the edit, I have to flatten the multicam clips and then decompose the compound audio to separate them back onto three audio tracks to be able to tweak them individually. All good fun, but I'm still looking for a better way to do this!
Love the bonus tip by the way! Great video as always John, many thanks!
First of all, I'm glad you got something out of both videos! Second, I'm glad you have a solution for your wife's audio - for the "2nd rider cam", I put them on separate audio/video tracks, and edit my Multicam as usual, disabling the 2nd rider cam when I want to show something from my own cameras. It's not the best solution, but it preserves the audio I want. I think this is what you're going for by flattening and decomposing after editing. I think you could also do this with your engine audio clips.
Third, thanks! I'm always happy to share new efficiencies I've found :D
Autosync used to work for me until Davinci 19 then it has not worked since.
Wow, I wonder what changed? I also wonder what would happen if you put Voice Isolation on your tracks and THEN tried to sync them with autosync? Would Resolve apply the VI and then do the sync?
@CreatorReality1 either way it has never worked since 19
@@Jarvisbiker That's wild. I'll have to look into that and see if anyone else experienced that. I know a lot of changes were made in DR19, but going backwards in functionality usually isn't one of them.
I have learned that in the autosync menu that pops up, change “Use Track Number” to “mix” or “Automatic”. That usually works MUCH better for me. Although it still isn’t perfect.
@@HiKonceptImageBranding That's a great tip - thanks for sharing it!