Theatre Stars Bringing IT!
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- Опубликовано: 21 июл 2024
- It's just what they bring, okay?
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edited by me with the software Sony Vegas 18.0
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#broadway #theatre #musical
Timestamps
0:10 Jeremy Jordan
0:32 Phillipa Soo
1:01 The Schuyler Sisters (Jasmine Cephas Jones, Renée Elise Goldsberry, Phillipa Sco)
1:09 Ryan McCartan
1:34 Jessica Vosk
2:13 Rob Houchen & Rachelle Ann Go
2:34 Caitlin Tipping
2:46 Michael O'Haughey
3:20 Aaron Tveit
3:34 Lee Mead
3:46 Alyssa Fox
4:02 Maddison Firth
4:17 Mykal Kylgore
4:33 Andrew Feldman
4:45 Izzy McCalla
5:00 Cláudia
5:16 Millie O'Connell
5:40 Donna Vivino
5:55 Lucy St Louis
6:14 David Gould
6:29 Charissa Hogeland
6:55 Sam Pauly
7:09 Patrick Page
7:17 Tim Minchin
7:24 Drew Sarich
7:37 Carl Anderson
7:54 Josh Young 
Видеоклипы
I may not know what exactly "it" is but I do know that whatever "it" is, Jeremy Jordan has it.
Jeremy Jordan is just inhuman. Period.
So is Aaron Tveit, even if he's not in the video
5:56 The way she starts the note is like a piano, it's so resonant because of the missing vibrato at the start. It was so perfect, that if I was hearing it without actually watching, I would think that they just played a piano in that part.
No ring there.
As a soprano, my biggest challenge is turning off my vibrato. Mad respect
She didn't slide to the note! She started singing spot on! That's what I meant in the comment lol.
I am absolutely loving that you’re bringing some love for the basses! They deserve to have the spotlight too, and frankly that G1 sent shivers down my spine. I’m sure it was edited, but it was so damn clear, so focused, and so perfectly on pitch without a single wobble or hint of vocal fry that it deserves an award.
And for those of you who don’t know, G1 is pretty much at the bottom of the bottom of a basses vocal range, and it usually comes out raspy and growled (the technical term for this is vocal fry) because most basses aren’t capable of truly producing a sustained sound at that register. What a talent!
It's from the cast recording! And that G is the lowest G on the piano. Let that sink in haha!!
Yes Patrick Page has a very unique vocal range, and he deploys it magnificently in Hadestown. It's also very rare to see such low bass singing - the only place I know of with a genuine tradition of bass singing is Russian choral music.
@@lordyeetus6317 You can see a lot of that low (and far lower) singing in gospel quartet singing.
@@KajiVocals So I want to correct you, but I don’t want to sound like an ass about it. Basically, the Russian choral tradition has an entire voice type called an Oktavist, and their whole thing is that they sing super low to provide an unamplified bass sound to male choral singing.
ruclips.net/video/SRe1dsXs6_s/видео.html
That is a link to a wonderful performance where the bass actually sings a step lower than the bass in Hadestown. There is tons of music written specifically for this voice type, and the tradition goes back hundreds of years. The advent of modern gospel singing is based in the early 20th century at the earliest, and there is not a strong culture around bass singing in the United States.
All this is not to say that Bass singing is nonexistent, or even of poor quality in the states. I just wanted to make the point that individual basses singing particularly low does not really compare with hundreds of years of traditional bass singing.
www.oktavism.com/post/2014/11/16/what-is-an-oktavist
This is a website dedicated to Oktavist singing, if you have any interest in the subject. Truly fascinating stuff!
When Patrick Page sang that G1 I was stunned. Just stunned
His voice just mesmerizes me
Aaron is moulin rouge is just one of the best performances I’ve ever seen. The emotion and skill is incredible!!
As a massive SIX fan, i had NO CLUE that Millie O'Connell was a full lyric soprano. NO CLUE!!!! Based off of how she sang in the show, I just thought that was her natural tone. to hear her go all the way up to C6 in belt?? MIND-BLOWING!!!!!
Most women are lyric sopranos.
@@KajiVocals i know hahaha but i was talking about millie specifically. i didn't know that she was able to go that high. i just thought that she had a more limited range based off of how she sang in the show.
@@heyimjames5566 Oh you'd be surprised by how high some darker voiced singers can go. For example Carol Burnett has sustained F6s in head voice with vibrato in her 60s. And Liza Minnelli was comfortably belting high Gs and As in her 30s.
@@KajiVocals WOWWW 😳
@@KajiVocalsI'm a mezzo/belter
On Sam Pauly's channel, when she did that 100 day challenge, she showed one of the ways she sang AYWD in the previews in Chicago and it was so high! I'm not sure what note but it was insane
The "Fairest of the fair" part? That was so cool! It was a B5
Yeah that bit... I was shook!
Those girls, the sisters…my goodness! They’re so good.
Jesus Christ Superstar is rightfully represented here for both high and low notes - such a wonderfully challenging show
Side note - that D5 from Frozen was not on pitch 😬 People just applaud like crazy when they hear a belt held
Jessica Vosk is no joke.
YAEEEEEEEEES Paul Nolan's Gethsemane!!!!!! He was incredible in that role. Lots of people that he was too wooden but The Trauma bled through and I was mesmerized. And that VOICE!!!
Could've also included Josh Young's rendition of Judas' death. It's by far the best.
IVE ACTUALLY NEVER HEARD OF LEE MEAD BEFORE THIS VIDEO BUT NOW IM OBSESSED WITH THAT CLIP OF HIM😭
Listen to Close Every Door and Give Me My Coloured Coat. Also he was Fiyero in Wicked! And a good one
For a brief period he was very famous in the UK. He starred in one of the BBC's 'search for a musical theatre star' reality shows called "Any Dream Will Do". I believe he won. He married another UK theatre/TV star (Denise Van Outen) and there was a lot of media attention. Then he just seemed to fade away from public view even though he was doing TV drama shows (not singing) and theatre. He's incredibly talented but not necessarily a name 'on people's lips'.
He won the Andrew Lloyd Webber reality competition to be Joseph in Technicolor Dreamcoat in the West End, which was the same reality show that brought us Samantha Barks and Rachel Tucker and Jessie Buckley one year later. Lee then went onto star in Wicked, Legally Blonde, Chitty Chitty Bang, Bang, and Chicago. Even if reality shows since then have been trashy, that series produced some truly incredibly talent.
would love a bunch of Hadestown "who sang it best" videos! the show hasn't been through a lot of cast changes yet on Broadway but you could always go back to the original cast recordings from the 2017 version
wait for me reprise - euridice
how long - hades
why we build the wall - hades
road to hell - hermes
way down hadestown "way doooown" - euridice
doubt comes in - orpheus
lady of the underground - Persephone
I would love to see a video like this dedicated to legit singers!! A really solid legit technique is just as difficult as developing a good belt
I am planning on to! "Broadway's Most Refined Voices" or something like that
@@MisterGolightly ooooo, like, theatre artists who can belt as well as they can sing legit/the other way around?
@@asnalelo.165 Yeah that have a solid A+ technique like Audra McDonald and Lea Salonga
@@MisterGolightly niiiice! looking forward to’t
@@MisterGolightly I don't think Audra past the 90s has an A+ technique. She developed a lot of serious technical issues around 2001.
4:10 Maddison Firth is a QUEEN!
IM SO EXCITED YOU Included phillipa, Renee and jasmine!! And jeremy 😊😊😊😊😊😊😊
Omg luce st. Louis her voice is so clean!
I saw the phantom of the opera in London a few weeks ago. It was incredible
Donna's "Anymore" was so clean oml T_T T_T
love this!!! thank u for this compilation!
My dream is to have my theatre moment be featured in a Mr Golightly video (hopefully when I finish my show!)
Haha! Thank you!! Send it to me I'll give it a watch😘😘
@@MisterGolightly *Dany will remember this!* haha keep being amazing!
What show is it? My next show is Rock of Ages
@@theyluvtwoset.13 it’s a show I’m writing! It’s based (loosely) off of personal experiences I had during my time at a mental health facility! It’s a coming of age story for those who didn’t expect to make it to their 20’s. I’m working on getting some social media up for it now!
@@MsDannyNicole Oh ok but I have auditions for BMC next week!!! I'm the singing/music teacher's pet and always get a good role! Hoping for Christine 🤩🎀📱🎭
6:03 crazy resonance
That does not sound like it would project without a microphone.
You should check out Marin Mazzie singing Don't Cry for Me Argentina. She goes up to Bb5.
I'm gonna!
The lungs on Jessica Vosk.
Lucy has the MOST perfect Christine vocals ❤️❤️❤️
Paul Alexander Nolan is just one hell of a vocalist.
Loved seeing Tim Minchin
2:45 starts on C#6!!!
You know I'd really love to hear Adam Pascal try Why God Why
Amazing video!! So good!! I really really loved it but where is any Effie whites?
I wish something "Vocal Olympics" between the countries of the world existed. I wonder how many mainstream singers would qualify (especially now) in comparison to Broadway/Theatre singers.
6:00 Please what coordination is she utilizing? Is that Flageolet?
Doesn't sound like any head voice I've heard thus far plus it's different from falsetto & not a whistle note.
Excellent video once again ✨
🎶 _Moon River, and me_ 🎶
Yay Moon River! You're an og 😭💜
It's flageolet for the E6 yes. The C6 sounds like just a thin and processed (digitally) upper head voice.
@@MisterGolightly 👈❤✨
@@KajiVocals Oh gotcha, thanks for clarifying! It sounds like a unique approach for the climax of this song.
Thank Christ your back
It's been a moment!
Cláudia is such an underrated Evita, I'm glad you are familiar with her!
Someone send me that clip a while ago and I was amazed
The full 1983 Brazilian recording of Evita starring her is here on RUclips, you should check it out. Her Rainbow High is insane.
i adore caitlin tipping
Great video!!
Would love to see the shows and songs named on screen
Could I get some vocal advice/education from someone... I am a male and can belt in my chest voice in my complete fourth octave. Mixed and head voice is what I use for thr fifth octave since I have my passage between 4th and 5th octave. I can whistle (or maybe just some head voice) in the complete sixth octave aswell (not everyday I have to say lol). Does this qualify me as a baritone or tenor? My lowest notes are somewhere around E2.
I would love to extend my belting range to a C5 or C#5 if possible. Anyone any advice?
range is not really that important, the most important is the song, can you sing well in pitch? that's all you need, classifications are more about roles, if you can sing well a song writen for tenors, than you're one, I even know singers who can do both baritone and tenors roles, or even bass roles, in the end of the day is up to you.
1:26 OMG RYAN SINGING DGW!
Welcome back
Stupid question about male singers because of the beginning. Is G4/A4 impressive or difficult? I’m a baritone and that’s towards the top of my range but still not near the passagio.
Kinda. For a tenor that should be fairly easy. For a baritone it's harder but def not impossible. Heaven on Their Minds has A4's and Judas is more a baritone
As a starting range? That's uncommon.
@@MisterGolightly As a tenor, my confortable chest voice is an B3 to D5. My second passage starts at the Eb5's to B5. G4/A4 are somewhat high to me but very much easy.
Then you're either a very light baritone or a tenor with a good lower extension 😅 the Baritone passagio is normally a couple notes lower than that
@@lucasiglesias1894 my passagio is right around C#5/D5. My lower extension goes down to D2. So is this like bari-tenor?
Wonderful singers..and Rachelle is my Queen 👑
I'm confused, isn't Christine's high E in the same octave as Judas? At least reading the sheet music, it's always looked that way
The second clip of Jeremy Jordan. I recognize the song as Under Pressure. But what is the video from?
From SMASH!
Does anyone know where 0:22 is from?
As a pop fan im a bit confused, why arent they straining above D# ? 🤔
Welcome to the theater
because theater people are better than pop stars
😂😂😅
Because they have better technique than most pop artists today
Lol
What's the song Charissa Hogeland is singing? (not let it go)
Over the Love!
Hi! what's the 2nd song Jessica Vosk sings?
Hi! It's Thriller but it's a mix. You can search it here as: Jessica Vosk - I'm Alive (Fruma Sarah Medley)
Rob houchen is sooo underrated. Also, where did you get that second Jeremy Jordan video from? I'm a huge fan of his, but I've never seen that one. It's really not fair that he can sing higher than me (a cis woman)
It's Under Pressure from SMASH!
Agree about Rob Houchen. Saw him in Light In The Piazza. Best performance ever hands down
The B4 of Aaron wich song is?
El Tango de Roxanne!
what are alyssa fox and lee mead singing?
5:18 hi, can someone tell me how did millie hit that c6? Because for me it sounds like head voice but i’m not sure 😅
By riffing and mixing
Ok, thanks!
Mixed voice.
6:32 what is this from??? oh my god
Over the Love from BAZ!
The thumbnail.
Rachelle's face was priceless. I HAD to make it the thumbnail 😂
💖✨LEE MEAD✨💖
what song is he singing?
RAISE A LITTLE HELL!!!
What’s the second Jeremy Jordan song?
Under Pressure from SMASH!
What's the first one? Newsies or smth?
@@theyluvtwoset.13Raise a Little Hell from Bonnie and Clyde I think
@@jovindsouza3407 ok helpful
Michael vs Dimash for real
what's the first one
Raise a Little Hell from Bonnie and Clyde
@@MisterGolightly thank you
Not this only being 8:01
Lazy boots
patti lupone should be in this list and it should just show the whole of evita. just sayin. 🤷♀️
1:50 name song o link please please?
The song is Thriller. It's a medley. You can search "The Skivvies and Jessica Vosk - I'm Alive (Fruma Sarah Medley)"
@@MisterGolightly Thank you so much. Could you make a video «Jessica Vosk vocal range”
Where is the vibrato of Lucy St. Louis? 😐
Its a choice to do vibrato and its incredible to do vibrato past a C6
@@grandeflamesbutera3949 well then she made a bad choice
Some of these were screechy and pinfold
A woman singing D5 after a man just sang an A5 is a bit underwhelming lol
Range doesn't mean much. The way one sings the note is far more impressive.
@@KajiVocals I get that, but think about it this way. I looked and she seems to be always classed as a soprano. Assuming the "standard" ranges for Sopranos (C4-C6), Altos (F3-F5) Tenors (C3-C5), and Basses (E2-E4):
A soprano D5 (14 semitones above c4) = Alto G4 = Tenor D4 = Bass F#3. Those are all pretty easy notes for those voices to sing.
By contrast, that Tenor A5 (9 semitones above C5) = Soprano A6 = Alto D6 = Bass C#5.
Now I can't speak to the others personally but as a bass I can juuuust barely reach that in falsetto, but I really have to concentrate. It's actually the highest note I would be comfortable singing in public lol. The F#3 though, that is so easy I'm not even fully out of my chest voice yet. Basically yes tone obviously matters more than range alone, but it would be really really weird if a broadway star couldn't sing that note easily. All 4 of the female characters in les mis have to belt that note at least once, and that's a lyric soprano, 2 mezzos and a mezzo or alto (depending on who's playing fantine and Mme T). I'm not saying it didn't sound good, it did and she's an excellent singer. I just don't think it's in the same league as a lot of these other notes
@@andrewbloom7694 The ranges you list are halfway in head register for soprano and contralto. And all in full voice for male voices. This is an incredibly important distinction. A D5 in full voice for a soprano is not a comfortable note in most cases. It is a high belt. If you look into studies done by CVT’s Sadolin you’ll in fact find out that D5 is the limit for how high a soprano can go in an unaltered chest belt. An absolute limit. The difference between sopranos and tenors (and contraltos - as they share the passaggi in most cases) is not a whole octave. The only reason it is a whole octave in classical is due to the approach of singing. The actual difference in how these voices sit is around 5 semitones. A tenor G4 would be a soprano C5 typically.
The Les Miserables roles aren’t classed by the voice type. But style. One is a high legitimate soprano (style, not voice type - however realistically I doubt a mezzo would ever play this role). And the other ones are belter roles. If we really had to be honest and try to class these belter roles as mezzo or soprano or whatever, Eponine would be a soprano belter and Fantine a mezzo belter. The reason for this is the way the middle range is approached in both roles. But both roles are still typically sung by sopranos. Sometimes even high ones.
Back to my original point. A male singing an A5 in mixed voice (M2 mechanism) compared to a soprano singing a (good) D5 in a full voice would still make the D5 more impressive and challenging for a voice.
You have been sleeping on Dimash kudaibergen for many years now.
I think he is not a theatre singer 😅😅
Very overrated. Zero musicality. And lack of warmth or colour in the voice. Range isn't everything.
Yes. BUT..... "IT" does not mean screaming at the top of your lungs into a mic and sounding like you're in pain. Many, but not all were demonstrated in this video. Good grief!
Hater!
Very skilled, but most of them have incredibly annoying timbres. Too nasal and piercing.
Technique..good…. Tone… AWFUL 😶
Omg awful singing
Leave then!