Great tips, very helpful. I typically don't use the shortcuts, but will start using then now - very valuable! thanks for the post. Perhaps you may know the answer to this question, would you know, when using a green screen with a background image, if there is a way to zoom in on both tracks? For example, sometimes I will video two people having a conversation in front of a greenscreen and cut it up to zoom in for individual closeups. But looks funny because the background image doesn't change with respect to the closeup. Thanks again
Glad this was helpful! Once you start getting used to shortcuts, it'll become second nature, just takes a minute to get used to it. In regards to your question, there are definitely a few ways to do this, but the quickest way would be to use an Adjustment clip on top of everything so that it moves everything underneath. You can find Adjustment clips in the Effects tab.
Avid is the pioneer of keyboard shortcut workflow. If you know keyboard shortcuts in Avid, you’re golden. Editing “left-handed” used to be a big advantage too. Not sure if that’s still a thing, but shortcuts are the way to go. Glad this was helpful!
@@CameraTim Avid Beer RUclips channel talks about editing left handed so he can uses his right hand for beer. I also found out that my mouse scroll wheel can control the primary wheels. Is there a similar shortcut for audio gain?
@@BrianMarcWhittaker To my knowledge, there's no shortcut to move the audio gain other than clicking and dragging (or using a Normalize shortcut), although you can hold shift while dragging to increase/decrease it slower for more precision.
Is there a way to map "Go To Previous Edit" and "Go to Next Edit" to the keyboard? I use this all the time in Premiere and it would be great to have it in Resolve.
Yeah, by default those are just the Up and Down keys. To find them in the Keyboard Shortcuts window, they're under Application > Playback > Next and Previous, and labeled "Clip". There's also Gap, Keyframe, Marker, and Timeline Page under those tabs you can bind too.
Hello! Regarding the keyboard, I use adobe premiere since 2001. I got used to shortcuts, in davinci I set the keyboard as in adobe premiere and there are only a few keys, nothing that I used in adobe premiere like "key Q, W, A, V, G " W-ripple trim next edit to play head Q - ripple trim previous edit to playhead A - Track select forward tool
The Premiere shortcuts don’t precisely match unfortunately, it’s more of a baseline for common shortcuts. But that baseline is still a really good start. I usually customize all my shortcuts anyways (which can make it difficult to showcase them in a video like this. Haha!).
What you really need to do is show how to find out if a short key even exsts or how to find a short cut. i.e. play a clip fword/backward in solmotion. How would iI find or make it?
Yeah, that’s one of the biggest challenges I’ve faced with finding more functional shortcuts. There’s no official documentation on keyboard shortcuts, so really the best way is to sort through tabs to narrow it down by subject. I’ve found a couple that way. I do wish there was an easier way though. It’s possible the Resolve ChatGPT assistant would be able to help somewhat.
Uni is going to lend me an Atomos (on a fuji). If you know how to color space transform DNxHD/HR or ProRes to DWG let us know. Apparently the h.265 isn’t an edit-friendly codec, and Arri above my pay-grade.
@@equisetuminc With Fuji F-Log, it turns out the color space used is Rec.2020, so your input for the CST would be Rec.2020 and Fujifilm F-Log. Initially I thought this was just the closest spec to what Fuji's color space actually was and just went with it, but it turns out that F-Log actually came out years after Rec.2020 was a thing, so it actually makes sense. Most other log profiles can't say the same.
@@equisetuminc H.265 does suck for editing, but I just generate proxies. I can still get really good results from grading the H.265 footage because it is still 10-bit. It's not 4:2:2, but it does the job. The CST process is the same in both instances.
@@CameraTim Just talked to Fuji technical who confirmed color space would pass through the Atomos so ProRes422 remains Rec 2020. However, if I record HLG instead of F-Log, he said try gamma 2.2 or 2.4. So far, so good.
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
Congrats on the video being a HIT Tim! There are a lot of shortcuts here that I wasn't aware of. Very informative!
Thank you so much Tony! Just doing my best to help people out!
Great tips, very helpful.
I typically don't use the shortcuts, but will start using then now - very valuable!
thanks for the post.
Perhaps you may know the answer to this question, would you know, when using a green screen with a background image, if there is a way to zoom in on both tracks?
For example, sometimes I will video two people having a conversation in front of a greenscreen and cut it up to zoom in for individual closeups. But looks funny because the background image doesn't change with respect to the closeup.
Thanks again
Glad this was helpful! Once you start getting used to shortcuts, it'll become second nature, just takes a minute to get used to it.
In regards to your question, there are definitely a few ways to do this, but the quickest way would be to use an Adjustment clip on top of everything so that it moves everything underneath. You can find Adjustment clips in the Effects tab.
@CameraTim thanks for the quick reply and I'll check out the Adj. clips In effects.
New subscriber and looking forward to more tips.
@@CruiseLifeTV Thank you so much! Definitely have more stuff coming out soon!
first
My man
Nice video, it's informative 😊
Thank you! Definitely trying to put more informative content out there!
Great Video Sir
@@creativitywitharvind17 Thank you!
@@CameraTim would love to watch, here before you get viral
@@thomasraju5646 Haha! I just want to help people out.
Thank you for this. I was looking for trimming shortcuts that could speed up my workflow similar to how fast I can cut in Avid.
Avid is the pioneer of keyboard shortcut workflow. If you know keyboard shortcuts in Avid, you’re golden. Editing “left-handed” used to be a big advantage too. Not sure if that’s still a thing, but shortcuts are the way to go. Glad this was helpful!
@@CameraTim Avid Beer RUclips channel talks about editing left handed so he can uses his right hand for beer.
I also found out that my mouse scroll wheel can control the primary wheels. Is there a similar shortcut for audio gain?
@@BrianMarcWhittaker To my knowledge, there's no shortcut to move the audio gain other than clicking and dragging (or using a Normalize shortcut), although you can hold shift while dragging to increase/decrease it slower for more precision.
do you have a PDF with all these short cuts?
@@NkRiot I don’t have a specific PDF for these. It’s just the list in the description.
tim is THE BEST
No YOU
Is there a way to map "Go To Previous Edit" and "Go to Next Edit" to the keyboard? I use this all the time in Premiere and it would be great to have it in Resolve.
Yeah, by default those are just the Up and Down keys. To find them in the Keyboard Shortcuts window, they're under Application > Playback > Next and Previous, and labeled "Clip". There's also Gap, Keyframe, Marker, and Timeline Page under those tabs you can bind too.
Hello! Regarding the keyboard, I use adobe premiere since 2001.
I got used to shortcuts, in davinci I set the keyboard as in adobe premiere and there are only a few keys, nothing that I used in adobe premiere like "key Q, W, A, V, G "
W-ripple trim next edit to play head
Q - ripple trim previous edit to playhead
A - Track select forward tool
The Premiere shortcuts don’t precisely match unfortunately, it’s more of a baseline for common shortcuts. But that baseline is still a really good start. I usually customize all my shortcuts anyways (which can make it difficult to showcase them in a video like this. Haha!).
What you really need to do is show how to find out if a short key even exsts or how to find a short cut. i.e. play a clip fword/backward in solmotion. How would iI find or make it?
Yeah, that’s one of the biggest challenges I’ve faced with finding more functional shortcuts. There’s no official documentation on keyboard shortcuts, so really the best way is to sort through tabs to narrow it down by subject. I’ve found a couple that way. I do wish there was an easier way though. It’s possible the Resolve ChatGPT assistant would be able to help somewhat.
Late to the party. HNY CameraTim🎉
HNY to you as well!
Uni is going to lend me an Atomos (on a fuji). If you know how to color space transform DNxHD/HR or ProRes to DWG let us know. Apparently the h.265 isn’t an edit-friendly codec, and Arri above my pay-grade.
@@equisetuminc With Fuji F-Log, it turns out the color space used is Rec.2020, so your input for the CST would be Rec.2020 and Fujifilm F-Log. Initially I thought this was just the closest spec to what Fuji's color space actually was and just went with it, but it turns out that F-Log actually came out years after Rec.2020 was a thing, so it actually makes sense. Most other log profiles can't say the same.
@@equisetuminc H.265 does suck for editing, but I just generate proxies. I can still get really good results from grading the H.265 footage because it is still 10-bit. It's not 4:2:2, but it does the job. The CST process is the same in both instances.
@@CameraTim Just talked to Fuji technical who confirmed color space would pass through the Atomos so ProRes422 remains Rec 2020. However, if I record HLG instead of F-Log, he said try gamma 2.2 or 2.4. So far, so good.
Third
My third wheel
@@CameraTim forever a wheel ❤️
@@ProjectLiger With great wheels comes great wheesponsibility
second
My second man
Excellent video Tim. Thanks for the great shortcut ideas. Wasn’t aware of a lot of these.
@@t3chrs Thank you so much! I was definitely hoping this could open some new ideas!
4th
🔢
Please remove the default first you
@@ashokaworldchannel7570 Can you clarify that? Are you referring to the lower thirds signifying the default shortcuts?