J. S. Bach - Orchestral Suite No. 2 BWV 1067 {oh!} Orkiestra / Barthel [full length]
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- Опубликовано: 27 июл 2024
- {oh!} Orkiestra
solo: Georges Barthel - traverso
Martyna Pastuszka - leader
Koncert finałowy Festiwalu "Musica Poetica" w Tarnowie (www.mck.tarnow.pl)
Final Concert of Festiwal "Musica Poetica" in Tarnow
23.03.2013
{oh!} Orkiestra Historyczna:
Martyna Pastuszka - koncertmistrz/concertmaster
skrzypce/violin:
Adam Pastuszka, Alicja Sierpińska, Violetta Szopa-Tomczyk, Małgorzata Malke, Marzena Biwo
altówka/viola - Dominika Małecka
wiolonczela/cello - Bartosz Kokosza
kontrabas/doublebass - Stanisław Smołka
klawesyn/harpsichord - Anna Firlus
0:00 Ouverture
5:59 Rondeau
7:52 Sarabande
10:37 Bourrees I&II
12:46 Polonaise & Double
16:14 Menuett
17:21 Badinerie
video: produktownia.com
audio: Michał Paduch michalpaduchmail@gmail.com
/ orkiestrahistoryczna
oh@orkiestrahistoryczna.pl 
Видеоклипы
Brawo. Dzięki za to że dzielicie się waszą wspaniałą pracą w necie. Zazdroszczę szczęściarzom którzy usłyszeli to na żywo.
This is the most vibrant interpretation of this piece out there. Martyna Pastuszka and her band are truly wonderful!
Elegante esecuzione, bel suono del flauto barocco!. Ad un certo punto nel video si intravvede tra il pubblico un bambino piccolissimo ipnotizzato dalla musica sulle ginocchia del papà ...speriamo di poter presto ricominciare ad accompagnare i piccoli ai concerti perchè imparino ad apprezzare la buona musica .. Bravi!
I never thought I could be addicted so much on music.
I never listened to classical music tho. This is like I cant express how I feel.
one may say - wow, this is a masterpiece. wow this is a genius.
but this is like more, I can not express it, I just have to be quiet and listen to it.
I dont understand how SOMETHING can be so impressive and addictive.
Music is the ultimate healthy and transcendent opioid for the soul.
Though paradoxically it may also excite and sharpen and not just dissipate tension like opioids do.
Honestly my favorite interpretation of this piece!
Amazing master pice of Bach's suite No. 2 music by Orkiestra Historyczna
YES!!!!
I love the grace note added by Georges on the flute at 4:36. Never heard that on any other recording of the overture. Heavenly
Sublime interprétation de cette suite merveilleuse avec une formation réduite ; ce qui revient à faire de chacun un soliste !! Un immense bravo au flûtiste ! et bien sûr aussi à tous les autres membres de l'ensemble ! Christian en France flûtiste à bec.
Gran interpretación!!!
wonderful performance!
Such perfect tempi. And such-an underrated dark work. I love that every movement features sad sighing figures and is so melancholic.
La sobriedad , la elegancia, la limpieza de los sonidos, , la ejecución , ésto es verdadero arte , testimonio de un espíritu humano de nivel superior.
particularnente la overtura.
Excellent performance.
Really great performance. Lovely nuanced flute playing in the Ouverture despite all the runs!
Wunder schön❤️
Braviiiiii!!!!!!💓💓💓 Thank you so much!!!🙏😍😘
Bravíssimo!!! Congratulations from Brazil 🇧🇷❤
Amazing!!! Perfect!!! Divinely!!!
Excellent interpretation!
Wspaniale, że są tacy pasjonaci. Chcemy tego słuchać !
Maravilloso!! Muchas gracias.Desde Argentina
Very beautiful! I love the sound of these old instruments.
WELL, I GUESS THAT YOU LOVE YOUR JEW BLACK HAT AND BEARD. VERY KOSHER KRAP.
Ron Walker Fuck off
Wow! The technicians should take some credit for producing a near as perfect recording of a near as perfect performance (or maybe the previous recordings I've heard were by less competent technicians with inferior tech?)
I'll hear this live for the first time in Cambridge (AAM) on 24th
une flute enchantée,un tempo parfait,admiration profonde
Thank you. This is the version I was looking for. Much appreciated
Bravissimo! Ich bin begeistert! Beda Mast, Flötist
vallahi baroku özledik
Sehr schön
Great performance!
Super
Wow, this has punch... Great performance!
Magnifique.
Way to go. Bravo.
Bellissima interpretazione.
Grazie.
Interpretación sensacional, no me canso de disfrutarla
It's interesting how back then a orchestra was max 10 people and now it"s 110
Right? I prefer 10 :)
Probably they didn't have ubers and airplanes back then ^^. Three days and our guys now can tour 4 cities.
At the time, there were already very large orchestra, but it was rare.
Yes, and it sounds massive when there are 110 people playing together but anyway the baroque orchestra sounds a lot better. You know, like 100 strings and you can't even hear the woodwinds any more behind that wall.
@@jjf6257 If you can't hear the woodwinds, it means it wasn't well orchestrated. A 110 pieces orchestra has in general 60 strings players (far from a hundred).
16:14 Menuett, can't stop hearing it... a world has vanished!
Super utwór daje like👍👍👍👍😎💪💪
beautiful
Bravisimo ! Gracias !
impecable !!
Plus que parfait
¡Súper! Thanks, is very beautiful!
Georges!!!!! c'est magnifique
Lindo de mais!Acalma até a mais sombria das Almas.
SIM!!!
Deux et deux font 4.. cette ensemble aussi... Prima ( le flûtiste..quel. Souffle..sehr gut)
I love it
BRAVO.....BRAVISIMO..!!! La flauta: espectacular. Buen manejo de los forte. La dama del cémbalo, bella aunque de fugaz aparición. Final feliz con esa Badinerie alegre y despreocupada.
So adorable and lovely
Bravo !!
Excelente interpretación!!
Merci !
한국 1958생 남자. 감사합니다. 참 잘 들었습니다. 잉글리쉬 챔버랑 동급수준..ㅎㅎ. 매우 훌륭합니다. 듣는 동안 행복했어요 ^^
I never could dig these 'tempo' comments.. fast/slow... the same piece can be genuinely plyed almost at any tempo. it's not what music is about, it's about breath, feel of harmony and timing... yes perfomance can be for example hasty sometime but it's not because of fast tempo.
it is not just about fast|slow, it is also about continuum, read between the lines
AS THE JOKE TOLD TO ME BY JOHN CHALLIS "SOME LIKE IT SLOW, AND SOME LIKE IT FAST"
헉헉.. 내가 다 숨이 차네,,,ㅎㅎ but, beautiful sound!
天籟之音！
Bravo!
👍
really great interpretation, i love the faster tempo, also, if you don't know check jakub burzinsky and the tempesta with the vivaldi works they are fast tempo also and i think its the best interpretation.
Una de las obras mas grandiosas de Bach.
Wow! Beautiful rendering. (Surely all the tempo disagreements are a bit fastidious. It is often what one is used to hearing or the mood of the particular performance. It could get boring if always played the same. I guess Bach himself may have varied it from time to time.). So good, well played!
Bravi!
요한 세바스찬 바흐에♡
풀롯 협주곡~^^폴로네이즈^^
또다른 편곡에~팬풀롯과 노래등등
Wow!
wow!
Belo. Rondeau aos 6 minutos! Para trabalho integrativo de linguagens na EMIA SP.
17:20
16:15
Sonia Meiyi my favorite part
10:37 No doubt this one makes me crazy. The way the notes are in harmony with each other and still surprise you is just divinely beautiful.
I'd never heard that accentuation, don't know if I like it.
@@eduba7393 Sounds like hip hop for a split second
💙
Dzięki!
Jurek
Well done - but not easy to spoil it!
17:21 FUCKING GOD
+Shlomo Shekelstein What if...... Bach is God ! Boom !!!!
+Amazing Infidel I think Cioran had said something in Tears and Saints like: "I know of no-one who owes everything to Bach as much as God does."
Terso violi
no Bella!!!
精彩绝伦
1:57
Only one thing… I think the Minuet was abit fast.
Other than that it was fine
The badinerie too. Playing it at 75% makes it kinda slow... so at 85%-90% must be perfect.
Turn the flute mic up!!!!
Does anyone have some more information about Adam Pastuszka? The second violin player from left. Thanks
+Martha Ning Yes of course, please just contact oh@orkiestrahistoryczna.pl
Piekne wykonanie! Gratulacje.
Grajcie tak dalej. Porownalem je do renomowanych (William Bennett with Neville Marriner) i wasze brzmienie jest nie gorsze. Martyna - dobre prowadzenie. Kto gra na flecie? Wygladacie bardzo dobrze.
Jedna sugestia (PR): eliminacja moherowych beretow z pierwszych rzedow. Sam jestem stary i nie jestem wrogiem PiS, ale w USA w kosciele prawie nie widac starych bab.
Please-someone, tell me who this flutist is!!!
I’m really loving this performance. What a fabulous ensemble.
It's in the video description. Isn't he great?
It is wonderful Georges Barthel!!
5:57
Ich habe NOCH NIE die Ouvertüre zu dieser Suite nach zweieinhalb Takten wieder abgebrochen zu hören. Hier wurde es geschafft. Also ehrlich. Viiiiiel zu schnell. Ganz schlimm 🙉
Hello
That Polonaise and Double would be better if you didn't exceed the speed limit!
I feel the opposite way. Often, Bach's polonaises are slowly played and appear as an old-fashioned and formal, even stiff piece of music. This ensemble offers a lively and charming interpretation.
Come on, lets be serious about the historic interpretation, but I dont know what is this Ouverture?!?!?!?
ミス・小日記に聴かせたい・・・。
W
う
orchestra is too loud, flute is too quiet
Super Flute Unfortunately that's how soft they sound on these "authentic" flute reconstructions. Very annoyed by this state of affairs.
THIS IS THE 18TH CENTURY PROPORTION OF SOUND VOLUME, UNLIKE THE 19TH CENTURY METAL FLUTE IN MUSIC OF THE ROMANTIC PERIOD. THE FLUTE MUST BE INTEGRATED AND NOT DOMINANT.
Not sure what you mean, I can hear the flute clearly throughout. This us an orchestral work, its not a flute concerto
Too fast, hard to enjoy!
Je n'aime pas du tout cette version. Le premier mouvement, le Prélude est d'une brutalité incroyable, les rythmes croches pointées double croches sont exagérés, c'est très désagréable. Dans l'ensemble, c'est un peu trop vite, plutôt agressif que reposant. Dommage car les musiciens sont bons et le chef est quelq'un de bien. Pierre Mosnier
Karajan version is hopeless, too fast....
in my opinion is too fast, too chaotic, too massy...thousands of keys with no atmosphere
Bach personali perché non sanno quello che fanno, se il flautista voleva dimostrare di essere un virtuoso vi è riuscito, ma non hanno azzeccato nessun tempo, l'overture da Bach è definita greve, qui era un allegretto. Interpretazione pessima
Is this played a bit fast, tempo too fast?
Horrible the Overture
You're right, the Ouverture it's not a great performance.
Everything else seems to me a decent performance.
G.A.
Maybe just because we are not use to it?
For me Badinerie is to slow. It's a Presto in 2/4
Maximilian Rothe , so you are under influence of bad performances, which are mostly too fast
Its not a presto. Nowhere does bach mark it like that.
The Badinerie is a bit too fast
Mal muy mal hay hasta errores en las notas ..pero lo peor es la interpretacion no se respetan los tiempos.
HORRIBLE!! Y EL TEMPO.,DONDE QUEDO?