I always figured to get something that could truly pass as cinematic looking like you've achieved, it would require some lighting gear and I was right ;) I've often heard its like 15% camera and 85% lighting, after seeing you're behind the scenes video I definitely believe it now. As a minimum sort of setup for doing cinematic indoor shots what would you recommend? (ie: c-stands, lights stands, what wattage lights and the number of each).
Thank you !! I started with a cheap sofbox lights kit. And I have to say that it was only a waste of money. So I bought a 60W bicolor light and a pocket RGB Led light. It's hard to work with only these two lights but with creativity you can do a lot. The best it's to have a minimum of 3 lights, with respective stands and some modifier like diffuser disks or soft box. As soon as posible I'll try to make a video about this topic.
@@russo-filmmaking Please do! I think that would be a fantastic addition to all you've added to the community so far. People have to be aware that it takes more than color bit-depth to get a professional looking finished product and that lighting is a huge part of that. I belong to a local Film Coop and I could rent some 1000W Mole Richardson hotlights but their rental times kind of at the same times I work.
Great walkthrough! Just curious at 1:25 when you explain the exterior light, it seems like the light is pointed upwards and bounced into the outside wall/ceiling. What was the reason for this set up? Anyways, result is looking good!
Thanks!! Your last comment pushed me to work quickly on this video. I bounced the lights in the ceiling to have a more realistic light diffusion coming from the exterior that could illuminate the exteriors that for a a few seconds you can see through the stripes curtain and at the same time project the curtain stripes shadows on the wall in front of me
@@russo-filmmaking Haha, glad to hear! Ok, I see, good idea then. I thought why is he not shooting the light straight through the window to get that effect, but it makes sense to bounce it like you did to get softer and more natural light through window
@@pierrecastillothelifeofpierre you can grab audio in all modes without problem directly from camera (poor quality) or connecting a mic via 1.5mm port (better quality).
@@pierrecastillothelifeofpierre I use zoom H4 as external audio recorder . And when I use it I grab on de SD card of the audio recorder and don’t connect it to the camera
@@russo-filmmaking I see sir, you sync it in post? Thank you for your response! Looking forward to make films someday using this awesome camera and tools!
@@pierrecastillothelifeofpierre for example if I’m filming a documentary or a short film or a youtube video where audio is very important I use to connect my shotgun mic to the zoom H4 and grab the main audio on the Sd card into the zoom h4. And at the same time I grab a scratch audio directly from the camera as reference. To facilitate the sinc in post , when the zoom and the camera are running I do a clap with my hands in front of the camera.
I'm so impressed with your knowledge Sergio. Amazing!
Thanks!! I appreciate that, mostly from you.
Excited 🎉🎉
Awesome to see such a well produced break down on the Eos m! I hope you keep making stuff like this
Thank you!! That's the plan,
Great workflow in filming and in grading. Subscribed. The short was fantastic.
Glad you enjoyed it! and thanks for your sub
Thank you for being the best content creator shooting with the eos m❤. Personally i love the camera too and i even shot a whole miniseries with it.
Thank you. let me have the link where I can watch your miniseries work, I'll apreciate it so much
Great stuff, a motorized silder is really nice.
thanks!! It sure is!
wow great in depth tutorial . thanks Sergio
Thanks for your watching time !!
Ótimo fluxo de trabalho na filmagem Incrível
Muito obrigado!!
I always figured to get something that could truly pass as cinematic looking like you've achieved, it would require some lighting gear and I was right ;) I've often heard its like 15% camera and 85% lighting, after seeing you're behind the scenes video I definitely believe it now. As a minimum sort of setup for doing cinematic indoor shots what would you recommend? (ie: c-stands, lights stands, what wattage lights and the number of each).
Thank you !! I started with a cheap sofbox lights kit. And I have to say that it was only a waste of money. So I bought a 60W bicolor light and a pocket RGB Led light. It's hard to work with only these two lights but with creativity you can do a lot. The best it's to have a minimum of 3 lights, with respective stands and some modifier like diffuser disks or soft box. As soon as posible I'll try to make a video about this topic.
@@russo-filmmaking Please do! I think that would be a fantastic addition to all you've added to the community so far. People have to be aware that it takes more than color bit-depth to get a professional looking finished product and that lighting is a huge part of that. I belong to a local Film Coop and I could rent some 1000W Mole Richardson hotlights but their rental times kind of at the same times I work.
@@georgepeverill6116 for profesional style filmmaking, cinematography (meaning lighting) matters.
Great video as always!
Thank you so much!!
Fantastic!
Thank you so much!!
Seems the best way to get the moody low light look is to have a lot of light and get the dark look in post
yes, you have more room to lower light in post. The only thing you have to care of, it's the contrast ratio
Go go go
Thanks!!
Great walkthrough! Just curious at 1:25 when you explain the exterior light, it seems like the light is pointed upwards and bounced into the outside wall/ceiling. What was the reason for this set up? Anyways, result is looking good!
Thanks!! Your last comment pushed me to work quickly on this video. I bounced the lights in the ceiling to have a more realistic light diffusion coming from the exterior that could illuminate the exteriors that for a a few seconds you can see through the stripes curtain and at the same time project the curtain stripes shadows on the wall in front of me
@@russo-filmmaking Haha, glad to hear! Ok, I see, good idea then. I thought why is he not shooting the light straight through the window to get that effect, but it makes sense to bounce it like you did to get softer and more natural light through window
Hello sir. Is it alright to record audio in magic lantern? What mode do you use when you have a dialogue scene sir? Thanks and God bless!
@@pierrecastillothelifeofpierre you can grab audio in all modes without problem directly from camera (poor quality) or connecting a mic via 1.5mm port (better quality).
@@russo-filmmaking thank you for your response sir!
Have you tried connecting to a zoom h1 sir?
@@pierrecastillothelifeofpierre I use zoom H4 as external audio recorder . And when I use it I grab on de SD card of the audio recorder and don’t connect it to the camera
@@russo-filmmaking I see sir, you sync it in post? Thank you for your response! Looking forward to make films someday using this awesome camera and tools!
@@pierrecastillothelifeofpierre for example if I’m filming a documentary or a short film or a youtube video where audio is very important I use to connect my shotgun mic to the zoom H4 and grab the main audio on the Sd card into the zoom h4. And at the same time I grab a scratch audio directly from the camera as reference. To facilitate the sinc in post , when the zoom and the camera are running I do a clap with my hands in front of the camera.
❤❤❤
Thanks!
😏 Promo_SM
thanks for watching!!