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thanks!! investing in lights and in a decent camera is the best we can do. Then framing, storytelling, good color grading and a good taste are the basics to get profesional results

When I want to match the EOS M to my BMPCC 4k I use the following settings: mode 1x3, 16:9 Aspect Ratio, 4.2K anamorphic, 12 or 14bit. For example in this video I used these settings for my talking head and the footage sample ruclips.net/video/XkRvU2FpAI0/видео.html , I made another video matching the EOS M with the BM4k ruclips.net/video/0G-9x4ukZkE/видео.html

Thank you!! I’m glad it was helpful

Same I have a Chronos 1.4 and the method Sergio uses here works very well. : )

@@chinitopinoy1726 this method works for any cDNG file. Thanks for whatching

Yes, I just tried the Blackmagic Decode option for my Chronos 1.4 and it works close to perfect as well! : )

@@lucassavage5995 thank you!!

This tutorial is for EOS M user who can’t buy an external monitor. Not all people can afford it. So it’s the correct way when your only available tools are the one included in the camera itself. You can own Blackmagic cameras (I own the 4k and the 6K FF) and at the same time enjoy the portability and the raw excellent quality images (film style) that the EOS M can offer with Magic Lantern

@@perrogamedor2.043 gracias !!

@@DavidAndersonDesign Thank you!! I’m glad the video was helpful

I think that what you noticed is not flicker , the clip was shot a 23.98 FPS with the slow shutter 1/50. Probably it happened because of the low shutter speed (like when you shoot on film) and my distracted and not smooth pan

Thank you for sharing your thoughts: I respect your opinion. In my opinion, I don’t think that the superscale feature in DaVinci is plastic or artificial; for me, it is an excellent tool when you want to upscale a 1080 footage to 4K. On the other hand Topaz is a more powerful tool if you need a noise video reduction without losing much definition or details when you upscale 1080 footage.

Thank you!!

I’m sorry I don’t use windows

Thank you!! If your question is about whether you can film 1 hour continuously without stop recording, the answer is yes, you can, by configuring the camera with a certain resolution, color depth, and specific settings. The ambient temperature also influences to ensure the camera doesn't overheat. However, honestly, filming continuously in RAW for an hour is not the best decision, nor is this camera the most suitable for it, because one hour of continuous RAW recording, it’s equivalent to an huge file of approximately 150-180 GB. I'm sure no one wants that. If you are asking if you can film a 1 hour project like for example a documentary or a future film, yes you can film it because finally the 1 hour project is the results of the edition of a lot of short clips. For long continuously shots (more than 10 minutes continuously recordings) I suggest to use the native eosM 8bit video (not ML), mainly because of the big files generated through ML.

Thank you. When I got my EOS M, after filming my first shots, I was surprised by how the RAW image was so similar (in terms of feel) to an analog image shot on film. So yes, this small camera can be great for people who want to learn to film but don't have a big budget to buy equipment

Hola soy Italiano pero desde ya 18 años vivo en Mexico. Tu de donde eres?

Thank you for watching !! More content is coming

Thank you!! Australia is one of the countries in our wish list. I hope to visit your country soon!

Thanks you!!

Thanks!!! If you get a K3 in good shape and conditions, it’s worth to make the change

thank you!!

Thank you!!

In this video I worked using davinci color managed and the final CST nodes are technical and they were used to apply a LUT like Phantom. So all the Color grade was done in a Davinci Wide Color Space. My last CST is set to Davinci because I’m in Davinci Color Managed, which automatically convert your output in rec 709 because I set it so in my project. So after my lut (output rec709) I have to come back to davinci as in my project, otherwise I’m gonna have a doble rec 709 conversion. You can get the some results using Davinci YRGB, setting your timeline color space to Davinci Wide Gamma and your output color space to rec 709 (2.2, 2.4, -A or whatever depending on your deliveries). In this case you need to set a CST in and a CST out and make your grade between these two nodes. I don’t use anymore Davinci Color Manged in my workflow, and I prefer to work with CST nodes. Check my video on my workflow with cDNG files from ML ruclips.net/video/XkRvU2FpAI0/видео.html

@@russo-filmmaking thanks Sergio, that clears up my questions. I've been watching videos by a great professional colourist @darrenmostyn and the video you linked to in your reply follows more the method I've been learning from him. The only difference is I've seen him use the Kodak film emulation lut, but from what I understand: this lut is expecting both a rec 709 input and the cineon gamma . So in this case he adds another CST after your last CST out to rec 709. he makes a compound node of CST cineon gamma node and the Kodak LUT node. This means he can adjust the opacity of the compound node, which means you can effect the strength of the Kodak film look.

it depends a lot of the environment . If you work in a could environment you don’t have problems with heat, and you can record continuously. Take in count that filming in raw generates huge files, so you don’t want to film clips larger than a few minutes (1 minute in raw is about 2.5-3 GB depending if you shoot 10 or 14bit and depending of the resolution you choose). In warm environment heat will increase up to 50-52 celsius degrees, so I suggest to shoot short clips.

When I started using DaVinci Resolve, I used to work using DaVinci Color Managed for my workflow. Then I switched to DaVinci non-managed using the color space transform system through nodes. This video is a year old but it works well, it's an option. In this other video ruclips.net/video/XkRvU2FpAI0/видео.html , I explain how I work using nodes and specifically for cDNG files. I use rec709-A because I work on a Mac and previously I didn't have a calibrated monitor. Since I publish all my work on RUclips, which works with tags 1-1-1, it was the only way to ensure that what I saw on my monitor was the same as what was published on RUclips. Lately, I switched to a calibrated monitor connected through a DeckLink to get a clean signal, and now if I publish on RUclips, I work in rec 709 2.2 with my monitor calibrated on the same color space

This is an old video. When I started using Davinci Resolve I used to work using Davinci Color Managed. it’s an option. Then I changed my workflow and now I prefer to work with color space transform nodes. Here is a video with my new workflow which I specifically use with cDNG files from Magic Lantern ruclips.net/video/XkRvU2FpAI0/видео.html

Thanks!!

you have to customize the half shutter button under customize buttons tab

Autofocus when recording is possible with Danne build (the ML version before Crop Mood) but it’s very slow and not precise in many cases. You can use autofocus before recording as I explained in my video.

@@russo-filmmaking As always thank you very much for the help, and all the support you give to the community with your videos, thanks a lot

well I used the EOS M for almost all my RUclips videos, short movies, music videos and never had problems with raw record time. It depends on how you use it and you set it. If you learn how to shoot with magic lantern you won’t have any problem.

@@russo-filmmaking thank you for your response 🤗Sure, here it is in English: Do you mean that with Magic Lantern I can record almost unlimitedly? Can I record for an hour, for example, without stopping? In raw 4k for example?

@LaMakinaFotonika it depends from the settings you use, if you for example use the 3x3 mode you can record one hour if your sd card has enough space because the raw files are very large. I really never recorded 1 hour without stopping the camera (for the kind of work I do) but I did continuosly shots of more than 15 minutes, recording some event in 4.2k anamorphic mode in 12bit without any issue. With magic lantern there is no real 4K, you can shoot 4.2K, 4.6k, 4.8K up to 5.2K in anamorphic mode. In my channel there is a video on crop mood where I explain the main resolutions in which you can shoot and what of them is more stable .

@@russo-filmmaking thank you so much 🤗

Eliminé los loop formers que guían la película. Esto se aplica solo a la Krasnogorsk-3 y hay varios tutorial de como desarmarlos porque hay que desarmar con cuidado y siguiendo ciertos procedimientos parte de la cámara (no es complicado). Hay varios tutoriales en la red que explican paso a paso como hacer esta operación. Los loop formers se eliminan porque muchas veces atoran la película y ademas en muchos casos la rallan. No afecta la filmación, al contrario la mejoran. El único lado negativo es que tienes que cargar la película completamente de forma manual (aunque no es nada difícil), mientras que con los loop formers la carga es semi automática y mas sencilla.

As far as I know, Magic lantern can't be installed on M3.

Hi, no. it doesn’t

I uploaded another video which was fully shot with the krasnogorsk-3. This is the link ruclips.net/video/-8HCX9bcOnc/видео.html . And I’m filming more footage in 16mm that will be post in July

With the latest crop mood modified by Danne, you can use the auto focus function. But it’s very bad and slow . So if you use the eos M or other cameras with magic lantern you have to learn to pool manually focus like people do when shoot movies. You can use magic zoom during recording or assign focus aid (present in the Danne Crop Mood version) to the shutter for focusing while recording

@@russo-filmmaking Thank you brother! I use dannes new build.. but. How to use that focus aid? Didn’t heard of it..

@@DarnelNeelunder movie tab select customize buttons and then set half shutter to focus aid

Check this video to see what resolution you can get with the EOS M and Magic Lantern Crop mood, and their limitation ruclips.net/video/EPFWQwXLr4A/видео.html This is a 14 old camera, which was mainly created for pictures and not for video, so you can´t get true 4K. But if you learn how to use it, you can get better quality footages than a lot of 4K cameras.

Thank you very much!

Well man, your shots are great. Some bees details are amazing and I liked so much the snow scenes at the end. This could be a beautiful short documentary if you could edit the duration to about 8-10 minutes introducing a voice over explaining your works and the bees behavior, that would help a lot with spreading your video to more people. Share the link of your video on the Facebook group "MLV RAW ON EOS M", the greatest community for Magic Lantern EOS M passionate people, it could help you to get more views and followers, explaining how you shoot your video. By the way what lenses did you use?, the images are very sharp, what other camera did you use for your shots (you said most of the shots were taken with the EOS-M, so other shots were taken with another camera I suppose)

Very easy, format your SD card as “exfat”on your computer, and install the new build

@@russo-filmmaking Thanks for the reply! Big fan

Thnaks!! I used a Sekonic 858 light meter

@@russo-filmmaking Thanks!

Grazie a te per vedere il video!!

Thanks for "Maestro" 🙃

I don't know M100 or M3. I own an EOSM, a 700D and a BMPCC 4K. If I have to choose one it will be EOS M 100%

Tkss ​@@russo-filmmaking

gracias!!

I don't think so. Depending on resolution and preset I normally get between 75-82mb/s with the 700D. The only thing I noticed with the 700D is that (at least mine) easily in a warm environment (more than 27 degree celsius) reaches more than 54 degree celsius very fast, and this causes problems when recording.

The LAB delivered to me Prores 4444 Log. I used DaVinci Resolve. I created a first Color Space Transform node in which I transformed the clip from cineon to davinci WG and a final CST node from Davinci WG to rec709 . In the middle of these two nodes I made my color grade .

@@russo-filmmaking Great work!

I'm very pleased to receive a good comment from you, especially since most of what I know about the Krasnogorsk-3 is thanks to your videos.

@@russo-filmmaking that is a kind thing to say. Thank you. I'm very happy to know my videos have been helpful.

Thank you!! Appreciate that

Thank you do much!!

Hi, I follow your channel too. Your footage has always a great quality. I always use 1x3 mode in my videos. If I want to shoot 16:9 I use 4.2K preset with only x2 crop (similar to BMPCC 4k crop). In the latest months I started to film 4.6K 2.2:1 aspect ratio 12 or 14 bits. It's my go to preset. In my next video I'll emulate the 16mm footage of my krasnogorsk-3 camera with the EOSM and to do this I had to set my canon to 1x1 mode 4:3 aspect ratio 2048x1500. I made a lot of test and this format with a big crop factor gives me almost the exact focal view of a standard 16mm camera.

@@russo-filmmaking Thank you so much for your response. Your content is Gold.

Agreed.

Shooting on film could result in some sort of addition

Grazie 🙂!!

What a beautiful shots and colours!

@@pietervanderwalit's the magic of film