Anton Batagov plays Bach. Live at the Moscow House of Music, part 1
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- Опубликовано: 3 май 2014
- Anton Batagov plays Bach
Live at the Moscow International House of Music
April 26, 2014
Part 1
Антон Батагов играет Баха
Концерт в Московском Международном Доме Музыки
26 апреля 2014 года
Часть 1
Partita No.4 D major
1. Ouverture
2. Allemande
3. Courante
4. Aria
5. Sarabande
6. Menuet
7. Gigue
Jesus bleibet meine Freude (Chorale from Cantata No.147) 
Видеоклипы
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Огромное спасибо! Столь самобытное восприятие Баха - «кристаллическое». Мне приходило раньше в голову, что в музыке Баха есть «потоковая виброритмия» как у Филипа Гласса. Особенно, например, сольный фрагмент в конце первой части ре-минорного фортепианного концерта... поэтому Рихтер играет его, не сбавляя звук, как бы «монолитным ритмическим потоком» (в отличие, скажем, от Гульда, который там затихает, слушая полифонию и фразы). А у Антона Бах звучит как бы с огромной «гравитацией», вне движения времени, как тектонические пласты и лучи, пронизывающие разломы... как огромный и сложнейший космический кристалл. Очень здорово и по-новому! СПАСИБО!🙏
БравоАнтонуИМихаилу!
Ludwig B. once said Bach is the ocean. I think what Batagov is doing here is showing us what was going on beneath the surface of that ocean. No flashy surface waves, just the deep, majestic currents of that sublime mind. I am so grateful to really hear this music for the first time. And that left hand!
Batagov of Glass.
I realize I am kinda randomly asking but do anyone know of a good place to stream new tv shows online ?
@Bronson Alec Flixportal :)
@Milan Melvin Thank you, signed up and it seems like they got a lot of movies there =) Appreciate it!!
@Bronson Alec You are welcome :)
I do love Bach. Now, I do thank and appreciate Anton and his tutors. Very lean, nice, relaxing. Благодарность...
Чудесная музыка, можно вечно слушать.
Антон, я благодарю вас за прекррасную музыку !
Is always interesting to listen a russian pianist to play Bach.
Очень живая, искренняя игра. Спасибо за прекрасную медитацию
there is a woman in chicago who was a shut in.. for years she would call and play bach over the phone... her only touching with the world...i was listening to you and yungchen.. when this piece came on... thank you... chiz
Огромное спасибо за прекрасное исполнение великолепной музыки . Узнал о Вас после восторженных отзывов Полины Осетинской, великолепной игрой которой тоже наслаждаемся . Дальнейших Вам успехов и новых блестящих исполнений в том числе и с Полиной. All the best.
Антон! Благодарю! Исполнение волшебное!
Very inspiring.
Благодарю, волшебно чудесно...уносит в приятное блаженство)
Спасибо, Антон, за позитив
exeptional ! the part after 50.25 is stunning, slow and gets me by my throat
возможно, именно так надо исполнять баха на ф-но: медитация, а не гонка, как мы это часто слышим у современных пианистов!! музыка совершенно иначе звучит. и звучит именно музыка, а не беглые палцы!! брависсимо!!!
que genio maravilloso
μπραβο!!!
I wanted him to keep the initial tempo throughout, without rushing even in the repeating part. Must have been suitable for sleeping and meditation.
👏👏👏🙏👑💐💐💐
No no. This will not do. I have Batagov's recording of Messiaen's Vingt Regards. It's absolutely amazing and one of my favourites. I had high expectations for this video. I couldn't make it past the Courante, and almost didn't get through the Allemande. We have plenty of evidence in the music of other composers of the era, as well as in documentary accounts by (sometimes quite knowledgeable) observers of the era regarding things like the use of tightly sprung rhythms, double-dotting and the like in the opening section of overtures in the French style. And indeed, When Batagov repeats this section, he plays it magnificently. But then all the energy and tension is drained out of the fast section of the overture by his slow tempo. As for the Allemande, yes, there's lots of evidence to say that Allemandes in Bach's time were definitely not fast. More of a "moderato", But there's nothing to suggest that they are Adagios. Regarding the Courante, the very name of the dance means running. That must be respected.
Having said all that, Batagov's tone production here (as in his Messiaen) is superb - beautiful, and beautifully controlled. I'm willing to try him in almost anything, but sadly, I think he's doing Bach a disservice here.
Your comment is a perfect example why I do not listen most of the classical music, which for some odd reason is supposed to have the-one-true-way. And why should I care how it was played back then? Bach needs a service? Still!?
I like this version a lot.
I thought the thumbnail of the video was the emperor looking down at a performance from starwars
Jeeeeeeesuuuuuus bleeeeeeiiiibeeeeet meeeeeeiiineeeeee Freeeeuuuuuudeeeeee
Oooooooooooh wiiiiiiiiieeeeeee feeeeeeeeeesteeeeeee haaaaaalt iiiiiiiiich iiiiiiiiihhhn
Agree wholeheartedly
Ну и кто поставил дизлайк?
уже три таких придурка нашлось )))
Антон Батагов?)
Дизлайки от серость и завистников
I love Batagov playing P.Glass. He plays Bach way too slowly, sucking music out of the composition and toss it like an empty skin
Bach did not put metronome notations on his scores, so how can you tell Batagov plays Bach "way too slowly" (sic)? It is "slow" not "slowly" btw.
@@samopdrift Maybe @Santi allows himself this comment because he can't hear any music there. Neither can I by the way. All I can hear is mannered sluggishness, willing to mimic deepness I guess. It's just a pain.
@@samopdrift is there any notation indicating playing the second ending fast as hell and the first slow as balls?
Correct grammar is ... 'played way too slowly' or 'way too slow'. Both are fine.
@@samopdrift No, "slowly" is correct. There is a formal distinction between adverbs and adjectives in English.