Awesome. Thanks so much for plugging into the True Spring Reverb - loved hearing you guys play through it! So glad you guys dove into the Neuro Editor. Mick to answer your question - yes, you can place the tremolo either pre or post reverb tank. You just need to select either "Wet/Dry Mix" (tremolo post reverb) or "Dry Signal" (tremolo pre reverb) from the "Tremolo Assign" pull-down menu in the Neuro Editor. TPS Forever!
Aha! Thank you! Was going to email... Somebody asked whether it was analogue dry through? One assumes that with the modulation going, maybe not? It'll come up in VCQ on Monday. Killer sounding thing!
@@ThatPedalShow Thanks for the good words - a lot of work and research went into that pedal, so we're psyched that you guys dig it. To answer your question, no, it is not analog dry through. Yes, the Ventris Dual Reverb IS analog dry through, but because of the tremolo we decided against it in the TSR.
Great show guys! Thanks for getting the Manticore v2 on. The more time I spend with mine, the more I love it. So many tones in one pedal and never loses clarity and note definition. This ain’t no one trick pony, it’s the real deal. Cheers to TPS and Scotty at Pro Analog Devices!
What other people said, it would be totally awesome if you could find a way to get Nels Cline on your show! His approach to effects is very refreshing and expressive. Love your show, guys! Nice to have a pick'n'mix again, eventhough it only feeds my GAS...
Nels is an incredibly good player and LOVES gear. His various pedal videos on the ol' RUclips are all ace. Nels and Julian Lage are the best on the planet by a reasonable distance IMO.
Hi Mick. I’m your opposite, I play guitar as a hobby and do gardening as a profession. If you prune roses too early, a hard frost can sometimes damage new growth, although this is highly unlikely in the south of England. Nature is clever and will know when the hard frosts have passed. If it’s putting on new growth, it’s probably time to prune. End of February is usually a good time. Remove the 3D’s (dead, diseased and damaged) and cut just above an outwards facing bud. It’s also a great time to mulch them with some well rotted horse manure! Talking to them is optional but they’re very good listeners.
Glad to see the True Spring on TPS. I just picked mine up at a crazy good price because I absolutely miss the spring reverb in my AC15 and Super Reverb. I find the True Spring delivers everything I need it to be. Add on top of that the harmonic and bias tremolo options with three savable presets.... Ace. Just ace.
TPS has sent me down some great RUclips rabbit holes over the years, but "Ser Ilyn Payne playing guitar like a glorious madman" may be the best one yet - thank you two for that! Excellent work as always.
I caught myself smiling uncontrollably in my office alone at midnight... somehow, the pedal manufacturers need to learn how to put that in their marketing... 50% more smiles! So fun. I will never own those, but vicariously just got to enjoy them... thanks gents.
Great show. BTW, that Chris Isaak bit is actually the playing of James Wilsey's , who sadly passed away just shy of Christmas. Tragic story. His sound literally MADE Chris Isaak, and his earlier bass playing influenced the Dead Kennedies. RIP Cal.
Your show is "ace" boys, I can't get enough of it! Having said that, I cannot help but think if Howard were still around at Catalinbread, we would be listening to greatness right now, but they gave him the chop...
Man, once you guys dug into the Coriolis, you got the look of two kids in a penny candy store with 50 cents in your pockets: childish glee. So cool when that comes around as an adult! Dan's intro already made my day, but the outro...icing on the cake.
@@ThatPedalShow Longtime fan of the channel here, very pleased at the answer ! Keep up the excellent work ! (And I am indeed a massive Nels Cline/Sonic Youth/Kevin Shields/Marc Ribot/Sonny Sharrock/Greg Ginn fan)
Coriolis may need a deeper dive to grab some usable sounds. The other pedals were for sure set it and forget it. They all sounded great. Great show and appreciate all your hard work day after day, week after week.
Oh and one more tip for the True Spring tremolo: that "engage boost" function is great to not lose volume when using the trem. Aces. SA really thought of almost everything in that unit (as well as the Ventris).
The reverb pedal sounds very convincing. One thing about reverb pedals that drives my consideration on whether to use them or not is whether or not I want the drive quality added into the signal that some amps with onboard reverb add to the sound. Particularly Fender amps. You can get a completely different sound by not using your own onboard reverb, which sometimes do not play nice with certain overdrives or fuzz pedals, sonically, so if you want reverb you get a clearer addition with a pedal reverb.
#1 - Those Pedal Lights are Great. #2 I'd love to Hear the S.A. True Spring Reverb (alongside) Dan's . . . Massive Carl Martin Reverb Pedal ( both Sound Fantastic ). Every-Time Mick plays S.R.V. - it just showcases That "Sick Tone" on that Strat = Gorgeous.
Some of the wild and crazy sounds you are achieving with the Coriolis pedal remind me of Terry Kath's playing in "Free Form Guitar" on the first Chicago Transit Authority album.
Vcq comment... That manticore has got to be the most transparent OD I have ever heard. Slap a second gain stage on that one and I'm sold... Cheers from the US gents!
I have the True Spring Reverb and really like it, so why is it that when I saw that it is featured in the video I felt I need approval from Dan and Mick also :) I like that you can use the pedal just simply from the top, or those who like to tweek can change pretty much everything. I changed dwell and tone knobs to work as tremolo speed and depth and now I have all that I need on hand.
Great beginning. The reverb pedal sounds like a winner, but I don't think my HOF2 is in any trouble. Through my system (proper surround system) that overdrive doesn't sound like anything special. JHS, which (full disclosure) I am a big fan of, sounds like typical JHS - focused and awesome. The Coriolis Effect just wow. That's a fun pedal.
Savage is low end control combined with gain. Keep it in the middle for unity bass response without cutting or boosting. The gain gets hairy past 3 o'clock. Try level at 9 o'clock, treble at 10 o'clock, savage at noon, gain at 830 or 930 and drive at 1 o'clock.
You've read WWWREVERB too the first time, admit it. Mick, it's the nature of the Klon, having three different signals, clipped and unclipped, mixed together. On this one the effect is much more evident. That bazz fuss sounds good! it's unbelievable how simple that circuit is.
Love the light up bench pedals. Better make sure there are no spy microphones hidden inside. Any microphones will need to be able to take the volumes...
Great show. To me all humbuckers sound heavy on the E string and soft on the high E but I prefer single coils or p90,s anyway , but I haven’t played all known humbuckers in the universe , either !! HAPPY DAYS
“I really love my tele style guitar into my manticore and supro black magick. I should buy one of those true spring reverbs for the supro though, wonder if anyone did a demo of them together?” -me before finding this video and having my mind blown up 🤤
It's off subject. But Mick has to be a heritage boot guy. Love the Redwings and the Blundstones. It's weird that I love gear and also look and see Mick's boots and go ... Nice I like those. Lol
Mick I absolutely love the dedication to" making it right" by giving all of the info on the True Spring. Gents, could you explain the difference between how Reverb tones are generated, e.g plate vs spring vs hall vs room vs etc...? Thanks muchly from Kansas City
I can help, there. These reverb types are often created digitally nowadays, but originally most of them were actual physical devices. 1. A spring reverb uses an amplifier, transformers, and a physical set of springs (usually 2-3 springs) to create the reverb effect. Basically it generates a magnetic field using the electrical signal in an amp to vibrate the springs on one end. On the other end is a pickup that senses the movement of the springs bouncing around and creates reverb using that signal. 2. A plate reverb is similar to the concept of a spring, but it uses a large (usually 2 by 1 meters) steel plate instead of springs. It uses something similar to speaker motors to vibrate the plate and also uses pickups to sense the motion of the plate in order to use the plate's ringing out for the reverb effect. 3. Room emulates the sound of a literal room. That would be the everyday reverb effect you hear when playing in a space of moderate size. 4. Hall is usually based on several famous digital reverb effects from the 70, 80s, and 90s. These were an early digital emulation of a large physical space using longer echoes and diffusion algorithms and, though they were not totally realistic, that sound has become very well-known. So, most "hall" modes refer to an emulation of those digital rack units.
When it comes to how these things are created digitally, it depends on creative use of many many small delays. What reverb truly is, in real life, is sound reflecting off of a lot of surfaces at slightly different times. Our ears interpret it as a sense of "space" and "reverberation." That's what the analog effects were also trying to generate by sending sound through various materials to slow it down and mix that signal back into the audio path. In the digital realm, the concept is very similar but of course needs to mimic the behavior of those physical units to get the sounds people want and are used to. That's where the creative part comes in.
@@christopherventer6391 Hey Chris thanks a whole lot. This is one of those questions everyone thinks everyone else knows so they are afraid to ask. I'm too old to care and want real answers. You are the best.
Can you actually read my mind? 'Hmmm, that Volante looks good' - 24 Hrs later 'Dan here, Mick here. Welcome to our in-depth look at the new Strymon Volante'. Yesterday morning... 'It's been a while, I wonder if Dan 'n' Mick will ever do any more pick n mix episodes?'. For tomorrow chaps, 'Instead of going to work, I wonder if Dan and Mick would like to do a vlog to help me review all of the vintage gear I bought with my several hundred million pound lottery win'.
Wow. The intro is the sound of 90% of all guitarist when they say "I had an awesome jam last night at home!" I know cause I've listened to my recordings 😆
I have that one, a Gemini Chorus, and Vertigo Tremolo. Great company. I'm back re-watching this one as I'm looking at a Catalinbread Coriolis for my spaceship pedalboard :)
![Ariel Posen Talk & Tones 2024 [New Strat & New Board!]](http://i.ytimg.com/vi/lcZ71bUXHCs/mqdefault.jpg)
![Ariel Posen Talk & Tones 2024 [New Strat & New Board!]](/img/tr.png)
Awesome. Thanks so much for plugging into the True Spring Reverb - loved hearing you guys play through it! So glad you guys dove into the Neuro Editor. Mick to answer your question - yes, you can place the tremolo either pre or post reverb tank. You just need to select either "Wet/Dry Mix" (tremolo post reverb) or "Dry Signal" (tremolo pre reverb) from the "Tremolo Assign" pull-down menu in the Neuro Editor. TPS Forever!
Aha! Thank you! Was going to email... Somebody asked whether it was analogue dry through? One assumes that with the modulation going, maybe not? It'll come up in VCQ on Monday. Killer sounding thing!
@@ThatPedalShow Thanks for the good words - a lot of work and research went into that pedal, so we're psyched that you guys dig it. To answer your question, no, it is not analog dry through. Yes, the Ventris Dual Reverb IS analog dry through, but because of the tremolo we decided against it in the TSR.
Whatever shit mood I'm in: when I see Dan laughing uncontrollably because of Mick's shananigans things are already a bit better. :D
Yes I used to go to Walworth for my PICK'N'MIX but these days I come to the TPS guys 🎸🤔
@@doctiberius2717 now thats inflation in action
Mick’s cold sweat decision was a good one... glad you showed the tremolo!
And the software is very powerful and easy to use! Miles better than the app.
I love the broken speaker feel of the Mini Foot Fuzz, just got one and it's a beast to play. Almost on the edge of chaos
Great show guys! Thanks for getting the Manticore v2 on. The more time I spend with mine, the more I love it. So many tones in one pedal and never loses clarity and note definition. This ain’t no one trick pony, it’s the real deal. Cheers to TPS and Scotty at Pro Analog Devices!
Mick, I never get tired of hearing you play Lenny. And that intro was super fun.
What other people said, it would be totally awesome if you could find a way to get Nels Cline on your show! His approach to effects is very refreshing and expressive. Love your show, guys! Nice to have a pick'n'mix again, eventhough it only feeds my GAS...
Nels is an incredibly good player and LOVES gear. His various pedal videos on the ol' RUclips are all ace. Nels and Julian Lage are the best on the planet by a reasonable distance IMO.
Hi Mick. I’m your opposite, I play guitar as a hobby and do gardening as a profession. If you prune roses too early, a hard frost can sometimes damage new growth, although this is highly unlikely in the south of England. Nature is clever and will know when the hard frosts have passed. If it’s putting on new growth, it’s probably time to prune. End of February is usually a good time. Remove the 3D’s (dead, diseased and damaged) and cut just above an outwards facing bud. It’s also a great time to mulch them with some well rotted horse manure! Talking to them is optional but they’re very good listeners.
Nice, a shout-out on the show. Thanks again, you guys! Of course, it was my pleasure making the TPS pedals. Keep rockin' and keep up the great work!
Glad to see the True Spring on TPS. I just picked mine up at a crazy good price because I absolutely miss the spring reverb in my AC15 and Super Reverb. I find the True Spring delivers everything I need it to be. Add on top of that the harmonic and bias tremolo options with three savable presets.... Ace. Just ace.
If you haven't already then check out the knob reassign feature and try out spring size as a knob. It's such a useful thing to change on the fly
TPS has sent me down some great RUclips rabbit holes over the years, but "Ser Ilyn Payne playing guitar like a glorious madman" may be the best one yet - thank you two for that! Excellent work as always.
This is so much better than American TV.
I caught myself smiling uncontrollably in my office alone at midnight... somehow, the pedal manufacturers need to learn how to put that in their marketing... 50% more smiles! So fun. I will never own those, but vicariously just got to enjoy them... thanks gents.
Great show. BTW, that Chris Isaak bit is actually the playing of James Wilsey's , who sadly passed away just shy of Christmas. Tragic story. His sound literally MADE Chris Isaak, and his earlier bass playing influenced the Dead Kennedies. RIP Cal.
Mick running round just made my day. Love a pick and mix!!
Over the last several episodes I have noticed when Mick plays Lenny, he really enjoys the sound of what he's playing it through.
Wow I’d love one of those TPS light/lamp thing
Trippe there at the end... Loved it! Pretty funny seeing Mick's reaction to the hold button at the beginning!
Brilliant Wilko Johnson impression from Mick!
Nels is an amazing player, it would be awesome to have him there with you guys. Cheers!!!
Mick's opening, at 4am on a Tuesday, day already made
Damn this show. Just ordered a Manticore 2.
Manticore v2... best OD/ Distortion ever
Your show is "ace" boys, I can't get enough of it! Having said that, I cannot help but think if Howard were still around at Catalinbread, we would be listening to greatness right now, but they gave him the chop...
Man, once you guys dug into the Coriolis, you got the look of two kids in a penny candy store with 50 cents in your pockets: childish glee. So cool when that comes around as an adult! Dan's intro already made my day, but the outro...icing on the cake.
Yes, the True Spring Neuro app works on Android Mick. Love it. Nice work mates!
Your new "That Pedal Show" display light pedals look fantastic! You should put them in front of the DB meter.
Best intro EVER, guys- that was awesome :)
That hilarious intro was my favorite of Mick's playing. Ever.
Awesome. The only answer to Dan's masterful melodiousness is pure noise. Successive disruptive rock n roll genres have understood this. /0)
@@ThatPedalShow Longtime fan of the channel here, very pleased at the answer ! Keep up the excellent work ! (And I am indeed a massive Nels Cline/Sonic Youth/Kevin Shields/Marc Ribot/Sonny Sharrock/Greg Ginn fan)
Mick doing his Wilco Johnson impression left me creased, bloody hell. Brilliant
Coriolis may need a deeper dive to grab some usable sounds. The other pedals were for sure set it and forget it. They all sounded great. Great show and appreciate all your hard work day after day, week after week.
You guys were brave with the Coriolis Effect. A little much for me but I always need that education that only you two can provide ;)
All right Mick!! Pulling out your grunge moves! Love it
Oh and one more tip for the True Spring tremolo: that "engage boost" function is great to not lose volume when using the trem. Aces. SA really thought of almost everything in that unit (as well as the Ventris).
Yeah, they were both intensely beta tested by myself and several other people with great ears and ideas. :)
@@christopherventer6391 Well they went to the right guy with you Chris!
That reverb pedal is amazing
I absolutely LOVE it when Mick busts out a little 'Lenny' snippet!!!
Aaaah, the glorious Manticore is back. Should keep it on your baord gents :)
Fantastic intro! Mick on the good drugs! Great pedals! That pedal show bedside lamps! What’s not to like.
We’ve got enough pedals that make sound. Said no one. Ever.
Pedals don't make sound...
@@colaboytje EHX RTG
@@lunchpin403 It has the form factor of a pedal, but it's a synth.
@@lunchpin403 I just bought one. Things got a but weird here last Friday night.
Would love for you guys to do a lineup of the best pedals you can find for under $100 - a budget gig rig if you will
Damn, that's sounds more spring than a spring........and Mick I new you couldn't resist playing Lenny. Thanks guys.
The coffee must have been strong .... the intro very avant garde ... and the Wilco extraordinary :0 .... a pick'n'mix at it's best !
The reverb pedal sounds very convincing. One thing about reverb pedals that drives my consideration on whether to use them or not is whether or not I want the drive quality added into the signal that some amps with onboard reverb add to the sound. Particularly Fender amps. You can get a completely different sound by not using your own onboard reverb, which sometimes do not play nice with certain overdrives or fuzz pedals, sonically, so if you want reverb you get a clearer addition with a pedal reverb.
#1 - Those Pedal Lights are Great. #2 I'd love to Hear the S.A. True Spring Reverb (alongside) Dan's . . . Massive Carl Martin Reverb Pedal ( both Sound Fantastic ). Every-Time Mick plays S.R.V. - it just showcases That "Sick Tone" on that Strat = Gorgeous.
Some of the wild and crazy sounds you are achieving with the Coriolis pedal remind me of Terry Kath's playing in "Free Form Guitar" on the first Chicago Transit Authority album.
Vcq comment... That manticore has got to be the most transparent OD I have ever heard. Slap a second gain stage on that one and I'm sold... Cheers from the US gents!
Hahaha, that intro! The soundtrack to the Strat insanity!!
manticore really good for fusion jazz
I might need to buy the Source Audio. Damn it TPS!
That Coriolis thing is totally bonkers!
Just an idea....use those awesome "light up" pedals in a new stop motion intro video! 😁 Best part of my week as always guys!
Grateful for my TPS Bobble Beanie this week up on top of the Brecon Beacons. Ears may not have survived without.
I have the True Spring Reverb and really like it, so why is it that when I saw that it is featured in the video I felt I need approval from Dan and Mick also :) I like that you can use the pedal just simply from the top, or those who like to tweek can change pretty much everything. I changed dwell and tone knobs to work as tremolo speed and depth and now I have all that I need on hand.
Haha! I was like "I bet that they forget the tremolo side of the True Spring!" Good save!
Cheers guys, an innocent looking pedal board cabable of great noise. Outstanding work. :)
Off topic but 10:10 is the same beautiful chord as in the intro to Bonobo - Magicman!!
three cascading gain stages!!! U-U, sounds amazing...nice work dudes
Great beginning. The reverb pedal sounds like a winner, but I don't think my HOF2 is in any trouble. Through my system (proper surround system) that overdrive doesn't sound like anything special. JHS, which (full disclosure) I am a big fan of, sounds like typical JHS - focused and awesome. The Coriolis Effect just wow. That's a fun pedal.
Is that Mick doing a Nick Reinhardt impression at the beginning of the video?
Damn straight he was
Whoa, Paul Gilbert riffs from out of nowhere, nice!
Savage is low end control combined with gain. Keep it in the middle for unity bass response without cutting or boosting. The gain gets hairy past 3 o'clock. Try level at 9 o'clock, treble at 10 o'clock, savage at noon, gain at 830 or 930 and drive at 1 o'clock.
Love pick n mix!
I'm about to build a pedal room in our recording studio modeled after yours ... will keep you updated !!!
Good luck!
You've read WWWREVERB too the first time, admit it.
Mick, it's the nature of the Klon, having three different signals, clipped and unclipped, mixed together. On this one the effect is much more evident.
That bazz fuss sounds good! it's unbelievable how simple that circuit is.
Well that was intense, for 6am
Wilko! Love it!
Yesterday they were set up around the room, the show pedals that is.
Thanks guys.... now I have to explain to the wife why I need another reverb pedal.....thanks....
Woah... this time distorted analog throbbing right in your face! x.x Anyway, this episode makes surviving the work day a lot easier.
36:17 killer riff & tone
18:30 you guys are wanting to start demoing an overdrive but the damn reverb is so good you just can't stop tweaking. .....priceless.
Love the light up bench pedals. Better make sure there are no spy microphones hidden inside. Any microphones will need to be able to take the volumes...
Great show. To me all humbuckers sound heavy on the E string and soft on the high E but I prefer single coils or p90,s anyway , but I haven’t played all known humbuckers in the universe , either !! HAPPY DAYS
speaking of amazing intros, Mick...
10:14
Hi Dan,
I agree with this sentiment as well.....
The mini foot sounds a lot like my favourite settings on my Tech 21 Boost Fuzz.
“I really love my tele style guitar into my manticore and supro black magick. I should buy one of those true spring reverbs for the supro though, wonder if anyone did a demo of them together?” -me before finding this video and having my mind blown up 🤤
if I was thinking of getting a new reverb pedal I would buy the true spring pedal sounds really good
I love Mick’s giddy laugh
Yay! Pick and Mix.
It's off subject. But Mick has to be a heritage boot guy. Love the Redwings and the Blundstones. It's weird that I love gear and also look and see Mick's boots and go ... Nice I like those. Lol
Digging the noise. How about bringing in David Rainger from Rainger FX?
Jon Rochner He just did an interview with Josh from JHS that was great.
@@coreyclark6505 Yeah. I saw it. Great mini-doc!
I figure TPS could pick up where Josh left off.
Great idea! The JHS interview was great. I would love to see Dan and Mick spend some time with David.
You should make the part 2 of the Solo Pedals, with new pedals line up
Mick I absolutely love the dedication to" making it right" by giving all of the info on the True Spring. Gents, could you explain the difference between how Reverb tones are generated, e.g plate vs spring vs hall vs room vs etc...? Thanks muchly from Kansas City
I can help, there. These reverb types are often created digitally nowadays, but originally most of them were actual physical devices.
1. A spring reverb uses an amplifier, transformers, and a physical set of springs (usually 2-3 springs) to create the reverb effect. Basically it generates a magnetic field using the electrical signal in an amp to vibrate the springs on one end. On the other end is a pickup that senses the movement of the springs bouncing around and creates reverb using that signal.
2. A plate reverb is similar to the concept of a spring, but it uses a large (usually 2 by 1 meters) steel plate instead of springs. It uses something similar to speaker motors to vibrate the plate and also uses pickups to sense the motion of the plate in order to use the plate's ringing out for the reverb effect.
3. Room emulates the sound of a literal room. That would be the everyday reverb effect you hear when playing in a space of moderate size.
4. Hall is usually based on several famous digital reverb effects from the 70, 80s, and 90s. These were an early digital emulation of a large physical space using longer echoes and diffusion algorithms and, though they were not totally realistic, that sound has become very well-known. So, most "hall" modes refer to an emulation of those digital rack units.
When it comes to how these things are created digitally, it depends on creative use of many many small delays. What reverb truly is, in real life, is sound reflecting off of a lot of surfaces at slightly different times. Our ears interpret it as a sense of "space" and "reverberation." That's what the analog effects were also trying to generate by sending sound through various materials to slow it down and mix that signal back into the audio path. In the digital realm, the concept is very similar but of course needs to mimic the behavior of those physical units to get the sounds people want and are used to. That's where the creative part comes in.
@@christopherventer6391 Hey Chris thanks a whole lot. This is one of those questions everyone thinks everyone else knows so they are afraid to ask. I'm too old to care and want real answers. You are the best.
Yessssss Mick. Intro. Yesssss. 🤘
Those lights are pretty cool. Why not sell them on the merch page?
Would be cool!
Coriolis, nice!
Awseome into! Didn't know you were a Fred Frith fan!
Can you actually read my mind? 'Hmmm, that Volante looks good' - 24 Hrs later 'Dan here, Mick here. Welcome to our in-depth look at the new Strymon Volante'. Yesterday morning... 'It's been a while, I wonder if Dan 'n' Mick will ever do any more pick n mix episodes?'. For tomorrow chaps, 'Instead of going to work, I wonder if Dan and Mick would like to do a vlog to help me review all of the vintage gear I bought with my several hundred million pound lottery win'.
No matter what mood I’m in, im always in the mood for Dick Dale
Wow. The intro is the sound of 90% of all guitarist when they say "I had an awesome jam last night at home!" I know cause I've listened to my recordings 😆
Yes. Source audio available on android. If no one didn't already mention.
I hope they can get Robin Trower on the show one day!!!
Just when I thought my Source Audio rig was complete and I was out...they pull me back in.
I use the Neuro App on my Android phone :)
Matt Gilbert yep me too I have the L.A Lady. 👍
I have that one, a Gemini Chorus, and Vertigo Tremolo. Great company.
I'm back re-watching this one as I'm looking at a Catalinbread Coriolis for my spaceship pedalboard :)
I wonder if Mick knows that Nels Cline has a non guitar playing twin brother.
2 min in and lovin' it!
Hey guys and thanks for a nice show!
Would love to hear you try the DryBell Unit 67.
Keep up the good spirit //Per
you need to invite Mansur Brown to the show!, great jazz guitar player with cool effects!