@neonskepetunije No 😁, you're right about that. After that song, they brought out four newer albums. And as I understand correctly, they are currently busy with a new album.
great reaction Deyana - great to see peter lindgren and Martin Lopez in this one - and martin lopez was my favourite drummer - but i havent heard new guy yet on record
Soo good! Wish there was a better quality live video of this song. Thank you for the reaction! Recommend Ihsahn - Unhealer (featuring Mikael Åkerfeldt)
Only Opeth can play a full-set without breaking a sweat! ”I hope you are all comfortable and enjoying yourselves” 😂 “White Cluster” brings 'Still Life' to an end with probably the most 70's prog influence track on the record. Each song brings it's own story theme to put forward a different element methodical but effective virtuosity all within an Opeth tonality. Lopez had already refined his trademark bembe into a variety of different settings. displays the versatility of the pattern by during a subdued verse on ‘White Cluster.”. The bembe plays just as big of a role on 'Blackwater Park'. 'Still Life' is an underrated gem that never got the justification. This is also the first album to feature all four of the current members post 'Still Life'. Ironically this was the year Opeth released magnum opus 'Blackwater Park' pre 'Blackwater Park Tour' (Steve Wilson). Opeth’s studio discography has been forever morphing since “Orchid” was released in 1995, and throughout their career, other full-length records demonstrated an emphasis on difference rather than a typical structure. I feel that Opeth’s lyrics have improved over time and so the quality of the lyrics on ‘Blackwater Park’. At the pinnacle of their immense run of touring, Opeth played a few shows that contained material spanning the bands entire career, from 1995’s ‘Orchid’ to ‘Ghost Reveries’, The tracks from their 1995-1998 era. Opeth have always been Opeth. Any song of theirs, you immediately hear it is an Opeth song, even if haven't heard it before. They have their own sound, and yet each album has it's own sound as well. You could draw a clear line between the “old sound” and the “new sound” of Opeth. This is how the albums sound to me, comparing them to one another. For example, although Orchid and Morningrise have a sound that is similar (Morningrise is, in my opinion, a better version of Orchid, My Arms, Your Hearse's sound is quite different. The next four albums each have their unique sound (although you could say the dark albums Deliverance and Damnation have their similarities with some darker lyrics, with Ghost Reveries a more melodious version of Deliverance. Watershed really differs from any previous album with the very clear influence of the mellotron. Heritage is quite jazzy and yet another sound, and Pale Communion, a great album on its own. Then there is Sorceress, a continuation of Pale Communion (although haven't listened to the whole album). My favourite one is 'Blackwater Park'. When Steve Wilson produced and mixed “Blackwater Park” a friendship was formed between himself and Akerfeldt. Few would have thought that this would have essentially laid the groundwork for Opeth’s entire sound to change so dramatically. One of the topics they bonded about was their mutual love of progressive rock. Over the past few years Opeth’s direction has increasingly moved towards this dynamic and 2011’s “Heritage” was completely unexpected for most fans and casual observers of the band. Personally, “Heritage” was a triumph of songwriting and performing. When a band changes its sound in such a strong way two things need to happen. First is that they need to have a clear vision of what they are trying to achieve and secondly, they need to be able to play that style with a genuine love and passion. This to me is what happened with “Heritage”. Fans who would have discarded Opeth albums because they were too heavy, were able to enjoy a new band for the first time and in some cases were able to explore their back catalogue. Since they have undergone drastic changes yet managed to maintain a good level of consistency in their sound with their debut album being little different from their lo-fi black metal contemporaries to having their last two albums being modeled on 70's progressive rock and jazz fusion with guitar-driven folk music being interspersed throughout. This complete with an affinity for analogue sound equipment such as the mellotron. As such, it's best to pay special attention to the eras they went through and acquainted with their sound. An understanding of how their trademark sound and its associated dynamics works as you'll find a good balance of death metal, folk along with clean vocals and death growls. The most hardcore of fans tend to root for 'Blackwater Park' especially due to the better accessibility and production overall :)
Beautiful young lady. Take care. John.
This song is incredible, but the 2nd half is particularly grand💀❤🖤
Baš mi se sviđa reakcija bravo Dejana❤❤❤
Ah man, the oldskool Opeth has got my preference. The new Opeth is good, different, but good. Old Opeth had something really magical.
The "newest" Opeth song I know is The Lotus Eater, but I think that's not considered new Opeth. 😆
@neonskepetunije No 😁, you're right about that. After that song, they brought out four newer albums. And as I understand correctly, they are currently busy with a new album.
@@markblaauw4961 Nice! I gotta check out some "New Opeth" before the new album drops.
great reaction Deyana - great to see peter lindgren and Martin Lopez in this one - and martin lopez was my favourite drummer - but i havent heard new guy yet on record
Wait, Axe is not in the band anymore? Is the new drummer also Martin? 😆
@@neonskepetunije haha weirdly no Waltteri Vayrynen - maybe next drummer will be another Martin - haven't heard him yet but I'm sure he's exceptional
@@jotunmarty Well of course, he's gotta be amazing if he's a drummer for Opeth!
Soo good! Wish there was a better quality live video of this song. Thank you for the reaction! Recommend Ihsahn - Unhealer (featuring Mikael Åkerfeldt)
ooh interesting, didn't know he collaborated with Ihsahn. Thanks, I'll check it out!
My favorite Song
Only Opeth can play a full-set without breaking a sweat!
”I hope you are all comfortable and enjoying yourselves” 😂
“White Cluster” brings 'Still Life' to an end with probably the most 70's prog influence track on the record. Each song brings it's own story theme to put forward a different element methodical but effective virtuosity all within an Opeth tonality. Lopez had already refined his trademark bembe into a variety of different settings. displays the versatility of the pattern by during a subdued verse on ‘White Cluster.”. The bembe plays just as big of a role on 'Blackwater Park'. 'Still Life' is an underrated gem that never got the justification. This is also the first album to feature all four of the current members post 'Still Life'. Ironically this was the year Opeth released magnum opus 'Blackwater Park' pre 'Blackwater Park Tour' (Steve Wilson). Opeth’s studio discography has been forever morphing since “Orchid” was released in 1995, and throughout their career, other full-length records demonstrated an emphasis on difference rather than a typical structure. I feel that Opeth’s lyrics have improved over time and so the quality of the lyrics on ‘Blackwater Park’. At the pinnacle of their immense run of touring, Opeth played a few shows that contained material spanning the bands entire career, from 1995’s ‘Orchid’ to ‘Ghost Reveries’, The tracks from their 1995-1998 era. Opeth have always been Opeth. Any song of theirs, you immediately hear it is an Opeth song, even if haven't heard it before. They have their own sound, and yet each album has it's own sound as well. You could draw a clear line between the “old sound” and the “new sound” of Opeth. This is how the albums sound to me, comparing them to one another. For example, although Orchid and Morningrise have a sound that is similar (Morningrise is, in my opinion, a better version of Orchid, My Arms, Your Hearse's sound is quite different. The next four albums each have their unique sound (although you could say the dark albums Deliverance and Damnation have their similarities with some darker lyrics, with Ghost Reveries a more melodious version of Deliverance. Watershed really differs from any previous album with the very clear influence of the mellotron. Heritage is quite jazzy and yet another sound, and Pale Communion, a great album on its own. Then there is Sorceress, a continuation of Pale Communion (although haven't listened to the whole album). My favourite one is 'Blackwater Park'. When Steve Wilson produced and mixed “Blackwater Park” a friendship was formed between himself and Akerfeldt. Few would have thought that this would have essentially laid the groundwork for Opeth’s entire sound to change so dramatically. One of the topics they bonded about was their mutual love of progressive rock. Over the past few years Opeth’s direction has increasingly moved towards this dynamic and 2011’s “Heritage” was completely unexpected for most fans and casual observers of the band. Personally, “Heritage” was a triumph of songwriting and performing. When a band changes its sound in such a strong way two things need to happen. First is that they need to have a clear vision of what they are trying to achieve and secondly, they need to be able to play that style with a genuine love and passion. This to me is what happened with “Heritage”. Fans who would have discarded Opeth albums because they were too heavy, were able to enjoy a new band for the first time and in some cases were able to explore their back catalogue. Since they have undergone drastic changes yet managed to maintain a good level of consistency in their sound with their debut album being little different from their lo-fi black metal contemporaries to having their last two albums being modeled on 70's progressive rock and jazz fusion with guitar-driven folk music being interspersed throughout. This complete with an affinity for analogue sound equipment such as the mellotron. As such, it's best to pay special attention to the eras they went through and acquainted with their sound. An understanding of how their trademark sound and its associated dynamics works as you'll find a good balance of death metal, folk along with clean vocals and death growls. The most hardcore of fans tend to root for 'Blackwater Park' especially due to the better accessibility and production overall :)
\m/ poyy :)