So many ghosts in this performance; the sax beautifully summons composer Sidney Bechet and the trombonist plays as if Louis Armstrong's voice has been reincarnated as his trombone. Beautiful work all around--sax, trombone, bass, piano, drums--everybody. Welcome back Sidney and Louis.
This is one of the best moments of music in the canon of humanity. The beauty and richness of the sound, the sheer mastery of an instrument, melancholic but sweet - a perfect metaphor for life itself.
God darmit. I'm after "summertime"... hat up for those that can sign he's notes.. but the expresion, the feeling... good luck for that... this man is a genius!
@Nacho Lorenzo, yeah! That was amusing. Wycliffe Gordon's trombone sounds like Louis Armstrong's voice, and Wynton is an Armstrong fanatic, so maybe he was being visited by the ghost of gravelly voices past.
It’s definitely different. It’s probably a combination of many different factors. But he’s probably trying to sound different than everyone else. I personally enjoy it
Minor error but bar 62 and 63 for the bass part might be wrong: D crochet, D crochet, rest, triplet with G for 2/3 and F# on the last beat 2 F crochet and then 2 low Es
@@-5249 Amen, Amen! Even if Franc were not known on his own, the fact that Wynton Marsalis has him in that chair at the Lincoln Center means that Franc is at least regarded as a musical archangel. Our job is easy: we don't have to like his sound; we just have to listen and learn.
Olivier Franc plays in the style of Sidney Bechet, one of the first masters of the saxophone, and uses a soprano saxophone previously owned by Bechet. See watch?v=xUPNS5QrjLA&t=66s
@@rjmalcolm8066 one should always use tenor clef (for trombone) or tenor/treble (for bassoon/cello/double bass) to write for the upper register of bass-clef instruments.
@@emilerose1424 If you're a classically trained trombonist, bassoonist or cellist, once you reach a certain level, yes, you are expected to be able to read tenor clef (and even treble in the case of the cello). Generally speaking, jazz musicians just get used to reading ledger lines.
I propose a whole new Fallout game with these gentlemen as the entirety of the in-game radio...
Heavy agree
If only we still had Gerherd Trede.
Fallout 5 in new orleans cope
Patrolling the Mojave almost makes you wish for a nuclear winter 😎😏👈
That trombone solo though😳
thats what im saying!
So many ghosts in this performance; the sax beautifully summons composer Sidney Bechet and the trombonist plays as if Louis Armstrong's voice has been reincarnated as his trombone. Beautiful work all around--sax, trombone, bass, piano, drums--everybody. Welcome back Sidney and Louis.
his vibrato is so crazy
MY THOUGHTS EXACTLY!
is that not a clarinet?
@@hiraya.7854 soprano sax
@@joshuagrant2330 yeh, just googled it after my comment. i honestly have never heard of it. when i heard of sax, i thought about 🎷
He literally spoke in trombone
🎵🎶Car horn🎶
His sound really went ~~~~~~~~
I felt that.
It was more of a 🌊🌊🌊
Jazz in Marciac 2009. Every once in a while I watch this video. Amazing performance!
I cant stop watching this; the solos are so good
That audible “Oh” by “Doc Rivers” at 1:56 😂😂
Wynton did that but yeah
when you learn vibrato and you want to show it to your friends
I think it’s imitating a Sydney Bechet sound?
IronicallyGenericName idk he was featured in the original song with them I believe.
He’s playing Bechet’s very own soprano I think
Instablaster
@@danieleswing1648 Yes, it's a Buescher True Tone from 1923. A fan bought it at an auction for 120000 Euros and gave it to Olivier.
Biggest vibrato ever
soprano went off
This is one of the best moments of music in the canon of humanity. The beauty and richness of the sound, the sheer mastery of an instrument, melancholic but sweet - a perfect metaphor for life itself.
Please continue to do more transcriptions from this concert. Great music & great notation -
What concert is this, I'm in love.
You could write the name of the solists in the title too
: Olivier Franc and Wycliff Gordon.
my toxic trait is thinking i can play that trombone solo. its so beautiful
man, things brings tears of ammusement
Would love more wycliffe transcriptions
Exactly
I HAVE BEEN LOOKING FOR THIS FOR LIKE TWO YEARS AND YOU HAVE FINALLY DONE IT MY FRIEND. CHEERS TO A GOD.
Thanks for doing my request
Thank you VERY Much Mr. Wycliff Gordon for this Transcription of Sweet Louisiana in this A-key ...for Cornet -players not easy!
Que maravilha!!!
Muito obrigado pela transcição musical!
AMIGO ESTO ES PERFECTO MUCHAS GRACIAS POR SUBIRLO
Wish I had someone special to share this with
nice tune, thanks for the transcription!
this is the best jazz recording in the world (in my opinion)
Thanks for the transcriptions
Thank you so much for sharing this transcription.
God darmit. I'm after "summertime"... hat up for those that can sign he's notes.. but the expresion, the feeling... good luck for that... this man is a genius!
1:42 is obviously the best part
Thank you for this!
crying trombone and soprano saxophones
That trombone sounded like an adult from charlie brown😂in all seriousness tho, insanely good
Winton Marsalis face in 1:55
@Nacho Lorenzo, yeah! That was amusing. Wycliffe Gordon's trombone sounds like Louis Armstrong's voice, and Wynton is an Armstrong fanatic, so maybe he was being visited by the ghost of gravelly voices past.
1:46 - 1:56 literally making the instrument talk
His solo in Summertime would be a great transcription too.
that is definitely the weirdest soprano sound i've ever heard
He tries to go for a trumpet sound, but I'm not a big fan.
I don't like how he played it. I think I would've liked it if he played the sax regularly
It's his setup
@@oh537 I don't think it's his set up. It's just his style and how he directs his air.
It’s definitely different. It’s probably a combination of many different factors. But he’s probably trying to sound different than everyone else. I personally enjoy it
Wynton at 1:54 same dude, same.
Im gratefull.
Es del concierto en Marciac del año 2009. De todos ellos, Bob Wilver, ya fallecido. Me impresiona cada vez que escucho este concierto
pog
you are quite the god my friend
Tell me you don’t know how to transcribe jazz trombone without telling me you don’t know how to transcribe jazz trombone…
Can you please transpose premier bal from these guys? I love Oliver Franc's feature and I wanna play it just like him
It's like the intro in Midnight in Paris
Minor error but bar 62 and 63 for the bass part might be wrong:
D crochet, D crochet, rest, triplet with G for 2/3 and F# on the last beat
2 F crochet and then 2 low Es
Legit a clarinet
Wow , hey can you please do the same but for summer time on that same show , ill appreciate like so much
And suddenly I own a suit and tommy gun
Sidney Bechet would be proud
This's swing jazz?
summertime please
Good job, maybe a bit too much vibrato in my opinion. But well done.
BUT That trombone... he brought the others in shadow
Was thinking the same
What’s the name of this tune?
Nombre de la canción?
what about drums and piano?
Louis Armstrong...? Anybody..? Beautiful music 🎶..Oh yeah...!
leTS GOOOO
Clarinet by Ken Peplowski
What song is this
Geniales
Can you transcribe piano plzzz
Why did the first one get deleted
Bar 33, beat two, soprano sax, should be 16ths with a B# as the last 16th
1:56 ah
I can do the notes from the trombone but I don't have the types of equipment to do the solo
Do you think you could transcribe "Every One Of Us" by Rick Astley?
1:25
Not gonna lie, that soprano tone sounds like a kids toy
Who is this?
massa é o flávio bolsonaro no cello
Is it just me or does this sound like something out of fallout
You should transcribe the new Leo p reed commercial piece
When you play alto and don’t own a soprano or tenor: 😔
What’s with the soprano’s vibrato bruh
Idk but the fact that he’s in that seat means his playing and interpretation is probably miles ahead of ours
he’s imitating the original composers style of playing the saxophone
@@-5249 Amen, Amen! Even if Franc were not known on his own, the fact that Wynton Marsalis has him in that chair at the Lincoln Center means that Franc is at least regarded as a musical archangel. Our job is easy: we don't have to like his sound; we just have to listen and learn.
Olivier Franc plays in the style of Sidney Bechet, one of the first masters of the saxophone, and uses a soprano saxophone previously owned by Bechet. See watch?v=xUPNS5QrjLA&t=66s
🤣 When you mastered vibrato on the soprano sax? You mean get that Nanny Goat sound, are you kidding? sounds aweful !!!
8va on bass clef is a big no-no, my friend.
why’s that champ
@@rjmalcolm8066 one should always use tenor clef (for trombone) or tenor/treble (for bassoon/cello/double bass) to write for the upper register of bass-clef instruments.
@@jrlepage2a03 Interesting! Are bass clef instrumentalists traditionally taught to read tenor clef?
@@emilerose1424 If you're a classically trained trombonist, bassoonist or cellist, once you reach a certain level, yes, you are expected to be able to read tenor clef (and even treble in the case of the cello). Generally speaking, jazz musicians just get used to reading ledger lines.
@@jrlepage2a03 can confirm I am the jazz musician