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Thanks for the art! I find the object you use to (i think) to keep down the paper far more interesting than the usual laying of tape . Does it have a name or was it designed by you? Because i am seriously encouraged by it.

If that's the Binning Monroe palette, it's over £500! Ridiculous! Quality enamel palettes are available on certain well known retail websites for a fraction of that price.

Thank you for your helpful and inspiring videos.

We always enjoy your posts-thanks so much!

Thank you so much, this answered a lot of questions I've been having trouble with. Looking forward to putting these lessons into practice.

I always look forward to your videos! Thank you, Andrew! Love your art and instruction! :)

I appreciate your style , but I don't like to paint highly realistically. Do you do looser , more abstract work ?

I'm practicing skies at the moment and it is very tricky to make a convincing sky. This technique is interesting but the white patches of unpainted paper are not reading as cloud highlights because of their shape. To me they look like gaps in the cloud where the sky peaks through, in which case they should be a nice sky blue. The blue you put down early on blends with the clouds and looks more like cloud than sky.

Thanks so much for your clear instructions. You've laid it all out very nicely.

Hi Andrew. Thanks again for all your wonderful videos. You and I have exchanged message regarding W&N's Viridian (the now discontinued PG18 true viridian), and the new one called Viridian Hue (PG7, PY42, PY43). I have tried the new VH and compared it to the Daniel Smith Viridian (PG18). The mixes with Raw Umber, Yellows, Burnt Umbers, etc are very similar in hue, however, the DS Viridian has tons of granulation. Two questions for you: (1) Have you tried W&N's Viridian Hue and how do you like it, will you make it part of your palette? (2) Did the W&N discontinued Viridian granulate? I look forward to your answers. Thanks in advance. PS: I keep rewatching your vidieos over and over trying to see if I can emulate your "paint once and don't come back and paint over" approach. It must take incredible knowledge and control to achieve that successfully.

😊

Please come to Hokkaido, Japan.

Advanced. Educative.

Such good advice!

Amazing

Hi Andrew. Nicely done. Is your Viridian from Winsor & Newton? Can you please tell me the pigment number on the tube? It’s in fine print and might look something like PG18 or PG7 or some other information. I heard W&N Professional abandoned the PG18 Viridian and are replacing it with Viridian Hue made of PG7 plus 2 more pigments. Cotman Viridian Hue is 100% PG7. Let me know. Looking forward to more paintings.

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Tonight I decided to watch some watercolor demos instead of the tiring election news here in the US. I have been doing watercolor for about 15 years. I do more botanical subjects. Not many landscapes. I am however very impressed with many practices you exhibit. First of all, you are a drawing master. So many I know just want to paint but aren’t willing to put the work in of learning the fundamentals. I like your basic palette for what you are doing. I also make my own but use half palettes. I also have a large square porcelain I bought at a cookware store. Underneath I have all the pigments labeled on paper larger than the palette. I am also impressed that you seem to actually use very few brushes. No matter what style of watercolor people do, your instruction on mixing is great. I don’t mix in the palette box. I have small porcelain flat squares. I usually use two in order to keep the colors rather separate. I will try not to criticize your dirty water, yet the colors don’t look muddy. I always have half a dozen glasses for clean water. I notice you are a very confident artist. The wonderful loose drippy sky is marvelous. The painting has a wonderful fresh look. The white is so important. I’m not good at people at all. I know less is more. This is the second one I watched of your tonight. It is very relaxing. I will go do my own now. I have a frog in mind from my own photo. Thank you.

Thank you, Mr Pitt. I’m new to painting. Your clear explanation and advice were very informative and useful. I’ve watched your five videos today and I truly enjoyed watching your painting process. Thank you for your good work and sharing. 😅

Another great video Andrew and a really nice end result. I like how you paint freshly, from a location drawing and your memory of the scene. The video camera recorded the house in the distance, as being much smaller than it must have appeared to you - on the day. I suppose that’s an indicator of one of the stranger aspects of working from photographs; the altered depth scale of the camera lens.

Thank you for your helpful videos. They're very helpful :-)

Thank you. I thoroughly enjoyed this journey! Your commentary is very calming which allows us to concentrate on the subject matter.

Id love to see an overhead of the initial sketch before its painted if that's okay. i always follow along, TO be honest its not a big deal if its a hassle it just means i can jot it in easier with the overhead perspective. Thankyou for all your tuition, its so valuable.

Beautiful

Are turps generally safe to use then? Thanks for all your valuable information and time❤

Beautiful!

Thank you for this video. It is filled with all kinds of helpful tips❤

Really enjoy your style of painting & teaching. Like your paintings. Thanks

Hello Andrew, are your brushes the calligraphy ones or something more expensive? Reason I ask is I have some of those but all the hair has shed and they don’t allow much control. I got them as they were good to hold!

Just come across your videos, this one I really enjoyed and will be trying. Thank you so much for sharing your knowledge 39:16

Thanks andrew

I always look forward to your videos and was so happy to see this one. I always learn something new or am reminded of things I should be doing. Lovely painting! Thank you!

I really enjoy the music, it reminds me of my childhood and being allowed to go into the woods by myself to explore. I was wondering some of my colours come out diluted, would that be because I’m using cakes, I try to draw out a think mixture but I find it so difficult to. Sometimes I go directly from cake to paper as I find it annoying that they come out pale at times.

Thank you so much. I have enjoy a lot. 😊

Thank you very much - I always enjoy seeing you create these paintings.

Im also out in Hong Kong, love the amount of Chinese brushes i can get hold of here. just purchased a few of your videos and will start work on them today. Thank you for the great content. Cant wait to get back to Norfolk to work outside!

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Another excellent video - instructive inspirational and a pleasure to watch - thank you Andrew

Oh, Andrew, this was just lovely to watch… I really enjoyed it. The colors are so nice….❤

Absolutely wonderful andrew love it😊

Your way of painting is extremely difficult for me but I like it so much. Thanks for sharing your experience.

Good to see your video in my suggestions! I wondered where you were! As to your advice to paint an object only once, I see so many tutorials where the advice is to paint in three washes. I must admit that yours has a freshness that others don’t and that you don’t strive for perfection, this helps with the ‘lively’ feel.

Thank you Andrew once again for a wonderful painting demonstration, it's good to see a lovely view of that house which is not normally seen I think. Well done

I was excited to see a new tutorial, Andrew. I often check to see if you are still painting for us. Thank you so much for your generosity. I learn so much each time. In fact, I hear your voice sometimes when I paint, especially about leaving the bits of white lifting the sky, and changing and varying the color on a shape. Love your work and listening to your thoughts as you calmly paint a scene. Best, Kathy

Very beautiful,! Great tutorial,! Thank you Mr Pitt 😊

Thank you. This was a really interesting and enjoyable video.

Thank you for this video it’s always a joy to watch you paint. I learn so much!

Hello from Canada 🇨🇦. Thanks Andrew for another great demonstration. Many beginners are unaware of the importance of composition and doing a sketch before painting. What I learned from sketching is that it helps one to check the composition of the scene, as well as the tones. If the composition has problems, the painting will be less successful, or unsuccessful altogether. Including the plein air sketch at beginning of your video was helpful.

Muchas gracias muy disfrutable

Thank you! I always learn sifting you!