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Nice plants indeed 😉🙏

The intended use of the Focus pro with focus motor is for lenses with hard stops. You can’t calibrate a lens without. However, what I do is set A and B points on the grip to manually set the stops

🙂

I contacted Saramonic about your question. I’ll let you know as soon as I have an answer

Unfortunately the kit without lavs is not going to be in stock until January on Amazon US. If you follow the link in the description to Saramonic's website and scroll down, you should find a link to the kit without lavs.

Interesting. How did you find out?

Great point about the DJI mics. Hadn’t thought of that. Yeah, the water resistance is one of biggest its selling point imo.

@@RedFrameTech If you can reach them out, please give them this feedback if it's possible to add. I really like Saramonic products.

If it’s not available on Amazon yet, check out my link to Saramonic’s website.

They’re 14mm

@@RedFrameTech thanks, man! I am trying to build a set of tripod legs myself and I was concerned that 16mm (2mm thick) was too fragile. I will use a 3d printer and hopefully get the legs done with around 80 $/eur..

@@ovi-diyCool! 🙂

Ultra does sound like a great option for what you’re doing. Thanks so much for watching!

It's kinda complicated for sure. But I've never had any problems with my dedicated timecode devices. I think the main problem lies in cramming a lot of functionality into an affordable device. It'll get there eventually I'm sure

Thanks! I'm hoping they can add the ability to jam sync both ways with firmware 🤞

@@RedFrameTechI emailed them about accepting external timecode. Yesterday they replied that they have no plans to add it.

Sure thing! I own the Sennheisers myself and obviously prefer them. But they’re not in the same price range. To a point agree with you on the timecode issue. However, it is still timecode. It’s just going to have to be the master. Not ideal and I’d like to see that change, but considering the price I think it’s a reasonable trade-off

If it’s a dummy with USB C there should be a little box in the cable. This is the voltage regulator and should take of supplying the correct voltage. Sometimes the regulator sits within the dummy itself. It depends on which one you have

Thanks for your input. Sometimes I have more time to hide jump cuts than other times. But the ‘smooth cut’ transition in Resolve only works like 5% of the time in my experience.

As far as I know it is indeed compatible with rs3

@RedFrameTech thanks for replying I will try out. I good now the raveneye but not happy with tracking. Hopefully the lidar it's better for tracking humans.

As it stands right now, there’s no iso control. However, you can start and stop recording via the grip. Thanks so much for watching!

It's a SmallRig friction arm (screwed onto the fluid head) with a cold shoe adapter. Thanks so much for watching!

FieldMonitor works fine on iPads; both iPhones and iPads are tested during development.

Awesome! Indeed it is. I'm still using mine regularly

@@RedFrameTech I won’t sell it again that’s for sure! I think the 35-100 will be glued to it when it arrives.

That's a strange problem to have. I don't really know what that can be, but my guess would be that the GH6/7 put out a slightly different voltage than the GH5s.

There are a few monitors that allow camera control. PortKeys have one. But make sure you check compatibility with your camera

I have seen most of their line-up at IBC2024 and their more recent light are pretty decent. It was hard to judge fan noise there though, because it was a noise environment to begin with 😅

You're building a studio? Cool! Btw, it was nice to see a face with the voice (watched your latest video) 🙂 Using the light as a key-light works well with the lantern. The skirt keeps the light from spilling into the room. One thing to note is that I now have quite a bit of space in my new studio and so it's not an issue to have some amount spill. For a smaller space it might be better to use a parabolic soft box with a grid, to have the light be more directional. As for the distance: rule of thumb is that the bigger the light source is and shorter the distance to it, the softer the light will be. It all depends on the look you want to achieve with the mix of focal length, distance from the lens/framing, aperture and softness of the light. The CB200C is powerful enough to basically do anything you'd want in a studio environment, but depending on the amount of space 80 or 100watts could definitely suffice.

@@RedFrameTech I can't help being so handsome, can I? 🤣🤣🤣😇 As for the studio, it's not for me, it's for a friend. Honest 🤣 He's got a modest amount of subs on his main channel, which is an out and about vlogging channel, however he has a second channel with only 8k subs which is perfect for a studio environment to present from. I'm trying to do a bit of research to get lighting to make it look more professional. No point having an expensive camera to film if the lighting is rubbish creating so much noise that it looks like a crappy webcam. BTW I can only dream of hitting 8k. 🤣. I can easily see you hitting 20k within 12 months. Traction is building and you are pumping out solid reviews.

It’s quieter for sure. Fan noise is one of the main issues I have with the more compact lights.

Yeah, it’s extremely powerful. And for the price, it’s incredible. I was at Neewer’s booth at IBC and they’re definitely starting to come out with some good stuff!

Thanks for the sub! I’m glad you like the video 🙂

I recently talked to someone who did purchase the ARRI upgrade and told me he had returned it almost immediately 😅. Didn’t install it. He initially got it because of the lower ISO with DR boost on (1250), but changed his mind because it’s not that big a difference. I tend to feel the same about it. I’d still love to try it out, but also still can’t justify purchasing it just to try it out..

@@RedFrameTech that's very interesting. I wonder of that would be same for the GH7 as well - by the way have you picked one up yet!? Might get one next week.

I am actually an ARRI AMIRA owner operator, but I get so excited about using the GH6 (hopefully 7 soon) for some reason - love the chunky small body, wish the VF was a little bigger or there was a good alternative to it other than a monitor.

@@thenintendohub3873 An Amira owner? wow, that's serious business! I guess it would make sense for you the get the upgrade just for the arri post workflow/matching. I haven't picked up a GH7 yet. I'm still debating getting another GH6 for cheap OR getting a GH7 for the PDAF and 32bit float capability. What would get the GH7 for specifically?

@@RedFrameTech I love my Amira and have some lovely lenses for it, but you know using the GH6 is a lot of fun for me, I really like the body and the 'feel' of holding it, and of course it's like a toy with the weight difference. I think one thing you can't cut corners with though is using a good tripod with the camera, so the moves are buttery smooth and not juttery that can happen with cheap tripods. So I am now using my Miller tripod with the same legs as the arri set up, but using a smaller head. One thing I'd love to adjust on the GH6 is the waveform monitor on it, so it just shows 0 to 100 - at the moment it shows about -10 to +130 IRSE - and that makes it harder to set exposure quickly - I wish the top line of the display was 100 irse so you knew exactly where you exposure lay. Even if you peak at 80 IRSE on the current display, there are still about 5 lines above this - wish there were just the 2. Perhaps the GH& displays it a little differently. Hope this makes sense as hard to explain. I think I could sell my GH6 and the switch to GH7 wouldn't be too bad as I have all the accessories. Also, if I am asked to pop out to an event, dinner function etc to capture some shots, to be able to bring the GH6/7 with me and a fast lens is so so much easier than taking the whole ARRI rig. One thing I do find though, is that when people see you using it, they assume your are taking photos so freeze and set a pose! With the ARRI they know you are capturing footage and carry on with what they are doing. The answer though is probably having a nice and fast lens around 85mm so you can stay 20 feet away and get what you need. I'd also love it if there was another view finder option you could use on the camera - I can manage with the one there is, and dont want to have to cart a monitor around on it - but even if it as 25% better that would help. Keep us the great work and sorry for the long answer!

Me too! If I do get the opportunity to test that out, it’ll be up on the channel for sure!

@@RedFrameTech I am sorting of hoping there would be a noticeable difference. Real shame the same ARRI upgrade wouldn't work on both cameras if you had them both, think it only works as a one time upgrade.

Happy to hear it was helpful!

This from Black Magic’s forum: The image data is stored in BRAW as 12bit log. Resolve can decode that to 16 bit linear. For what it's worth, ARRIRAW is also 12bit log

As long as the camera has a 3.5mm mic input, it works

Which camera are you using?

I’m not sure, but I assume it would work since Panasonic says those lenses can be considered native

Coming soon 😉

@@RedFrameTech Take your time 🥰

Thanks man!

It honestly has become one of my favorite monitors. Colour accuracy looks pretty good to me, but I have no way of measuring it. It does support a 10 bit signal. Whether it’s an actual true 10bit monitor, I doubt it. There are very few that are true 10bit on the market anyway. A comparison video will come for sure! Perhaps I can manage to figure out a way to accurately compare colour accuracy for the comparison. I’ll do my best ;) Thanks so much for watching!

I agree with you on most things. However, I really like the bigger screen. Sure, a matte screen would be preferable, but I think for the price point of the F700 it's a fair compromise

Haha! Definitely not, but this monitor is honestly pretty nice