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Battery life is very, very good. However, I can’t perform a test that represents the actual performance as my npf batteries don’t have their full capacity anymore. But on 2 npf 750s it lasts over half a day at least

@ hell yeah, thanks for replying! Mine should arrive tomorrow. Looking forward to your monitor comparison video!

In general, in the majority of cases, you’re assumption would be correct. However, in the instance of this video I used it to sync multiple audio sources. Timecode has many use cases aside from multi cam. Thanks so much for watching!

After using the GH7 for a while I’ve noticed that the GH6 produces nicer colours. Particularly skin tones. I’m working on a LUT that will match the GH7 to the GH6 (in V-log). I almost always shoot V-log in Long-gop 422 or All-I 422. I hardly ever shoot Prores as it doesn’t really affect quality.

I also have had some issues with parfocality that I only discovered after I used the dji focus pro lidar system with these lenses.. but other than that they’re great lenses

Valid points! I still own both the BM and the Atomos and continue to use them both in different scenarios. But like you say, the BM's UI is superior

My point is: I shouldn’t have to if it had been designed properly. Mounting it upside down brings up other issues as well. Btw, I don’t really appreciate the self-promotion with the hashtags in my comment section. Especially because it’s completely unrelated

I have the iOS version. Doesn’t crash, but I also don’t use it. There are better teleprompter apps out there

@@RedFrameTech The software is full of bugs. Found out that the first time you run the Android app it asks for location permission, if you give that permission it will always crash, and you will have to remove it and reinstall. If you give estimated permisson or no location permission it "works". Although... if you try to open an existing text file nothing happens. So the only thing you can do is type it in or paste it from another app. Some messages appear at the bottom of the screen.. in Chinese (I guess). Nowhere can you change the language... or the location of the files you want to use. Very disapointing.

That’s disappointing indeed 😕

@@RedFrameTech Yes, you are certainly right. Even after I managed to start up the app... it didn't recognise the remote control. Tried several times to reach Moman but to no avail. So I switched to "Elegant pro" (5€) and bought a mini bluetooth control on Amazon (8€).

The screen isn’t completely matt, but it’s not too reflective

I just checked and I can confirm the issue on the GH7😕

Sure! The one I have is the Ambitful WS-130. It’s relatively cheap and works great. However, it’s not suitable for heavy lights. The one I’ve got attached to it is the Zhiyun Molus B100 with an an 80cm softbox and it’s holding that well.

👍 Hope you’re doing well too!

Me too man!

Same man, real time luts do me great. I’m an MF guy and use stuff like Sirui anamorphic so not bothered about AF at all though tbh the GH6 AF is fine for general use. Absolutely love the GH6 I’ll have this rascal for decades!

I'm assuming you're looking for zoom lenses. The Leica 10-25 and the 25-50 are excellent lenses. Nice bokeh and background separation due to the f1.7 aperture. I have no experience with the 18-35 with a speedbooster, but I'd say it's an option if you don't want to make full use of the GH7's autofocus capabilities as I've heard that combo doesn't seem to perform optimally. I also own the DZO 10-24 and 20-70 T2.9 cine zooms. The bokeh is softer and creamier than from the Leicas, but background separation is more challenging due to the T2.9 aperture. Generally speaking, cine lenses tend to have a softer bokeh. However, only recently companies are coming out with cine lenses that support autofocus. The majority of cine lenses is manual only. Hope that helps and thanks so much for watching!

Thank you very much! ​@@RedFrameTech

You're most welcome!

Glad it was helpful!

Honestly, whichever one you like the most, except for V-log and HLG.

Glad my video was helpful! Connecting two mics is tricky. You can do it the way you describe with a splitter cable, but then you can’t adjust the gain separately for both mics. I think the easiest way to go would be to use two wireless transmitters of which one has the ntg connected to it. This way you can control the gain individually on the receiver before it goes into the camera. The camera needs to be set to line level (and the wireless receiver to line-out). Hope that helps!

@@RedFrameTech thx for your response ...what about connecting the USB-C port is located at the base of the microphone to the USB-A input on the camera, could that be an option? (I have not yet received the mic in order to test)

LOL Just asked chatgpt about that and here is the response: Unfortunately, you cannot directly connect the Rode VideoMic NTG's USB-C port to the USB-A input on the Lumix GH6 or Lumix G9 II to record audio. Here’s why: The USB-C port on the Rode VideoMic NTG is primarily designed for digital audio output to computers, smartphones, or devices that support USB digital audio input. The Lumix GH6 and G9 II cameras do not support USB audio input via their USB ports....do you agree?

Yes, that would be correct

You're welcome 🙂 Thanks so much for watching!

If you’re happy with the quality you’re getting, that’s great! It all depends on what you want to achieve. Using a GoPro is definitely the safer option 😉

Interesting theory! However, from what I understand now is that DR Boost is indeed combining two sensor readings, though not at different shutter speeds but at two gain (ISO) levels. You got me curious though, so I’ll see what I can do. Thanks for watching!

@@RedFrameTech looking forward to your tests, to see whether the two ISO levels readings happen at the same time or in succession in which case ghosting effect is still a possibility.🤔

True!

😂 🙏

Hi Matias. It’s hard to recommend one particular monitor, because it depends on what you want or expect to get out of it. It’s mostly personal preference and also budget. However, I can highly recommend the Neewer F700 if you’re looking for a 7” inch one. The Shimbol Memory 1 is a good 5” monitor and if you’d also like to record externally (including RAW) there’s either one of the Atomos recorders (like the Ninja, Ninja V) or the Black Magic Video Assist 12G (5” or 7”). I personally own the Ninja V and the BM Video Assist 5” and love them both. I’ve got videos on all of the aforementioned monitors on my channel. In the end, any camera monitor will work with your G9II, so try to determine what features you need before purchasing. Thanks so much for watching!

@@RedFrameTech Hi Sebastian, thank you so much for your detailed recommendation. I want to record externally on a Samsung T7 because sometimes I want to shoot with my iPhone 16 Pro and sometimes with my new G9 II. So I want to check out the Neewer or the Shimbol. Best, Mathias

That’s awesome to hear!

Thanks so much for watching!

It’s currently my most used monitor. It’s great. It’s got 1.25,1.33,1.5,1.79 and 2.0x anamorphic desqueeze

@@RedFrameTech awesome thank you so much! Definitely going to pull the trigger on it then.

It gets less good as light decreases because face recognition relies on its camera, but I’d say it’s better overall than the performance of mirrorless cameras

Glad to hear it was helpful! Thanks so much for watching 🙏

It’s definitely great value for money. The reason you can’t access safety track when just using the transmitter is because the transmitter can only record one mono channel (as basically all of these kinds of systems do). The split between the normal track and the safety track happens at the receiver’s end. That’s also why you can only use the safety track option when using only one transmitter.

Yes it does

Awesome. Good is good enough right? 👍

Glad to hear my video was helpful. Thanks so much for watching!

BT2020 is a color space so I am not entirely sure what you mean 😅 But in general, either of these devices record whatever your camera is set to put out over HDMI in whichever colorspace. Recording codec can be selected on device. Both can record in ProRes and dnx. The main difference lies in RAW video support: Black Magic: BRAW Atomos: ProResRAW

Are you talking about video or photo? And is the camera set to full manual mode?

@RedFrameTech A mode

@@RedFrameTech photos

@@vojtekvojtek3599 The A mode (aperture priority) is a semi-automatic mode in which you have no control over shutter speed. Try S (shutter priority) instead or M (fully manual)

@@RedFrameTech Thanks!🙂

Very true! 🙂

Hi! You need to run a 3.5mm cable from the H6’s line-out to the microphone input of the GH6 and then set that mic input to ‘line’ in the menu. Then try to set the H6’s line-out level as high as possible and adjust input level on the GH6 accordingly. If the level on the GH6 keeps clipping, adjust the output level on H6. Btw, what you’re planning to do is a good way to record back-up audio! Hope that helps and thanks so much for watching!

I am! Thanks 🙂

It does. It's camera-independent. However, it doesn't support a wired connection to the GH5, but other than that it works

@@RedFrameTech can you explain? what do you mean by a wired connection? do you pair it via Bluetooth with the handle and connect the Lidar pro? (meaning no need of a usb c connection) I'm a bit confused.

So Focus Pro doesn’t need to be connected to a camera. It’s a standalone system that controls the focus ring of your lens. You can use whatever camera with interchangeable lenses that have a focus ring. A wired connection to a compatible camera only allows for some additional functionality like start and stop recording via the grip. A wired (or Bluetooth) connection is not required for the system to work. I hope that explains it

Thanks! I am planning on doing a comparison video. I'm very curious myself 🙂

Maybe next time Filip!

By the way saw a new GH6 for 900€ But still don't know if it is not more wise to wait and get the GH7...I shoot usually concerts in high ISO with my GH5s...2500iso second base or GH5 800+ so don't know ​@@RedFrameTech

@filipmichalsaffray441 So far the GH7 has impressed me. I still have to do some more testing though (low-light GH6 vs GH7). But yeah, the deals on the GH6 are good right now..

@@RedFrameTech my concern is that GH6 with DR boost has a 2000 base iso wich is perfect for me because I usually film around that on MFT and the base ISO of GH7 is 500...and I heard that it is quiet noisy...so maybe for my personal use case GH6 is better...and with GH5s behind camera I was getting good AF result when needed so I don't know...

@@RedFrameTech one more question can you record 120 fps braw with GH6(7) with VA 12 G?

Thanks for watching!