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Any idea how loud an Aaton 35 II is?

WHERE DID YOU GET THIS, HOW DO I GET AHOLD OF A FLATBED EDITOR

Let us all be very thankful for Christopher Nolan's use of IMAX on Oppenheimer! And also thanks for this video man, and for the whole series. I wish I had discovered all of this a long while ago!

I've been flirting with the idea of 35mm recently. Fundamentally its prohibitively expensive for me at the moment. Also I find the 16mm just looks more filmic and is more reminiscent of some of my favourite 80s and 90s films. I think for independent makers the 16mm setup is a lot more manageable on set. Honestly I'm so grateful the 16mm format exists and is at least somewhat accessible for independent film makers. I love it !

oof the steam around that train at 3:38, thats just made for film

gorgeous footage, what a luxury to see

Grt

Grt. Tx

What lens u used on this camera, looks so amazing just like 16mm

Why HDR when negatives are 2.5D/0.3 = 8 stops not 15. Velvia is 4.2D/0.3 = 14 stops.

Awesome, that means I will develope my 135 rolls in E6!

Skin tone is better than NC500. Perforation still imperfect. Grain is huge compare Kodak Vision or even Ektachrome. They should improve it or make it twice cheaper than Kodak, maybe it is not possible for small factory. But they trying to restart motion picture production and community respect and support them for that, cause it better than nothing.

So what do you expect from it as a reversal? Will it behave similar to your already tested NC500 in need of even more blue filtering because of that even stronger orange layer?

Thanks for the hard work you put into this. I'm going to stick with the Kodak family for my Bolex Rex and Cine-Kodak Model K cameras. 🤭🤭🤭

Ren'em spoons!

I would just be happy with single projection cinerama today in 70mm.

Grear to see you on set. So cool, calm & collected. The shots looked really nice.

What scanner?

Nice Elmo.

Hello! would you be interested in selling the camera?

where you have developed the film?:)

Прекрасно!👌

The close ups at the end were a nice touch. Great shots

Great shots! Since I am a fan of old trains, I love the shots with the steamers. Looks like narrow gauge. The NC 400 still looks pretty rough on Super 16, especially considering that it's actually more like a 200/250. I trust ORWO will be able to refine it and hopefully bring out 200 and 50 ISO box speed films with finer grain. Colors look nice after your grading, which of course brings out grain. ORWO should pay you, since you are an unbiased, professional tester providing feedback. Thanks for uploading. I look forward to the upcoming test.

Very interesting, I think this is the beginning of this emulsion and that the dominant ones will be removed, subsequently

@ 2:20 Oops!

Great test, I did the same with my Bolex Rex 16mm and with 4 of my Bolex B8, B8L, D8L and L8 8mm models. I also use Spectra Film and Video for E6 develop only and send out my negatives film to other labs for processing and scanning. Thanks for posting. Hope you fixed that camera...

Shooting home movies on Super8 in 1990? I wonder, why. Late 1980s - early 1990s were all about camcorders. SVHS launched in 1987, Hi8 in 1989, and Hi8 looks pretty good, in fact good enough for some professional productions. You would get a 120-minute cassette for about $15, it was re-recordable and watchable on a TV. Hi8 camcorders were expensive though.

I think Ektachrome Reversal is for me in 16mm

I remember vividly seeing How the West Was Won at the Denver Cooper Theater in 1963. I was 15 years old at the time and to say I was impressed would be an understatement. What an incredible experience it was, from the assigned seating, the intermission in the lobby with no food or drink in the theater and the overall ambiance of that wondrous Cooper Theater with unbelievable 7 channel sound.....all lost today. I saw several movies in that Denver theater and was able to see the three-strip How the West Was Won twice in 1963. Wonderful memories.

Quick Question: did you ever do a video on how to replace the super capacitors?? I’m doing a shoot soon with this camera and I need to get these batteries changed 🥵 Or if you have any good resources please let me know🙂 Thanks again for these episodes. SUPER helpful

Thank you so much. Literally so helpful

A magnificent motion picture experience

So, it stayed sort of in sync for 40 seconds and it started to diverge at about 20 seconds, not something you would use for journalism. I've been reading on the topic lately, and the invention of a sync sound system that allowed to have picture and sound in sync for a whole roll while recording the sound separately, it was a very big deal back in the early 1960s. There is a 1960 film called "Primary", which was shot kind of in sync, but not really, so it took them serious efforts to more or less sync it in post using whatever primitive tech they had. You may want to delve deeper into the issue of sync sound as it is a fascinating topic.

Hi, I like the 8/16/33 mm look. But is there cheap alternative? Getting the footage developed and digitized is hardly affordable if you want to shoot a full length analog film (and dont want to use pseudo-analog digital filter.)

I shot Agfachrome 160 as my only color 120 emulsion in the Pacific Northwest in the 1990's because the vegetation was correctly rendered. Kodak and Fuji were garish by comparison. Im going to have to try a 35mm roll of this @ 160 and add different filters to see how well that works. If anyone thinks skin shouldn't have a greenish brown cast in nature, they've never shot portraits in the Hoh rain forest.

incredible restoration work. Im amazed you were able to bring back so much of the original color

Check out Fresh Ground Pictures channel, the guy made a scanner out of an old film projector and a digital camera, no fancy computer stuff, just a pin activating shutter on the camera. He then processes in DaVinci Resolve, and the result is impressive if time consuming.

Hmm, the emulsion number clearly has "7" as the first digit, not "6" :)

Great info! As for Super 8, I don't even want to know what you think about the $4.5K Kodak camera :)

Wow, can you imagine...? Three rolls same time and change it chapter by chapter and on what a huge Film it is? Its big and long. Its so great that modern technique can bring and show this without stripes on BluRay, and i am glad that i watched this with my beloved dad , a huge Fan of classic Westerns two times shortly before he died. I have a BIG Flat TV 75 " (or so) and it was real Cinema feeling, it is the only Movie where i had to move my head from side to side to see all the details left and right. A friend of mine isnt in Westerns but THIS Movie is one of his favs.

Loving your whole channel right now!

What an achievement. Excellent job. I have been getting back in to shooting motion picture, and this is the kind of stuff I really admire. Hey, may I ask how the credit "cleanup" is defined? What roles are handled during "cleanup?"

Hope you actually put out that K3 video.

Any plans to make K3 content? The K3 community continues to push what this thing is believed to be capable of, and I know you could push it even further.

I'm sorry was that Dave Grohl?!

Beautiful!!! Im surprised how good was the 50D for sunsets. I was thinking to use the same for that but I was afraid that will be too dark for 50D, but in your film looks amazing

I would agree that early super 8 commercial releases didn't have the best image quality, but companies like Derann released on super 8 stereo sound, film prints that looked like GOOD 16mm library prints, where video, VHS and such, looked OK on TV, but would look like absolute c**p projected.

That doesn't sound especially loud!

Yes - to what Skinner Myers said.